Theatre: Nixon In China
News has a kind of mystery;
When I shook hands with Chou En-lai
On this bare field outside Peking
Just now, the whole world was listening.
And though we spoke quietly
The eyes and ears of history
Caught every gesture
And every word, transforming us
As we, transfixedRichard Nixon's state visit to China in 1972, by John Coolidge Adams. Premiering in 1987 (all the named characters in it except Mao were still alive but did not attend), it is well regarded but written in a very avant-garde style known as minimalism, so don't expect it to sound like Beethoven.The whole thing starts off with an honor guard of Chinese troops singing revolutionary slogans at the airport as an airplane lands, and Nixon and Premier Chou En-lai greet each other. Nixon sings to himself about how awesome making history is. He and Chou, along with Henry Kissinger, go to meet Chairman Mao, who turns out to be more interested in talking about philosophy and making jokes than he is in discussing politics. He also has three secretaries who repeat everything he says while he is saying it. Afterward, there is a dinner with long speeches by Chou and Nixon and lots of toasts.In Act II, Mrs. Nixon is shown the sites, mainly factories and hospitals, but they get around to the Forbidden Tombs. Her guides express a lot of sympathy with how hard it was for all the folks who had to work themselves to death on the old Imperial monuments. Then the Nixons and Kissinger are shown a ballet, The Red Detachement of Women, staged by Madame Mao. It's about an oppressed woman who joins the Communist brigades and plans to assassinate her former pimp. Unfortunately, Madame Mao was a harsh taskmaster, and starts yelling at the dancers, who proceed to screw up and get scolded even more. Mrs. Nixon and Kissinger both sing the presumed opinions of the dancers while the ballet still goes on: Kissinger the nasty characters and Pat the nice ones, respectively. Finally, Act III involves sitting around waiting for the airplane to bring the Americans back home while the main characters are remembering how great things were during the war, Chou En-lai being the only character who expresses any concern about the future and the results of the visit.
- Cut Song: "The Chairman Dances" (subtitled "Foxtrot for Orchestra") was originally written for Act III, but Adams couldn't fit it in. It's nevertheless quite a popular piece for orchestras as a stand-alone, as it's fairly catchy and fun to play for a Minimalist work.
- Imagine Spot where Nixon begins singing the News aria quoted above, he apparently is in his bedroom but is going on about astronauts and dead soldiers and rats chewing sheets and stuff (with appropriate sound effects) as the curtain falls, and Mrs. Nixon looks on looking as though she has no idea what he is doing. Finally some people come up to remind him of the meeting with Mao momentarily; "'Mr. President... Mr. President...' 'What? Oh, yes'"
- Mind Screw: On the edge of this; many scenes are quite surreal—a sense heightened by the music—but dreams and imagination are usually distinguished from reality.
- Precision F-Strike: Maybe the first such example in the history of opera. Madame Mao: "We'll teach these motherfuckers how to dance!"
- Show Within a Show: The ballet in act II.