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Changed line(s) 8 (click to see context) from:
* The "Recobbled" cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film. It also removes the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be. [[SoOkayItsAverage Sadly The movie still only ok]], but to come this close to achieving William’s vision is an impressive achievement.
to:
* The "Recobbled" cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film. It also removes the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be. [[SoOkayItsAverage Sadly The the movie is still only ok]], but to come this close to achieving William’s vision is an impressive achievement.
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Changed line(s) 8 (click to see context) from:
* The "Recobbled" cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film. It also removes the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be.
to:
* The "Recobbled" cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film. It also removes the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be. [[SoOkayItsAverage Sadly The movie still only ok]], but to come this close to achieving William’s vision is an impressive achievement.
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Changed line(s) 7 (click to see context) from:
** The fact that the Thief is able to completely avoid the consequences of his job, the punishment for theft in Muslim culture are extremely strict; the loss of your hands. At one point, the palace guards catches him trying to steal jewels from an urn and try to exact that punishment but the Thief fakes them out by using a pair of hand-shaped back-scratchers he stole from Princess Yum-Yum.
to:
** The fact that the Thief is was able to completely avoid the consequences of his job, as the punishment for theft in Muslim culture are cultures was extremely strict; the loss of your hands. At one point, the palace guards catches him trying to steal jewels from an urn and try to exact that punishment punishment, but the Thief fakes them out by using a pair of hand-shaped back-scratchers he stole from Princess Yum-Yum.
Changed line(s) 10 (click to see context) from:
* The two reworks of the film add a quick scuffle between Tack and Zigzag, giving Tack a more direct and satisfying payback to the petty vizier who terrorised him from the start of the film. [[spoiler: Zigzag twice tries to choke Tack to death, but Tack kicks him off and then stitches his clothing to bound his hands and legs together, leaving Zigzag to humiliatingly hop away.]]
to:
* The two reworks of the film add a quick scuffle between Tack and Zigzag, giving Tack a more direct and satisfying payback to the petty vizier who terrorised terrorized him from the start of the film. [[spoiler: Zigzag twice tries to choke Tack to death, but Tack kicks him off and then stitches his clothing to bound his hands and legs together, leaving Zigzag to humiliatingly hop away.]]
Changed line(s) 12 (click to see context) from:
* The dying messenger, who, after being shot with numerous arrows and impaled with a flagpole, crawls across the corpse-strewn battlefield, drags himself onto his horse, and rides day and night back to the palace so he can warn them of the oncoming war.
to:
* The dying messenger, who, after being shot with numerous arrows and impaled with a flagpole, crawls across the corpse-strewn battlefield, drags himself onto his horse, and rides day and night back to the palace so he can warn them of the oncoming war. He lets himself die only when his duty is done.
Changed line(s) 16,18 (click to see context) from:
** The unbelievably awesome scene of the Thief going through the War Machine was actually commissioned as a ''test sequence'' after interest was taken into funding the film. Who you may ask? '''Mohammed bin Faisal Al Saud;''' ''a Saudi Arabian prince.''
** One of the funniest and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then grabs something just off screen, the soundtrack warping, then you see him steal everything except the end credits!
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy significant Awesome moments.
** One of the funniest and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then grabs something just off screen, the soundtrack warping, then you see him steal everything except the end credits!
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy significant Awesome moments.
to:
** The unbelievably awesome scene of the Thief going through the War Machine was actually commissioned as a ''test sequence'' after interest was taken into funding the film. Who was the potential investor, you may ask? '''Mohammed bin Faisal Al Saud;''' ''a Saudi Arabian prince.''
** One of the funniest and awesome bits ofanimation, which animation that is enhanced by the soundtrack, is the final scene, as we pan out to THE END, END and the Thief walks in, takes the letters, then grabs something just off screen, the soundtrack warping, then you see him steal everything except the end credits!
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has twofairy fairly significant Awesome moments.
** One of the funniest and awesome bits of
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two
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Changed line(s) 3 (click to see context) from:
--> '''Narrator''': ''It is written among the limitless consterlations of the heavens, and of the depths of the emerald seas, and on every grain of sand of the deserts... that the world which we see, is an inward and invisible dream of an inward reality...''
to:
--> '''Narrator''': ''It is written among the limitless consterlations constellations of the heavens, and of in the depths of the emerald seas, and on every grain of sand of the deserts... that the world which we see, is an inward and invisible dream of an inward reality...''
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Changed line(s) 10 (click to see context) from:
* The two reworks of the film add a quick scuffle between Tack and Zigzag, giving Tack a more direct and satisfying payback to the petty visor who terrorised him from the start of the film. [[spoiler: Zigzag twice tries to choke Tack to death, but Tack kicks him off and then stitches his clothing to bound his hands and legs together, leaving Zigzag to humiliatingly hop away.]]
to:
* The two reworks of the film add a quick scuffle between Tack and Zigzag, giving Tack a more direct and satisfying payback to the petty visor vizier who terrorised him from the start of the film. [[spoiler: Zigzag twice tries to choke Tack to death, but Tack kicks him off and then stitches his clothing to bound his hands and legs together, leaving Zigzag to humiliatingly hop away.]]
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Added DiffLines:
* The two reworks of the film add a quick scuffle between Tack and Zigzag, giving Tack a more direct and satisfying payback to the petty visor who terrorised him from the start of the film. [[spoiler: Zigzag twice tries to choke Tack to death, but Tack kicks him off and then stitches his clothing to bound his hands and legs together, leaving Zigzag to humiliatingly hop away.]]
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Added DiffLines:
* The magnificent opening to the movie, even if a lot of the animation was never finished; presenting the premise inside a swirling crystal ball held by two ancient, gnarled hands.
--> '''Narrator''': ''It is written among the limitless consterlations of the heavens, and of the depths of the emerald seas, and on every grain of sand of the deserts... that the world which we see, is an inward and invisible dream of an inward reality...''
--> ''Second Narrator''': Once upon a time, there was a Golden City...
--> '''Narrator''': ''It is written among the limitless consterlations of the heavens, and of the depths of the emerald seas, and on every grain of sand of the deserts... that the world which we see, is an inward and invisible dream of an inward reality...''
--> ''Second Narrator''': Once upon a time, there was a Golden City...
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Changed line(s) 7 (click to see context) from:
* The Escher inspired chase [[http://www.youtube.com/watch?v=daBq278GJlc scene.]]
to:
* The Escher Creator/MCEscher inspired chase [[http://www.youtube.com/watch?v=daBq278GJlc scene.]]
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Changed line(s) 2 (click to see context) from:
* The Thief stealing back the three golden balls as [[spoiler: the One-Eye's death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''.
to:
* The Thief stealing back the three golden balls as [[spoiler: the One-Eye's death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''.
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----
Changed line(s) 9,10 (click to see context) from:
** For the latter portion, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine. The documentary on the film aptly describes the Thief's trek through the collapsing machine as "It looks like someone died making it."
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the original cut of the film.
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the original cut of the film.
to:
** For the latter portion, latter, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine. The documentary on the film aptly describes the Thief's trek through the collapsing machine as "It looks like someone died making it."
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the film's originalcut of the film.cut.
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the film's original
Changed line(s) 12,13 (click to see context) from:
** One of the most hilarious and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then, after a moment's thought, grabs something just off screen, the soundtrack warping, then you see him steal everything short of the end credits right out of the projector!
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy signifigant Awesome moments.
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy signifigant Awesome moments.
to:
** One of the most hilarious funniest and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then, after a moment's thought, then grabs something just off screen, the soundtrack warping, then you see him steal everything short of except the end credits right out of the projector!
credits!
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairysignifigant significant Awesome moments.
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy
Changed line(s) 15 (click to see context) from:
** Second, [[spoilers: his death scene, where he doesnt bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is especially awesome considering that he freaked out like a lunatic just from stepping on a nail, TWICE.]]
to:
** [[spoiler: Second, [[spoilers: his death scene, where he doesnt scene. He doesn't bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is Its especially awesome considering that he freaked out like a lunatic just from stepping on a nail, TWICE.]]
Changed line(s) 17,18 (click to see context) from:
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if we didn't see it until now.
* One-Eye showing just ''why'' he is TheDreaded, commanding a massive, perfectly co-ordinated war machine that marches on the Golden City...[[BigDamnHeroes that is, until Tack steps in.]]
* One-Eye showing just ''why'' he is TheDreaded, commanding a massive, perfectly co-ordinated war machine that marches on the Golden City...[[BigDamnHeroes that is, until Tack steps in.]]
to:
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority most of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if we didn't see it until now.
* One-Eye showingjust ''why'' he is TheDreaded, commanding a massive, big, perfectly co-ordinated coordinated war machine that marches on the Golden City...City... [[BigDamnHeroes that is, until Tack steps in.]]]]
----
* One-Eye showing
----
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Fixing multiple formatting, indentation, and punctuation errors.
Changed line(s) 4,5 (click to see context) from:
* CrowningMusicOfAwesome: The recobbled cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film.
** The whole recobbled edition in general, removing the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be.
** The whole recobbled edition in general, removing the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be.
to:
* CrowningMusicOfAwesome: The recobbled "Recobbled" cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film.
** The whole recobbled edition in general, removingfilm. It also removes the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be.
** The whole recobbled edition in general, removing
Changed line(s) 9 (click to see context) from:
* AwesomeAnimation / VisualEffectsOfAwesome: Williams' original scenes are amazingly well animated. Not only is it technically excellent, but the characters also often move and act in very inventive ways: Of particular note is Zigzag's playing cards scene (animated by Williams himself), which ''has'' to be viewed frame-by-frame to catch all the subtleties. In fact, the art was so good that some parts of it, especially the War Machine, looked like animated CGI
to:
* AwesomeAnimation / VisualEffectsOfAwesome: Williams' original scenes are amazingly well animated. Not only is it technically excellent, but the characters also often move and act in very inventive ways: Of particular note is Zigzag's playing cards scene (animated by Williams himself), which ''has'' to be viewed frame-by-frame to catch all the subtleties. In fact, the art was so good that some parts of it, especially the War Machine, looked like animated CGICGI.
Changed line(s) 14,18 (click to see context) from:
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy signifigant Awesome moments; first, after One-Eye tries to just dispose of him in a crocodile pit, and Zig-Zag rides back into the camp ''on the crocodiles'', and coldly tells One-Eye to not underestimate him again.
** Second, [[spoilers: his death scene, where he doesnt bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is especially awesome considering that he freaked out like a lunatic just from stepping on a nail, TWICE]]
--> '''Zig-Zag''': [[spoiler: You too Fido, man's best friend? For Zig-Zag then, it is... the End...]]
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if we didnt see it until now.
* One.Eye showing just ''why'' he is TheDreaded, commanding a massive, perfectly co-ordinated war machine that marches on the Golden City...[[BigDamnHeroes that is, until Tack steps in]]
** Second, [[spoilers: his death scene, where he doesnt bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is especially awesome considering that he freaked out like a lunatic just from stepping on a nail, TWICE]]
--> '''Zig-Zag''': [[spoiler: You too Fido, man's best friend? For Zig-Zag then, it is... the End...]]
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if we didnt see it until now.
* One.Eye showing just ''why'' he is TheDreaded, commanding a massive, perfectly co-ordinated war machine that marches on the Golden City...[[BigDamnHeroes that is, until Tack steps in]]
to:
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy signifigant Awesome moments; first, moments.
** First, after One-Eye tries to just dispose of him in a crocodile pit,and Zig-Zag rides back into the camp ''on the crocodiles'', and coldly tells One-Eye to not underestimate him again.
** Second, [[spoilers: his death scene, where he doesnt bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is especially awesome considering that he freaked out like a lunatic just from stepping on a nail,TWICE]]
-->TWICE.]]
---> '''Zig-Zag''': [[spoiler: You too Fido, man's best friend? For Zig-Zag then, it is... the End...]]
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if wedidnt didn't see it until now.
*One.Eye One-Eye showing just ''why'' he is TheDreaded, commanding a massive, perfectly co-ordinated war machine that marches on the Golden City...[[BigDamnHeroes that is, until Tack steps in]]in.]]
** First, after One-Eye tries to just dispose of him in a crocodile pit,
** Second, [[spoilers: his death scene, where he doesnt bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is especially awesome considering that he freaked out like a lunatic just from stepping on a nail,
-->
---> '''Zig-Zag''': [[spoiler: You too Fido, man's best friend? For Zig-Zag then, it is... the End...]]
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if we
*
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** The fact that the Thief is able to completely avoid the consequences of his job, the punishment for theft in Muslim culture are extremely strict; the loss of your hands. At one point, the palace guards catches him trying to steal jewels from an urn and try to exact that punishment but the Thief fakes them out by using a pair of hand-shaped back-scratchers he stole from Princess Yum-Yum.
Changed line(s) 12 (click to see context) from:
** One of the most hilarious and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then, after a moment's thought, grabs something just off screen, the soundtrack warping, then you see him steal everything short of the end credits right out of the projector!
to:
** One of the most hilarious and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then, after a moment's thought, grabs something just off screen, the soundtrack warping, then you see him steal everything short of the end credits right out of the projector!projector!
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy signifigant Awesome moments; first, after One-Eye tries to just dispose of him in a crocodile pit, and Zig-Zag rides back into the camp ''on the crocodiles'', and coldly tells One-Eye to not underestimate him again.
** Second, [[spoilers: his death scene, where he doesnt bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is especially awesome considering that he freaked out like a lunatic just from stepping on a nail, TWICE]]
--> '''Zig-Zag''': [[spoiler: You too Fido, man's best friend? For Zig-Zag then, it is... the End...]]
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if we didnt see it until now.
* One.Eye showing just ''why'' he is TheDreaded, commanding a massive, perfectly co-ordinated war machine that marches on the Golden City...[[BigDamnHeroes that is, until Tack steps in]]
* Zig-Zag, despite being portrayed as a scheming coward for the most part, has two fairy signifigant Awesome moments; first, after One-Eye tries to just dispose of him in a crocodile pit, and Zig-Zag rides back into the camp ''on the crocodiles'', and coldly tells One-Eye to not underestimate him again.
** Second, [[spoilers: his death scene, where he doesnt bother to scream or beg, despite him being devoured alive by the crocodiles he never bothered to feed, and his own pet vulture. This is especially awesome considering that he freaked out like a lunatic just from stepping on a nail, TWICE]]
--> '''Zig-Zag''': [[spoiler: You too Fido, man's best friend? For Zig-Zag then, it is... the End...]]
* The King rushing to rally the defenses of the Golden City, especially considering that he spent the majority of the film half-asleep and indifferent to almost everything. He really IS a capable leader, even if we didnt see it until now.
* One.Eye showing just ''why'' he is TheDreaded, commanding a massive, perfectly co-ordinated war machine that marches on the Golden City...[[BigDamnHeroes that is, until Tack steps in]]
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Changed line(s) 2 (click to see context) from:
** He then tops that by, as the film is coming to an end, [[StealingTheScenery pocketing the THE END letters followed by]] [[ImpossibleTheft the entire film!]]
to:
** He then tops that by, as the film is coming to an end, [[StealingTheScenery [[StealTheSurroundings pocketing the THE END letters followed by]] [[ImpossibleTheft the entire film!]]
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** He then tops that by, as the film is coming to an end, [[StealingTheScenery pocketing the THE END letters followed by]] [[ImpossibleTheft the entire film!]]
Changed line(s) 10 (click to see context) from:
** The unbelievably awesome scene of the Thief going through the War Machine was actually commissioned as a ''test sequence'' after interest was taken into funding the film. Who you may ask? '''Mohammed bin Faisal Al Saud;''' ''a Saudi Arabian prince.''
to:
** The unbelievably awesome scene of the Thief going through the War Machine was actually commissioned as a ''test sequence'' after interest was taken into funding the film. Who you may ask? '''Mohammed bin Faisal Al Saud;''' ''a Saudi Arabian prince.''''
** One of the most hilarious and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then, after a moment's thought, grabs something just off screen, the soundtrack warping, then you see him steal everything short of the end credits right out of the projector!
** One of the most hilarious and awesome bits of animation, which is enhanced by the soundtrack, is the final scene, as we pan out to THE END, and the Thief walks in, takes the letters, then, after a moment's thought, grabs something just off screen, the soundtrack warping, then you see him steal everything short of the end credits right out of the projector!
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the original cut of the film.
to:
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the original cut of the film.film.
** The unbelievably awesome scene of the Thief going through the War Machine was actually commissioned as a ''test sequence'' after interest was taken into funding the film. Who you may ask? '''Mohammed bin Faisal Al Saud;''' ''a Saudi Arabian prince.''
** The unbelievably awesome scene of the Thief going through the War Machine was actually commissioned as a ''test sequence'' after interest was taken into funding the film. Who you may ask? '''Mohammed bin Faisal Al Saud;''' ''a Saudi Arabian prince.''
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None
Changed line(s) 8 (click to see context) from:
** For the latter portion, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine. The documentary on the film aptly describes the Thief's trek through the collapsing machine as "It looks like someone died making it."
to:
** For the latter portion, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine. The documentary on the film aptly describes the Thief's trek through the collapsing machine as "It looks like someone died making it.""
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the original cut of the film.
** One of the master animators working on the film, Creator/GrimNatwick, was in his ''90s'' when he animated the witch for the original cut of the film.
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None
Changed line(s) 8 (click to see context) from:
** For the latter portion, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine.
to:
** For the latter portion, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine. The documentary on the film aptly describes the Thief's trek through the collapsing machine as "It looks like someone died making it."
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None
Changed line(s) 7 (click to see context) from:
* AwesomeAnimation / VisualEffectsOfAwesome: Williams' original scenes are amazingly well animated. Not only is it technically excellent, but the characters also often move and act in very inventive ways: Of particular note is Zigzag's playing cards scene (animated by Williams himself), which ''has'' to be viewed frame-by-frame to catch all the subtleties. In fact, the art was so good that some parts of it, especially the War Machine, looked like animated CGI
to:
* AwesomeAnimation / VisualEffectsOfAwesome: Williams' original scenes are amazingly well animated. Not only is it technically excellent, but the characters also often move and act in very inventive ways: Of particular note is Zigzag's playing cards scene (animated by Williams himself), which ''has'' to be viewed frame-by-frame to catch all the subtleties. In fact, the art was so good that some parts of it, especially the War Machine, looked like animated CGICGI
** For the latter portion, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine.
** For the latter portion, the original cut was supposed to be the greatest animation epic of all time, so therefore, Williams put in almost half a century's work into each frame, resulting in animation that mirrored CGI because of its sheer perfection, especially the War Machine.
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Deleted because it was resaid at the bottom.
Deleted line(s) 5 (click to see context) :
* Zigzag's card-shuffling, drawn by Richard Williams himself.
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Changed line(s) 7 (click to see context) from:
* The dying messenger, who, after being shot with numerous arrows and impaled with a flagpole, crawls across the corpse-strewn battlefield, drags himself onto his horse, and rides day and night back to the palace so he can warn them of the oncoming war.
to:
* The dying messenger, who, after being shot with numerous arrows and impaled with a flagpole, crawls across the corpse-strewn battlefield, drags himself onto his horse, and rides day and night back to the palace so he can warn them of the oncoming war.war.
* AwesomeAnimation / VisualEffectsOfAwesome: Williams' original scenes are amazingly well animated. Not only is it technically excellent, but the characters also often move and act in very inventive ways: Of particular note is Zigzag's playing cards scene (animated by Williams himself), which ''has'' to be viewed frame-by-frame to catch all the subtleties. In fact, the art was so good that some parts of it, especially the War Machine, looked like animated CGI
* AwesomeAnimation / VisualEffectsOfAwesome: Williams' original scenes are amazingly well animated. Not only is it technically excellent, but the characters also often move and act in very inventive ways: Of particular note is Zigzag's playing cards scene (animated by Williams himself), which ''has'' to be viewed frame-by-frame to catch all the subtleties. In fact, the art was so good that some parts of it, especially the War Machine, looked like animated CGI
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Changed line(s) 6 (click to see context) from:
* The Escher inspired chase [[http://www.youtube.com/watch?v=daBq278GJlc scene.]]
to:
* The Escher inspired chase [[http://www.youtube.com/watch?v=daBq278GJlc scene.]]]]
* The dying messenger, who, after being shot with numerous arrows and impaled with a flagpole, crawls across the corpse-strewn battlefield, drags himself onto his horse, and rides day and night back to the palace so he can warn them of the oncoming war.
* The dying messenger, who, after being shot with numerous arrows and impaled with a flagpole, crawls across the corpse-strewn battlefield, drags himself onto his horse, and rides day and night back to the palace so he can warn them of the oncoming war.
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** The whole recobbled edition in general, removing the pop-culture references, disconnected dialogue and most of the OffModel animation in order to present it as the original animated epic it was supposed to be.
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* The Thief stealing back the three golden balls as [[spoiler: the One-Eye's death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''. If that isn't totally awesome, I don't know what is.
to:
* The Thief stealing back the three golden balls as [[spoiler: the One-Eye's death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''. If that isn't totally awesome, I don't know what is.
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* The Thief stealing back the three golden balls as [[spoiler: the One-Eyes' death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''. If that isn't totally awesome, I don't know what is.
to:
* The Thief stealing back the three golden balls as [[spoiler: the One-Eyes' One-Eye's death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''. If that isn't totally awesome, I don't know what is.
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* Tack [[spoiler: takes a level or two in Badassery and destroys the whole One Eyes' death machine with one single well-aimed nail]].
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* Tack [[spoiler: takes a level or two in Badassery and destroys the whole of One Eyes' Eye's death machine with one single well-aimed nail]].
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Click on the link and see! It\'s so awesome!
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* Zigzag's card-shuffling, drawn by Richard Williams himself.
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* Zigzag's card-shuffling, drawn by Richard Williams himself.himself.
*The Escher inspired chase [[http://www.youtube.com/watch?v=daBq278GJlc scene.]]
*The Escher inspired chase [[http://www.youtube.com/watch?v=daBq278GJlc scene.]]
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* Zigzag's card-shuffling, drawn by Richard Williams himself.
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* Tack [[spoiler: takes a level or two in Badassery and destroys the whole One Eyes' death machine with one single well-aimed nail]].
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None
Changed line(s) 1 (click to see context) from:
* The Thief stealing back the three golden balls as [[spoiler: the One-Eyes' death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''. If that isn't totally awesome, I don't know what is.
to:
* The Thief stealing back the three golden balls as [[spoiler: the One-Eyes' death machine collapses around, over and behind him]] ''and'' escaping without so much as a ''scratch''. If that isn't totally awesome, I don't know what is.is.
* CrowningMusicOfAwesome: The recobbled cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film.
* CrowningMusicOfAwesome: The recobbled cut features truly inspired use of Rimsky-Korsakov's "Scheherazade" to fill in silent sections of the original film.
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the scene is also in the \"Princess and the Cobbler\" version
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* In ''The Recobbled Edition'': If the Thief stealing back the three golden balls as [[spoiler: the One-Eyes' death machine collapses around, over and behind him]] ''and'' escaping without so much as a scratch isn't totally awesome, I don't know what is.
to:
* In ''The Recobbled Edition'': If the The Thief stealing back the three golden balls as [[spoiler: the One-Eyes' death machine collapses around, over and behind him]] ''and'' escaping without so much as a scratch ''scratch''. If that isn't totally awesome, I don't know what is.
