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Trope was cut/disambiguated due to cleanup
Deleted line(s) 22 (click to see context) :
* CoolGuns: The Robber’s guns are debonair like him.
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Removal of malformed wicks to GCPTR
Changed line(s) 31 (click to see context) from:
%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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Deleted line(s) 15 (click to see context) :
* BathKick: Our introduction to Teri is with her in her bath with the camera lingering on her legs.
Added DiffLines:
* LegFocus: Our introduction to Teri is with her in her bath with the camera lingering on her legs.
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Changed line(s) 44 (click to see context) from:
* MoneyFetish: Once at the Robber’s apartment, he shows Teri the jewels his stolen. Teri is so excited by them that she throws some on herself, wishing she could be covered in them.
to:
* MoneyFetish: Once at the Robber’s apartment, he shows Teri the jewels his he's stolen. Teri is so excited by them that she throws some on herself, wishing she could be covered in them.
Changed line(s) 55 (click to see context) from:
* PoliceAreUseless: The clueless guard from the Vienna Protection Services that's supposed walk around the beat helps the Robber take out the jewels.
to:
* PoliceAreUseless: The clueless guard from the Vienna Protection Services that's supposed to walk around the beat helps the Robber take out the jewels.
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None
Changed line(s) 32,40 (click to see context) from:
* GettingCrapPastTheRadar: It's what many audiences remember from this film.
** This:
--->'''Robber''': I live only for the present. And the present is you.
--->'''Teri''': I beg your pardon!
--->'''Robber''': No one knows I’m in the house. Night is before us. And, if you wish, at dawn, we shall have a secret behind us.
** This:
--->'''Robber''': Come with me. I’ll drop you somewhere in the suburbs. Untouched.
--->'''Teri''': Untouched? In the suburbs? That doesn’t interest me at all!
** The servants open up the curtain to the Robber's bedroom in preparation for their dinner, but the head servant says, “No, no, no. Supper first!”
** This:
--->'''Robber''': I live only for the present. And the present is you.
--->'''Teri''': I beg your pardon!
--->'''Robber''': No one knows I’m in the house. Night is before us. And, if you wish, at dawn, we shall have a secret behind us.
** This:
--->'''Robber''': Come with me. I’ll drop you somewhere in the suburbs. Untouched.
--->'''Teri''': Untouched? In the suburbs? That doesn’t interest me at all!
** The servants open up the curtain to the Robber's bedroom in preparation for their dinner, but the head servant says, “No, no, no. Supper first!”
to:
%% * GettingCrapPastTheRadar: It's what many audiences remember from GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this film.
** This:
--->'''Robber''': I live only for the present. And the present is you.
--->'''Teri''': I beg your pardon!
--->'''Robber''': No one knows I’min the house. Night is before us. And, if you wish, at dawn, we shall have a secret behind us.
** This:
--->'''Robber''': Come with me. I’ll drop you somewhere infuture, please check the suburbs. Untouched.
--->'''Teri''': Untouched? Intrope page to make sure your example fits the suburbs? That doesn’t interest me at all!
** The servants open up the curtain to the Robber's bedroom in preparation for their dinner, but the head servant says, “No, no, no. Supper first!”current definition.
** This:
--->'''Robber''': I live only for the present. And the present is you.
--->'''Teri''': I beg your pardon!
--->'''Robber''': No one knows I’m
** This:
--->'''Robber''': Come with me. I’ll drop you somewhere in
--->'''Teri''': Untouched? In
** The servants open up the curtain to the Robber's bedroom in preparation for their dinner, but the head servant says, “No, no, no. Supper first!”
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No longer a trope.
Deleted line(s) 73 (click to see context) :
* YourCheatingHeart: She’s had an affair with the cabinet minister and very likely with the Robber.
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None
Changed line(s) 64 (click to see context) from:
* UsefuleNotes/ThePreCodeEra: This is ''the'' quintessential pre-code. If you want to see how far they could get away with double entendres/sex jokes/drug jokes, this is the film.
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* UsefuleNotes/ThePreCodeEra: UsefulNotes/ThePreCodeEra: This is ''the'' quintessential pre-code. If you want to see how far they could get away with double entendres/sex jokes/drug jokes, this is the film.
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Changed line(s) 64 (click to see context) from:
* ThePreCodeEra: This is ''the'' quintessential pre-code. If you want to see how far they could get away with double entendres/sex jokes/drug jokes, this is the film.
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* ThePreCodeEra: UsefuleNotes/ThePreCodeEra: This is ''the'' quintessential pre-code. If you want to see how far they could get away with double entendres/sex jokes/drug jokes, this is the film.
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None
Changed line(s) 17 (click to see context) from:
* BreakingTheFourthWall: [[spoiler:At the end of the film, the Robber gives Teri the proposition of meeting him in Nice, France, to continue their budding romance. The police are after him, so he leaves her tied up to avoid arousing suspicious against her. Her husband and friend find her and the dialogue goes:]]
to:
* BreakingTheFourthWall: [[spoiler:At the end of the film, the Robber gives Teri the proposition of meeting him in Nice, France, to continue their budding romance. The police are after him, so he leaves her tied up to avoid arousing suspicious suspicion against her. Her husband and friend find her and the dialogue goes:]]
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Changed line(s) 6,7 (click to see context) from:
Like many movies of this time, ''Jewel Robbery'' is set during UsefulNotes/TheGreatDepression. It follows a pampered baroness named Teri (Franis), who lives in Vienna with her husband Baron Franz von Horhenfels. She enjoys getting jeweled presents, but wants more in life instead of her boring marriage, and even becomes excited over scandalous stories in the newspapers. When she visits the jewellery store with her husband, he haggles at a price for an expensive Excelsior diamond, just as the store has been targeted by jewel thieves.
to:
Like many movies of this time, ''Jewel Robbery'' is set during UsefulNotes/TheGreatDepression.TheGreatDepression. It follows a pampered baroness named Teri (Franis), who lives in Vienna with her husband Baron Franz von Horhenfels. She enjoys getting jeweled presents, but wants more in life instead of her boring marriage, and even becomes excited over scandalous stories in the newspapers. When she visits the jewellery store with her husband, he haggles at a price for an expensive Excelsior diamond, just as the store has been targeted by jewel thieves.
Changed line(s) 41 (click to see context) from:
* GoldDigger: Teri only married the Baron for his money. (However, you could take this into context of [[UsefulNotes/TheGreatDepression the times]], in which many were struggling with money matters and many were becoming desperate, to the point of being materialistic with whatever they could get their hands on. Teri could've been one of them.)
to:
* GoldDigger: Teri only married the Baron for his money. (However, you could take this into context of [[UsefulNotes/TheGreatDepression [[TheGreatDepression the times]], in which many were struggling with money matters and many were becoming desperate, to the point of being materialistic with whatever they could get their hands on. Teri could've been one of them.)
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None
Changed line(s) 6,7 (click to see context) from:
Like many movies of this time, ''Jewel Robbery'' is set during UsefulNotes/TheGreatDepression, following a pampered baroness named Teri (Franis), who lives in Vienna with her husband Baron Franz von Horhenfels. She enjoys getting jeweled presents, but wants more in life instead of her boring marriage, and even becomes excited over scandalous stories in the newspapers. When she visits the jewellery store with her husband, he haggles at a price for an expensive Excelsior diamond, just as the store has been targeted by jewel thieves.
to:
Like many movies of this time, ''Jewel Robbery'' is set during UsefulNotes/TheGreatDepression, following UsefulNotes/TheGreatDepression. It follows a pampered baroness named Teri (Franis), who lives in Vienna with her husband Baron Franz von Horhenfels. She enjoys getting jeweled presents, but wants more in life instead of her boring marriage, and even becomes excited over scandalous stories in the newspapers. When she visits the jewellery store with her husband, he haggles at a price for an expensive Excelsior diamond, just as the store has been targeted by jewel thieves.
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None
** This:
Changed line(s) 39 (click to see context) from:
** The servant’s open up the curtain to the Robber’s room in preparation to their dinner, but the head servant says, “No, no, no. Supper first!”
to:
** The servant’s servants open up the curtain to the Robber’s room Robber's bedroom in preparation to for their dinner, but the head servant says, “No, no, no. Supper first!”
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None
Changed line(s) 3,13 (click to see context) from:
''Jewel Robbery'' (1932) is a deliciously [[UsefulNotes/ThePreCodeEra Pre-Code]] comedy film directed by William Dieterle, starring Creator/WilliamPowell and Creator/KayFrancis. It’s the less classy cousin to ''Film/TroubleInParadise'' from the same year.
The film begins in Vienna where Baroness Teri (Francis) is boringly married to Baron Franz von Horhenfels and wishes to be whisked away by a [[KnightInShiningArmour debonair knight in shining armour]]. Even so, she’s excited that her husband is buying her the Excelsior diamond. Her fear from reading the reports of a distinguished robber [[{{Foreshadowing}} holding up jewelry stores in the neighbourhood]] is soon lulled away by the excitement.
The day comes and the Baron and Baroness go shopping, but they’re robbed by the exact distinguished man (Powell) from the newspapers.
During the heist, sparks of sexual innuendo and tension fly between Teri and the Robber, but this intriguing heist soon ends. Teri seriously doubts she’ll ever see this debonair man again.
Safely at home, Teri is bewildered by the sight of a [[FlowersOfRomance vase full of roses in her boudoir]]; no one can explain how it apppeared. Teri realizes the return of the Robber is imminent, especially when she finds her stolen ring back in her safe.
It turns out that the Robber has been waiting for Teri to suggest a proposition, but Teri’s reluctant to start a relationship. Fortunately, the Robber makes a compelling case for getting together.
The film begins in Vienna where Baroness Teri (Francis) is boringly married to Baron Franz von Horhenfels and wishes to be whisked away by a [[KnightInShiningArmour debonair knight in shining armour]]. Even so, she’s excited that her husband is buying her the Excelsior diamond. Her fear from reading the reports of a distinguished robber [[{{Foreshadowing}} holding up jewelry stores in the neighbourhood]] is soon lulled away by the excitement.
The day comes and the Baron and Baroness go shopping, but they’re robbed by the exact distinguished man (Powell) from the newspapers.
During the heist, sparks of sexual innuendo and tension fly between Teri and the Robber, but this intriguing heist soon ends. Teri seriously doubts she’ll ever see this debonair man again.
Safely at home, Teri is bewildered by the sight of a [[FlowersOfRomance vase full of roses in her boudoir]]; no one can explain how it apppeared. Teri realizes the return of the Robber is imminent, especially when she finds her stolen ring back in her safe.
It turns out that the Robber has been waiting for Teri to suggest a proposition, but Teri’s reluctant to start a relationship. Fortunately, the Robber makes a compelling case for getting together.
to:
''Jewel Robbery''
The film begins
Like many movies of this time, ''Jewel Robbery'' is set during UsefulNotes/TheGreatDepression, following a pampered baroness named Teri (Franis), who lives in Vienna
The
During the heist, sparks of sexual innuendo and tension fly between Teri and the Robber, but this intriguing heist soon ends. Teri seriously doubts she’ll ever see this debonair man again.
Safely at home, Teri is bewildered by the sight of a [[FlowersOfRomance vase full of roses in her boudoir]]; no one can explain how it apppeared. Teri realizes the return
It turns out that
HilarityEnsues.
Changed line(s) 20 (click to see context) from:
* BreakingTheFourthWall: By the end of the film, the Robber gives Teri the proposition of meeting him in Nice, France, to continue their budding romance. The police are after him, so he leaves her tied up to avoid arousing suspicious against her. Her husband and friend find her and the dialogue goes:
to:
* BreakingTheFourthWall: By [[spoiler:At the end of the film, the Robber gives Teri the proposition of meeting him in Nice, France, to continue their budding romance. The police are after him, so he leaves her tied up to avoid arousing suspicious against her. Her husband and friend find her and the dialogue goes:goes:]]
Changed line(s) 22 (click to see context) from:
-->'''Teri''': Oh, it has been! My nerves have been shattered, simply shattered. I must get away from here for long rest at once. I think I’ll go to Nice. Yes, Nice. Nice. On the first possible train! ''[Kay Francis then proceeds to smile coyly at the camera and put her finger to her lips, ‘hushing’ the audience.]''
to:
-->'''Teri''': Oh, it has been! My nerves have been shattered, simply shattered. I must get away from here for long rest at once. I think I’ll go to Nice. Yes, Nice. Nice. On the first possible train! ''[Kay Francis then proceeds to smile coyly at the camera and put her finger to her lips, ‘hushing’ "hushing" the audience.]''
Changed line(s) 35,41 (click to see context) from:
* GettingCrapPastTheRadar: TheMovie:
-->'''Robber''': I live only for the present. And the present is you.
-->'''Teri''': I beg your pardon!
-->'''Robber''': No one knows I’m in the house. Night is before us. And, if you wish, at dawn, we shall have a secret behind us.
-->'''Robber''': Come with me. I’ll drop you somewhere in the suburbs. Untouched.
-->'''Teri''': Untouched? In the suburbs? That doesn’t interest me at all!
-->'''Robber''': I live only for the present. And the present is you.
-->'''Teri''': I beg your pardon!
-->'''Robber''': No one knows I’m in the house. Night is before us. And, if you wish, at dawn, we shall have a secret behind us.
-->'''Robber''': Come with me. I’ll drop you somewhere in the suburbs. Untouched.
-->'''Teri''': Untouched? In the suburbs? That doesn’t interest me at all!
to:
* GettingCrapPastTheRadar: TheMovie:
-->'''Robber''':It's what many audiences remember from this film.
--->'''Robber''': I live only for the present. And the present is you.
-->'''Teri''': --->'''Teri''': I beg your pardon!
-->'''Robber''': --->'''Robber''': No one knows I’m in the house. Night is before us. And, if you wish, at dawn, we shall have a secret behind us.
-->'''Robber''':us.
** This:
--->'''Robber''': Come with me. I’ll drop you somewhere in the suburbs. Untouched.
-->'''Teri''': --->'''Teri''': Untouched? In the suburbs? That doesn’t interest me at all!
-->'''Robber''':
--->'''Robber''': I live only for the present. And the present is you.
-->'''Robber''':
** This:
--->'''Robber''': Come with me. I’ll drop you somewhere in the suburbs. Untouched.
Changed line(s) 43,46 (click to see context) from:
* {{Golddigger}}: Teri only married the Baron for his money.
* HaveAGayOldTime:
-->'''The Robber''':I’ll make love to you as I have dreamed of making love!
* HighClassGlass: Teri’s former lover, Paul, the cabinet minister, sports one whenever he wants to look serious.
* HaveAGayOldTime:
-->'''The Robber''':I’ll make love to you as I have dreamed of making love!
* HighClassGlass: Teri’s former lover, Paul, the cabinet minister, sports one whenever he wants to look serious.
to:
* {{Golddigger}}: GoldDigger: Teri only married the Baron for his money.
money. (However, you could take this into context of [[UsefulNotes/TheGreatDepression the times]], in which many were struggling with money matters and many were becoming desperate, to the point of being materialistic with whatever they could get their hands on. Teri could've been one of them.)
*HaveAGayOldTime:
-->'''The Robber''':I’llHaveAGayOldTime: The Robber says to Teri, at one point, "I'll make love to you as I have dreamed of making love!
love!"
* HighClassGlass: Teri’s former lover, Paul, the cabinet minister, sports one whenever he wants to look serious. It drops out a lot, leading into awkward silences.
*
-->'''The Robber''':I’ll
* HighClassGlass: Teri’s former lover, Paul, the cabinet minister, sports one whenever he wants to look serious. It drops out a lot, leading into awkward silences.
Deleted line(s) 51 (click to see context) :
* LoveAtFirstSight: Teri and the Robber get bedroom eyes immediately.
Changed line(s) 53 (click to see context) from:
* MaleGaze: Due to her interesting dressing gown, the Robber gets a good look of her back.
to:
* MaleGaze: Due to her interesting dressing gown, the Robber gets a good look of at her back.back.
* MeaningfulEcho: Teri tells her friend that she'd love for a man to compare her eyes to emeralds, before her friend points out that it would make more sense for them to be compared to sapphires because they're blue. During the jewelry store rob, the robber tells Teri that the Excelsior ring goes with her eyes because it's blue. Teri gasps, most likely remembering the conversation from earlier.
* LoveAtFirstSight: Teri and the Robber get bedroom eyes immediately.
* MeaningfulEcho: Teri tells her friend that she'd love for a man to compare her eyes to emeralds, before her friend points out that it would make more sense for them to be compared to sapphires because they're blue. During the jewelry store rob, the robber tells Teri that the Excelsior ring goes with her eyes because it's blue. Teri gasps, most likely remembering the conversation from earlier.
* LoveAtFirstSight: Teri and the Robber get bedroom eyes immediately.
Changed line(s) 65 (click to see context) from:
* PoliceAreUseless: The clueless guard from the Vienna Protection Services that’s supposed walk around the beat helps the Robber take out the jewels.
to:
* PoliceAreUseless: The clueless guard from the Vienna Protection Services that’s that's supposed walk around the beat helps the Robber take out the jewels.
Changed line(s) 69 (click to see context) from:
* RunningGag: Paul’s eye glass falling out.
to:
* RunningGag: Paul’s eye glass Paul's monocle falling out.out.
* SophisticatedAsHell: Everything about the robber, from his clothing to how he deals with crimes. When his team robs the jewllery store, it's so calm and clean, when a policeman arrives and sees how calm the hostages look, he thinks that the store's sold out and is delighted for the owners.
* SophisticatedAsHell: Everything about the robber, from his clothing to how he deals with crimes. When his team robs the jewllery store, it's so calm and clean, when a policeman arrives and sees how calm the hostages look, he thinks that the store's sold out and is delighted for the owners.
Changed line(s) 71 (click to see context) from:
* SexyBacklessOutfit: Teri’s dressing gown. It catches the Robber’s eye.
to:
* SexyBacklessOutfit: Teri’s Teri's dressing gown. It catches the Robber’s eye.
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Changed line(s) 20 (click to see context) from:
* BreakingTheFourthWall: By the end of the film, the Robber gives Teri the proposition of meeting him in Nice, France to continue their budding romance. The police are after him, so he leaves her tied up to avoid arousing suspicious against her. Her husband and friend find her and the dialogue goes:
to:
* BreakingTheFourthWall: By the end of the film, the Robber gives Teri the proposition of meeting him in Nice, France France, to continue their budding romance. The police are after him, so he leaves her tied up to avoid arousing suspicious against her. Her husband and friend find her and the dialogue goes:
Changed line(s) 46 (click to see context) from:
* HighClassGlass: Teri’s former lover, Paul, the cabinet minister, sports one whenever he wants to look more serious.
to:
* HighClassGlass: Teri’s former lover, Paul, the cabinet minister, sports one whenever he wants to look more serious.
Changed line(s) 55 (click to see context) from:
* MsFanservice: We’re introduced to Teri while in her bathtub, and see her skimpily dressed for most of the film.
to:
* MsFanservice: We’re introduced to Teri while in her bathtub, bathtub and see her skimpily dressed for most of the film.
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Changed line(s) 73 (click to see context) from:
* WeaponForIntimitation: TheRobber abhors guns and uses them only for getting people to do his will.
to:
* WeaponForIntimitation: TheRobber WeaponForIntimidation: The Robber abhors guns and uses them only for getting people to do his will.
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Added DiffLines:
* WeaponForIntimitation: TheRobber abhors guns and uses them only for getting people to do his will.
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Changed line(s) 74 (click to see context) from:
* YouWouldntShootMe: Teri’s frustrated with the Robber not [[ItMakesSenseInContext taking her diamond back]], and pulls a gun on him. He calls her bluff, and she drops the gun on his toe.
to:
* YouWouldntShootMe: Teri’s frustrated with the Robber not [[ItMakesSenseInContext taking her diamond back]], and so she pulls a gun on him. He calls her bluff, and she drops the gun on his toe.