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Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]]), Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by [[Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/{{Talkartoons}}'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
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Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]]), Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by [[Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/{{Talkartoons}}'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to both animated and played a supervisory role at the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become became a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
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* WesternAnimation/RootyTootToot (1951)
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* WesternAnimation/RootyTootToot (1951)(1951): Responsible for the faintly rubberhose-inspired animation of the FemmeFatale Nellie Bly.
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Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]]), Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by [[Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
to:
Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]]), Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by [[Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' ''WesternAnimation/{{Talkartoons}}'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
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Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]]), Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
to:
Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]]), Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by Creator/MaxAndDaveFleischer [[Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
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Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]], Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
to:
Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]], here]]), Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''ComicStrip/KrazyKat''), Natwick was hired by Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
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Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[here https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/]], Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''Comic/KrazyKat''), Natwick was hired by Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
to:
Initially a professional illustrator (a compilation of his sheet music covers from the 1910s can be viewed [[here https://cartoonresearch.[[https://cartoonresearch.com/index.php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/]], php/the-sheet-music-art-of-myron-grim-natwick-1914-1927/ here]], Natwick entered the animation industry in 1919, contributing to the ''Judge Rummy'' shorts for J.R. Bray's studio. Following a series of stints across multiple short series (including the mid-1920s animated adaptation of ''Comic/KrazyKat''), ''ComicStrip/KrazyKat''), Natwick was hired by Creator/MaxAndDaveFleischer Fleischer Studios]] at the dawn of the sound era in 1930. Rapidly assuming the role of a pivotal animator on the ''WesternAnimation/Talkartoons'' series, Natwick would play a significant role in the initial design and characterization of WesternAnimation/BettyBoop. Following this success, Natwick's position as a noteworthy veteran animator was effectively solidified: following his first tenure at Fleischer (with ''WesternAnimation/BimbosInitiation'' featuring his final animation for the studio), he contributed heavily to the Creator/UbIwerks studio, animated a third of Snow White herself in Disney's feature length film, become a top animator at Creator/WalterLantz's studio and UPA, and, during the Dark Age of the 1970s, served as a mentor and animator for Creator/RichardWilliams (hence the animation he contributed to Williams' unfinished epic ''WesternAnimation/TheThiefAndTheCobbler'' in his early nineties).
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Noteworthy work of Natwick includes the earliest incarnations of WesternAnimation/BettyBoop (up till ''WesternAnimation/BimbosInitiation'') and Fleischer talkies in general, contributing heavily to the Creator/UbIwerks studio, animating a third of Snow White herself in Disney's feature length film, being a top animator at Creator/WalterLantz's studio and UPA, and later down the road served as a mentor and animator for Creator/RichardWilliams, as well as contributing animation to Richard's animated epic ''WesternAnimation/TheThiefAndTheCobbler'', animating the Witch in that film while in his 90's.
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* Raggedy Ann And Andy: A Musical Adventure (1977): Credited with animating "Everything and Everyone Else" (referring, presumably, to several crowd shots during the Loonie Land sequence)
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* Raggedy Ann And Andy: A Musical Adventure WesternAnimation/RaggedyAnnAndAndyAMusicalAdventure (1977): Credited with animating "Everything and Everyone Else" (referring, presumably, to several crowd shots during the Loonie Land sequence)sequence).
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* Take Heed Mr. Tojo (1943)
* Abou Ben Boogie (1944): First animation credit for Walter Lantz Productions.
* Abou Ben Boogie (1944): First animation credit for Walter Lantz Productions.
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* Take Heed Mr. Tojo (1943)
* Abou Ben Boogie (1944):(1943): First animation credit for Walter Lantz Productions. Productions.
* Abou Ben Boogie (1944)
* Abou Ben Boogie (1944):
* Abou Ben Boogie (1944)
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No version of the film was released in 1997.
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* WesternAnimation/TheThiefAndTheCobbler (1997): Grim, working alongside his apprentice Creator/RichardWilliams, animated the Witch in the film in its earlier incarnations; he would ultimately retire during the early '80s aged over 90. Due to extensive revisions in narrative and character design following his departure, only a fragment of his animation (albeit redrawn) remains within the film's 1992 workprint and the later "Recobbled Cut" edits.
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* WesternAnimation/TheThiefAndTheCobbler (1997): (1993/1995): Grim, working alongside his apprentice Creator/RichardWilliams, animated the Witch in the film in its earlier incarnations; he would ultimately retire during the early '80s aged over 90. Due to extensive revisions in narrative and character design following his departure, only a fragment of his animation (albeit redrawn) remains within the film's 1992 workprint and the later "Recobbled Cut" edits.
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* WesternAnimation/BimbosInitiation
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* WesternAnimation/BimbosInitiationWesternAnimation/BimbosInitiation: Final animation contributed during first stint at Fleischer Studios.
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* Dick Whittington's Cat
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* Dick Whittington's CatCat: Final Iwerks short to which he contributed.
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* WesternAnimation/MotherGooseGoesHollywood (1938)
* Gulliver's Travels (animation director)
* Gulliver's Travels (animation director)
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* WesternAnimation/MotherGooseGoesHollywood (1938)
(1938): Final animation for Disney.
* Gulliver's Travels (animationdirector)director): Earliest credit for Natwick following his return to Fleischer Studios in 1938.
* Gulliver's Travels (animation
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* Abou Ben Boogie (1944)
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* Abou Ben Boogie (1944)(1944): First animation credit for Walter Lantz Productions.
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* The Bandmaster
* Trouble Indemnity (1950)
* Trouble Indemnity (1950)
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* The Bandmaster
Bandmaster: Final credit at Lantz.
* Trouble Indemnity(1950)(1950): First credit for UPA.
* Trouble Indemnity
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* Terror Faces Magoo (1959)
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* Terror Faces Magoo (1959)(1959): Final credit for UPA.
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* Raggedy Ann And Andy: A Musical Adventure (1977)
* WesternAnimation/TheThiefAndTheCobbler (1997): Grim, working alongside his apprentice Creator/RichardWilliams, singlehandedly animated the Witch in the film--while he was in his 90's, no less!
* WesternAnimation/TheThiefAndTheCobbler (1997): Grim, working alongside his apprentice Creator/RichardWilliams, singlehandedly animated the Witch in the film--while he was in his 90's, no less!
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* WesternAnimation/AChristmasCarol1971: First major collaboration with Creator/RichardWilliams.
* Raggedy Ann And Andy: A Musical Adventure(1977)
(1977): Credited with animating "Everything and Everyone Else" (referring, presumably, to several crowd shots during the Loonie Land sequence)
* WesternAnimation/TheThiefAndTheCobbler (1997): Grim, working alongside his apprentice Creator/RichardWilliams,singlehandedly animated the Witch in the film--while film in its earlier incarnations; he was would ultimately retire during the early '80s aged over 90. Due to extensive revisions in narrative and character design following his 90's, no less! departure, only a fragment of his animation (albeit redrawn) remains within the film's 1992 workprint and the later "Recobbled Cut" edits.
* Raggedy Ann And Andy: A Musical Adventure
* WesternAnimation/TheThiefAndTheCobbler (1997): Grim, working alongside his apprentice Creator/RichardWilliams,
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* SpeechImpediment: Footage of him shows that he had a serious stuttering issue. This is worked into the character Grim Matchstick in ''VideoGame/{{Cuphead}}'', who's named after him.
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* WesternAnimation/BimbosInitiation: One of The50GreatestCartoons.
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* WesternAnimation/BimbosInitiation: One of The50GreatestCartoons.WesternAnimation/BimbosInitiation
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* Disney/SnowWhiteAndTheSevenDwarfs: Animated a third of Snow White herself in the film.
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* Disney/SnowWhiteAndTheSevenDwarfs: WesternAnimation/SnowWhiteAndTheSevenDwarfs: Animated a third of Snow White herself in the film.
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* NonIndicativeName: Despite his name, Grim was anything but in personality. He was considered one of the greatest animators to work with, and he inspired a lot of passion and drive into animators who worked under him.
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* NonIndicativeName: Despite his name, nickname, Grim was anything but in personality. He was considered one of the greatest animators to work with, and he inspired a lot of passion and drive into animators who worked under him.
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Natwick died on October 7, 1990, shortly after [[SugarWiki/MomentofAwesome celebrating his 100th birthday]].
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Natwick died on October 7, 1990, shortly two months after [[SugarWiki/MomentofAwesome celebrating his 100th birthday]].
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* Mother Goose Goes Hollywood (1938)
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* Mother Goose Goes Hollywood WesternAnimation/MotherGooseGoesHollywood (1938)
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* The Cookie Carnival
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* The Cookie CarnivalWesternAnimation/TheCookieCarnival
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He was also lifelong friends with fellow veteran animator [[ShamusCulhane James "Shamus" Culhane]], as well as industry pioneer and animator Creator/BillNolan.
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He was also lifelong friends with fellow veteran animator [[ShamusCulhane [[Creator/ShamusCulhane James "Shamus" Culhane]], as well as industry pioneer and animator Creator/BillNolan.
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* NamesTheSame as an actor who cameoed in ''Film/CatsAndDogs''.
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* Jungle Jitters
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* Jungle JittersWesternAnimation/JungleJitters
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* Swing You Sinners
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* Swing You SinnersWesternAnimation/SwingYouSinners
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* RootyTootToot (1951)
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* RootyTootToot WesternAnimation/RootyTootToot (1951)
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Noteworthy work of Natwick includes the earliest incarnations of WesternAnimation/BettyBoop (up till ''WesternAnimation/BimbosInitiation'') and Fleischer talkies in general, contributing heavily to the UbIwerks studio, animating a third of Snow White herself in Disney's feature length film, being a top animator at Creator/WalterLantz's studio and UPA, and later down the road served as a mentor and animator for Creator/RichardWilliams, as well as contributing animation to Richard's animated epic ''WesternAnimation/TheThiefAndTheCobbler'', animating the Witch in that film while in his 90's.
to:
Noteworthy work of Natwick includes the earliest incarnations of WesternAnimation/BettyBoop (up till ''WesternAnimation/BimbosInitiation'') and Fleischer talkies in general, contributing heavily to the UbIwerks Creator/UbIwerks studio, animating a third of Snow White herself in Disney's feature length film, being a top animator at Creator/WalterLantz's studio and UPA, and later down the road served as a mentor and animator for Creator/RichardWilliams, as well as contributing animation to Richard's animated epic ''WesternAnimation/TheThiefAndTheCobbler'', animating the Witch in that film while in his 90's.
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* The New Car: First stint at the UbIwerks studio.
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* The New Car: First stint at the UbIwerks Creator/UbIwerks studio.
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* Fire Bugs ({{Talkartoons}})
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* Fire Bugs ({{Talkartoons}})(WesternAnimation/{{Talkartoons}})
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* NonIndicativeName: Despite his name, Grim was anything but in personality. He was considered one of the greatest animators to work with, and he inspired a lot of passion and drive into animators who worked under him.
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One of the most influential animators in history, Grim Natwick, born Myron Noidveig on August 16, 1890, had a decades long career that spanned the entire history of both TheGoldenAgeOfAnimation and TheDarkAgeOfAnimation, having worked at most of the major cartoon studios of the time.
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One of the most influential animators in history, Grim Natwick, born Myron Noidveig on August 16, 1890, had a decades long career that spanned the entire history of both TheGoldenAgeOfAnimation UsefulNotes/TheGoldenAgeOfAnimation and TheDarkAgeOfAnimation, UsefulNotes/TheDarkAgeOfAnimation, having worked at most of the major cartoon studios of the time.
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* BimbosInitiation: One of The50GreatestCartoons.
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* BimbosInitiation: WesternAnimation/BimbosInitiation: One of The50GreatestCartoons.
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[[quoteright:250:http://static.tvtropes.org/pmwiki/pub/images/grimphoto_9087.jpg]]
One of the most influential animators in history, Grim Natwick, born Myron Noidveig on August 16, 1890, had a decades long career that spanned the entire history of both TheGoldenAgeOfAnimation and TheDarkAgeOfAnimation, having worked at most of the major cartoon studios of the time.
Noteworthy work of Natwick includes the earliest incarnations of WesternAnimation/BettyBoop (up till ''WesternAnimation/BimbosInitiation'') and Fleischer talkies in general, contributing heavily to the UbIwerks studio, animating a third of Snow White herself in Disney's feature length film, being a top animator at Creator/WalterLantz's studio and UPA, and later down the road served as a mentor and animator for Creator/RichardWilliams, as well as contributing animation to Richard's animated epic ''WesternAnimation/TheThiefAndTheCobbler'', animating the Witch in that film while in his 90's.
Natwick died on October 7, 1990, shortly after [[SugarWiki/MomentofAwesome celebrating his 100th birthday]].
He was also lifelong friends with fellow veteran animator [[ShamusCulhane James "Shamus" Culhane]], as well as industry pioneer and animator Creator/BillNolan.
You can find the whole story of this underrated animation master in this [[UsefulNotes/AnimationResources Animation Resources]] [[http://animationresources.org/?p=3569 article.]]
-------------------
!!Works of his include:
* Fire Bugs ({{Talkartoons}})
* Wise Flys
* Dizzy Dishes
* Swing You Sinners
* Mariutch
* Accordian Joe
* Mysterious Mose
* Please Go 'Way And Let Me Sleep (1931)
* Teacher's Pest
* Tree Saps
* BimbosInitiation: One of The50GreatestCartoons.
* The New Car: First stint at the UbIwerks studio.
* Jail Birds
* Africa Squeaks
* The Milk Man (1932)
* The Office Boy
* Room Runners
* Stormy Seas
* The Goal Rush
* Phoney Express
* The Music Lesson
* Soda Squirt (1933)
* Jack and the Beanstalk
* Robin Hood Jr. (1934)
* Insultin' the Sultan
* Reducing Creme
* Cave Man
* Jungle Jitters
* Aladdin and the Wonderful Lamp
* Viva Willie
* The King's Tailor
* Old Mother Hubbard (1935)
* Summertime
* Sinbad the Sailor
* Mickey's Fire Brigade: First stint at Disney.
* The Cookie Carnival
* The Three Bears
* Simple Simon
* Broken Toys
* Mickey's Polo Team (1936)
* Ali Baba
* Dick Whittington's Cat
* Alpine Climbers
* Little Boy Blue
* Three Little Wolves
* Disney/SnowWhiteAndTheSevenDwarfs: Animated a third of Snow White herself in the film.
* Mother Goose Goes Hollywood (1938)
* Gulliver's Travels (animation director)
* The Fulla Bluff Man (1940)
* Popeye Presents Eugene the Jeep (1940)
* Take Heed Mr. Tojo (1943)
* Abou Ben Boogie (1944)
* Ski For Two
* Enemy Bacteria (1945)
* Pied Piper of Basin Street
* Chew-Chew Baby
* The Dippy Diplomat
* Who's Cookin' Who? (1946)
* Bathing Buddies
* The Reckless Driver
* Fair Weather Fiends
* The Wacky Weed
* Smoked Hams (1947)
* The Coo-Coo Bird
* Well Oiled
* Solid Ivory
* The Bandmaster
* Trouble Indemnity (1950)
* The Popcorn Story
* Bungled Bungalow
* RootyTootToot (1951)
* Georgie And The Dragon
* Spare the Child (1954)
* Terror Faces Magoo (1959)
* WesternAnimation/FelixTheCat (Trans-Lux TV series)
* WesternAnimation/TheMightyHercules (TV series) (1963): directing animator - 3 episodes; Double Trouble, Guarding of the Olympic Torch, & Medusa's Sceptre)
* Raggedy Ann And Andy: A Musical Adventure (1977)
* WesternAnimation/TheThiefAndTheCobbler (1997): Grim, working alongside his apprentice Creator/RichardWilliams, singlehandedly animated the Witch in the film--while he was in his 90's, no less!
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!!Tropes:
* NamesTheSame as an actor who cameoed in ''Film/CatsAndDogs''.
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One of the most influential animators in history, Grim Natwick, born Myron Noidveig on August 16, 1890, had a decades long career that spanned the entire history of both TheGoldenAgeOfAnimation and TheDarkAgeOfAnimation, having worked at most of the major cartoon studios of the time.
Noteworthy work of Natwick includes the earliest incarnations of WesternAnimation/BettyBoop (up till ''WesternAnimation/BimbosInitiation'') and Fleischer talkies in general, contributing heavily to the UbIwerks studio, animating a third of Snow White herself in Disney's feature length film, being a top animator at Creator/WalterLantz's studio and UPA, and later down the road served as a mentor and animator for Creator/RichardWilliams, as well as contributing animation to Richard's animated epic ''WesternAnimation/TheThiefAndTheCobbler'', animating the Witch in that film while in his 90's.
Natwick died on October 7, 1990, shortly after [[SugarWiki/MomentofAwesome celebrating his 100th birthday]].
He was also lifelong friends with fellow veteran animator [[ShamusCulhane James "Shamus" Culhane]], as well as industry pioneer and animator Creator/BillNolan.
You can find the whole story of this underrated animation master in this [[UsefulNotes/AnimationResources Animation Resources]] [[http://animationresources.org/?p=3569 article.]]
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!!Works of his include:
* Fire Bugs ({{Talkartoons}})
* Wise Flys
* Dizzy Dishes
* Swing You Sinners
* Mariutch
* Accordian Joe
* Mysterious Mose
* Please Go 'Way And Let Me Sleep (1931)
* Teacher's Pest
* Tree Saps
* BimbosInitiation: One of The50GreatestCartoons.
* The New Car: First stint at the UbIwerks studio.
* Jail Birds
* Africa Squeaks
* The Milk Man (1932)
* The Office Boy
* Room Runners
* Stormy Seas
* The Goal Rush
* Phoney Express
* The Music Lesson
* Soda Squirt (1933)
* Jack and the Beanstalk
* Robin Hood Jr. (1934)
* Insultin' the Sultan
* Reducing Creme
* Cave Man
* Jungle Jitters
* Aladdin and the Wonderful Lamp
* Viva Willie
* The King's Tailor
* Old Mother Hubbard (1935)
* Summertime
* Sinbad the Sailor
* Mickey's Fire Brigade: First stint at Disney.
* The Cookie Carnival
* The Three Bears
* Simple Simon
* Broken Toys
* Mickey's Polo Team (1936)
* Ali Baba
* Dick Whittington's Cat
* Alpine Climbers
* Little Boy Blue
* Three Little Wolves
* Disney/SnowWhiteAndTheSevenDwarfs: Animated a third of Snow White herself in the film.
* Mother Goose Goes Hollywood (1938)
* Gulliver's Travels (animation director)
* The Fulla Bluff Man (1940)
* Popeye Presents Eugene the Jeep (1940)
* Take Heed Mr. Tojo (1943)
* Abou Ben Boogie (1944)
* Ski For Two
* Enemy Bacteria (1945)
* Pied Piper of Basin Street
* Chew-Chew Baby
* The Dippy Diplomat
* Who's Cookin' Who? (1946)
* Bathing Buddies
* The Reckless Driver
* Fair Weather Fiends
* The Wacky Weed
* Smoked Hams (1947)
* The Coo-Coo Bird
* Well Oiled
* Solid Ivory
* The Bandmaster
* Trouble Indemnity (1950)
* The Popcorn Story
* Bungled Bungalow
* RootyTootToot (1951)
* Georgie And The Dragon
* Spare the Child (1954)
* Terror Faces Magoo (1959)
* WesternAnimation/FelixTheCat (Trans-Lux TV series)
* WesternAnimation/TheMightyHercules (TV series) (1963): directing animator - 3 episodes; Double Trouble, Guarding of the Olympic Torch, & Medusa's Sceptre)
* Raggedy Ann And Andy: A Musical Adventure (1977)
* WesternAnimation/TheThiefAndTheCobbler (1997): Grim, working alongside his apprentice Creator/RichardWilliams, singlehandedly animated the Witch in the film--while he was in his 90's, no less!
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!!Tropes:
* NamesTheSame as an actor who cameoed in ''Film/CatsAndDogs''.
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