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* ''LightNovel/TheAsteriskWar'' (2nd Key & In-Between Animation)
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* ''LightNovel/TheAsteriskWar'' ''Literature/TheAsteriskWar'' (2nd Key & In-Between Animation)
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Changed line(s) 69 (click to see context) from:
* AnimationBump: Select scenes animate at a much more fluid pace than the rest of the episode, like the music scenes in ''Manga/KidsOnTheSlope'' or the fights in ''Anime/RageOfBahamutGenesis''.
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* AnimationBump: AnimationBump:
** Select scenes animate at a much more fluid pace than the rest ofthe a given episode, like the music scenes in ''Manga/KidsOnTheSlope'' or the fights in ''Anime/RageOfBahamutGenesis''.
** Select scenes animate at a much more fluid pace than the rest of
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** Theadaptations of both ''Jujutsu Kaisen'' and ''Chainsaw Man'' serve as bumps to the studio's resume as a whole, showcasing their A-tier efforts in both the 2D and 3D departments.
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** Theadaptations The adaptations of both ''Jujutsu Kaisen'' and ''Chainsaw Man'' serve as bumps to the studio's resume as a whole, showcasing their A-tier efforts in both the 2D and 3D departments.
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Changed line(s) 68 (click to see context) from:
* AnimationBump: Select scenes animate at a much more fluid pace than the rest of the episode, like the music scenes in ''Manga/KidsOnTheSlope'' or the fights in ''Anime/RageOfBahamutGenesis''.
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* TwoDVisualsThreeDEffects: Like most modern studios, MAPPA utilises this to varying degrees. ''Dorohedoro'' being one of the first to invert this by being mostly CGI with 2D elements.
* AnimationBump: Select scenes animate at a much more fluid pace than the rest of the episode, like the music scenes in ''Manga/KidsOnTheSlope'' or the fights in''Anime/RageOfBahamutGenesis''. ''Anime/RageOfBahamutGenesis''.
** Theadaptations of both ''Jujutsu Kaisen'' and ''Chainsaw Man'' serve as bumps to the studio's resume as a whole, showcasing their A-tier efforts in both the 2D and 3D departments.
* AnimationBump: Select scenes animate at a much more fluid pace than the rest of the episode, like the music scenes in ''Manga/KidsOnTheSlope'' or the fights in
** Theadaptations of both ''Jujutsu Kaisen'' and ''Chainsaw Man'' serve as bumps to the studio's resume as a whole, showcasing their A-tier efforts in both the 2D and 3D departments.
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Changed line(s) 69 (click to see context) from:
* OffModel: Have gotten this in more recent years thanks to series like ''Banana Fish'' and ''Dororo'' having wildly inconsistent animation quality between episodes. In more recent years, the use of dozens of animation directors, some from outside companies such as Creator/StudioMassket, has drawn ire from fans, with the results being markedly visible onscreen.
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* OffModel: Have gotten this in more recent years thanks to series like ''Banana Fish'' and ''Dororo'' having wildly inconsistent animation quality between episodes. In more recent years, the use of dozens of animation directors, some from outside companies such as Creator/StudioMassket, has drawn ire from fans, with the results being markedly visible onscreen. This is best expmlified with both ''Takt-op Destiny'' (Where their episodes would have upwards to 10 animation supervisors or more as opposed to the 1 or 2 on partner studio Madhouse's episodes) and their run on ''Attack On Titan'' (which had animators outright come out to complain about the pracitices MAPPA employs).
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The objective behind the studio, speficially during its first years, is to achieve greater creative freedom to pursue projects that may be less obviously commercial.
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The objective behind the studio, speficially specifically during its first years, is to achieve greater creative freedom to pursue projects that may be less obviously commercial.
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* ''Manga/DanceDanceDanseur''
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'''Maruyama Animation Produce Project Association''', or better known simply as '''MAPPA''', is a Japanese studio established on June 14, 2011 by former Creator/{{Madhouse}} staff (including co-founder Masao Maruyama).
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'''Maruyama Animation Produce Project Association''', or better known simply as '''MAPPA''', '''[[FunWithAcronyms MAPPA]]''', is a Japanese studio established on June 14, 2011 by former Creator/{{Madhouse}} staff (including co-founder Masao Maruyama).
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Deleted line(s) 68 (click to see context) :
* InNameOnly: The M in the studio's name, which stands for its founder's last name Maruyama, became this once he left the studio in 2017.
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Changed line(s) 68 (click to see context) from:
* InNameOnly: The M in the studio's name, which stands for its founder's last name Maruyama, has became this once he left the studio in 2017.
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* InNameOnly: The M in the studio's name, which stands for its founder's last name Maruyama, has became this once he left the studio in 2017.
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'''Maruyama Animation Produce Project Association''', or better known simply as '''MAPPA''', is a Japanese studio established on June 14, 2011 by former Creator/{{Madhouse}} staff (including co-founder Masao Mayurama).
The objective behind the studio is to achieve greater creative freedom to pursue projects that may be less obviously commercial.
The objective behind the studio is to achieve greater creative freedom to pursue projects that may be less obviously commercial.
to:
'''Maruyama Animation Produce Project Association''', or better known simply as '''MAPPA''', is a Japanese studio established on June 14, 2011 by former Creator/{{Madhouse}} staff (including co-founder Masao Mayurama).Maruyama).
The objective behind thestudio studio, speficially during its first years, is to achieve greater creative freedom to pursue projects that may be less obviously commercial.
The objective behind the
Added DiffLines:
* InNameOnly: The M in the studio's name, which stands for its founder's last name Maruyama, has became this once he left the studio in 2017.
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* ''Anime/TaktOpDestiny'' (with Madhouse)
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* OffModel: Have gotten this in more recent years thanks to series like ''Banana Fish'' and ''Dororo'' having wildly inconsistent animation quality between episodes.
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* OffModel: Have gotten this in more recent years thanks to series like ''Banana Fish'' and ''Dororo'' having wildly inconsistent animation quality between episodes. In more recent years, the use of dozens of animation directors, some from outside companies such as Creator/StudioMassket, has drawn ire from fans, with the results being markedly visible onscreen.
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* ''Webcomic/TheIdatenDeitiesKnowOnlyPeace''
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* ''Manga/JujutsuKaisen'':
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* ''Manga/JujutsuKaisen'':''Manga/JujutsuKaisen''
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* ''VisualNovel/MrLoveQueensChoice''
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* ''VisualNovel/MrLoveQueensChoice''''VisualNovel/MrLoveQueensChoice'' (under Japanese title, ''Koi to Producer: EVOL x LOVE'')
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* ''Manga/AttackOnTitan'' (Season 4)
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* ''Manga/AttackOnTitan'' (Season 4)''Manga/AttackOnTitan: The Final Season''
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* ''Manga/AttackOnTitan'' (Season 4)
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* ''Manga/{{Teekyuu}}'' (season 1-3)
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* ''Manga/{{Teekyuu}}'' (season (Season 1-3)
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* ''Manga/SpaceBrothers'' (Production Cooperation)
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* ''Manga/UchuuKyoudai'' (Production Cooperation)
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Deleted line(s) 59 (click to see context) :
* ConspicuousCG: CG is prominently featured in most of their productions, though ''Anime/YuriOnIce'' and ''Manga/InThisCornerOfTheWorld'' are notable exceptions.
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* ''Manga/{{Dorohedoro}}
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* ''Manga/{{Dorohedoro}}''Manga/{{Dorohedoro}}''
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* ''Manga/{{Dororo}}'' (with [[Creator/MushiProductions Tezuka Productions]])
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* ''Manga/{{Dororo}}'' ''Anime/Dororo2019'' (with [[Creator/MushiProductions Tezuka Productions]])
