%% Zero Context examples are not allowed on wiki pages. Please add context before uncommenting.


-->''On the wind, 'cross the sea,\\
Hear this song and remember\\
Soon you'll be home with me\\
Once upon a December''

Creator/DonBluth's 1997 [[{{Disneyfication}} very loose adaptation]] of a 1956 Creator/IngridBergman film, which itself was already [[VeryLooselyBasedOnATrueStory very, very loosely based]] on the 'life' of the Grand Duchess Anastasia of Russia. The story goes like this...

In 1916, Nicholas II, Czar of Russia, and his family, the Romanovs, were very happy until they were cursed by the evil {{Rasputin|TheMadMonk}} and their people revolted against them [[HammerAndSickleRemovedForYourProtection for some mystical reason]], aided by demons. All of the Romanovs apparently died in the attack except the Dowager Empress Marie Feodorovna Romanova, the Czar's mother. A young kitchen boy helped Marie and one of the Czar's daughters, the eight-year-old Anastasia, escape. However, she and Marie got separated when Anastasia fell from a train and, presumably, died.

Ten years later (1926), Anya, an eighteen-year-old orphan making her way in the world for the first time, decides to head for Paris. She hopes to find her family there, guided by the message "Together in Paris" inscribed on the [[OrphansPlotTrinket necklace she was found with]] in an [[EasyAmnesia amnesiac state]] as a child.

She heads for St. Petersburg, hoping to get a train from there to Paris, but she does not have the appropriate travel papers. Following the advice of a stranger, she locates a young forger and conman called Dimitri in the old palace. For his part, Dimitri is planning on running a con. Rumor has it that Anastasia may have survived the attack, and the Dowager Empress has offered a huge reward to anyone who can reunite Anastasia with her. Dimitri and his friend Vladimir notice that this young woman who has come to them for travel papers looks ''strikingly'' like an older version of Anastasia.

The two men put to Anya the idea that she may actually ''be'' Anastasia, but don't mention the reward. Vlad then forges the papers to travel out of the country so that they can all go to Paris to meet the Dowager Empress. In the meantime, Rasputin is in limbo until all the Romanovs are dead. His animal sidekick, a bat named Bartok, upon seeing Anya, is pulled into limbo by Rasputin's mystic relic, tells Rasputin about Anya and they realize she must actually be Anastasia.

The rest of the film deals with Anya learning to become more ladylike while Rasputin calls upon the powers of hell to try and kill her. The ending, like most animated movies, is a happy one; however, it is enlightening in a few ways.

Contrary to [[AllAnimationIsDisney popular belief]], '''this movie was ''not'' produced by Creator/{{Disney}}'''. It was actually produced by [[Creator/TwentiethCenturyFox 20th Century Fox]].

Got a DirectToVideo spin-off in the form of ''WesternAnimation/BartokTheMagnificent''[[note]]though all it has in common with the first movie is...Bartok. And that it's set in an even less historically accurate version of Russia.[[/note]], which deals with the plucky little bat impressing people with his "[[BlatantLies special abilities]]". It's important to note that this is the only sequel that Bluth has ever been involved with.

A stage adaptation was announced for the 2016/2017 Broadway season, with an initial out-of-town tryout in spring/summer 2016. The original songwriting team will return, and the stage version will make some significant changes while maintaining the spine of the film, blending the fairytale tone of the animated film with more of the actual history of post-imperial Russia and the Romanovs.

!!This film provides examples of:

* AdultFear: The opening scene. To wit, The Dowager Empress only manages to get ''one'' of her grandchildren out of the violent murdering spree. The apparent instigator tries to kill the only one who got out personally, but survives. Then, finally, when they get on a train to safety, she loses her.
* AgeWithoutYouth: Rasputin gets hit particularly hard with the short end of the stick. He never even explicitly wished for immortality in the first place, he just made a vow that he "would never rest until the Romanov line is no more!". The evil forces that he bargained with for his soul took him at his word: so long as at least one Romanov survives, he cannot die even though his body is rotting apart.
* AHellOfATime: Actually Limbo, but it's really boring rather than torturous. The only thing that's really hell-like about the place is being BeneathTheEarth and all the bugs, but they're actually OK guys-y'know, for sapient, supernatural beetles...
* AlmostKiss: Anya and Dimitri do this at least twice. [[spoiler:They finally get to kiss for real at the end.]]
* AnachronismStew: It might be more reasonable to identify what ''isn't'' anachronistic, but among obvious examples, Petrograd ''militsyia'' (police) on horseback are clearly modeled after Soviet cops...''from the Seventies'', complete with modern uniforms.
* AndThisIsFor: [[spoiler:Anastasia does a rundown of the trope when she destroys Rasputin's reliquary, thereby killing him.]]
-->[[spoiler:'''Anastasia:''' This is for Dimitri! This is for my family! And this... this is for you! [[GratuitousRussian Do svidaniya!]]]]
* AngelFaceDemonFace: Bartok the bat starts out a little sinister, but is downright cute by the end of the movie when he's given up on serving Rasputin.
%%* AnimatedMusical
* ArmorPiercingSlap: Poor Dimitri gets found out shortly after finally deciding to do the right thing, and Anastasia reacts about as well as one might expect.
* ArtisticLicenseHistory:
** Rasputin's sour relationship with Russia's royal family.
** Anastasia's survival.
** [[Theatre/TheKingAndI Et cetera, et cetera, et cetera!]]
* ArtShift: While most of the movie sets are drawn realistically, the background for Paris is done with very Impressionist-style art, most obvious in the "Paris Holds The Key" sequence.
* AscendedExtra: The villain's NonHumanSidekick bat Bartok got a movie.
* AtTheOperaTonight: The ballet in this case, and it's for "Literature/{{Cinderella}}".
* AtTheCrossroads: In the Journey To The Past sequence.
* AwardBaitSong: "Journey to the Past", performed by Music/{{Aaliyah}} at the Academy Awards.
** [[http://www.youtube.com/watch?v=zspz-zqeNbg "At the Beginning"]] by DonnaLewis and RichardMarx at the end credits
* AwesomeMomentOfCrowning: Sure, the communists have taken over Russia and Anya [[spoiler:runs off with Dimitri]] in the end, but she still gets a sparkly crown. She gives it back [[spoiler:before leaving with her boyfriend]], though.
* TheBackwardsR: The train's speedometer reads SPEEФОШЕТЕЯ ("sreyefosheteya").
* BadassDriver: Dimitri is able to navigate his way through the streets of Paris at top speed without any concern for safety.
* BeethovenWasAnAlienSpy: Rasputin gets a HistoricalVillainUpgrade here, as he's responsible for the downfall of the Romanov dynasty and thus the rise of Soviet Russia.
* BelligerentSexualTension: Quintessential example between Anya and Dimitri, starting as soon as they get on a train together. Vlad knows exactly what's really going on, even when they don't.
-->''(Anastasia has left the train cabin after an argument with Dimitri)''\\
'''Vlad:''' ''(gleefully to Pooka, Anastasia's dog)'' Oh no! An unspoken attraction?\\
'''Dimitri:''' ATTRACTION?? To that skinny little brat? Have you lost your mind?
* BetaCouple: Vlad and Sophie are happily in love (the thought of her makes Vlad deliriously joyful). It's a fine contrast to our bickering Alpha Couple.
* BigBad: Rasputin, whose quest to avenge himself on the Romanovs caused their downfall, and is still out to kill Anya in the present day.
* BigBeautifulWoman: Sophie is very fun and kind-hearted, as well as really big. Her boyfriend refers to her as "a decadent pasty covered in whipped cream and laughter".
* BilingualBonus: Anya's pet dog is named Pooka (пука), which sounds similar to the Russian for "farting", "pukat' (пукать)". A 'Pooka' (or Phouka) is also a mischievous fae-creature that often takes the form of a dog, though the dog is usually scary and black. Still, considering the mysterious origin of Anya's pet...
%%* BreakUpMakeUpScenario
%%* ButtMonkey: Dimitri, mostly in the first half of the movie.
* CardCarryingVillain: Rasputin gets a few lines in "In The Dark Of The Night" that indicate that he knows that he is evil. He refers to his curse as a "dark purpose", and he tells his minions to "let their evil shine".
* ChorusGirls: The "Paris Holds The Key" number features French Chorus Girls who {{Squee}}, bare their shoulders, and ruffle their skirts to make Toulouse-Lautrec proud.
* ClothingDamage: Happens to Anya during the battle with Rasputin, and it was her pimped out princess dress too!
* ComicallyMissingThePoint: After their train car breaks off from the ones behind, Vlad is more concerned about losing the dining car.
* ComingOfAgeStory: After the prologue Anastasia sings a song about wanting to find out who she is and where to find her future. She finds both over the course of the journey.
* CompositeCharacter: Rasputin as he appears in this movie is a mix between the historical character, and a character from russian folklore called Koschei the Deathless.
* CompressedHair: Anya appears to have a small ponytail for most of the movie, but when she lets her hair down later when she's all dressed up, her hair is much longer than the ponytail would account for. If you look closely, at the small "ponytail", though, you can see that it's actually only the ends of her hair sticking out of a very tight bun.
* ConspicuousCG: This is the first movie where Don Bluth swapped out his almost-trademark "oh, let's just build a small model of this horrifically hard-to-draw-and-animate thing and rotoscope it" special effect for computer generated imagery, and it definitely shows, especially with the following:
** The crashing chandelier looks like it comes from [[ThePhantomOfTheOpera a different movie entirely]].
** Ditto the boat and the music box.
** Rasputin's reliquary.
** The train!
** The Pegasus statue (minus the mane which is obviously 2D, creating an odd effect overall).
* CoolCrown: Anya wears a very sparkly diadem with her princess dress.
* CostumePorn: The movie is full of this. Most notable examples would have to be Anya's yellow silk DreamSequence dress, the svelte navy and sparkly Parisian Opera dress, her blue court dress at the beginning of the movie, and her yellow court dress at the end of the movie.
* CrowdSong: "A Rumor in St. Petersburg" and "Paris Hold the Key (to Your Heart)".
* DamselOutOfDistress: [[spoiler:Anastasia at the climax. Though Dimitri arrives and attempts to save her from Rasputin, the latter sics a giant, animated horse statue on him that keeps him from interfering. Anastasia ends up fighting Rasputin all by herself and, with some help from Pooka fetching her the reliquary, defeats him. Rasputin's death is a result.]]
* DanceOfRomance: Anastasia and Dimitri, while Vladimir {{lampshades}} this with a brief song.
* DancesAndBalls: Rasputin curses the royal family during a ball to celebrate the Romanovs' multiple centuries of rule over Russia. It works, because shortly afterwards [[HammerAndSickleRemovedForYourProtection not-Lenin and the not-Bolsheviks]] raid the palace and Anastasia barely makes it out of there.
* DarkIsEvil: Rasputin is the darkest-coloured character, says he obtained his powers by [[DealWithTheDevil selling his soul to]] "the Dark Forces", and [[VillainSong his musical number]] is called "In The Dark Of The Night". Then for some reason, his powers often manifest as ''green light''.
* DatedHistory: We're sorry Princess, but DNA testing has now confirmed that [[Film/TheWizardOfOz you're really most sincerely dead]].
%%* DeadpanSnarker: Anya. Dimitri as well.
* DealWithTheDevil: At the beginning, it is made clear that Rasputin has sold his soul in exchange for doom unto the Romanov line. This deal apparently also included being turned into an immortal undead corpse until his revenge is completed or his reliquary is destroyed, although Rasputin might have [[LiteralGenie inadvertently caused that to happen]] when he swore "[[BeCarefulWhatYouWishFor I will not rest until I see the end of the Romanov line forever!]]" Some of the dubs, like the Russian dub, even outright say he gained his powers from {{Satan}}.
* DisneyAcidSequence: "Once Upon a December", where Anya half-remembers, half-imagines a ball in the Imperial Palace, complete with PimpedOutDress.
%%* DisneyDeath
* {{Disneyfication}}: Of the play ''and'' history itself. Bluth has admitted he never intended it to be accurate.
* DreamBallet: The "Once Upon A December" number, where the portraits in the imperial ballroom come to life and dance for Anya.
* DreamMelody: ''Once Upon a December'' is sung during the Dream Ballet.
* DubNameChange: Bartok the bat is renamed as "Bartek" in the Hungarian dub, to avoid any association with Hungarian composer Music/BelaBartok.
* EasyAmnesia: Or at least, it was easy for her to get it... The bump to her head caused no other damage, and as far as we can tell, only made her forget who she was. As pointed out by the manager of the orphanage, Anya never stopped ''behaving'' like a princess.
* {{Elopement}}: Anastasia and Dimitri at the end. They're certainly not having a grand public wedding.
* TheEndOfTheBeginning: At the end: "It's a perfect ending!" "No. It's a perfect beginning."
* EveryoneCanSeeIt: Vlad definitely can, and Sophie appears to share his suspicions, and the Dowager Empress figures it out pretty quickly. Even random people at the opera think Ana and Dimitri are a couple having a spat.
* EverythingsBetterWithPrincesses: The real Anastasia was recognised as "Grand Duchess". While the movie does drop the Grand Duchess title a couple of times, most characters use "princess" for convenience's sake.
* EvilDetectingDog: Pooka always begins to bark or notice the reliquary's demons just before each of Rasputin's attempts on Anastasia's life.
* EvilIsNotAToy: [[spoiler:Rasputin was so blinded by his hate for the Romanovs that he really didn't think his deal with the dark side through. Swearing "not to rest until the last Romanov is dead" unwittingly turns him into a decaying lich, then when his SoulJar gets wrecked, the dark forces immediately intervene to claim him and he dies horrifically with, his soul likely in their possession for all time.]]
* EvilIsPetty: A being who was given by the powers of darkness, the ability that establishes ''the Communist Revolution'' for goodness sake comes back into the world. What does he intend to do next? TakeOverTheWorld? [[OmnicidalManiac Destroy it?]] Nah. He is going to devote his entire existence to wrecking one girl's chance for happiness.
** Lampshaded by Bartok when he says, ''Get A Life!''
* EvilPlan: Everything is kicked off by Rasptutin's desire to kill the Romanov family. He continues with this plan after the time skip once he realizes Anastasia's still alive.
* EvilSorcerer: Rasputin, even before he sold his soul, is known as a nasty mystic.
* {{Expy}}: Vlad is basically [[WesternAnimation/AnAmericanTail Papa Mousekewitz]] as a human.
* FakeAristocrat: Dimitri's plan is to set up Anya up as one -- not knowing that she's not a ''fake'' aristocrat at all.
* FamilyUnfriendlyDeath: [[spoiler:Rasputin's death was another offender. His body parts '''melt ''' into nasty green ooze and his cloak collapses to the ground. And then his '''skeleton''' emerges, screaming in agony '''while being shocked by green electricity'''. His final death comes as a relief. Oh, and it isn't a KarmicDeath, Anastasia knows ''just'' what she's doing when she destroys the [[SoulJar reliquary that is keeping him alive.]]]]
%%* FauxAffablyEvil: Rasputin, again.
%%* FieryRedhead: Anya/Anastasia.
* FinalGirl: Anastasia, as the only member of the Romanov family to survive Rasputin's curse.
-->'''Rasputin:''' My curse made each of them pay, but one little girl got away!
* FingerlessGloves: Anya's purple gloves in snowy Russia.
* ForgottenFirstMeeting: [[spoiler:Dimitri used to work as a servant in the Winter Palace when he was a boy, and he was the one who saved Anya from being captured in the Revolution.]]
%%* FormFittingWardrobe: Some of Anya's dresses.
* FreudianSlip: Used in a literal sense when Sigmund Freud, singing along with "Paris Holds the Key," slips on a banana.
* FunnyBackgroundEvent: A subtle penis joke is made in a scene involving UsefulNotes/SigmundFreud slipping on a banana peel.
* GameChanger: Dimitri schools Anya with every fact regarding the lost Princess Anastasia that he can think of. When Sophie asks something he ''hadn't'' thought to tell Anya about, he thinks the con is blown - until Anya describes, vaguely but correctly, how it was she managed to escape the riots at the palace. This is something that only Grand Duchess Marie, Dmitri, and Anastasia herself could possibly have known about. Only then does Dmitri realize that, rather than a lookalike, he's found the real Anastasia.
* GayParee: The song "Paris Holds the Key to Your Heart" shows off the swanky, fashionable and romantic aspect of Paris.
* GenkiGirl: Sophie.
* GirlsNeedRoleModels: At the time it was astonishingly rare for any children's movie to have a lead Female Protagonist. Even then the female lead might end up reliant on male characters.[[note]]The only two before this were ''Disney/BeautyAndTheBeast'' and ''Disney/{{Pocahontas}}'' - and even these are questionable as they still revolve around romance - ''Anastasia'' only gradually becomes a love story.[[/note]]
* GiveMeASign: When Anya prays for a sign, a dog steals her scarf and runs over to the path to St. Petersburg.
* {{Gonk}}: Even before he became a rotting corpse, Rasputin, what with his bone thin physique, pale skin, skull like face with bulging eyes, a pointy nose and ears, messy hair and grotesquely large hands with pointy nails, was not a pretty sight.
* GrandStaircaseEntrance: Anya makes her debut as a princess by going down one of these. Dimitri is certainly amazed.
* GreaterScopeVillain: The Dark Forces that Rasputin sold his soul to and gained most of his powers from to get revenge on the Romanov family. [[spoiler:The deal he made with them spectacularly backfires; first he's reduced to a decaying zombie stuck in limbo after he drowns and stuck like that until the last Romanov dies, and when his reliquary is destroyed, they immediately claim him, and he dies a rather horrific death.]]
* HammerAndSickleRemovedForYourProtection: Very little is mentioned in the way of politics after the fall of the Romanovs (as well as before, for that matter). The original script for Anastasia inverted this; during the scene where Anya attempts to get train tickets, several of the people waiting in line were going to be refraining from making complaints about the Soviet government in case they were being watched. One guy later would, and was going to be abruptly abducted and taken away. There are several 'blink-and-you-will-miss-it' moments though:
** Vlad complains when the colour of the ink for travel papers changes from blue to red, blowing his forged ones: "That's what I hate about this government, everything is in red!"
** We see (presumably) Mensheviks storm the palace, but rather than having diverse public grievances, it's indicated to be the result of Rasputin's rabble-rousing and DealWithTheDevil.
** When Anya tries to get a ticket, the man at the ticket counter does in fact have a hammer and sickle on his hat.
** On the train, the camera momentarily looks over one of the character's shoulders at his tickets. One can make out 'Union of Soviet Socialist Republics' with the attendant emblems.
* HappilyEverAfter: [[spoiler:In the movie, Anya is reunited with her grandmother, but decides to stay out of the spotlight and marries Dimitri.]]
* {{Headdesk}}: Before they meet Anya, Dimitri and Vlad are holding an audition for girls to play Anastasia. One prospect is a [[WhiteDwarfStarlet middle-aged woman,]] who says in a sultry voice, "Granmama! It's me, Ana-''STASIA!''" Their reaction is a combination HeadDesk and FacePalm.
* TheHeavy: The entire plot kicks off because Rasputin used his newfound dark powers to trigger the revolution against the Romanovs, which indirectly causes Anastasia to get separated from her grandmother. It also bears noting that he and Anastasia only encounter each other for a very brief moment at the very beginning, and during the climax--the rest of the time, Rasputin is trying to kill her with his demons while he's stuck in Limbo to get revenge and fulfill his curse, but the heroes are completely unaware of his presence until the climax.
* HeldGaze: Two happen between Anya and Dimitri during the AlmostKiss scenes and another one happens before TheBigDamnKiss scene at the conclusion.
* HighClassGloves: Both Anya and Marie wear long gloves to the opera, as was the fashion at the time. Marie scenting hers with peppermint triggered Anya's memories.
* HistoricalDomainCharacter: Pretty much everyone except for Dimitri, Vlad, Pooka, and Bartok ([[TalkingAnimal obviously...]]).
* HistoricalFantasy: All the complaints about the movie's historical inaccuracies seem a little weird when you stop and think that it also includes an ''undead wizard'' and a ''talking bat''.
* HistoricalHeroUpgrade: The Romanovs have a very small role in this film. All we see is Nicholas telling Rasputin to leave his party, and given how ObviouslyEvil he looks, Nick looks good in comparison. In reality they were hardly ideal rulers, leaning toward oppression of ethnic minorities among other things. The story also starts in 1916, but their mismanagement of UsefulNotes/WorldWarI is not even mentioned. They've historically gotten a pass simply because the Soviets were so much worse, or possibly because EverythingsBetterWithPrincesses.
** Additionally, the film's Anastasia is essentially Anna Anderson, who was a fraud in real life. Her claim to being Anastasia was debunked before this movie was made. Notably, Anastasia is actually referred to as "Anna" in the 1956 Ingrid Bergman version, which was made at a time when Anna Anderson's story still seemed vaguely plausible. This version refers to her instead as "Anya", perhaps to distance itself from the Anna Anderson legacy.
* HistoricalVillainUpgrade: While many things have been said of him, the real Rasputin wasn't an evil undead warlock who [[DealWithTheDevil sold his soul to the forces of evil]] for revenge on the Romanovs. Rasputin was an enigma but undoubtedly an ''ally'' of the Romanovs; the important ones, anyway. Several relatives kinda hated him and plotted his death like Grand Duke Felix Yusupov. In one of the older drafts for the film, Rasputin only became a bad guy after ''surviving'' the historical assassination attempt against him, leading him to orchestrate their downfall out of a genuine desire for revenge (this is referenced in his VillainSong by "When the royals betrayed me they made a '''mistake'''"). He would also justify this trope in a later scene by revealing his lying low over the years meant historians never realised how connected he was to the fall of the Romanovs.
* HypnotizeThePrincess: [[spoiler:Rasputin uses magic to make Anya sleepwalk off the side of the ship she's on in a storm. Dimitri fortunately stops her and wakes her up before she can jump.]]
* IfWeGetThroughThis: There's a literal example in dialogue.
--> '''Dimitri''': If we live through this, remind me to thank you.
--> (which Anastasia repeats in the ending sequence before Dimitri cuts her off)
--> '''Anastasia''': If we live through this, remind me-
--> '''Dimitri''': You can thank me later.
* ImNotAfraidOfYou: Anastasia uses this line verbatim near the end of the movie, when Rasputin is attempting to drown her in the river. His response?
-->'''Rasputin:''' I can fix that!
** [[spoiler: He doesn't.]]
* InhumanHuman: Rasputin CameBackWrong, and is rather narked about it.
* InNameOnly: The film was supposedly "based on" the play by Marcel Maurette. Creator/DonBluth turned it into a musical with Rasputin as an undead sorcerer with a talking bat sidekick, among other changes (the play had already been faithfully adapted to a 1956 film starring Creator/YulBrynner and Creator/IngridBergman).
* InThePastEveryoneWillBeFamous: A few historical characters show up in the song "Paris Holds the Key to Your Heart": Creator/MauriceChevalier, UsefulNotes/SigmundFreud, Charles Lindbergh, Creator/JosephineBaker, Claude Monet, Isadora Duncan, Auguste Rodin, and Gertrude Stein. All of them are going shopping on the same night in the same street and all [[CrowdSong happen to know the words to the song]]. The movie features a singing ''Gertrude Stein''. This might be the most historically correct part of the movie as both Hemingway and Bennett Cerf wrote of Gertrude's inability to walk by someone playing a piano without sitting down and singing along.
* IRememberItLikeItWasYesterday: Used for irony: a young woman claiming to be Anastasia uses the stock phrase before rattling off a list of facts about Anastasia's childhood in an effort to prove her identity to Dowager Empress Marie. The viewer of course already knows that she's lying, and furthermore that the real Anastasia doesn't remember anything about her childhood.
* IronicEcho: "Do svidaniya!" [[spoiler:Said first by Rasputin as he's about to kill Anya, then repeated by her when she's breaking his reliquary.]]
* ItHasOnlyJustBegun: When Sophie refers to Anya and Dimitri's elopement as 'the perfect ending', the Empress corrects her, saying 'No, it's a perfect beginning.'
* IWantMyBelovedToBeHappy:
** [[spoiler:Dimitri, shown most clearly when he refuses the reward money for reuniting Anastasia and her grandmother.]]
** The Empress [[spoiler:after realizing that Dmitri saved Anastasia and refused the reward because he loves her granddaughter tells Anastasia that no matter what she decides with her life or where she decides to go, the Empress will be content knowing Anastasia is alive. Hence she gives a bittersweet smile after Anastasia returns her crown.]]
* IWantSong: "Journey to the Past", sung by Anya as she dares to travel to Paris, to find a real family. Then "Once Upon A December" where she struggles with her empty past.
%%* JerkWithAHeartOfGold: Dimitri is quite proud of the 'jerk' aspect.
* KarmaHoudini: Vlad had zero problems with helping Dimitri scam the Duchess out of her money and, unlike Dimitri who goes through a ChangeOfHeart borderline HeelFaceTurn and at least gets a beating from Rasputin's magical minions near the end, never suffers any kind of repercussions or learns a lesson. If anything, [[FamilyUnfriendlyAesop his life only improves after setting out on such a cruel scheme!]]
* KeepTheReward: After con man Dimitri returns the lost princess Anastasia to her grandmother, Marie, he refused the reward and left without telling her, so as to draw her contempt and hoping to sever any ties so that she could live happily without him to drag her down.
* LargeHam: [[EvilIsHammy Rasputin]] loves shouting and gesturing with his SoulJar. (considering his [[Creator/ChristopherLloyd voice actor]], this isn't surprising) His acting is about as subtle as a screaming hyena.
%%** Bartok, Vladimir, and Sophie all qualify.
* MinionWithAnFInEvil: Bartok is not particularly evil for serving such a dark master, and not very competent either; he almost kills Rasputin when he tries to break his phylactery on a whim.
* MrFanservice: Dimitri. When they originally animated him, they thought he was too "obviously cute" - so they added the bump on his nose to tone it down. It backfired.
* TheMusical: There are many songs in this movie concerning things like character motivation, cultural appeal, young love.
* MusicalExposition: The first song, "A Rumor in St. Petersburg", picks up after the prologue and a TimeSkip. It introduces two of the main characters, Dmitri and Vlad, and establishes their plan and motives.
* NaturalSpotlight: Anya's lit face. The eyes are the ones in focus, which makes one wonder whether or not she notices; most people would certainly be blinded by such thing.
* NonHumanSidekick: Bartok the bat for Rasputin and Pooka the dog for Anya. Bartok {{talk|ing animal}}s, Pooka doesn't.
* NoPlaceForMeThere: Dmitri says this to Pooka the dog when the dog and Vlad both object to Dmitri leaving, but Dmitri insists he doesn't belong in the world of Royalty to which Anastasia belongs.
* NostalgicMusicbox: Literally. Dimitri has carried Anastasia's music box for years in hopes of clinching the Imposter Princess deal.
* NotAfraidOfYouAnymore: Anastasia says this to Rasputin at the end [[spoiler: right before killing him again.]]
* NotEvenBotheringWithTheAccent: Realistically speaking, every character in this movie should have had ''some'' kind of European accent, but in the main cast, the only ones who made any attempt were Creator/KelseyGrammer, who honestly does a pretty good job making Vlad sound Russian, and Creator/AngelaLansbury, who uses her natural British accent as the Dowager Empress. (The real Marie Feodorovna was born Princess Dagmar of Denmark.)
* NotMyDriver: [[spoiler:Dimitri hijacks the Dowager Empress's car in order to force her to see Anastasia and be convinced that she's the real deal.]]
* NotUsingTheZWord: Two examples with Rasputin, one of which gets bonus points for involving the [[TropeNamer Trope Naming]] creature:
** Though he gets progressively more gruesome throughout the film, "zombie" is never used, nor even "undead".
** It's said that he sold his soul but the Devil is not brought up, he only ever refers to those he sold he soul to as "the dark forces". Some of the foreign dubs do make it explicitly {{Satan}}.
* OffModel:
** Anastasia looked very different and oddly emaciated on the [[http://ecx.images-amazon.com/images/I/51P8GC40J9L._SL500_AA300_.jpg "Family Fun" DVD case]] than she does in the movie. Fortunately, [[http://ecx.images-amazon.com/images/I/51NEEa5vDSL._SL500_AA300_.jpg corrected]] versions are available.
** Throughout most of the movie, it's fairly easy to tell that Anya is almost as tall as Dimitri is. Contrary to that, in the scene where Dimitri [[spoiler:rescues her from sleepwalking overboard]], when she presses close against him, she's very plainly almost a full head shorter than she's supposed to be. Her knees buckling could explain some of it.
** The dress Dimitri buys for Anya when they get on the ship, the one she wears when learning to waltz, changes from the scene in which he gives it to her to when she's first seen wearing it. When he gives it to her, it has distinct white ruffles on the collar and sleeves. When she emerges on deck actually wearing it, it's a plain blue dress.[[labelnote:Alternatively...]]That could have been due to Anya changing it, as she expressed a dislike for its original appearance.[[/labelnote]]
* OhGodWithTheVerbing: "Enough with the glowing and the smoke people!" Well said, Bartok.
* OldTimeyBathingSuit: In Anya's dream sequence on the ship, her family is wearing these.
* OminousChanting: During the prologue's recapitulation of the coup set off by the curse, the chorus is singing in Russian pretty ominously. It happens again in the finale during Rasputin's death scene.

-->''Slava revolyutsii! Mnogo nas ubito\\
Legche zhalet' kakogo-to sytnogo, rasputnogo\\
Vsë naprasno - luchshe kostër!''

-->''Slava revolyutsii! Mnogo nas ubito\\
Nechego teryat'! Svoboda? Yesli by...\\
Vidit Bozhe, my idëm k novym mestam, ey...''

-->''Slava revolyutsii! Mnogo nas ubito\\
Tekh, kogo na-na-naado. (nado)\\
Vo slavu revolyutsii!\\
Kto vyderzhit, tot skazhet: "Slava! Slava!"''

::: Translation:

-->''Glory to the revolution! Many of us have been killed.\\
It’s easier to take pity on the rich and depraved,\\
But all is in vain, so flames are better!''

-->''Glory to the revolution! Many of us have been killed.\\
We have nothing to lose! Freedom? If only...\\
God looks on, as we head to new places.''

-->''Glory to the revolution! Many of us have been killed,\\
Those whose deaths were necessary.\\
Onward to revolutionary glory!\\
Those who remain will say: “Glory! Glory!”''

* OrphansPlotTrinket: The "Together in Paris" necklace, which the viewer knows from the start of the movie is a key to a music box the Dowager Empress had commissioned for Anastasia as a child. Additionally, Dimitri and the music box that goes together with the necklace.
* OurLichesAreDifferent: Rasputin is a pretty straightforward example, except for lacking a real drive for immortality or power above all else, which were more a byproduct of his quest for vengeance than his main objectives. He was already a powerful sorcerer before he made his DealWithTheDevil, but he became undead upon selling his soul (not after he went to Limbo; he loses all his flesh when he gives up his soul, and restores it with the powers he gains).
* ParentalAbandonment: Her entire family got decimated in the revolution, and ten years later she seeks to reunite with whoever is left, guided by a cryptic message. Unusual for an animated film in that this is a driving force behind her journey throughout the film instead of just being there for the sake of it.
* PetTheDog: When Dmitri does his [[spoiler:KeepTheReward moment and tells the Empress that what he wants is something she can't give him, she comes to realize that he saved her and her granddaughter during the siege as the kitchen boy, and reunited them because he loves Anastasia. Thus when Anastasia plans to enter the grand ballroom, she tells Anastasia that Dmitri didn't take the money, and that knowing Anastasia is alive is enough for her.]]
* PigLatin: Dmitri tells a terribly lovestruck Vlad this: "Ix-nay on the Ophie-say!"
* PimpedOutDress: ''Three!'' Though only two figured prominently in the marketing - the yellow silk Dream Sequence dress and the svelte navy and sparkly Parisian Opera dress. They made an Anastasia Barbie with the blue sparkly dress, as well as the DisneyAcidSequence dress, AND a line of dresses that didn't appear in the movie at all, but they were 'inspired by' it and made to fit the Anastasia doll.
* PrettyInMink: A few, like the fur-trimmed coat Anya wears to the opera, and her grandmother's fur wrap.
* ProductPlacement: Sophie takes Anastasia shopping at a Chanel store during the ShoppingMontage in Paris.
* ProtagonistTitle
* PygmalionPlot: Two con-men, Dimitri and Vlad, style an orphan to pass for the Empress's long-lost granddaughter, and the younger, Dimitri, is smitten when he sees his creation succeed. [[spoiler:Unbeknownst to all of them, she really ''is'' Anastasia.]] Though, of course, he loved her all along.
* QuestForIdentity: Anastasia goes to St. Petersburg in the hopes of finding her original self, i.e. her past.
* RagsToRoyalty: Or Royalty to Rags back to Royalty [[spoiler:to presumably fairly comfortable but not royalty. Dimitri refuses the reward. Not that he and Anya can't support themselves, but it is possible the Empress could be sending them something to live on. The ending more or less implies that Anya and Grandma will remain close.]]
* RasputinianDeath: Rasputin 'dies' three times in the movie, and only the last one sticks. (The real Rasputin's death was an aversion of this trope, ironically.) The first time he is stripped to the bone due to his soul trade, but he restores himself with the powers he gains. His second death includes one element from the apocryphal real life story. He [[spoiler:falls through some ice, and drowns.]] The third and last one involves [[spoiler:Anastasia smashing his [[SoulJar phylactery]]. What results from this is itself pretty Rasputinian; see FamilyUnfriendlyDeath above.]]
* RealityEnsues: The Dowager Empress has offered a ten million ruble reward to anyone that can reunite her with her granddaughter Anastasia? Seems easy enough for [[UnscrupulousHero Dimitri]] and Vlad to con the money out of her with an [[IdenticalStranger Anastasia lookalike]] and the [[OrphansPlotTrinket "jewelry box"]] she gave her. Once they get to Paris, [[spoiler: it turns out the same reward money that tempted them has tempted countless conmen with their own Anastasia lookalikes, to the point the Dowager Empress has grown fed up with being disappointed time and time again, and refuses to see any more girls claiming to be Anastasia... before they even roll into town.]]
* ReformedButRejected: [[spoiler: Dimitri is rejected by The Dowager Empress and "Anya" once they learn about his "Anastasia Auditions". Even after he tries to make up for it Anya still rejects him, thinking he was OnlyInItForTheMoney and then the climax happens. The Empress, however, realizes that he did it out of love for her granddaughter.]]
* TheRemake: The film is officially a {{Disneyfication}}[=/=]fantasticization of the 1956 Ingrid Bergman film (itself a play adaptation).[[note]]Fox specifically presented the director with a list of works they owned the rights to that he could adapt. It boiled down to this or ''My Fair Lady''.[[/note]]
%%* TheRenaissanceAgeOfAnimation
* RoadTripRomance: Dimitri and Anya travel from St. Petersburg, Russia to Paris, France and by the time they arrive they are deep in {{BST}}. [[spoiler: Then they elope and leave Paris.]]
%%* TheRoaringTwenties
* RottenRockAndRoll: Rasputin's VillainSong, "In the Dark of the Night", has a rocking tune, complete with electric guitars.
* RuleOfSymbolism: By WordOfGod, the reason for the seeming BigLippedAlligatorMoment, "Paris Holds the Key to Your Heart", is not merely to show off Bernadette Peters, nor 1920's Paris, but a reflection of both cultural progress at the time and Anastasia's CharacterDevelopment. On the one hand, by the '20s the Soviet republics were reeling from the White Army and foreign invasion, something Europe did not contend with, with much of this renaissance based in Paris; on the other hand, this ties into Anya leaving a dead world for one vibrant and alive, paralleling her leaving behind an empty, soulless existence for one where she could bloom, grow, and begin a new, happy life.
* RunawayTrain: Complete with a graphically-explosive crash to top it all off, and Dimitri commenting afterward "I HATE trains, remind me to never get on a train again."
* SatelliteLoveInterest: Taken to its logical extreme. Bartok the Bat [[HeelFaceTurn abandons Rasputin]] near the end, and is rewarded with a [[PinkGirlBlueBoy pink]] bat who flies in and kisses him.
* SceneryPorn: The usage of [=CinemaScope=] ''really'' shows off some great views of St. Petersburg, Paris, and the interiors of palaces.
* SexualKarma: Rasputin's bat sidekick abandons him at the climax and is awarded a female bat at the end with no explanation.
* ScrewThisImOuttaHere:
** Subverted when [[spoiler:Anya starts packing her bags after learning about Dmitri and Vlad's con. Before she can leave, Dmitri kidnaps the Empress and convinces her to meet Anya and give her a chance.]]
** Subverted again when Dmitri [[spoiler:after claiming to Anya that he won't miss Russia prepares to go back after the Empress identifies her long-lost granddaughter.]] After smelling the rose that Anya gave to him, [[spoiler:he decides to go back and saves her in the nick of time from Rasputin.]]
* SheCleansUpNicely: Yes, Dimitri, that elegant lady in the Parisian Opera dress ''is'' the "skinny little brat" you're ogling at the ballet. Now close your mouth, honey, you're gonna catch flies.
* ShipperOnDeck: Vlad catches on pretty quickly that Anya and Dimitri have a SlapSlapKiss thing going. He also gets the two to dance and sings a song about this... on the ship to Paris. It's also fun watching his face in the background as the two interact.
* ShooOutTheClowns: Just before the final confrontation, Bartok decides he's had enough of Rasputin obsessing over murdering an innocent girl, and abandons him.
--> "[[ScrewThisImOuttaHere You're on your own, sir!]] This can only end in tears!"
* ShoppingMontage: When Anya and co. get to Paris, Dowager Empress Marie's cousin Sophie takes them shopping while "Paris Holds The Key (To Your Heart)" is sung. They also go sightseeing during the song.
* ShownTheirWork: Despite the historical liberties taken (some for the sake of the medium and length, some to spare children the [[WhatDoYouMeanItsNotForKids grisly truth about the Russian Revolution,]] and some for simple poetic license) and myths bought into (aside from the urban legend about Anastasia herself, nods are given to Rasputin's [[RasputinianDeath alleged exaggerated death]]), [[WordOfGod a great deal of work was done to otherwise display geographical and biographical accuracy]].
** Photography, including aerial shots, enabled startlingly true-to-life likenesses of St. Petersburg and Paris and the inside of the Winter Palace;
** Period costumes and trains were duplicated, as well as historical figures living in Paris at the time;
** Actual relics of the Romanovs were scanned into the computers and inserted within the movie, including photographs of the family shown on Marie's wall and the drawing Anastasia made when she was eight years old, which was drawn by the real Anastasia...
** All of the bathing suits worn by Anastasia, her father, and her sisters during the dream sequence, and the sailor suit worn by her little brother, are also reproductions of the actual suits worn on their frequent family vacations.
** Even the notion of Rasputin cursing the Romanovs is based off of an anecdotal account that, on one of the few occasions Nicholas and other nobles became worried about the influence he had over Alexandra and foreign policy, Rasputin threatened the family with a pox if he were dismissed from court.
** In the number "Paris Holds the Key to Your Heart" the backgrounds all look very Impressionistic, and that was the popular painting style at the time.
* ShowWithinAShow: Anya, Dimitri, and Vlad are treated to the Parisian ballet by Marie's assistant ([[BetaCouple and Vlad's "cream puff"]]), and the ballet in question is ''Literature/{{Cinderella}}'' - [[FauxSymbolism what do you mean, there's no parallel?]]
* SicklyGreenGlow: Rasputin's reliquary oozes with this, as do his phantom minions.
* SimpleYetOpulent: Anya's blue dress for the opera looks simpler than her other ones but is no less elegant.
* SlapSlapKiss: ''Literally'' at the end, where Anya accidentally smacks Dimitri in the face, and then cradles his face in her hands for an AlmostKiss.
* SlasherSmile: Rasputin shows this in his first entrance. Bonus points for this happening as the narrator talks about [[ObviouslyEvil the danger he presents]].
* SomewhereSong: "Journey to the Past". Anastasia dreams of going to Paris, which she believes holds all the answers to her mysterious childhood.
* SoulJar: Rasputin's reliquary was already a powerful magical weapon before it became this, but he turned it into a phylactery as part of his devil bargain, as well as the source of his magic. Whether or not it siphons off his soul's power is up for debate.
* SparedByTheAdaptation: Sadly, Anastasia herself - it was finally confirmed in 2008 that the real Anastasia did in fact die with the rest of her family that night.
%%* StandardFemaleGrabArea: {{Defied}}. When Dmitri grabs Anya's arm [[spoiler:after she's realized what his intentions were and is trying to storm out, she takes one look at his hand, and then raises her other hand and slaps him.]]
* StealthPun: One of the [[InThePastEveryoneWillBeFamous historical cameos]] is Sigmund Freud, who [[FreudianSlip slips on a banana peel.]]
* StrippedToTheBone:
** Rasputin has his flesh torn off as a result of his deal with the dark forces. He is forced to restore it with his phylactery.
** [[spoiler:Averted during Rasputin's death scene. He melts down to the bone and writhes briefly, but he then decays further into dust.]]
* StuffBlowingUp: The film loves this trope, mostly for the effects animators to show off (such as the RunawayTrain violently exploding in a large, stereotypical Hollywood explosion with sparks flying upward!).
* TakeMyHand: During Anastasia's and the Empress's escape from St. Petersburg, the Empress gets on a moving train, and tries to grab hold of Anastasia's hand. She fails, and Anastasia is left behind.
* TechnicolorDeath: [[spoiler:Rasputin decomposes in flashes of green light after the title character steps on his talisman.]]
%%* ThatRemindsMeOfASong
* ThatRussianSquatDance: Appears rather prominently with the crowd during "A Rumor in St. Petersburg."
* ThinkerPose: Dimitri does one of these next to the actual sculpture during a musical number in Paris.
* ThisIsGonnaSuck: Before the final confrontation between Anastasia and Rasputin, Bartok [[ScrewThisImOuttaHere abandons his master]], saying, "This will only end in tears."
* TrampledUnderfoot: Rasputin steps over a drinking glass that a guest at the ball had dropped as he makes his evil PowerWalk through the crowd. Given a nice CallBack later at the end of the film, when Anastasia [[spoiler: destroys his reliquary by stepping on it multiple times, dedicating the blows to her family, Dimitri, and to Rasputin himself--"''Da svidanya!"'']]
%%* {{Tsundere}}: Anastasia, to Dimitri.
* UnlimitedWardrobe: Anya/Anastasia, counting the clothing she wears as a child, has 13 different outfits during the course of the movie (although two are completely hallucinatory). Blue court dress, nightgown, overcoat, peasant outfit, yellow DisneyAcidSequence ballgown, blue short-sleeved dress, pajamas, sailor bathing suit thing, 2 flapper dresses during a musical number, blue evening dress, pink pajamas, court dress (make it 14 if you count the ClothingDamage incurred on the last court dress as a costume change). To compare, Ariel in ''Disney/TheLittleMermaid'' had 7 (her purple SeashellBra, a ship's sail wrapped around her, a pink dinner dress, a pink nightgown, a turquoise dress, a blue sparkly dress and a wedding dress).
* UnresolvedSexualTension: Between Anya and Dimitri. Dimitri might have even [[ChildhoodFriendRomance been in love with her since they were kids]], but they lost each other due to the revolution.
* UptownGirl: Anastasia for Dimitri. Heartbreaking because for most of the movie, they're equal penniless vagrants. (Despite their past lives as Grand Duchess and servant). When Dimitri finds out the truth, he immediately feels inferior and cut below her.
-->'''Dimitri:''' Princesses don't marry kitchen boys.
* VeryLooselyBasedOnATrueStory: To levels rivaling Disney's ''Disney/{{Pocahontas}}''. We should mention that it's not ''intended'' to be accurate... which is why the focus in on the undead sorcerer and a con that has nothing to do with Russia's politics.
** The real Anastasia was just shot alongside her family in July 1918 at the age of 17. After this movie was made, the actual Romanovs were dug up and DNA typed. All the Romanov children were in the graves, including Anastasia. [[http://en.wikipedia.org/wiki/Anastasia_romanov#False_reports_of_survival_and_identification_of_Romanov_remains The Other Wiki has the details.]] Two of the children were discovered in a grave near Ekaterinburg, apart from the original discovery site in early 2008: Alexei and one of his other sisters, either Marie or Anastasia.
** Rasputin was an ally of the Romanovs, and was murdered before their own demise. He was also (probably) neither a lich nor powered by demons. And bats can't talk.
** A very, ''very'' small one: In the Rasputin-created dream sequence where Anya sees her family swimming, her father greets her by calling her "Sunshine." In the actual Romanov family, this was the nickname of Anastasia's little brother, but since her little brother was standing in front of her during the dream sequence, it's likely her father was talking to him and not her.
* VisualPun: During "Paris Holds the Key" we see [[FreudianSlip Sigmund Freud slipping on a banana peel]].
* VillainSong: "In The Dark of The Night" is Rasputin talking about the return of his powers and how nothing will stop him from killing the final Romanov.
* WasItAllALie: [[spoiler:Anya asks Dimitri this as soon as she overhears he was planning to con the Dowager Empress.]]
* WeaponStomp: [[spoiler:Rasputin's Soul Jar rolls away and Anya catches it under her foot, stomping on it with an "AndThisIsFor…" with each one.]]
* WellExcuseMePrincess: Even though they just think she's impersonating a princess at first, Anya and Dimitri have this dynamic.
* WhatHappenedToTheMouse: It's unclear what became of the train conductor when the train was set aflame by Rasputin's minions. [[spoiler:In the ice show Rasputin pulls him off and lets him skate into the curtains.]]
* WhatTheHellHero: Anya to Dmitri when Vlad accidentally lets slip that Anya has to "convince Sophie," the Dowager Empress's cousin, that she is Anastasia. Not only is this potentially lying, as Anya points out, but she's not Duchess material, having grown up in an orphanage. [[spoiler:She reacts in a very similar way when learning that Dmitri and Vlad were running a con and using her to get the Empress's reward money.]]