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* AnguishedDeclarationOfLove:
** [[spoiler: Adèle gives one in tears as Emma breaks up with her and removes her and her things out of her house.]]
** [[spoiler: Adèle delivers another one to Emma after reuniting with her months after their break-up.]]
** [[spoiler: Adèle gives one in tears as Emma breaks up with her and removes her and her things out of her house.]]
** [[spoiler: Adèle delivers another one to Emma after reuniting with her months after their break-up.]]
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* SlutShaming: [[spoiler: Emma calls Adèle "a slut" over and over after learning of her betrayal. With another man no less.]]
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Good Adultery Bad Adultery now requires two affairs, with one being 'good' and one being 'bad'. Soundsl ike both are bad here
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* GoodAdulteryBadAdultery: [[spoiler:It's implied Emma is having an affair with Lise because she's lost interest in Adèle, though when Adèle has an affair of her own out of being lonely and desperate for intimacy, it's portrayed as being equally desperate and miserable.]]
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No longer a trope.
Deleted line(s) 142 (click to see context) :
* YourCheatingHeart: [[spoiler:Adèle sleeps with a male colleague from the school that she works for. She did so out of crippling insecurity and paralyzing fear that Emma is becoming more distant and even turns her down for sex. By her reaction, it appears that this has never happened before]].
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* BoyishShortHair: Emma wears her hair short whatever its color.
to:
* BoyishShortHair: Emma wears her hair short whatever its color. She's a lesbian, and butch in her style.
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It's also among one of the few films to have earned an NC-17 rating.
to:
It's also among one of the few films to have earned an [[UsefulNotes/MediaClassifications NC-17 rating.rating]].
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* AuthorAvatar: By WordOfGod, aspiring actor Samir is a stand-in for Kechiche as he asks Adèle if the intimacy with women is different from men.
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* AuthorAvatar: By WordOfGod, According to director Abdellatif Kechiche, aspiring actor Samir is a stand-in for Kechiche him as he asks Adèle if the intimacy with women is different from men.
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* BrickJoke: Emma explains Creator/JeanPaulSartre's existentialism by saying that existence precedes essence earlier in the film. In the third sex scene when Emma jokingly asks Adèle on how she finds her philosophy lessons, she laughs and said that it was enriching, deep, intense, and that [[SugarWiki/FunnyMoments orgasm precedes essence.]]
to:
* BrickJoke: Emma explains Creator/JeanPaulSartre's existentialism by saying that existence precedes essence earlier in the film. In the third sex scene when Emma jokingly asks Adèle on how she finds her philosophy lessons, she laughs and said that it was enriching, deep, intense, and that [[SugarWiki/FunnyMoments orgasm [orgasm precedes essence.]]
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* {{Fanservice}}: The lesbian sex scene. It was probably supposed to be seen as passionate and heartwarming, but given the fact it lasts six minutes long and [[IKEAErotica involves positions one could often find in pornography]], it definitely counts as this. And sadly, there are some viewers who find it [[BestKnownForTheFanservice more memorable than the actual movie]].
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-->'''Emma:''' [[TearJerker I have infinite tenderness for you. I always will. All my life.]]
to:
-->'''Emma:''' [[TearJerker I have infinite tenderness for you. I always will. All my life.]]
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* MsFanservice: Adèle and Emma are this in spades with their extended sex scene. It was probably supposed to be seen as passionate and heartwarming, but given the fact it lasts six minutes long and [[IKEAErotica involves positions one could often find in pornography]], it definitely counts as this. And sadly, there are some viewers who find this more memorable than the actual movie. They both also show some nudity at other times, plus Adèle has a far less explicit, shorter scene of having sex with her boyfriend.
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--> '''[[spoiler: Emma]]:''' I'm not dumb. How long have you been sleeping with him?
--> '''[[spoiler: Adele]]:''' I'm not sleeping with him.
--> '''[[spoiler: Adele]]:''' I'm not sleeping with him.
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* {{Fanservice}}: The lesbian sex scene. It was probably supposed to be seen as passionate and heartwarming, but given the fact it lasts six minutes long and [[IKEAErotica involves positions one could often find in pornography]], it definitely counts as this. And sadly, there are some viewers who find it [[SignatureScene more memorable than the actual movie]].
to:
* {{Fanservice}}: The lesbian sex scene. It was probably supposed to be seen as passionate and heartwarming, but given the fact it lasts six minutes long and [[IKEAErotica involves positions one could often find in pornography]], it definitely counts as this. And sadly, there are some viewers who find it [[SignatureScene [[BestKnownForTheFanservice more memorable than the actual movie]].
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* QueerRomance: Adèle, who'd thought of herself as wholly straight, falls for openly lesbian Emma. They start a relationship, but have to go through many difficulties.
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* AdaptationalHeroism: In the comics, Clémentine's parents are homophobic bigots who eventually kick their daughter out of their home when they find out about her relationship with Emma. In the movie, while Adèle does hide her relationship with Emma to her parents, they are never hinted to be homophobic.
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* AdaptationalHeroism: In the comics, Clémentine's parents are homophobic bigots who eventually kick their daughter out of their home when they find out about her relationship with Emma. In the movie, while Adèle does hide her relationship with Emma to from her parents, they are never hinted to be homophobic.
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* ChuckCunninghamSyndrome: Almost none of the characters, major or minor, from the first part of the movie appear in the second. Adèle's coworker also drops off the face of the earth [[spoiler:after she has a brief affair with him,]] even before she's moved to a different class.
* ClosetKey: While Adèle doesn't identify as lesbian or bisexual nor is the film clear on where she places on the Kinsey Scale, Emma serves as this for her since she found out that she can possibly be attracted to women too.
* ClosetKey: While Adèle doesn't identify as lesbian or bisexual nor is the film clear on where she places on the Kinsey Scale, Emma serves as this for her since she found out that she can possibly be attracted to women too.
to:
* ChuckCunninghamSyndrome: Almost none of the characters, major or minor, from the first part of the movie appear in the second. Adèle's coworker co-worker also drops off the face of the earth [[spoiler:after she has a brief affair with him,]] even before she's moved to a different class.
* ClosetKey: While Adèle doesn't identify as lesbian or bisexual nor is the film clear on where she places on the Kinsey Scale, Emma serves as this for her since she found out that she canpossibly be attracted to women too.
* ClosetKey: While Adèle doesn't identify as lesbian or bisexual nor is the film clear on where she places on the Kinsey Scale, Emma serves as this for her since she found out that she can
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* {{Contrast}}:
to:
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** The whole of Chapter 1 and all of Chapter 2.
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** The whole of Chapter 1 and all of Chapter 2.%% Please re-add this with a trope-"Contrast" isn't one.%%
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* AdaptationalHeroism: In the comics, Clémentine's parents are homophobics bigots who eventually kick their daughter out of their home when they find out about her relationship with Emma. In the movie, while Adèle does hide her relationship with Emma to her parents, they are never hinted to be homophobic.
to:
* AdaptationalHeroism: In the comics, Clémentine's parents are homophobics homophobic bigots who eventually kick their daughter out of their home when they find out about her relationship with Emma. In the movie, while Adèle does hide her relationship with Emma to her parents, they are never hinted to be homophobic.
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None
* AdaptationalHeroism: In the comics, Clémentine's parents are homophobics bigots who eventually kick their daughter out of their home when they find out about her relationship with Emma. In the movie, while Adèle does hide her relationship with Emma to her parents, they are never hinted to be homophobic.
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* DemotedToExtra: Adèle's parents and Emma's girlfriend Sabine have smaller roles in the movie.
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* DemotedToExtra: Adèle's parents and parents, Emma's girlfriend Sabine and Valentin have smaller roles in the movie.
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* BlatantLies: [[spoiler:Adèle repeatedly denying to Emma that the guy who dropped her off is having an affair with her.]]
to:
* BlatantLies: BlatantLies:
** [[spoiler:Adèle repeatedly denying to Emma that the guy who dropped her off is having an affair with her.]]
** [[spoiler:Adèle repeatedly denying to Emma that the guy who dropped her off is having an affair with her.]]
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* CerebusCallback: Adèle and Emma spend a lot of time flirting and hanging out on a park bench in the first chapter. [[spoiler:In the second, she's sleeping on it alone, desperate to feel those happy memories again.]]
to:
* CerebusCallback: CerebusCallback:
** Adèle and Emma spend a lot of time flirting and hanging out on a park bench in the first chapter. [[spoiler:In the second, she's sleeping on it alone, desperate to feel those happy memories again.]]
** Adèle and Emma spend a lot of time flirting and hanging out on a park bench in the first chapter. [[spoiler:In the second, she's sleeping on it alone, desperate to feel those happy memories again.]]
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* ComingOfAgeStory: The film's more accurate title is Life of Adèle: Chapters 1 and 2 rather than Blue is the Warmest Colour. The film is more of a chronicle of how Adèle transitions from adolescence to adulthood rather than a lesbian love story even though their relationship is the centerpiece of Adele's life.
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* ComingOfAgeStory: The film's more accurate title is Life of Adèle: Chapters 1 and 2 rather than Blue is the Warmest Colour.Color. The film is more of a chronicle of how Adèle transitions from adolescence to adulthood rather than a lesbian love story even though their relationship is the centerpiece of Adele's life.
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* GayBestFriend: Valentin is Adèle's best friend. He gives her advice about her heterosexual relationship with Thomas. Then, the trope is {{Subverted|Trope}}, because Adèle engages in a homosexual relationship. Valentin remains a very supportive and understanding friend when he defends and consoles Adèle from their homophobic classmates.
* {{Gayngst}}: Played straight with Adèle in the bullying scene and in the aftermath where she's crying silently and having difficulty concentrating in class. It is almost non-existent for the entirety of the movie since the marginalization of Adèle being closeted at work wasn't emphasized. Averted with Emma.
* {{Gayngst}}: Played straight with Adèle in the bullying scene and in the aftermath where she's crying silently and having difficulty concentrating in class. It is almost non-existent for the entirety of the movie since the marginalization of Adèle being closeted at work wasn't emphasized. Averted with Emma.
to:
* GayBestFriend: Valentin is Adèle's best friend. He gives her advice about her heterosexual relationship with Thomas. Then, the trope is {{Subverted|Trope}}, {{subverted}}, because Adèle engages in a homosexual relationship. Valentin remains a very supportive and understanding friend when he defends and consoles Adèle from their homophobic classmates.
* {{Gayngst}}: Played straight with Adèle in the bullying scene and in the aftermath where she's crying silently and having difficulty concentrating in class. It is almostnon-existent nonexistent for the entirety of the movie since the marginalization of Adèle being closeted at work wasn't emphasized. Averted with Emma.
* {{Gayngst}}: Played straight with Adèle in the bullying scene and in the aftermath where she's crying silently and having difficulty concentrating in class. It is almost
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some fixings
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The film made history in the Cannes Film Festival by awarding its top prize, the ''Palme d'Or'' to the director and actresses of which the distinction is usually given to the filmmaker only. Also, the first [[TheFilmOfTheBook film adaptation of comic book/graphic novel]] to receive the award for the first time in its history.
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The film made history in the Cannes Film Festival by awarding its top prize, the ''Palme d'Or'' to the director and actresses of which the distinction is usually given to the filmmaker only. Also, the first [[TheFilmOfTheBook film adaptation of comic book/graphic novel]] to receive the award for the first time in its history.
top prize.
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The film made history in the Cannes Film Festival by awarding its top prize, the ''Palme d'Or'' to the director and actresses of which the distinction is usually given to the filmmaker only. Also, the LiveActionAdaptation of comic book/graphic novel to receive the award for the first time in its history.
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The film made history in the Cannes Film Festival by awarding its top prize, the ''Palme d'Or'' to the director and actresses of which the distinction is usually given to the filmmaker only. Also, the LiveActionAdaptation first [[TheFilmOfTheBook film adaptation of comic book/graphic novel novel]] to receive the award for the first time in its history.
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The film made history in the Cannes Film Festival by awarding its top prize, the ''Palme d'Or'' to the director and actresses of which the distinction is usually given to the filmmaker only.
to:
The film made history in the Cannes Film Festival by awarding its top prize, the ''Palme d'Or'' to the director and actresses of which the distinction is usually given to the filmmaker only.
only. Also, the LiveActionAdaptation of comic book/graphic novel to receive the award for the first time in its history.
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''Blue Is the Warmest Color'' (''La Vie d'Adèle – Chapitres 1 & 2'', 2013) is the adaptation by Abdellatif Kechiche of the comic [[ComicBook/BlueIsTheWarmestColor of the same name]], starring Adèle Exarchopoulos as Adèle and Creator/LeaSeydoux as Emma.
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''Blue Is the Warmest Color'' (''La Vie d'Adèle – Chapitres 1 & 2'', 2013) is the adaptation by Abdellatif Kechiche Creator/AbdellatifKechiche of the comic [[ComicBook/BlueIsTheWarmestColor of the same name]], starring Adèle Exarchopoulos as Adèle and Creator/LeaSeydoux as Emma.
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* NoBisexuals: There's criticism of the movie being painted as a "lesbian love story" when Adèle is shown to be capable of having romantic tension and sexual affairs with men. The fact that the film doesn't choose to explore Adèle's possible bisexuality doesn't help.
to:
* NoBisexuals: There's a criticism of the movie being painted as a "lesbian love story" when Adèle is shown to be capable of having romantic tension and sexual affairs with men. The fact that the film doesn't choose to explore Adèle's possible bisexuality doesn't help.
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"Who's" is a contraction of "who is" and "whose" is possessive.
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* UnkemptBeauty: Adèle, who's hair often gets in her eyes and is otherwise pretty messy.
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* UnkemptBeauty: Adèle, who's whose hair often gets in her eyes and is otherwise pretty messy.
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* BoyishShortHair: Emma, who always wears her hair short, whatever its color.
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* BoyishShortHair: Emma, who always Emma wears her hair short, short whatever its color.
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* BoyishShortHair: Emma.
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* BoyishShortHair: Emma.Emma, who always wears her hair short, whatever its color.
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* MasculineFeminineGayCouple: Emma and Adèle. Emma is the more masculine, and Adèle the more feminine.
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* {{Tomboy}}: Emma. She's too feminine to be described as butch and too masculine to be considered as a LipstickLesbian. Soft butch would be more accurate.
* TomboyAndGirlyGirl: Emma and Adèle.
* TomboyAndGirlyGirl: Emma and Adèle.
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* {{Tomboy}}: Emma.TomboyAndGirlyGirl: Emma is the first. She's too feminine to be described as butch and too masculine to be considered as a LipstickLesbian. Soft butch would be more accurate.
* TomboyAndGirlyGirl: Emmaaccurate. On the other hand, Adèle acts and Adèle.dresses in more traditionally feminine ways.
* TomboyAndGirlyGirl: Emma
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* UnkemptBeauty: Adèle, who's hair often gets in her eyes and is otherwise pretty messy.
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* GayBestFriend: Valentin is Adèle's best friend. He gives her advice about her heterosexual relationship with Thomas. Then, the trope is {{Subverted|Trope}}, because Adèle engages into a homosexual relationship. Valentin remains a very supportive and understanding friend when he defends and consoles Adèle from their homophobic classmates.
to:
* GayBestFriend: Valentin is Adèle's best friend. He gives her advice about her heterosexual relationship with Thomas. Then, the trope is {{Subverted|Trope}}, because Adèle engages into in a homosexual relationship. Valentin remains a very supportive and understanding friend when he defends and consoles Adèle from their homophobic classmates.
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* GetOut: [[spoiler:Emma is furious when she learns about Adèle's betrayal that she deems the relationship damage irreversible. She orders Adèle to remove all of her stuff from her house and to get out of her life.]]
to:
* GetOut: [[spoiler:Emma is so furious when she learns about Adèle's betrayal that she deems the relationship damage irreversible. She orders Adèle to remove all of her stuff from her house and to get out of her life.]]
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* HeldGaze: The pivotal moment in Adèle's life when she and Emma first laid eyes on each other.
to:
* HeldGaze: The pivotal moment in Adèle's life is when she and Emma first laid eyes on each other.
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* TheMissusAndTheEx: [[spoiler:Emma looks a little nervous when Lise (Emma's common-law wife by the end of the film) approaches ex Emma for friendly conversation during the exhibition.]]
to:
* TheMissusAndTheEx: [[spoiler:Emma looks a little nervous when Lise (Emma's common-law wife by the end of the film) approaches ex Emma Adèle for friendly conversation during the exhibition.]]
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* NoBisexuals: There's criticism of the movie being painted as a "lesbian love story" when Adèle is shown to be capable of having romantic tension and intimate encounters with men. The fact that the film doesn't choose to explore Adèle's possible bisexuality doesn't help.
to:
* NoBisexuals: There's criticism of the movie being painted as a "lesbian love story" when Adèle is shown to be capable of having romantic tension and intimate encounters sexual affairs with men. The fact that the film doesn't choose to explore Adèle's possible bisexuality doesn't help.
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* {{Pun}}: Emma humorously waives Adèle's comments that she just "wandered" into the lesbian bar by chance by saying that she's drinking [[http://fr.wikipedia.org/wiki/La_Goudale Goudale]], a beer brand that is the usual order by some of the regulars. Emma took a delightful spin into the word by referring to the beer as the preferred brand of ''goudou'', a French colloquial term for lesbian or butch. Even Emma was self-aware of her prosaic joke that she laughs at it.
to:
* {{Pun}}: Emma humorously waives Adèle's comments that she just "wandered" into the lesbian bar by chance by saying that she's drinking [[http://fr.wikipedia.org/wiki/La_Goudale Goudale]], a beer brand that is the usual order by some of the regulars. Emma took a delightful spin into the word by referring to the beer as the preferred brand of ''goudou'', a French colloquial term for lesbian or butch. Even Emma was so self-aware of her prosaic joke that she laughs at it.
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* [[spoiler: SecondActBreakup:]] RuleOfDrama dictates [[spoiler: that Emma and Adèle had to break up in second act. Unlike usual romance movies, Adèle's attempt of TheGrovel in third act doesn't bring them back together.]]
to:
* [[spoiler: SecondActBreakup:]] RuleOfDrama dictates [[spoiler: that Emma and Adèle had to break up in second act. Unlike usual romance movies, Adèle's attempt of TheGrovel in the third act doesn't bring them back together.]]
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* SimpleMindedWisdom: Adèle innocently asks Emma why they call it Fine Arts meaning are there ugly ones. Emma answers no but briefly considers her question and concedes that indeed some can be ugly but it could be subjective.
to:
* SimpleMindedWisdom: Adèle innocently asks Emma why they call it Fine Arts Arts, meaning are there ugly ones. Emma answers no no, but briefly considers her question and concedes that indeed some can be ugly but it could be subjective.
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* SparedByTheAdaptation: Adèle's counterpart in the source material becomes addicted to pills and ends up dying, but she survives the film without either occurring.
* StealthInsult: Emma gives a back-handed compliment to Adèle's father saying that his bolognese is "simple" but sumptuous.
* StepfordSmiler: The heartbroken and overwhelmed Adèle does her best to smile and look composed for her students during the folk dance before breaking down in tears as soon as they leave.
* StealthInsult: Emma gives a back-handed compliment to Adèle's father saying that his bolognese is "simple" but sumptuous.
* StepfordSmiler: The heartbroken and overwhelmed Adèle does her best to smile and look composed for her students during the folk dance before breaking down in tears as soon as they leave.
to:
* SparedByTheAdaptation: Adèle's counterpart in the source material becomes addicted to pills and ends up dying, dying of a hidden heart condition, but she survives the film without either occurring.
* StealthInsult: Emma gives a back-handed compliment to Adèle'sfather father, saying that his bolognese is "simple" but sumptuous.
* StepfordSmiler: The heartbroken and overwhelmed Adèle does her best to smile and look composed for her students during the folkdance dance, before breaking down in tears as soon as they leave.
* StealthInsult: Emma gives a back-handed compliment to Adèle's
* StepfordSmiler: The heartbroken and overwhelmed Adèle does her best to smile and look composed for her students during the folk
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* WomanScorned: [[spoiler:Emma doesn't hold back her anger when she realizes that Adèle is cheating on her, striking her and forcing her out of the house.]]
to:
* WomanScorned: [[spoiler:Emma doesn't hold back in her anger when she realizes that Adèle is cheating on her, striking her and forcing her out of the house.]]
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* NoBisexuals: There's criticism of the movie being painted as a "lesbian love story" when Adèle has shown to be capable of having romantic tension and intimate encounters with men. The fact that the film doesn't choose to explore Adèle's possible bisexuality doesn't help.
to:
* NoBisexuals: There's criticism of the movie being painted as a "lesbian love story" when Adèle has is shown to be capable of having romantic tension and intimate encounters with men. The fact that the film doesn't choose to explore Adèle's possible bisexuality doesn't help.
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* {{Seme}}: A lesbian version. Emma is the dominant partner in the relationship and is apparent that she owns the house they live in. She is also the top in their sexual encounters.
to:
* {{Seme}}: A lesbian version. Emma is the dominant partner in the relationship and is it's apparent that she owns the house they live in. She is also the top in their sexual encounters.
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Marivaux is Inspiration Nod
* InspirationNod: Adèle studies Marivaux's ''La Vie de Marianne'' in class. The director drew his inspiration from this book to write the script. The French title, ''La Vie d'Adèle'', is a direct reference.
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** Adèle studies Marivaux's ''La Vie de Marianne'' in class. Other literary works are mentioned: ''Literature/DangerousLiaisons'', Creator/JeanPaulSartre's ''Dirty Hands'' and ''Existentialism Is a Humanism''.
to:
** Adèle studies Besides Marivaux's ''La Vie de Marianne'' in class. Other Marianne'', other literary works are mentioned: ''Literature/DangerousLiaisons'', Creator/JeanPaulSartre's ''Dirty Hands'' and ''Existentialism Is a Humanism''.
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Gay Best Friend subversion, because Adèle engages into homosexual relationship
Changed line(s) 68 (click to see context) from:
* GayBestFriend: Valentin is a very supportive and understanding friend when he defends and consoles Adèle from their homophobic classmates.
to:
* GayBestFriend: Valentin is Adèle's best friend. He gives her advice about her heterosexual relationship with Thomas. Then, the trope is {{Subverted|Trope}}, because Adèle engages into a homosexual relationship. Valentin remains a very supportive and understanding friend when he defends and consoles Adèle from their homophobic classmates.
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* MeetTheInLaws: Emma's mother and stepfather invite Adèle and Emma for dinner. Later, Emma meets Adèle's parents, but Adèle does not tell them that she is her lover.
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* BrickJoke: Emma explains Sartre's existentialism by saying that existence precedes essence earlier in the film. In the third sex scene when Emma jokingly asks Adèle on how she finds her philosophy lessons, she laughs and said that it was enriching, deep, intense, and that [[SugarWiki/FunnyMoments orgasm precedes essence.]]
to:
* BrickJoke: Emma explains Sartre's Creator/JeanPaulSartre's existentialism by saying that existence precedes essence earlier in the film. In the third sex scene when Emma jokingly asks Adèle on how she finds her philosophy lessons, she laughs and said that it was enriching, deep, intense, and that [[SugarWiki/FunnyMoments orgasm precedes essence.]]
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** Adèle studies Marivaux's ''La Vie de Marianne'' in class. Other literary works are mentioned: ''Literature/DangerousLiaisons'', Sartre's ''Dirty Hands'' and ''Existentialism Is a Humanism''.
to:
** Adèle studies Marivaux's ''La Vie de Marianne'' in class. Other literary works are mentioned: ''Literature/DangerousLiaisons'', Sartre's Creator/JeanPaulSartre's ''Dirty Hands'' and ''Existentialism Is a Humanism''.
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Added DiffLines:
** Adèle studies Marivaux's ''La Vie de Marianne'' in class. Other literary works are mentioned: ''Literature/DangerousLiaisons'', Sartre's ''Dirty Hands'' and ''Existentialism Is a Humanism''.
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* DisposableFiance: Thomas, Adèle's boyfriend, who she quickly dumps.
to:
* DisposableFiance: DisposableFiance:
** Thomas, Adèle's boyfriend, who she quicklydumps.dumps.
** Sabine, Emma's girlfriend, is quickly dumped too.
** Thomas, Adèle's boyfriend, who she quickly
** Sabine, Emma's girlfriend, is quickly dumped too.