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* RonTheDeathEater: In the film, Totoro is shown to be a harmless, if boisterous creature who is very friendly and helpful to Satsuki and Mei. However, there are plenty of fan theories and fan art that depict Totoro as a "death god" or as a monstrous creature that actively harms and eats people. Humorously enough, as a SecretTestOfCharacter, Hayao Miyazaki himself would [[https://www.crunchyroll.com/anime-news/2019/06/12/hayao-miyazaki-recounts-the-terrifying-true-nature-of-totoro play with the idea]] during a job interview with a group of job applicants by once describing Totoro as a "terrible creature" who was only nice to Mei and Satsuki due to being unhungry at the time.[[note]]As one job applicant (future Anime director Creator/KenjiItoso) states, Totoro's teeth are flat molars meant for grinding grass, making him a herbivore who couldn't eat Satsuki and Mei. According to him, he was the only one to pass that SecretTestOfCharacter (with the lesson being to think for yourself).[[/note]]

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* RonTheDeathEater: In the film, Totoro is shown to be a harmless, if boisterous creature who is very friendly and helpful to Satsuki and Mei. However, there are plenty of fan theories and fan art that depict Totoro as a "death god" or as a monstrous creature that actively harms and eats people. Humorously enough, as a SecretTestOfCharacter, Hayao Miyazaki himself would [[https://www.crunchyroll.com/anime-news/2019/06/12/hayao-miyazaki-recounts-the-terrifying-true-nature-of-totoro play with the idea]] during a job interview with a group of job applicants by once describing Totoro as a "terrible creature" who was only nice to Mei and Satsuki due to being unhungry at the time.[[note]]As one job applicant (future Anime anime director Creator/KenjiItoso) states, Totoro's teeth are flat molars meant for grinding grass, making him a herbivore who couldn't eat Satsuki and Mei. According to him, he was the only one to pass that SecretTestOfCharacter (with the lesson being to think for yourself).[[/note]]
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** The film is very popular in the United States thanks to Fox distributing the VHS tape in the United States and Roger Ebert giving it a glowing review. The film is so huge there that it's been referenced in everything from ''WesternAnimation/ThePowerpuffGirls'' to ''WesternAnimation/ToyStory3''.

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** The film is very popular in the United States thanks to Fox distributing the VHS tape in the United States and Roger Ebert giving it a glowing review. The film is so huge there that it's been referenced in everything from ''WesternAnimation/ThePowerpuffGirls'' ''WesternAnimation/ThePowerpuffGirls1998'' to ''WesternAnimation/ToyStory3''.
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* SugarWiki/AwesomeMusic:
** You must admit that you have at least once walked around humming the mysterious yet mythical [[https://youtu.be/Di6UTiWJaaI "The Path of the Wind"]]. The later [[https://youtu.be/6nkz6IovPfU re-orchestrated version]] by Hisashi himself takes it to awe-inspiring heights.
** The ending theme, [[https://youtu.be/R7B4XP--qO0 Tonari no Totoro,]] is an incredibly cheerful, upbeat and whimsical song. Joe Hisaishi's [[https://youtu.be/BF3JGIvK71I orchestral version]] of the song is also beautifully epic.
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* {{Fanon}}: A common idea present in TimeSkip fanworks is the idea that Satsuki will eventually outgrow Totoro in her later years and dismiss her encounters with him as little more than a childhood fantasy, while Mei will still fully believe in Totoro's existence even as an adult. This, unsurprisingly, tends to cause friction between the two sisters in the fanworks that explore this idea.

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* {{Fanon}}: FandomSpecificPlot: A common idea present in TimeSkip fanworks is the idea that Satsuki will eventually outgrow Totoro in her later years and dismiss her encounters with him as little more than a childhood fantasy, while Mei will still fully believe in Totoro's existence even as an adult. This, unsurprisingly, tends to cause friction between the two sisters in the fanworks that explore this idea.
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* SignatureScene: The scene where Satsuki, Mei, and Totoro are waiting at the bus stop.

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* SignatureScene: The scene where Satsuki, Mei, and Totoro are waiting at the bus stop. There are many parodies of this scene and it's been used as the DVD cover at least once.

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* OnceOriginalNowCommon: ''My Neighbor Totoro'' was a very bold film back in 1988, to the point that distributors and Tokuma Shoten were initially unconfident in the film's success, as a grounded SliceOfLife animated film set in modern Japan with little conflict was an unusual and risky idea in the then-action obsessed Japanese film industry at the time. Nowadays, while the film is still regarded as a classic, it's easy to look at the film and its simplistic plot and characters as being quaint and lacking compared to Ghibli's later films and the plethora of SliceOfLife animated films that have come out since ''Totoro''.



* SeinfeldIsUnfunny: ''My Neighbor Totoro'' was a very bold film back in 1988, to the point that distributors and Tokuma Shoten were initially unconfident in the film's success, as a grounded SliceOfLife animated film set in modern Japan with little conflict was an unusual and risky idea in the then-action obsessed Japanese film industry at the time. Nowadays, while the film is still regarded as a classic, it's easy to look at the film and its simplistic plot and characters as being quaint and lacking compared to Ghibli's later films and the plethora of SliceOfLife animated films that have come out since ''Totoro''.

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* {{Moe}}: Both Mei and Satsuki.
* WMG/PoisonOakEpilepticTrees: The notorious "Death God Totoro" fan theory that Mei actually drowned in the pool and Satsuki lied about the sandal not being hers out of denial, meaning that Mei (and according to extreme versions, Satsuki and their mother as well) are ghosts in the final scenes and end credits. This reading was helped along by the film being shown after ''Anime/GraveOfTheFireflies'' and got enough traction that Ghibli specifically denied it, stating that the girls' lack of visible shadows in the final shot (which had been used to justify it) was an artistic choice and not meant to be meaningful. This is also refuted by ''Anime/MeiAndTheKittenbus'', which is explicitly an epilogue and takes place after the events of the main film itself. Of course, with it only being shown at the Ghibli Museum in Japan, it's not widely known.

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* %%* {{Moe}}: Both Mei and Satsuki.
* WMG/PoisonOakEpilepticTrees: The notorious "Death God Totoro" fan theory that Mei actually drowned in the pool and Satsuki lied about the sandal not being hers out of denial, meaning that Mei (and according to extreme versions, Satsuki and their mother as well) are ghosts in the final scenes and end credits. This reading was helped along by the film being shown after ''Anime/GraveOfTheFireflies'' and got enough traction that Ghibli specifically denied it, stating that the girls' lack of visible shadows in the final shot (which had been used to justify it) was an artistic choice and not meant to be meaningful. This is also refuted by ''Anime/MeiAndTheKittenbus'', which is explicitly an epilogue and takes place after the events of the main film itself. Of course, with it only being shown at the Ghibli Museum in Japan, it's not widely known.
Satsuki.
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** Going with the fact that the film originally premiered as a DoubleFeature with the [[TrueArtIsAngsty depressing]] ''Anime/GraveOfTheFireflies'', people have been calling this double feature "the original ''[[Memes/Barbie2023 Barb]][[Memes/{{Oppenheimer}} enheimer]]''".

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* MemeticMutation: The [[http://1.bp.blogspot.com/-zNnfj4Cag5s/Tuvx18XYgYI/AAAAAAAAB2A/adHNZ6is-dM/s1600/AtTheBusStop.jpg visual]] of Satsuki with Mei on her back waiting at the bus stop with Totoro is one of the most popular and oft-parodied scenes in all of animated film.

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* MemeticMutation: MemeticMutation:
**
The [[http://1.bp.blogspot.com/-zNnfj4Cag5s/Tuvx18XYgYI/AAAAAAAAB2A/adHNZ6is-dM/s1600/AtTheBusStop.jpg visual]] of Satsuki with Mei on her back waiting at the bus stop with Totoro is one of the most popular and oft-parodied scenes in all of animated film.film.
** [[Manga/JoJosBizarreAdventure My Neighbor Jotaro.]][[labelnote:explanation]]During production of the film's English dub, executives considered changing the title and Totoro's name to a more American-sounding one, with one of the suggestions being ''My Neighbor Joe Toro''. Since this sounds like Jotaro's name, people started making jokes about replacing Totoro with Jotaro, or drawing Totoro wearing Jotaro's iconic hat.[[/labelnote]]

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* CommonKnowledge: Many viewers tend to assume the pre-Disney English dub was done by Fox, to the point that it is often referred to as "the Fox dub" by fans. However, the dub was actually done by Creator/StreamlinePictures. Fox only distributed its home video release in North America (the 1993 theatrical release was handled by Creator/{{Troma}} through their 50th St. Films division).

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* CommonKnowledge: Many viewers tend to assume the pre-Disney English dub was done by 20th Century Fox, to the point that it is often referred to as "the Fox dub" by fans. However, the dub was actually done by Creator/StreamlinePictures. Fox only distributed its home video release in North America (the 1993 theatrical release was handled by Creator/{{Troma}} through their 50th St. Films division).



** The film is very popular in the United States thanks to FOX distributing the VHS tape in the United States and Roger Ebert giving it a glowing review. The film is so huge there that it's been referenced in everything from ''WesternAnimation/ThePowerpuffGirls'' to ''WesternAnimation/ToyStory3''.

to:

** The film is very popular in the United States thanks to FOX Fox distributing the VHS tape in the United States and Roger Ebert giving it a glowing review. The film is so huge there that it's been referenced in everything from ''WesternAnimation/ThePowerpuffGirls'' to ''WesternAnimation/ToyStory3''.



* HilariousInHindsight: The original release of the film was by Creator/{{Troma}}'s 50th St. Films imprint, who would contract out the film's home video release to [[Creator/20thCenturyFox Fox Video]] before Disney picked up the film and redubbed it, [[ScrewedByTheLawyers though they had to wait for Troma and Fox's rights to expire]]. Interestingly, Disney would purchase pretty much all of 20th Century Fox many years later. After Disney already lost the distribution rights to the film (outside of Japan and China).

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* HilariousInHindsight: The original release of the film was by Creator/{{Troma}}'s 50th St. Films imprint, who would contract out the film's home video release to [[Creator/20thCenturyFox [[Creator/TwentiethCenturyStudios Fox Video]] before Disney picked up the film and redubbed it, [[ScrewedByTheLawyers though they had to wait for Troma and Fox's rights to expire]]. Interestingly, Disney would purchase pretty much all of 20th Century Fox many years later. After Disney already lost the distribution rights to the film (outside of Japan and China).

Changed: 229

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* CommonKnowledge: Many viewers tend to assume the pre-Disney English dub was done by Fox, to the point that it is often referred to as "the Fox dub" by fans. However, the dub was actually done by Creator/StreamlinePictures. Fox only distributed its home video release in North America (the 1993 theatrical release was handled by Creator/{{Troma}} through their 50th Street Films division).

to:

* CommonKnowledge: Many viewers tend to assume the pre-Disney English dub was done by Fox, to the point that it is often referred to as "the Fox dub" by fans. However, the dub was actually done by Creator/StreamlinePictures. Fox only distributed its home video release in North America (the 1993 theatrical release was handled by Creator/{{Troma}} through their 50th Street St. Films division).



* HilariousInHindsight: The original release of the film was from Creator/FoxSearchlightPictures before Disney picked up the film and redubbed it, [[ScrewedByTheLawyers though they had to wait for Fox Searchlight's rights to expire]]. Interestingly, Disney would purchase pretty much all of Creator/TwentiethCenturyFox, including Fox Searchlight Pictures, many years later. After Disney already lost the distribution rights to the film (outside of Japan and China).

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* HilariousInHindsight: The original release of the film was from Creator/FoxSearchlightPictures by Creator/{{Troma}}'s 50th St. Films imprint, who would contract out the film's home video release to [[Creator/20thCenturyFox Fox Video]] before Disney picked up the film and redubbed it, [[ScrewedByTheLawyers though they had to wait for Fox Searchlight's Troma and Fox's rights to expire]]. Interestingly, Disney would purchase pretty much all of Creator/TwentiethCenturyFox, including 20th Century Fox Searchlight Pictures, many years later. After Disney already lost the distribution rights to the film (outside of Japan and China).
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* {{Fanon}}: A common idea present in TimeSkip fanworks is the idea that Satsuki will eventually outgrow Totoro in her later years and dismiss her encounters with him as little more than a childhood fantasy, while Mei will still fully believe in Totoro's existence even as an adult. This, unsurprisingly, tends to cause friction between the two sisters in the fanworks that explore this idea.
* FanonWelding: Due to the presence of spirits in all three films, some fans like to interpret ''My Neighbor Totoro'', ''Anime/PrincessMononoke'', and ''Anime/SpiritedAway'' as all being set in the same world across different periods, with ''Princess Mononoke'' taking place in the distant past, ''My Neighbor Totoro'' in the middle of the 20th century, and ''Spirited Away'' in the early 21st century. It helps that the Soot Sprites are featured in both ''Totoro'' and ''Spirited Away'' and that ''Totoro'' actually [[WhatCouldHaveBeen started development as an early draft]] of ''Princess Mononoke''.

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* WMG/PoisonOakEpilepticTrees: The notorious "Death God Totoro" fan theory that Mei actually drowned in the pool and Satsuki lied about the sandal not being hers out of denial, meaning that Mei (and according to extreme versions, Satsuki and their mother as well) are ghosts in the final scenes and end credits. This reading was helped along by the film being shown after ''Anime/GraveOfTheFireflies'' and got enough traction that Ghibli specifically denied it, stating that the girls' lack of visible shadows in the final shot (which had been used to justify it) was an artistic choice and not meant to be meaningful.
** This may also be refuted by the ''Anime/MeiAndTheKittenbus'' short, which is explicitly an epilogue and takes place after the events of the main film itself. Of course, with it only being shown at the Ghibli Museum in Japan, it's not widely known.

to:

* WMG/PoisonOakEpilepticTrees: The notorious "Death God Totoro" fan theory that Mei actually drowned in the pool and Satsuki lied about the sandal not being hers out of denial, meaning that Mei (and according to extreme versions, Satsuki and their mother as well) are ghosts in the final scenes and end credits. This reading was helped along by the film being shown after ''Anime/GraveOfTheFireflies'' and got enough traction that Ghibli specifically denied it, stating that the girls' lack of visible shadows in the final shot (which had been used to justify it) was an artistic choice and not meant to be meaningful.
**
meaningful. This may is also be refuted by the ''Anime/MeiAndTheKittenbus'' short, ''Anime/MeiAndTheKittenbus'', which is explicitly an epilogue and takes place after the events of the main film itself. Of course, with it only being shown at the Ghibli Museum in Japan, it's not widely known.
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* FriendlyFandoms: While the Ghibli fanbase is pretty interconnected overall, there tends to be a particularly close bond between fans of ''Totoro'' and fans of ''Anime/KikisDeliveryService'' due to their similar grounded and SliceOfLife tones and both being amongst the first Ghibli films to be released and dubbed outside of Japan, leading to a bit of shared nostalgia between the two fanbases.

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* FriendlyFandoms: While the Ghibli fanbase is pretty interconnected overall, there tends to be a particularly close bond between fans of ''Totoro'' and fans of ''Anime/KikisDeliveryService'' due to their similar grounded and SliceOfLife tones tones, them being Miyazaki films that were released a year apart from each other (''My Neighbor Totoro'' was released in 1988, and ''Kiki's Delivery Service'' was released in 1989), and both being amongst the first Ghibli films to be released and dubbed outside of Japan, leading to a bit of shared nostalgia between the two fanbases.

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