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%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
%%
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THEEE-A-TERRR!
* When Wendla's mother in ''Theatre/SpringAwakening'' drags her off to get a back-alley abortion, Wendla is confused and terrified, screaming "MAAMMAAA!" as she is dragged off.
* OlderThanSteam: In [[Creator/WilliamShakespeare Shakespeare's]] ''Theatre/RomeoAndJuliet'', Juliet Capulet begins a monologue on the meaning and importance of names with the repetition of her crush's name: "O Romeo, Romeo! Wherefore art thou Romeo?"
* In ''Theatre/TheMerchantOfVenice'' by Shakespeare, Shylock says his daughter Jessica's name a lot in their first scene. One gets the feeling he likes her a lot, but he's somewhat overprotective and possessive. "What, Jessica!" -- "What, Jessica!" -- '''"Why, Jessica, I say!"''' -- "Jessica, my girl." -- "Hear you me, Jessica."
* ''Theatre/ThePhantomOfTheOpera'' loves sing "CHRISTINE" loudly and Christine herself loves saying "RAOOOUL".
* Everyone - except Lady Bracknell - does it at the end of Creator/OscarWilde's ''Theatre/TheImportanceOfBeingEarnest''. Names do play a very important part in the play. Earnest! What a name!
%%* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
%%-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
%%* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''Theatre/{{Memphis}}'', at the start of Act Two when Huey gets his own TV show in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" Huey himself singing "the name is Hueeey!" a few times before the final "crazy little Huey is on your TV!"
%%* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS! from Judas.
* From ''Theatre/AStreetcarNamedDesire'':
** When Blanche arrives and sees her sister Stella for the first time, she ''quite'' enjoys saying it: "Stella, oh, Stella, Stella! Stella for Star!"
** "''STELL-LAHHHHH!''" That's exactly as it appears in the script. That's Stella's drunken husband Stanley screaming at her.
* ''Theatre/WestSideStory'':
** Maria, Maria, Maria, Maria, Maria!
** Then in Act II, Tony gets news of Maria's betrothed, Chino shooting her out of jealousy for Tony, causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
%%* ''Theatre/{{RENT}}'': MI-MEEE!
%%** *air guitar riff*
%%** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''Theatre/{{RENT}}'', she stays dead)
* Edward ''loves'' this trope in ''Literature/JaneEyre: [[TitleTheAdaptation The Musical]]''. JAAAAANE!
--> '''Edward''': Then, from my lips/Came a voice, came a name/ I cried "Jane" from the depths/ I called out/I cried "Jane"
* During the final vengeance sequence of ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'', the name Benjamin Barker is repeated, first by Judge Turpin as he finally [[OhCrap realizes just who Sweeney is]], and then furiously by Sweeney just before he kills him once and for all.
-->'''Judge Turpin:''' Benjamin Barker!
-->'''Sweeney Todd:''' BENJAMIN BARKER!
%%* From ''Theatre/HowToSucceedInBusinessWithoutReallyTrying'': Rooooosemary!
* ''Theatre/{{Chicago}}'': Roxie Hart, when she sings her song about her future fame. Roxiiiiiie...Roxiiiiiie... After all, it ''is'' "the name on everybody's lips".
%%* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'': KIIIM! Happens during the fall of Saigon scene and at the end. If the actor playing Chris is feeling particularly hammy, he may add a BigNo.
%%* Mabel's first appearance in ''Theatre/ThePiratesOfPenzance'': 'Tis Mabel! Yes 'tis Maaaaa...(cadenza)....aaabel!
* ''[[Music/RichardWagner Die Walküre]]'', first act has Siegmund at the top of his voice: "Wäääällseee! WÄÄÄÄÄÄÄÄLLSEEEE!!!! Wo ist dein Schwert?" (Wälse, where is your sword?)
* A rare example for Creator/CirqueDuSoleil, in ''Amaluna'', Romeo exclaims "MIRANDA!" when the Black Peacock Goddess flies off with her just before the Chinese pole act; Miranda likewise shouts "ROMEO!" when Cali pulls him below stage at the end of the tightrope act.
* In ''Theatre/PokemonLive'', Team Rocket asks the audience to yell "Team Rocket" loudly.
* In the opera ''Literature/TheTurnOfTheScrew'', before fully showing himself, Quint introduces himself with repeated [[MelismaticVocals melismatic vocalizations]] of "Miles!"
* In ''Theatre/{{Hamilton}}'', most of the characters have a leitmotif that goes with their name that generally introduces them from scene to scene, which is necessary with the double casting. For example, "Take a Break" is the first time Eliza and Angelica appear in the second act, and within the story, they've been apart for some time. They both greet each other with the same tune they introduced themselves in the first act "the Schuyler Sisters".
-->'''Eliza:''' ANGELICAAA!
-->'''Angelica:''' ELIIIIZA!
-->'''Alexander:''' The Schuyler sisters.
-->'''Angelica:''' Alexander!
** Everyone, from Eliza to Washington to Burr to Hamilton himself, has a moment where they shout/sing/cry Hamilton's name.
** Also, "Aaron Burr, sir!"
* ''Theatre/{{Wicked}}'': "FIIYEEEROOOOOOOOO!!!!!!!"
----
%%
%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
%%
%%
%%
THEEE-A-TERRR!
* When Wendla's mother in ''Theatre/SpringAwakening'' drags her off to get a back-alley abortion, Wendla is confused and terrified, screaming "MAAMMAAA!" as she is dragged off.
* OlderThanSteam: In [[Creator/WilliamShakespeare Shakespeare's]] ''Theatre/RomeoAndJuliet'', Juliet Capulet begins a monologue on the meaning and importance of names with the repetition of her crush's name: "O Romeo, Romeo! Wherefore art thou Romeo?"
* In ''Theatre/TheMerchantOfVenice'' by Shakespeare, Shylock says his daughter Jessica's name a lot in their first scene. One gets the feeling he likes her a lot, but he's somewhat overprotective and possessive. "What, Jessica!" -- "What, Jessica!" -- '''"Why, Jessica, I say!"''' -- "Jessica, my girl." -- "Hear you me, Jessica."
* ''Theatre/ThePhantomOfTheOpera'' loves sing "CHRISTINE" loudly and Christine herself loves saying "RAOOOUL".
* Everyone - except Lady Bracknell - does it at the end of Creator/OscarWilde's ''Theatre/TheImportanceOfBeingEarnest''. Names do play a very important part in the play. Earnest! What a name!
%%* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
%%-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
%%* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''Theatre/{{Memphis}}'', at the start of Act Two when Huey gets his own TV show in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" Huey himself singing "the name is Hueeey!" a few times before the final "crazy little Huey is on your TV!"
%%* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS! from Judas.
* From ''Theatre/AStreetcarNamedDesire'':
** When Blanche arrives and sees her sister Stella for the first time, she ''quite'' enjoys saying it: "Stella, oh, Stella, Stella! Stella for Star!"
** "''STELL-LAHHHHH!''" That's exactly as it appears in the script. That's Stella's drunken husband Stanley screaming at her.
* ''Theatre/WestSideStory'':
** Maria, Maria, Maria, Maria, Maria!
** Then in Act II, Tony gets news of Maria's betrothed, Chino shooting her out of jealousy for Tony, causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
%%* ''Theatre/{{RENT}}'': MI-MEEE!
%%** *air guitar riff*
%%** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''Theatre/{{RENT}}'', she stays dead)
* Edward ''loves'' this trope in ''Literature/JaneEyre: [[TitleTheAdaptation The Musical]]''. JAAAAANE!
--> '''Edward''': Then, from my lips/Came a voice, came a name/ I cried "Jane" from the depths/ I called out/I cried "Jane"
* During the final vengeance sequence of ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'', the name Benjamin Barker is repeated, first by Judge Turpin as he finally [[OhCrap realizes just who Sweeney is]], and then furiously by Sweeney just before he kills him once and for all.
-->'''Judge Turpin:''' Benjamin Barker!
-->'''Sweeney Todd:''' BENJAMIN BARKER!
%%* From ''Theatre/HowToSucceedInBusinessWithoutReallyTrying'': Rooooosemary!
* ''Theatre/{{Chicago}}'': Roxie Hart, when she sings her song about her future fame. Roxiiiiiie...Roxiiiiiie... After all, it ''is'' "the name on everybody's lips".
%%* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'': KIIIM! Happens during the fall of Saigon scene and at the end. If the actor playing Chris is feeling particularly hammy, he may add a BigNo.
%%* Mabel's first appearance in ''Theatre/ThePiratesOfPenzance'': 'Tis Mabel! Yes 'tis Maaaaa...(cadenza)....aaabel!
* ''[[Music/RichardWagner Die Walküre]]'', first act has Siegmund at the top of his voice: "Wäääällseee! WÄÄÄÄÄÄÄÄLLSEEEE!!!! Wo ist dein Schwert?" (Wälse, where is your sword?)
* A rare example for Creator/CirqueDuSoleil, in ''Amaluna'', Romeo exclaims "MIRANDA!" when the Black Peacock Goddess flies off with her just before the Chinese pole act; Miranda likewise shouts "ROMEO!" when Cali pulls him below stage at the end of the tightrope act.
* In ''Theatre/PokemonLive'', Team Rocket asks the audience to yell "Team Rocket" loudly.
* In the opera ''Literature/TheTurnOfTheScrew'', before fully showing himself, Quint introduces himself with repeated [[MelismaticVocals melismatic vocalizations]] of "Miles!"
* In ''Theatre/{{Hamilton}}'', most of the characters have a leitmotif that goes with their name that generally introduces them from scene to scene, which is necessary with the double casting. For example, "Take a Break" is the first time Eliza and Angelica appear in the second act, and within the story, they've been apart for some time. They both greet each other with the same tune they introduced themselves in the first act "the Schuyler Sisters".
-->'''Eliza:''' ANGELICAAA!
-->'''Angelica:''' ELIIIIZA!
-->'''Alexander:''' The Schuyler sisters.
-->'''Angelica:''' Alexander!
** Everyone, from Eliza to Washington to Burr to Hamilton himself, has a moment where they shout/sing/cry Hamilton's name.
** Also, "Aaron Burr, sir!"
* ''Theatre/{{Wicked}}'': "FIIYEEEROOOOOOOOO!!!!!!!"
----
to:
%%
%% Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
%%
%%
%%
THEEE-A-TERRR!
* When Wendla's mother in ''Theatre/SpringAwakening'' drags her off to get a back-alley abortion, Wendla is confused and terrified, screaming "MAAMMAAA!" as she is dragged off.
* OlderThanSteam: In [[Creator/WilliamShakespeare Shakespeare's]] ''Theatre/RomeoAndJuliet'', Juliet Capulet begins a monologue on the meaning and importance of names with the repetition of her crush's name: "O Romeo, Romeo! Wherefore art thou Romeo?"
* In ''Theatre/TheMerchantOfVenice'' by Shakespeare, Shylock says his daughter Jessica's name a lot in their first scene. One gets the feeling he likes her a lot, but he's somewhat overprotective and possessive. "What, Jessica!" -- "What, Jessica!" -- '''"Why, Jessica, I say!"''' -- "Jessica, my girl." -- "Hear you me, Jessica."
* ''Theatre/ThePhantomOfTheOpera'' loves sing "CHRISTINE" loudly and Christine herself loves saying "RAOOOUL".
* Everyone - except Lady Bracknell - does it at the end of Creator/OscarWilde's ''Theatre/TheImportanceOfBeingEarnest''. Names do play a very important part in the play. Earnest! What a name!
%%* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
%%-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
%%* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''Theatre/{{Memphis}}'', at the start of Act Two when Huey gets his own TV show in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" Huey himself singing "the name is Hueeey!" a few times before the final "crazy little Huey is on your TV!"
%%* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS! from Judas.
* From ''Theatre/AStreetcarNamedDesire'':
** When Blanche arrives and sees her sister Stella for the first time, she ''quite'' enjoys saying it: "Stella, oh, Stella, Stella! Stella for Star!"
** "''STELL-LAHHHHH!''" That's exactly as it appears in the script. That's Stella's drunken husband Stanley screaming at her.
* ''Theatre/WestSideStory'':
** Maria, Maria, Maria, Maria, Maria!
** Then in Act II, Tony gets news of Maria's betrothed, Chino shooting her out of jealousy for Tony, causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
%%* ''Theatre/{{RENT}}'': MI-MEEE!
%%** *air guitar riff*
%%** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''Theatre/{{RENT}}'', she stays dead)
* Edward ''loves'' this trope in ''Literature/JaneEyre: [[TitleTheAdaptation The Musical]]''. JAAAAANE!
--> '''Edward''': Then, from my lips/Came a voice, came a name/ I cried "Jane" from the depths/ I called out/I cried "Jane"
* During the final vengeance sequence of ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'', the name Benjamin Barker is repeated, first by Judge Turpin as he finally [[OhCrap realizes just who Sweeney is]], and then furiously by Sweeney just before he kills him once and for all.
-->'''Judge Turpin:''' Benjamin Barker!
-->'''Sweeney Todd:''' BENJAMIN BARKER!
%%* From ''Theatre/HowToSucceedInBusinessWithoutReallyTrying'': Rooooosemary!
* ''Theatre/{{Chicago}}'': Roxie Hart, when she sings her song about her future fame. Roxiiiiiie...Roxiiiiiie... After all, it ''is'' "the name on everybody's lips".
%%* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'': KIIIM! Happens during the fall of Saigon scene and at the end. If the actor playing Chris is feeling particularly hammy, he may add a BigNo.
%%* Mabel's first appearance in ''Theatre/ThePiratesOfPenzance'': 'Tis Mabel! Yes 'tis Maaaaa...(cadenza)....aaabel!
* ''[[Music/RichardWagner Die Walküre]]'', first act has Siegmund at the top of his voice: "Wäääällseee! WÄÄÄÄÄÄÄÄLLSEEEE!!!! Wo ist dein Schwert?" (Wälse, where is your sword?)
* A rare example for Creator/CirqueDuSoleil, in ''Amaluna'', Romeo exclaims "MIRANDA!" when the Black Peacock Goddess flies off with her just before the Chinese pole act; Miranda likewise shouts "ROMEO!" when Cali pulls him below stage at the end of the tightrope act.
* In ''Theatre/PokemonLive'', Team Rocket asks the audience to yell "Team Rocket" loudly.
* In the opera ''Literature/TheTurnOfTheScrew'', before fully showing himself, Quint introduces himself with repeated [[MelismaticVocals melismatic vocalizations]] of "Miles!"
* In ''Theatre/{{Hamilton}}'', most of the characters have a leitmotif that goes with their name that generally introduces them from scene to scene, which is necessary with the double casting. For example, "Take a Break" is the first time Eliza and Angelica appear in the second act, and within the story, they've been apart for some time. They both greet each other with the same tune they introduced themselves in the first act "the Schuyler Sisters".
-->'''Eliza:''' ANGELICAAA!
-->'''Angelica:''' ELIIIIZA!
-->'''Alexander:''' The Schuyler sisters.
-->'''Angelica:''' Alexander!
** Everyone, from Eliza to Washington to Burr to Hamilton himself, has a moment where they shout/sing/cry Hamilton's name.
** Also, "Aaron Burr, sir!"
* ''Theatre/{{Wicked}}'': "FIIYEEEROOOOOOOOO!!!!!!!"
----
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* ''Theatre/{{Wicked}}'': "FIIYEEEROOOOOOOOO!!!!!!!"
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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%% ZeroContextExample Administrivia/ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
Changed line(s) 37 (click to see context) from:
* ''[[Creator/RichardWagner Die Walküre]]'', first act has Siegmund at the top of his voice: "Wäääällseee! WÄÄÄÄÄÄÄÄLLSEEEE!!!! Wo ist dein Schwert?" (Wälse, where is your sword?)
to:
* ''[[Creator/RichardWagner ''[[Music/RichardWagner Die Walküre]]'', first act has Siegmund at the top of his voice: "Wäääällseee! WÄÄÄÄÄÄÄÄLLSEEEE!!!! Wo ist dein Schwert?" (Wälse, where is your sword?)
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* ''Theatre/PhatomOfTheOpera'' loves sing "CHRISTINE" loudly and Christine herself loves saying "RAOOOUL".
to:
* ''Theatre/PhatomOfTheOpera'' ''Theatre/ThePhantomOfTheOpera'' loves sing "CHRISTINE" loudly and Christine herself loves saying "RAOOOUL".
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* ''Theatre/PhatomOfTheOpera'' loves sing "CHRISTINE" loudly and Christine herself loves saying "RAOOOUL".
%%* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS! from Judas.
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%%* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS!
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%%** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''{{RENT}}'', she stays dead)
to:
%%** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''{{RENT}}'', ''Theatre/{{RENT}}'', she stays dead)
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Added DiffLines:
* In ''Theatre/{{Hamilton}}'', most of the characters have a leitmotif that goes with their name that generally introduces them from scene to scene, which is necessary with the double casting. For example, "Take a Break" is the first time Eliza and Angelica appear in the second act, and within the story, they've been apart for some time. They both greet each other with the same tune they introduced themselves in the first act "the Schuyler Sisters".
-->'''Eliza:''' ANGELICAAA!
-->'''Angelica:''' ELIIIIZA!
-->'''Alexander:''' The Schuyler sisters.
-->'''Angelica:''' Alexander!
** Everyone, from Eliza to Washington to Burr to Hamilton himself, has a moment where they shout/sing/cry Hamilton's name.
** Also, "Aaron Burr, sir!"
-->'''Eliza:''' ANGELICAAA!
-->'''Angelica:''' ELIIIIZA!
-->'''Alexander:''' The Schuyler sisters.
-->'''Angelica:''' Alexander!
** Everyone, from Eliza to Washington to Burr to Hamilton himself, has a moment where they shout/sing/cry Hamilton's name.
** Also, "Aaron Burr, sir!"
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None
Changed line(s) 28 (click to see context) from:
* During the final vengeance sequence ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'', the name Benjamin Barker is repeated, first by Judge Turpin as he realizes just who Sweeney is, and then furiously by Sweeney just before killing him.
to:
* During the final vengeance sequence of ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'', the name Benjamin Barker is repeated, first by Judge Turpin as he finally [[OhCrap realizes just who Sweeney is, is]], and then furiously by Sweeney just before killing him.he kills him once and for all.
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Changed line(s) 28,31 (click to see context) from:
%%* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'':
%%** Sweeney! Sweeney! Sweeney! Sweeney! SWEENEY!
%%** Benjamin Barker! BENJAMIN BAARKERR!
%%** Anthony, Sweeney, and Judge Turpin each have a moment where they keep saying "Johanna!"
%%** Sweeney! Sweeney! Sweeney! Sweeney! SWEENEY!
%%** Benjamin Barker! BENJAMIN BAARKERR!
%%** Anthony, Sweeney, and Judge Turpin each have a moment where they keep saying "Johanna!"
to:
%%** Sweeney! Sweeney! Sweeney! Sweeney! SWEENEY!
%%**
%%** Anthony, Sweeney, and
-->'''Judge Turpin:''' Benjamin Barker!
-->'''Sweeney Todd:''' BENJAMIN BARKER!
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* From Tennessee Williams's ''A Streetcar Named Desire'':
to:
* From Tennessee Williams's ''A Streetcar Named Desire'': ''Theatre/AStreetcarNamedDesire'':
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* In the opera ''Literature/TheTurnOfTheScrew'', before fully showing himself, Quint introduces himself with repeated [[MelismaticVocals melismatic vocalizations]] of "Miles!"
----
----
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* When Wendla's mother in ''SpringAwakening'' drags her off to get a back-alley abortion, Wendla is confused and terrified, screaming "MAAMMAAA!" as she is dragged off.
to:
* When Wendla's mother in ''SpringAwakening'' ''Theatre/SpringAwakening'' drags her off to get a back-alley abortion, Wendla is confused and terrified, screaming "MAAMMAAA!" as she is dragged off.
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Changed line(s) 15 (click to see context) from:
* In ''{{Memphis}}'', at the start of Act Two when Huey gets his own TV show in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" Huey himself singing "the name is Hueeey!" a few times before the final "crazy little Huey is on your TV!"
to:
* In ''{{Memphis}}'', ''Theatre/{{Memphis}}'', at the start of Act Two when Huey gets his own TV show in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" Huey himself singing "the name is Hueeey!" a few times before the final "crazy little Huey is on your TV!"
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* In ''Theatre/PokemonLive'', Team Rocket asks the audience to yell "Team Rocket" loudly.
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** Maria, Maria, Maria, Maria, Maria!
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** Maria, Maria, Maria, Maria, Maria!
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** "''STELL-LAHHHHH!''" That's exactly as it appears in the script. That's Stella's drunken husband Sidney screaming at her.
to:
** "''STELL-LAHHHHH!''" That's exactly as it appears in the script. That's Stella's drunken husband Sidney Stanley screaming at her.
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%%** Maria, Maria, Maria, Maria, Maria!
to:
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* OlderThanSteam: In [[Creator/WilliamShakespeare Shakespeare's]] ''Theatre/RomeoAndJuliet'', Juliet Capulet begins a monologue on the meaning and importance of names with the repetition of her crush's name: "O Romeo, Romeo! Wherefore art thou, Romeo?"
to:
* OlderThanSteam: In [[Creator/WilliamShakespeare Shakespeare's]] ''Theatre/RomeoAndJuliet'', Juliet Capulet begins a monologue on the meaning and importance of names with the repetition of her crush's name: "O Romeo, Romeo! Wherefore art thou, thou Romeo?"
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None
Changed line(s) 38,39 (click to see context) from:
* A rare example for CirqueDuSoleil, in ''Amaluna'', Romeo exclaims "MIRANDA!" when the Black Peacock Goddess flies off with her just before the Chinese pole act; Miranda likewise shouts "ROMEO!" when Cali pulls him below stage at the end of the tightrope act.
----
----
to:
* A rare example for CirqueDuSoleil, Creator/CirqueDuSoleil, in ''Amaluna'', Romeo exclaims "MIRANDA!" when the Black Peacock Goddess flies off with her just before the Chinese pole act; Miranda likewise shouts "ROMEO!" when Cali pulls him below stage at the end of the tightrope act.
----
----
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Zero Context Example are being commented out. Consider providing proper context for your favourite Theater!!! Wicked, Oliver, West Side Story, RENT, La Boheme, Jesus Christ Superstar, Sweeney Todd The Demon Barber Of Fleet Street and Fiddler On The Roof all miss proper context.
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%%
%%
%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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%%
%%
%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
%%
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* When Wendla's mother in ''SpringAwakening'' [[spoiler: drags her off to get a back-alley abortion, Wendla is confused and terrified,]] screaming "MAAMMAAA!" as she is dragged off.
to:
* When Wendla's mother in ''SpringAwakening'' [[spoiler: drags her off to get a back-alley abortion, Wendla is confused and terrified,]] terrified, screaming "MAAMMAAA!" as she is dragged off.
Changed line(s) 5,18 (click to see context) from:
* Everyone - except Lady Bracknell - does it at the end of Creator/OscarWilde's ''Theatre/TheImportanceOfBeingEarnest'' (names do play a very important part in the play).
* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''{{Memphis}}'', at the start of Act Two when Huey [[spoiler: gets his own TV show]] in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" (Huey himself singing "the name is Hueeeey!") a few times before the final "crazy little Huey is on your TV!"
* From Tennessee Williams's ''A Streetcar Named Desire'': "''STELL-LAHHHHH!''" (That's exactly as it appears in the script.)
** Parodied, like the rest of the play, through song in ''WesternAnimation/TheSimpsons'' ShowWithinAShow ''Oh, Streetcar!'':
-->'''Ned (as Stanley)''': Stella! STELLLAAAA! / Can't you hear me yella? / You're puttin' me through Hella! / Stella... STELLLAAAA!
* ''Theatre/WestSideStory'': Maria, Maria, Maria, Maria, Maria!
** Then in Act II, Tony gets news of Maria's betrothed, Chino [[spoiler: shooting her out of jealousy for Tony]], causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
* ''Theatre/{{RENT}}'': MI-MEEEEEEEEEE!
** *air guitar riff*
** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''{{RENT}}'', she stays dead)
* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS!
* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''{{Memphis}}'', at the start of Act Two when Huey [[spoiler: gets his own TV show]] in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" (Huey himself singing "the name is Hueeeey!") a few times before the final "crazy little Huey is on your TV!"
* From Tennessee Williams's ''A Streetcar Named Desire'': "''STELL-LAHHHHH!''" (That's exactly as it appears in the script.)
** Parodied, like the rest of the play, through song in ''WesternAnimation/TheSimpsons'' ShowWithinAShow ''Oh, Streetcar!'':
-->'''Ned (as Stanley)''': Stella! STELLLAAAA! / Can't you hear me yella? / You're puttin' me through Hella! / Stella... STELLLAAAA!
* ''Theatre/WestSideStory'': Maria, Maria, Maria, Maria, Maria!
** Then in Act II, Tony gets news of Maria's betrothed, Chino [[spoiler: shooting her out of jealousy for Tony]], causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
* ''Theatre/{{RENT}}'': MI-MEEEEEEEEEE!
** *air guitar riff*
** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''{{RENT}}'', she stays dead)
* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS!
to:
* Everyone - except Lady Bracknell - does it at the end of Creator/OscarWilde's ''Theatre/TheImportanceOfBeingEarnest'' (names ''Theatre/TheImportanceOfBeingEarnest''. Names do play a very important part in the play).
*play. Earnest! What a name!
%%* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
-->'''Elphaba''': %%-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
* %%* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''{{Memphis}}'', at the start of Act Two when Huey[[spoiler: gets his own TV show]] show in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" (Huey Huey himself singing "the name is Hueeeey!") Hueeey!" a few times before the final "crazy little Huey is on your TV!"
* From Tennessee Williams's ''A Streetcar NamedDesire'': Desire'':
** When Blanche arrives and sees her sister Stella for the first time, she ''quite'' enjoys saying it: "Stella, oh, Stella, Stella! Stella for Star!"
** "''STELL-LAHHHHH!''"(That's That's exactly as it appears in the script.)
** Parodied, like the rest of the play, through song in ''WesternAnimation/TheSimpsons'' ShowWithinAShow ''Oh, Streetcar!'':
-->'''Ned (as Stanley)''': Stella! STELLLAAAA! / Can't you hear me yella? / You're puttin' me through Hella! / Stella... STELLLAAAA!
script. That's Stella's drunken husband Sidney screaming at her.
*''Theatre/WestSideStory'': Maria, Maria, Maria, Maria, Maria!
''Theatre/WestSideStory'':
** Then in Act II, Tony gets news of Maria's betrothed, Chino[[spoiler: shooting her out of jealousy for Tony]], Tony, causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
* %%** Maria, Maria, Maria, Maria, Maria!
%%* ''Theatre/{{RENT}}'':MI-MEEEEEEEEEE!
**MI-MEEE!
%%** *air guitar riff*
** %%** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''{{RENT}}'', she stays dead)
* %%* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS!
*
%%* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
* In ''{{Memphis}}'', at the start of Act Two when Huey
* From Tennessee Williams's ''A Streetcar Named
** When Blanche arrives and sees her sister Stella for the first time, she ''quite'' enjoys saying it: "Stella, oh, Stella, Stella! Stella for Star!"
** "''STELL-LAHHHHH!''"
** Parodied, like the rest of the play, through song in ''WesternAnimation/TheSimpsons'' ShowWithinAShow ''Oh, Streetcar!'':
-->'''Ned (as Stanley)''': Stella! STELLLAAAA! / Can't you hear me yella? / You're puttin' me through Hella! / Stella... STELLLAAAA!
*
** Then in Act II, Tony gets news of Maria's betrothed, Chino
%%* ''Theatre/{{RENT}}'':
**
%%** *air guitar riff*
Changed line(s) 21,29 (click to see context) from:
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'': Sweeney! Sweeney! Sweeney! Sweeney! SWEENEY!
** Benjamin Barker! BENJAMIN BAARKERR!!!!
** Anthony, Sweeney, and Judge Turpin each have a moment where they keep saying "Johanna!"
* From ''Theatre/HowToSucceedInBusinessWithoutReallyTrying'': Rooooosemary!
* ''Theatre/{{Chicago}}'': Roxiiiiiie...Roxiiiiiie...
** After all, it ''is'' "the name on everybody's lips."
* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'': KIIIIIIIIIIIIIIIIIIM! Happens during the fall of Saigon scene and at the end. If the actor playing Chris is feeling particularly hammy, he may add a BigNo.
* Mabel's first appearance in ''Theatre/ThePiratesOfPenzance'': 'Tis Mabel! Yes 'tis Maaaaaaaaaaaaaaaa...(cadenza)....aaabel!
** Benjamin Barker! BENJAMIN BAARKERR!!!!
** Anthony, Sweeney, and Judge Turpin each have a moment where they keep saying "Johanna!"
* From ''Theatre/HowToSucceedInBusinessWithoutReallyTrying'': Rooooosemary!
* ''Theatre/{{Chicago}}'': Roxiiiiiie...Roxiiiiiie...
** After all, it ''is'' "the name on everybody's lips."
* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'': KIIIIIIIIIIIIIIIIIIM! Happens during the fall of Saigon scene and at the end. If the actor playing Chris is feeling particularly hammy, he may add a BigNo.
* Mabel's first appearance in ''Theatre/ThePiratesOfPenzance'': 'Tis Mabel! Yes 'tis Maaaaaaaaaaaaaaaa...(cadenza)....aaabel!
to:
%%** Sweeney! Sweeney! Sweeney! Sweeney! SWEENEY!
**
%%** Anthony, Sweeney, and Judge Turpin each have a moment where they keep saying "Johanna!"
* ''Theatre/{{Chicago}}'': Roxie Hart, when she sings her song about her future fame. Roxiiiiiie...
**
*
%%* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'':
Is there an issue? Send a MessageReason:
None
Changed line(s) 32 (click to see context) from:
[[/folder]]
to:
Is there an issue? Send a MessageReason:
Moved from the main page of Say My Name. It suffers terribly from Zero Context Example. If you are familiar with the works, consider providing proper context. Examples are going to be commented out to make the article reader-friendly. See Example Indentation.
Added DiffLines:
THEEE-A-TERRR!
* When Wendla's mother in ''SpringAwakening'' [[spoiler: drags her off to get a back-alley abortion, Wendla is confused and terrified,]] screaming "MAAMMAAA!" as she is dragged off.
* OlderThanSteam: In [[Creator/WilliamShakespeare Shakespeare's]] ''Theatre/RomeoAndJuliet'', Juliet Capulet begins a monologue on the meaning and importance of names with the repetition of her crush's name: "O Romeo, Romeo! Wherefore art thou, Romeo?"
* In ''Theatre/TheMerchantOfVenice'' by Shakespeare, Shylock says his daughter Jessica's name a lot in their first scene. One gets the feeling he likes her a lot, but he's somewhat overprotective and possessive. "What, Jessica!" -- "What, Jessica!" -- '''"Why, Jessica, I say!"''' -- "Jessica, my girl." -- "Hear you me, Jessica."
* Everyone - except Lady Bracknell - does it at the end of Creator/OscarWilde's ''Theatre/TheImportanceOfBeingEarnest'' (names do play a very important part in the play).
* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''{{Memphis}}'', at the start of Act Two when Huey [[spoiler: gets his own TV show]] in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" (Huey himself singing "the name is Hueeeey!") a few times before the final "crazy little Huey is on your TV!"
* From Tennessee Williams's ''A Streetcar Named Desire'': "''STELL-LAHHHHH!''" (That's exactly as it appears in the script.)
** Parodied, like the rest of the play, through song in ''WesternAnimation/TheSimpsons'' ShowWithinAShow ''Oh, Streetcar!'':
-->'''Ned (as Stanley)''': Stella! STELLLAAAA! / Can't you hear me yella? / You're puttin' me through Hella! / Stella... STELLLAAAA!
* ''Theatre/WestSideStory'': Maria, Maria, Maria, Maria, Maria!
** Then in Act II, Tony gets news of Maria's betrothed, Chino [[spoiler: shooting her out of jealousy for Tony]], causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
* ''Theatre/{{RENT}}'': MI-MEEEEEEEEEE!
** *air guitar riff*
** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''{{RENT}}'', she stays dead)
* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS!
* Edward ''loves'' this trope in ''Literature/JaneEyre: [[TitleTheAdaptation The Musical]]''. JAAAAANE!
--> '''Edward''': Then, from my lips/Came a voice, came a name/ I cried "Jane" from the depths/ I called out/I cried "Jane"
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'': Sweeney! Sweeney! Sweeney! Sweeney! SWEENEY!
** Benjamin Barker! BENJAMIN BAARKERR!!!!
** Anthony, Sweeney, and Judge Turpin each have a moment where they keep saying "Johanna!"
* From ''Theatre/HowToSucceedInBusinessWithoutReallyTrying'': Rooooosemary!
* ''Theatre/{{Chicago}}'': Roxiiiiiie...Roxiiiiiie...
** After all, it ''is'' "the name on everybody's lips."
* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'': KIIIIIIIIIIIIIIIIIIM! Happens during the fall of Saigon scene and at the end. If the actor playing Chris is feeling particularly hammy, he may add a BigNo.
* Mabel's first appearance in ''Theatre/ThePiratesOfPenzance'': 'Tis Mabel! Yes 'tis Maaaaaaaaaaaaaaaa...(cadenza)....aaabel!
* ''[[Creator/RichardWagner Die Walküre]]'', first act has Siegmund at the top of his voice: "Wäääällseee! WÄÄÄÄÄÄÄÄLLSEEEE!!!! Wo ist dein Schwert?" (Wälse, where is your sword?)
* A rare example for CirqueDuSoleil, in ''Amaluna'', Romeo exclaims "MIRANDA!" when the Black Peacock Goddess flies off with her just before the Chinese pole act; Miranda likewise shouts "ROMEO!" when Cali pulls him below stage at the end of the tightrope act.
[[/folder]]
* When Wendla's mother in ''SpringAwakening'' [[spoiler: drags her off to get a back-alley abortion, Wendla is confused and terrified,]] screaming "MAAMMAAA!" as she is dragged off.
* OlderThanSteam: In [[Creator/WilliamShakespeare Shakespeare's]] ''Theatre/RomeoAndJuliet'', Juliet Capulet begins a monologue on the meaning and importance of names with the repetition of her crush's name: "O Romeo, Romeo! Wherefore art thou, Romeo?"
* In ''Theatre/TheMerchantOfVenice'' by Shakespeare, Shylock says his daughter Jessica's name a lot in their first scene. One gets the feeling he likes her a lot, but he's somewhat overprotective and possessive. "What, Jessica!" -- "What, Jessica!" -- '''"Why, Jessica, I say!"''' -- "Jessica, my girl." -- "Hear you me, Jessica."
* Everyone - except Lady Bracknell - does it at the end of Creator/OscarWilde's ''Theatre/TheImportanceOfBeingEarnest'' (names do play a very important part in the play).
* ''Theatre/{{Wicked}}'', "No Good Deed Goes Unpunished":
-->'''Elphaba''': Nessa... Doctor Dillamond... Fiyero... FIYERO!!
* Bill Sykes gets a ''musical number'' devoted to this trope in ''Theatre/{{Oliver}}''. It is sometimes cut from performances, though.
* In ''{{Memphis}}'', at the start of Act Two when Huey [[spoiler: gets his own TV show]] in the song "Crazy Little Huey", both Huey and some dancers from the show proceed to sing "Hueeey!" (Huey himself singing "the name is Hueeeey!") a few times before the final "crazy little Huey is on your TV!"
* From Tennessee Williams's ''A Streetcar Named Desire'': "''STELL-LAHHHHH!''" (That's exactly as it appears in the script.)
** Parodied, like the rest of the play, through song in ''WesternAnimation/TheSimpsons'' ShowWithinAShow ''Oh, Streetcar!'':
-->'''Ned (as Stanley)''': Stella! STELLLAAAA! / Can't you hear me yella? / You're puttin' me through Hella! / Stella... STELLLAAAA!
* ''Theatre/WestSideStory'': Maria, Maria, Maria, Maria, Maria!
** Then in Act II, Tony gets news of Maria's betrothed, Chino [[spoiler: shooting her out of jealousy for Tony]], causing him to run out yelling, "Chino! Chino! Come and get me too, Chino!"
* ''Theatre/{{RENT}}'': MI-MEEEEEEEEEE!
** *air guitar riff*
** ''Theatre/LaBoheme'': MIMIIIIII! (unlike ''{{RENT}}'', she stays dead)
* ''Music/JesusChristSuperstar'': JESUUUUUUUUUUUUS!
* Edward ''loves'' this trope in ''Literature/JaneEyre: [[TitleTheAdaptation The Musical]]''. JAAAAANE!
--> '''Edward''': Then, from my lips/Came a voice, came a name/ I cried "Jane" from the depths/ I called out/I cried "Jane"
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'': Sweeney! Sweeney! Sweeney! Sweeney! SWEENEY!
** Benjamin Barker! BENJAMIN BAARKERR!!!!
** Anthony, Sweeney, and Judge Turpin each have a moment where they keep saying "Johanna!"
* From ''Theatre/HowToSucceedInBusinessWithoutReallyTrying'': Rooooosemary!
* ''Theatre/{{Chicago}}'': Roxiiiiiie...Roxiiiiiie...
** After all, it ''is'' "the name on everybody's lips."
* ''Theatre/FiddlerOnTheRoof'': TEEEEEEEEVYE!
* ''Theatre/MissSaigon'': KIIIIIIIIIIIIIIIIIIM! Happens during the fall of Saigon scene and at the end. If the actor playing Chris is feeling particularly hammy, he may add a BigNo.
* Mabel's first appearance in ''Theatre/ThePiratesOfPenzance'': 'Tis Mabel! Yes 'tis Maaaaaaaaaaaaaaaa...(cadenza)....aaabel!
* ''[[Creator/RichardWagner Die Walküre]]'', first act has Siegmund at the top of his voice: "Wäääällseee! WÄÄÄÄÄÄÄÄLLSEEEE!!!! Wo ist dein Schwert?" (Wälse, where is your sword?)
* A rare example for CirqueDuSoleil, in ''Amaluna'', Romeo exclaims "MIRANDA!" when the Black Peacock Goddess flies off with her just before the Chinese pole act; Miranda likewise shouts "ROMEO!" when Cali pulls him below stage at the end of the tightrope act.
[[/folder]]
