YMMV / Faster, Pussycat! Kill! Kill!

  • Freud Was Right: Egads, the film is just dripping with Freudian symbology.
    Roger Ebert: The coot and his sons sit down at dinner with the women (all dressed in bulging bikinis, halter tops, etc.), and when the go-go dancer says something Satana doesn't like, the dominatrix simply stands up and belts her. How does the father respond? With a tolerant chuckle: "Women! They let 'em vote, smoke and drive - even put 'em in pants! And what happens? A Democrat for president!" Later, the coot orders his muscular son to assault Satana, who discourages him with her karate skills, and then tries to crush him against a wall with her Porsche. The victim uses his strength to hold off the car. Meyer uses quick cuts between the victim, the spinning wheels and a stiletto heel jamming down on the gas pedal. For him, Satana digging her car's rear wheels into the sand is the female equivalent of impotence.
  • Les Yay: Rosie and Varla
  • Vindicated by Cable: Originally thought as simple sleaze and misogynistic, now embraced as female empowerment and gender politics.
    Roger Ebert: The feminist and lesbian film critic B. Ruby Rich, writing at length on "Pussycat" in a recent Village Voice, said she dismissed "Pussycat" 20 years ago as just a skin flick. Seeing it again during its revival at New York's Film Forum, she had a different reaction, viewing it now as female fantasy, its images of "empowerment" fascinating to her. Meyer, from the beginning of his career and almost without exception, has filmed only situations in which women wreak their will upon men.