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Completely Missing The Point is a disambig
Changed line(s) 15 (click to see context) from:
--> '''Mike:''' [[CompletelyMissingThePoint Why is everything here so pointless?!]]
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--> '''Mike:''' [[CompletelyMissingThePoint Why is everything here so pointless?!]]pointless?!
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Changed line(s) 21 (click to see context) from:
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* For a meta example, the actor who played Augustus Gloop, Philip Wiegratz, had to wear a fat suit, had a phobia of swimming which he powered through, and didn't even speak English. He learned all his lines in a language foreign to him just for this movie. The guy is a ''trooper''.
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Changed line(s) 5 (click to see context) from:
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* The fact that Wonka built an ''entire palace'' out of solid chocolate counts as one.
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Changed line(s) 12 (click to see context) from:
** It's the fact that he's TheEeyore at all other times that makes his advice (happiness is better than money) so touching.
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** It's the fact that he's TheEeyore TheCynic at all other times that makes his advice (happiness is better than money) so touching.
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Changed line(s) 15 (click to see context) from:
* While people are rightfully going to have more fond memories of the Oompa Loompa songs from the original (especially with that [[EarWorm catchy refrain]]), Danny Elfman's ability to take the lyrics from Dahl's novel and set them to various musical genres is commendable in itself. They may not be as memorable, but it doesn't make the sequences any less fun.
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* While people are rightfully going to have more fond memories of the Oompa Loompa songs from the original (especially with that [[EarWorm catchy refrain]]), refrain), Danny Elfman's ability to take the lyrics from Dahl's novel and set them to various musical genres is commendable in itself. They may not be as memorable, but it doesn't make the sequences any less fun.
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* [[https://www.youtube.com/watch?v=791CWHOkekg The opening sequence]], scored by Creator/DannyElfman, is made of awesome - it has a pumping, industrial-sounding soundtrack, and features a huge amount of SceneryPorn, showing us around the factory as Wonka bars are manufactured, and setting up the film's DarkFantasy setting with its [[DarkerAndEdgier darker tone]], establishing for the audience that it is definitely not going to be the whimsical, Technicolor, psychedelic world we are shown in [[Film/WillyWonkaAndTheChocolateFactory the 1971 film]].
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Changed line(s) 7 (click to see context) from:
* Grandpa Joe gets most of the glory since he accompanies Charlie to Willy Wonka's factory, but grumpy Grandpa George has a [=CMoA=] when he responds to Charlie's suggestion that they sell his golden ticket by telling him, "There's plenty of money out there. They print more every day. But this ticket -- there's only five of them in the whole world, and that's all there's ever going to be. Only a dummy would give this up for something as common as money. Are you a dummy?...Then get that mud off your pants. You've got a factory to go to!"
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* Grandpa Joe gets most of the glory since he accompanies Charlie to Willy Wonka's factory, but grumpy Grandpa George has a [=CMoA=] when he responds to Charlie's suggestion that they sell his golden ticket by telling him, "There's ticket.
-->'''Grandpa George:''' Young man, come here. There's plenty of money out there. They print more every day. But this ticket -- there's only five of them in the whole world, and that's all there's evergoing ''going'' to be. Only a dummy would give this up for something as common as money. Are you a dummy?...dummy?\\
'''Charlie:''' No, sir.\\
'''Grandpa George:''' Then get that mud off your pants. You've got a factory to goto!"to!
-->'''Grandpa George:''' Young man, come here. There's plenty of money out there. They print more every day. But this ticket -- there's only five of them in the whole world, and that's all there's ever
'''Charlie:''' No, sir.\\
'''Grandpa George:''' Then get that mud off your pants. You've got a factory to go
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Changed line(s) 15,16 (click to see context) from:
* Mr. Salt standing up to Veruca for the first time in her life at the end of the film.
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* Mr. Salt standing up to Veruca for the first time in her his life at the end of the film.
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Changed line(s) 11 (click to see context) from:
* While people are rightfully going to have more fond memories of the Oompa-Loompa songs from the original (especially with that [[EarWorm catchy refrain]]), Danny Elfman's ability to take the lyrics from Dahl's novel and set them to various musical genres is commendable in itself. They may not be as memorable, but it doesn't make the sequences any less fun.
to:
* While people are rightfully going to have more fond memories of the Oompa-Loompa Oompa Loompa songs from the original (especially with that [[EarWorm catchy refrain]]), Danny Elfman's ability to take the lyrics from Dahl's novel and set them to various musical genres is commendable in itself. They may not be as memorable, but it doesn't make the sequences any less fun.
Changed line(s) 13 (click to see context) from:
** As nostalgia Critic said in his Old vs New video of the two movies they also tribute musical styling of various Eras.
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** As nostalgia The Nostalgia Critic said points out in his Old vs New video of the two movies they movies, the Oompa Loompa songs also tribute musical styling of various Eras.eras. Augustus's is '40s mambo, Violet's is '70s Blaxploitation funk, Veruca's is '60s psychedelic rock, Mike's is early '80s Progressive Rock.
Changed line(s) 18 (click to see context) from:
* "It Must Be Believed to Be Seen", the Act One finale and Willy Wonka's introductory song, is [[AwesomeMusic/{{Theatre}} a terrific song]] in and of itself. The staging makes it even more spectacular -- the ObfuscatingDisability trick that sets up an InstantCostumeChange...the entire assembled crowd of Golden Ticket finders and press becoming a troupe of backup dancers seemingly out of sheer reverence...the gloomy factory's windows first being lit up with a deft wave of his cane and then changing colors until the whole place looks like the mothership from ''Film/CloseEncountersOfTheThirdKind''...the delightfully ominous DoorClosesEnding. If the right kind of LargeHam is playing Wonka (and Creator/DouglasHodge, the role originator, was indeed that), the cumulative effect of all this is a sense of sheer ''power'' rolling over the audience.
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* "It Must Be Believed to Be Seen", the Act One finale and Willy Wonka's introductory song, is [[AwesomeMusic/{{Theatre}} a terrific song]] in and of itself. The staging makes it even more spectacular -- the ObfuscatingDisability trick that sets up an InstantCostumeChange...the entire assembled crowd of Golden Ticket finders and press becoming a troupe of backup dancers seemingly out of sheer reverence...the gloomy factory's windows first being lit up with a deft wave of his cane and then changing colors until the whole place looks like the mothership from ''Film/CloseEncountersOfTheThirdKind''... the delightfully ominous DoorClosesEnding. If the right kind of LargeHam is playing Wonka (and Creator/DouglasHodge, the role originator, was indeed that), the cumulative effect of all this is a sense of sheer ''power'' rolling over the audience.
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Changed line(s) 11 (click to see context) from:
* While people are rightfully going to have more fond memories of the Oompa-Loompa songs from the original (especially with that [[EarWorm catchy refrain]]), Danny Elfman's ability to take the lyrics from Dahl's novel and set them to various musical genres is commendable in itself. It may not eternally memorable, but it doesn't make the sequences any less fun.
to:
* While people are rightfully going to have more fond memories of the Oompa-Loompa songs from the original (especially with that [[EarWorm catchy refrain]]), Danny Elfman's ability to take the lyrics from Dahl's novel and set them to various musical genres is commendable in itself. It They may not eternally be as memorable, but it doesn't make the sequences any less fun.
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** As nostalgia Critic said in his Old vs New video of the two movies they also tribute musical styling of various Eras.
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Changed line(s) 12 (click to see context) from:
** Each musical number is a fun little parody/{{Expy}} and they have a number of GeniusBonus shout-outs. ''Augustus Gloop'' nods to the song style of the 1971 film; ''Violet Beauregard'' is a little nod to techno/funk; ''Veruca Salt'' is a gentle ballad with a Beatles vibe; and ''Mike Teavee'' has punk anger and a spray of pop-culture references (along with another nod to the Beatles in its bridge).
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** Each musical number is a fun little parody/{{Expy}} and they have a number of GeniusBonus shout-outs. ''Augustus Gloop'' nods to Bollywood musical numbers (at the song style suggestion of the 1971 film; Creator/DeepRoy), ''Violet Beauregard'' Beauregarde'' is a little nod to techno/funk; ''Veruca Salt'' is a gentle ballad with a Beatles vibe; and ''Mike Teavee'' has punk anger and a spray of pop-culture references (along with another nod to the Beatles in its bridge).
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Changed line(s) 4 (click to see context) from:
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* A small one: the owner of the sweet shop where Charlie finds his ticket telling the adults who are trying to force the poor kid into selling it to them to back off. This is faithfully incorporated into the 2005 film.
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* A small one: the owner of the sweet shop where Charlie finds his ticket telling the adults who are trying to force the poor kid into selling it to them to back off.
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''Awesome moments specific to the 1971 film adaptation go [[Awesome/WillyWonkaAndTheChocolateFactory here]].''
Deleted line(s) 3,7 (click to see context) :
!!1971 Film
* Violet Beauregard decides she's had enough of Veruca's crap and snaps at her. This is the only time anyone tells Veruca off to her face and what's more, it leaves her ''in stunned silence!''.
* Charlie trying to save Augustus from drowning.
* Grandpa Joe angrily calling out Wonka [[spoiler: for not giving Charlie his lifetime supply over stealing the Fizzy Lifting drinks]].
* Violet Beauregard decides she's had enough of Veruca's crap and snaps at her. This is the only time anyone tells Veruca off to her face and what's more, it leaves her ''in stunned silence!''.
* Charlie trying to save Augustus from drowning.
* Grandpa Joe angrily calling out Wonka [[spoiler: for not giving Charlie his lifetime supply over stealing the Fizzy Lifting drinks]].
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Changed line(s) 5 (click to see context) from:
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* Charlie trying to save Augustus from drowning.
* Grandpa Joe angrily calling out Wonka [[spoiler: for not giving Charlie his lifetime supply over stealing the Fizzy Lifting drinks]].
* Grandpa Joe angrily calling out Wonka [[spoiler: for not giving Charlie his lifetime supply over stealing the Fizzy Lifting drinks]].
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!!1971 Film
* Violet Beauregard decides she's had enough of Veruca's crap and snaps at her. This is the only time anyone tells Veruca off to her face and what's more, it leaves her ''in stunned silence!''.
* Violet Beauregard decides she's had enough of Veruca's crap and snaps at her. This is the only time anyone tells Veruca off to her face and what's more, it leaves her ''in stunned silence!''.
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Changed line(s) 12 (click to see context) from:
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* A small one: the owner of the sweet shop where Charlie finds his ticket telling the adults who are trying to force the poor kid into selling it to them to back off.
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** Each musical number is a fun little parody/{{Expy}} and they have a number of GeniusBonus shout-outs. ''Augustus Gloop'' nods to the song style of the 1971 film; ''Violet Beauregard'' is a little nod to techno/funk; ''Veruca Salt'' is a gentle ballad with a Beatles vibe; and ''Mike Teavee'' has punk anger and a spray of pop-culture references (along with another nod to the Beatles in its bridge).
Changed line(s) 14 (click to see context) from:
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** It's the fact that he's TheEeyore at all other times that makes his advice (happiness is better than money) so touching.
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--> '''Mike:''' [[CompletelyMissingThePoint Why is everything here so pointless?!]]
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Changed line(s) 11 (click to see context) from:
* "It Must Be Believed to Be Seen", the Act One finale and Willy Wonka's introductory song, is [[AwesomeMusic/{{Theatre}} a terrific song]] in and of itself. The staging makes it even more spectacular -- the ObfuscatingDisability trick that sets up an InstantCostumeChange...the entire assembled crowd of Golden Ticket finders and press becoming a troupe of backup dancers seemingly out of sheer reverence...the gloomy factory's windows first being lit up with a deft wave of his cane and then changing colors until the whole place looks like the mothership from ''Film/CloseEncountersOfTheThirdKind''...the delightfully ominous DoorClosesEnding. If the right kind of LargeHam is playing Wonka (and Douglas Hodge, the role originator, was indeed that), the cumulative effect of all this is a sense of sheer ''power'' rolling over the audience.
to:
* "It Must Be Believed to Be Seen", the Act One finale and Willy Wonka's introductory song, is [[AwesomeMusic/{{Theatre}} a terrific song]] in and of itself. The staging makes it even more spectacular -- the ObfuscatingDisability trick that sets up an InstantCostumeChange...the entire assembled crowd of Golden Ticket finders and press becoming a troupe of backup dancers seemingly out of sheer reverence...the gloomy factory's windows first being lit up with a deft wave of his cane and then changing colors until the whole place looks like the mothership from ''Film/CloseEncountersOfTheThirdKind''...the delightfully ominous DoorClosesEnding. If the right kind of LargeHam is playing Wonka (and Douglas Hodge, Creator/DouglasHodge, the role originator, was indeed that), the cumulative effect of all this is a sense of sheer ''power'' rolling over the audience.
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None
Changed line(s) 11 (click to see context) from:
* "It Must Be Believed to Be Seen", the Act One finale and Willy Wonka's introductory song, is [[AwesomeMusic/{{Theatre}} a terrific song]] in and of itself. The staging makes it even more spectacular -- the ObfuscatingDisability trick that sets up an InstantCostumeChange...the entire assembled crowd of Golden Ticket finders and press becoming a troupe of backup dancers seemingly out of sheer reverence...the gloomy factory's windows first being lit up with a deft wave of his cane and then changing colors until the whole place looks like the mothership from ''Film/CloseEncountersOfTheThirdKind''...the delightfully ominous DoorClosesEnding. If the right kind of LargeHam is playing Wonka, the cumulative effect of all this is a sense of sheer ''power'' rolling over the audience.
to:
* "It Must Be Believed to Be Seen", the Act One finale and Willy Wonka's introductory song, is [[AwesomeMusic/{{Theatre}} a terrific song]] in and of itself. The staging makes it even more spectacular -- the ObfuscatingDisability trick that sets up an InstantCostumeChange...the entire assembled crowd of Golden Ticket finders and press becoming a troupe of backup dancers seemingly out of sheer reverence...the gloomy factory's windows first being lit up with a deft wave of his cane and then changing colors until the whole place looks like the mothership from ''Film/CloseEncountersOfTheThirdKind''...the delightfully ominous DoorClosesEnding. If the right kind of LargeHam is playing Wonka, Wonka (and Douglas Hodge, the role originator, was indeed that), the cumulative effect of all this is a sense of sheer ''power'' rolling over the audience.
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Changed line(s) 11 (click to see context) from:
* "It Must Be Believed to Be Seen" (the Act One finale/Willy Wonka's introductory song) is [[AwesomeMusic/Theatre an awe-inspiring song]] in and of itself.
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* "It Must Be Believed to Be Seen" (the Seen", the Act One finale/Willy finale and Willy Wonka's introductory song) song, is [[AwesomeMusic/Theatre an awe-inspiring [[AwesomeMusic/{{Theatre}} a terrific song]] in and of itself.itself. The staging makes it even more spectacular -- the ObfuscatingDisability trick that sets up an InstantCostumeChange...the entire assembled crowd of Golden Ticket finders and press becoming a troupe of backup dancers seemingly out of sheer reverence...the gloomy factory's windows first being lit up with a deft wave of his cane and then changing colors until the whole place looks like the mothership from ''Film/CloseEncountersOfTheThirdKind''...the delightfully ominous DoorClosesEnding. If the right kind of LargeHam is playing Wonka, the cumulative effect of all this is a sense of sheer ''power'' rolling over the audience.
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Deleted line(s) 4 (click to see context) :
* Wonka gets his [=CMoA=] when Veruca adamantly continues to demand a squirrel despite his already having turned down her father's offer to buy one for her. Wonka's response? He imitates Mr. Salt perfectly ("I'm sorry, darling. Mr. Wonka's being unreasonable.") just to mock them.
* The fireworks room during the elevator ride.
* Wonka gets his [=CMoA=] when Veruca adamantly continues to demand a squirrel despite his already having turned down her father's offer to buy one for her. Wonka's response? He imitates Mr. Salt perfectly ("I'm sorry, darling. Mr. Wonka's being unreasonable.") just to mock them. (Also a Funny Moment.)
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* The fireworks room during the elevator ride.
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!!2013 Stage Musical
*
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* The fireworks room during the elevator ride.
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* Mr. Salt standing up to Veruca for the first time in her life at the end of the film.
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* While people are rightfully going to have more fond memories of the Oompa-Loompa songs from the original (especially with that [[EarWorm catchy refrain]]), Danny Elfman's ability to take the lyrics from Dahl's novel and set them to various musical genres is commendable in itself. It may not eternally memorable, but it doesn't make the sequences any less fun.
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content swap with Film.WillyWonkaAndTheChocolateFactory
Changed line(s) 3,7 (click to see context) from:
!!1971 Film
* Charlie is sometimes accused of being a PinballProtagonist, at least he actually tries to help the others when there in trouble.
** Like when he held out the giant lollipop for Agustus to grab. It may not have been all that awesome, but at least he actually tried.
*** He was the first to notice that Agustus was too close to the river.
** Or when the tour was done, he asked Wonka, not about his prize, but about the other kids.
* Charlie is sometimes accused of being a PinballProtagonist, at least he actually tries to help the others when there in trouble.
** Like when he held out the giant lollipop for Agustus to grab. It may not have been all that awesome, but at least he actually tried.
*** He was the first to notice that Agustus was too close to the river.
** Or when the tour was done, he asked Wonka, not about his prize, but about the other kids.
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* Wonka gets his [=CMoA=] when Veruca adamantly continues to demand a squirrel despite his already having turned down her father's offer to buy one for her. Wonka's response? He imitates Mr. Salt perfectly ("I'm sorry, darling. Mr. Wonka's being unreasonable.") just to mock them.
* Grandpa Joe gets most of the glory since he accompanies Charlie
** Like
*** He was
** Or when the tour was done, he asked Wonka, not about his prize, but about the other kids.
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Changed line(s) 6 (click to see context) from:
*** He was the first to noticed Agustus was too close to the river.
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*** He was the first to noticed notice that Agustus was too close to the river.
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Changed line(s) 6 (click to see context) from:
** Or when the tour was done, he asked Wonka, not about his prize, but about the other kids.
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*** He was the first to noticed Agustus was too close to the river.
** Or when the tour was done, he asked Wonka, not about his prize, but about the otherkids.kids.
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** Or when the tour was done, he asked Wonka, not about his prize, but about the other
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subject-verb agreement
Changed line(s) 6 (click to see context) from:
** Or when the tour was done, he asked Wonka, not about his prize but about the others kids.
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** Or when the tour was done, he asked Wonka, not about his prize prize, but about the others other kids.