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* Literature/SheWhoBecameTheSun: Since the story handels a large rebellion/civil war, most everyone we see is some shade of morally ambigious: on the "black" side are people like Esen's father or Chen Youliang, who are heartless in nature and draw no lines, even sometimes reveling in the bloodshed they create. In between are people like general Oujang, who are ruthless and at times cruel, but have sympathetic reasons, and on the "gray" end is VillainProtagonist Zhu herself, who is unscrupulous and often resorts to violence, but is happy to achieve her ends via deception and diplomacy if possible and has genuine loved ones and moral boundaries (although less and less of the latter as the story progresses).
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* ''Literature/{{Yellowface}}'': The narrator June is a straight-up VillainProtagonist, being a racist, petty, egotistical thief, but none of the major characters (and very few of the minor characters) are portrayed as being good people. [[spoiler:Even Athena, the dead author June stole from, is revealed to be a BitchInSheepsClothing, though the narrative makes it clear [[FreudianExcuseIsNoExcuse this in no way makes June's actions any better]].]] Being a satire of the publishing industry, the vast majority of characters are self-serving, cynical vultures. It's just that some of them are obviously worse than the others, and most of the major characters do have moments of humanity and sympathy.
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* ''Literature/ACourtOfThornsAndRoses'': The main villains, especially the King of Hybern and Amarantha, tend to be purely evil and don't even try to hide it; their goals and motives don't really get explored beyond "TakeOverTheWorld and kill anyone who gets in the way". The protagonists are firmly opposed to the villains yet many of them tend to be presented as flawed and willing to do some questionable things to achieve their goals. Feyre herself gets involved by killing a wolf she strongly suspects is a faerie and decides it doesn't matter either way because she needs to provide for her family and "all faeries are evil".
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* Literature/TheHungerGames'':

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* Literature/TheHungerGames'': ''Literature/TheHungerGames'':
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* Literature/TheHungerGames'':
** The crew that works the Hunger Games. They obviously live in the Capitol and prepare the candidates to be offered as tribute, and Effie even seems to love the Games, but the genuine horror that most of them feel for Katniss and Peeta's suffering makes things a little grayer. One could even argue that by styling, mentoring, and presenting them, the teams are doing all they can from the Capitol to ensure their survival, since good PR helps a lot.
** This gets especially obvious in ''Mockingjay'', since the Capitol commits all sorts of war crimes, and some of the rebels are willing to stoop to their level (either for the greater good of defeating the Capitol and/or for revenge). The final straw that convinces Katniss that the Capitol and District 13 are not really different is when she witnesses what is probably a FalseFlagOperation targeting children and medics (including her little sister) using a bombing tactic that Gale had thought up, followed closely by District 13's President offering a vote to have their ''own'' Hunger Games. To make it even grayer, Katniss herself votes yes on the Capitol Hunger Games, and President Snow tells Katniss that while he's not above killing children, he would ''never'' have pulled the stunt that had just killed Prim, and they both know he's not lying.
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* ''Literature/BackstabbedInABackwaterDungeon'' has the story of the protagonist Light, a brutal anti-hero on the quest for vengeance against his former "companions" who decided to mock him for being "stupid" enough to believe their kind actions were genuine and tried to torture and murder him for sport. He's up against them, all of whom are completely unrepentant and still see hunting human "inferiors" for sport, or in the case of the beast-man [[IAmAHumanitarian also as food]], as well as their home races who are so arrogant and supremacist that the former adventuring party look like '''saints''' in comparison. Also, Light's allies are all creatures summoned by a magic gacha who have absolutely no qualms doing whatever he orders them to do, even if that involves ColdBloodedTorture or gruesome deaths.
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* In ''Literature/{{Kane}}'', most people care only about their self-interest, are brutal and cruel, which is only fitting for a race created by a MadGod, while the [[{{Precursors}} elder races]] are degenerate and demented. Those who claim to act for the greater good are [[KnightTemplar just as blood-thirsty]] and the few really good characters usually end badly, rather quickly. Kane himself, a VillainProtagonist or AntiHero at best, in comparison looks quite reasonable. Probably helped by the fact that his [[RapePillageAndBurn most atrocious acts]] are only discussed in his BackStory, not shown, and many of his [[EvilVersusEvil antagonists are much worse]].

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* In ''Literature/{{Kane}}'', the ''Literature/KaneSeries'', most people care only about their self-interest, are brutal and cruel, which is only fitting for a race created by a MadGod, while the [[{{Precursors}} elder races]] are degenerate and demented. Those who claim to act for the greater good are [[KnightTemplar just as blood-thirsty]] and the few really good characters usually end badly, rather quickly. Kane himself, a VillainProtagonist or AntiHero at best, in comparison looks quite reasonable. Probably helped by the fact that his [[RapePillageAndBurn most atrocious acts]] are only discussed in his BackStory, not shown, and many of his [[EvilVersusEvil antagonists are much worse]].
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* ''Literature/NadiaStafford'': Nadia Stafford and her allies are hitmen who often cold-bloodedly kill mooks and work for the mob for pay, but have a moral code. In contrast, the guys they face in this series are genuine monsters such as serial killers, pedophiles and HumanTraffickers.
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* ''Literature/WraithKnight'': The series subverts a lot of traditional high fantasy tropes as the good side of light and order isn't particularly nice. The Lawgiver is a tyrant, the Nine Heroes are ruthless conquerors, and even Saint Jassamine is a religious fanatic. However, the Shadowkind AKA the forces of darkness and chaos aren't much better. Even protagonist has a DarkAndTroubledPast where he did some pretty awful stuff in the name of the greater good.
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* ''Literature/TheEmpiriumTrilogy'': The Undying Empire is a totalitarian regime led by a genocidal angel who allows his soldiers to rape and murder humans whenever they want. Red Crown is a rebel organization that partakes in some distasteful practices such as using child soldiers and killing innocents, but it is all for the sake of bringing down the Empire for good. It's easy to see which of the two has the moral high ground.
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* ''Literature/{{Wasp}}'': The main character is a military secret agent working to disrupt the enemy government. Some of his actions are morally gray, such as when he booby-traps two civilian merchant ships, implicitly causing their crews' deaths. On the other hand, the enemy is a militaristic and quite oppressive empire, and their StateSec agents we meet in the book are pretty much all ruthless and brutal.

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* ''Literature/{{Wasp}}'': ''Literature/Wasp1957'': The main character is a military secret agent working to disrupt the enemy government. Some of his actions are morally gray, such as when he booby-traps two civilian merchant ships, implicitly causing their crews' deaths. On the other hand, the enemy is a militaristic and quite oppressive empire, and their StateSec agents we meet in the book are pretty much all ruthless and brutal.
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* Creator/JRRTolkien's ''Literature/TheSilmarillion''. On one side are Elves and Men, the assumed good guys, who are flawed, cocky, haughty, corrupt, petty, jealous and well capable of killing their own kin, sabotaging their own cause; on the other side is the literal [[EvilOverlord Dark Lord]] [[BigBad Morgoth]], who is a being of pure evil. (And [[EldritchAbomination Ungoliant]], though she doesn't really care for any side and just wants to eat everything.)

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* Creator/JRRTolkien's ''Literature/TheSilmarillion''. On one side are Elves The Children of Illuvatar, Elves, Dwarves and Men, the assumed good guys, who are all flawed, with a lot of them showing tendencies towards being cocky, haughty, corrupt, petty, jealous and well capable of killing their own kin, sabotaging their own cause; but for as much as they can be on the other opposing sides, there is a side that is always the ''other'' one with the literal [[EvilOverlord Dark Lord]] [[BigBad Morgoth]], who is a being of pure evil. (And [[EldritchAbomination Ungoliant]], though she doesn't really care for any side either and just wants to eat everything.)
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* Common in the works of Creato/ChinaMieville. Literature/{{Kraken}}, for instance, has a Lovecraftian doomsday cult as one of the ''nicer'' factions.

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* Common in the works of Creato/ChinaMieville.Creator/ChinaMieville. Literature/{{Kraken}}, for instance, has a Lovecraftian doomsday cult as one of the ''nicer'' factions.

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* In Creator/TomKratman's ''Literature/{{Caliphate}}'', the Imperial States of America isn't exactly a shining "white hat", but as presented in the novel it's a better option than the Caliphates (particularly the one on which the novel is focused), who are very much of the "black hat" persuasion. The other nations that get any attention aren't much better than the ISA.

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* In Creator/TomKratman's ''Literature/{{Caliphate}}'', ''Literature/{{Caliphate}}'' tells the story of a dark future, focusing on a war between the [[TheEmpire Imperial States]] of [[{{Eagleland}} America]] on one side and [[{{Eurabia}} The Caliphate]] on the other. The Imperial States is a fanatical fascist empire devoted to the genocide of America isn't exactly Muslims worldwide. But despite being a shining "white hat", but totalitarian regime, women and ethnic minorities have equal rights with white men ([[DamnedByFaintPraise which is to say... not much]]). Contrast the Muslim Caliphate, which [[NoWomansLand treats women as presented property]], reduces Christians to slavery, and has soldiers commit horrific torture and rape all over the world without any remorse. To get an idea of the setting; the first combat scene in the novel it's a better option than book involves Moro Muslim insurgents torturing and raping captives to death, followed by the Caliphates (particularly Imperial army killing them, sampling their DNA, and tracking down the one on which the novel is focused), who are very much of the "black hat" persuasion. The other nations that get any attention aren't much better than the ISA.Muslims' relatives to execute.



* ''Literature/{{Caliphate}}'' tells the story of a dark future, focusing on a war between the [[TheEmpire Imperial States]] of [[{{Eagleland}} America]] on one side and [[{{Eurabia}} The Caliphate]] on the other. The Imperial States is a fanatical fascist empire devoted to the genocide of Muslims worldwide. But despite being a totalitarian regime, women and ethnic minorities have equal rights with white men ([[DamnedByFaintPraise which is to say... not much]]). Contrast the Muslim Caliphate, which [[NoWomansLand treats women as property]], reduces Christians to slavery, and has soldiers commit horrific torture and rape all over the world without any remorse. To get an idea of the setting; the first combat scene in the book involves Moro Muslim insurgents torturing and raping captives to death, followed by the Imperial army killing them, sampling their DNA, and tracking down the Muslims' relatives to execute.
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* ''Literature/{{Caliphate}}'' tells the story of a dark future, focusing on a war between the [[TheEmpire Imperial States]] of [[{{Eagleland}} America]] on one side and [[{{Eurabia}} The Caliphate]] on the other. The Imperial States is a fanatical fascist empire devoted to the genocide of Muslims worldwide. But despite being a totalitarian regime, women and ethnic minorities have equal rights with white men ([[DamnedByFaintPraise which is to say ... not much]]). Contrast the Muslim Caliphate, which [[NoWomansLand treats women as property]], reduces Christians to slavery, and has soldiers commit horrific torture and rape all over the world without any remorse. To get an idea of the setting; the first combat scene in the book involves Moro Muslim insurgents torturing and raping captives to death, followed by the Imperial army killin them, sampling their DNA, and tracking down the Muslims' relatives to execute.

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* ''Literature/{{Caliphate}}'' tells the story of a dark future, focusing on a war between the [[TheEmpire Imperial States]] of [[{{Eagleland}} America]] on one side and [[{{Eurabia}} The Caliphate]] on the other. The Imperial States is a fanatical fascist empire devoted to the genocide of Muslims worldwide. But despite being a totalitarian regime, women and ethnic minorities have equal rights with white men ([[DamnedByFaintPraise which is to say ...say... not much]]). Contrast the Muslim Caliphate, which [[NoWomansLand treats women as property]], reduces Christians to slavery, and has soldiers commit horrific torture and rape all over the world without any remorse. To get an idea of the setting; the first combat scene in the book involves Moro Muslim insurgents torturing and raping captives to death, followed by the Imperial army killin killing them, sampling their DNA, and tracking down the Muslims' relatives to execute.
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* ''Literature/{{Caliphate}}'' tells the story of a dark future, focusing on a war between the [[TheEmpire Imperial States]] of [[{{Eagleland}} America]] on one side and [[{{Eurabia}} The Caliphate]] on the other. The Imperial States is a fanatical fascist empire devoted to the genocide of Muslims worldwide. But despite being a totalitarian regime, women and ethnic minorities have equal rights with white men ([[DamnedByFaintPraise which is to say ... not much]]). Contrast the Muslim Caliphate, which [[NoWomansLand treats women as property]], reduces Christians to slavery, and has soldiers commit horrific torture and rape all over the world without any remorse. To get an idea of the setting; the first combat scene in the book involves Moro Muslim insurgents torturing and raping captives to death, followed by the Imperial army killin them, sampling their DNA, and tracking down the Muslims' relatives to execute.
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** Brian Herbert and Kevin J Anderson's much-maligned ''Franchise/{{Dune}}'' prequels actually do a fairly decent job portraying the free humans in terms of Grey morality. The Machines and their cyborg servants, on the other hand, are {{Card Carrying Villain}}s. Although some are treated with some sympathy (especially in the last two books where the authors get better at making some of them like Erasmus actual three-dimensional characters), they're a bunch of bloodthirsty enslaving bastards who perform Mengele-style medical experiments on humans, get thrills from torturing them, force them to slave away like the Jews in ''Film/TheTenCommandments'' apparently [[ForTheEvulz just because it strokes off their egos]] (little else makes sense, given that they can build sapient robots and contented humans would be less likely to rebel), and respond to any defiance with horrific atrocities. It's especially grating because superhuman machine intellects that run on cold logic should logically be {{Magnificent Bastard}}s or at least dispassionate {{Chessmaster}} types, not a bunch of gratuitously sadistic ObviouslyEvil loons (in fairness, it's justified by one of the human Titans having programmed Omnius with his own personality).

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** Brian Herbert and Kevin J Anderson's much-maligned ''Franchise/{{Dune}}'' prequels actually do a fairly decent job portraying the free humans in terms of Grey morality. The Machines and their cyborg servants, on the other hand, are {{Card Carrying Villain}}s. Although some are treated with some sympathy (especially in the last two books where the authors get better at making some of them like Erasmus actual three-dimensional characters), they're a bunch of bloodthirsty enslaving bastards who perform Mengele-style medical experiments on humans, get thrills from torturing them, force them to slave away like the Jews in ''Film/TheTenCommandments'' ''{{Film/The Ten Commandments|1956}}'' apparently [[ForTheEvulz just because it strokes off their egos]] (little else makes sense, given that they can build sapient robots and contented humans would be less likely to rebel), and respond to any defiance with horrific atrocities. It's especially grating because superhuman machine intellects that run on cold logic should logically be {{Magnificent Bastard}}s or at least dispassionate {{Chessmaster}} types, not a bunch of gratuitously sadistic ObviouslyEvil loons (in fairness, it's justified by one of the human Titans having programmed Omnius with his own personality).
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* In the ''Literature/XeeleeSequence'', the whole setting can be summed up as a nightmare hellscape filled to the brim with capital B Bastards of every calibre. The main characters of each book could be considered as mere products of their environment. Even the quote-on-quote 'nice' guys are completely alien in all regards in which the human concept of 'good' should not be applied to.
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* ''Literature/BazilBroketail'': The good guys are imperfect, with the usual human flaws, and some do things like assassinate troublesome rulers. However, they are fighting pure evil wizards with whose goal is taking over the world with magic based on death and pain, creating monsters through forcibly impregnating women or cattle for this purpose.

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* ''Literature/BazilBroketail'': The good guys are imperfect, with the usual human flaws, and some do things like assassinate troublesome rulers. However, they are fighting pure evil wizards with whose goal is taking over the world with magic based on death and pain, creating monsters through forcibly impregnating women or cattle for this purpose.
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* ''Literature/BazilBroketail'': The good guys are imperfect, with the usual human flaws, and some do things like assassinate troublesome rulers. However, they are fighting pure evil wizards with whose goal is taking over the world with magic based on death and pain, creating monsters through forcibly impregnating women or cattle for this purpose.
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* In ''Literature/{{Kane}}'', most people care only about their self-interest, are brutal and cruel, which is only fitting for a race created by a MadGod, while the [[ThePrecursors elder races]] are degenerate and demented. Those who claim to act for the greater good are [[KnightTemplar just as blood-thirsty]] and the few really good characters usually end badly, rather quickly. Kane himself, a VillainProtagonist or AntiHero at best, in comparison looks quite reasonable. Probably helped by the fact that his [[RapePillageAndBurn most atrocious acts]] are only discussed in his BackStory, not shown, and many of his [[EvilVersusEvil antagonists are much worse]].

to:

* In ''Literature/{{Kane}}'', most people care only about their self-interest, are brutal and cruel, which is only fitting for a race created by a MadGod, while the [[ThePrecursors [[{{Precursors}} elder races]] are degenerate and demented. Those who claim to act for the greater good are [[KnightTemplar just as blood-thirsty]] and the few really good characters usually end badly, rather quickly. Kane himself, a VillainProtagonist or AntiHero at best, in comparison looks quite reasonable. Probably helped by the fact that his [[RapePillageAndBurn most atrocious acts]] are only discussed in his BackStory, not shown, and many of his [[EvilVersusEvil antagonists are much worse]].

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