Quotes / Bleak House

• The novel’s opening, Chapter 1: In Chancery:
  London. Michaelmas term lately over, and the Lord Chancellor sitting in Lincoln's Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snowflakes—gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another's umbrellas in a general infection of ill temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if this day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
  Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little 'prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon and hanging in the misty clouds.
  Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time—as the gas seems to know, for it has a haggard and unwilling look.
  The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln's Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
  Never can there come fog too thick, never can there come mud and mire too deep, to assort with the groping and floundering condition which this High Court of Chancery, most pestilent of hoary sinners, holds this day in the sight of heaven and earth.
• Description of Jarndyce and Jarndyce in Chapter 1: In Chancery:
  Jarndyce and Jarndyce drones on. This scarecrow of a suit has, in course of time, become so complicated that no man alive knows what it means. The parties to it understand it least, but it has been observed that no two Chancery lawyers can talk about it for five minutes without coming to a total disagreement as to all the premises. Innumerable children have been born into the cause; innumerable young people have married into it; innumerable old people have died out of it. Scores of persons have deliriously found themselves made parties in Jarndyce and Jarndyce without knowing how or why; whole families have inherited legendary hatreds with the suit. The little plaintiff or defendant who was promised a new rocking-horse when Jarndyce and Jarndyce should be settled has grown up, possessed himself of a real horse, and trotted away into the other world. Fair wards of court have faded into mothers and grandmothers; a long procession of Chancellors has come in and gone out; the legion of bills in the suit have been transformed into mere bills of mortality; there are not three Jarndyces left upon the earth perhaps since old Tom Jarndyce in despair blew his brains out at a coffee-house in Chancery Lane; but Jarndyce and Jarndyce still drags its dreary length before the court, perennially hopeless.
• An additional description of the suit, Chapter 1: In Chancery:
  The last Lord Chancellor handled it neatly, when, correcting Mr. Blowers, the eminent silk gown who said that such a thing might happen when the sky rained potatoes, he observed, "or when we get through Jarndyce and Jarndyce, Mr. Blowers[...]"
• A description of some chancery lawyers, Chapter 1: In Chancery:
  Eighteen of Mr. Tangle's learned friends, each armed with a little summary of eighteen hundred sheets, bob up like eighteen hammers in a pianoforte, make eighteen bows, and drop into their eighteen places of obscurity.
• A description of Sir Leicester and his wife, Chapter 2: In Fashion:
  Sir Leicester Dedlock is only a baronet, but there is no mightier baronet than he. His family is as old as the hills, and infinitely more respectable. He has a general opinion that the world might get on without hills but would be done up without Dedlocks. He would on the whole admit nature to be a good idea (a little low, perhaps, when not enclosed with a park-fence), but an idea dependent for its execution on your great county families. He is a gentleman of strict conscience, disdainful of all littleness and meanness and ready on the shortest notice to die any death you may please to mention rather than give occasion for the least impeachment of his integrity. He is an honourable, obstinate, truthful, high-spirited, intensely prejudiced, perfectly unreasonable man.
  Sir Leicester is twenty years, full measure, older than my Lady. He will never see sixty-five again, nor perhaps sixty-six, nor yet sixty-seven. He has a twist of the gout now and then and walks a little stiffly. He is of a worthy presence, with his light-grey hair and whiskers, his fine shirt-frill, his pure-white waistcoat, and his blue coat with bright buttons always buttoned. He is ceremonious, stately, most polite on every occasion to my Lady, and holds her personal attractions in the highest estimation. His gallantry to my Lady, which has never changed since he courted her, is the one little touch of romantic fancy in him.
  Indeed, he married her for love. A whisper still goes about that she had not even family; howbeit, Sir Leicester had so much family that perhaps he had enough and could dispense with any more. But she had beauty, pride, ambition, insolent resolve, and sense enough to portion out a legion of fine ladies. Wealth and station, added to these, soon floated her upward, and for years now my Lady Dedlock has been at the centre of the fashionable intelligence and at the top of the fashionable tree.
• A description of Mr Tulkinghorn in Chapter 2: In Fashion:
  The old gentleman is rusty to look at, but is reputed to have made good thrift out of aristocratic marriage settlements and aristocratic wills, and to be very rich. He is surrounded by a mysterious halo of family confidences, of which he is known to be the silent depository. There are noble mausoleums rooted for centuries in retired glades of parks among the growing timber and the fern, which perhaps hold fewer noble secrets than walk abroad among men, shut up in the breast of Mr. Tulkinghorn. He is of what is called the old school—a phrase generally meaning any school that seems never to have been young—and wears knee-breeches tied with ribbons, and gaiters or stockings. One peculiarity of his black clothes and of his black stockings, be they silk or worsted, is that they never shine. Mute, close, irresponsive to any glancing light, his dress is like himself.
• The cousins’ first encounter with Miss Flite, Chapter 3: A Progress:
  "Oh!" said she. "The wards in Jarndyce! Ve-ry happy, I am sure, to have the honour! It is a good omen for youth, and hope, and beauty when they find themselves in this place, and don’t know what’s to come of it."
  "Mad!" whispered Richard, not thinking she could hear him.
  "Right! Mad, young gentleman," she returned so quickly that he was quite abashed. "I was a ward myself. I was not mad at that time," curtsying low and smiling between every little sentence. "I had youth and hope. I believe, beauty. It matters very little now. Neither of the three served or saved me. I have the honour to attend court regularly. With my documents. I expect a judgment. Shortly. On the Day of Judgment. I have discovered that the sixth seal mentioned in the Revelations is the Great Seal. It has been open a long time! Pray accept my blessing."
• A description of Mr Jellyby, Chapter 4: Telescopic Philanthropy:
  I was a little curious to know who a mild bald gentleman in spectacles was, who dropped into a vacant chair (there was no top or bottom in particular) after the fish was taken away and seemed passively to submit himself to Borrioboola-Gha but not to be actively interested in that settlement. As he never spoke a word, he might have been a native but for his complexion. It was not until we left the table and he remained alone with Richard that the possibility of his being Mr. Jellyby ever entered my head.
• Another description of Mr Jellyby, Chapter 4: Telescopic Philanthropy:
  During the whole evening, Mr. Jellyby sat in a corner with his head against the wall as if he were subject to low spirits. It seemed that he had several times opened his mouth when alone with Richard after dinner, as if he had something on his mind, but had always shut it again, to Richard's extreme confusion, without saying anything.
• Impressions of John Jarndyce prior to meeting him, Chapter 6: Quite at Home:
  The notes revived in Richard and Ada a general impression that they both had, without quite knowing how they came by it, that their cousin Jarndyce could never bear acknowledgments for any kindness he performed and that sooner than receive any he would resort to the most singular expedients and evasions or would even run away. Ada dimly remembered to have heard her mother tell, when she was a very little child, that he had once done her an act of uncommon generosity and that on her going to his house to thank him, he happened to see her through a window coming to the door, and immediately escaped by the back gate, and was not heard of for three months.
• A Funny Background Event in Chapter 7: The Ghost’s Walk:
  It appears to the afflicted Mr. Guppy and his inconsolable friend that there is no end to the Dedlocks, whose family greatness seems to consist in their never having done anything to distinguish themselves for seven hundred years.
• John Jarndyce on the topic of his present home and his late guardian, Tom Jarndyce, Chapter 8: Covering a Multitude of Sins:
  "It had been called, before [Tom Jarndyce’s] time, the Peaks. He gave it its present name and lived here shut up, day and night poring over the wicked heaps of papers in the suit and hoping against hope to disentangle it from its mystification and bring it to a close. In the meantime, the place became dilapidated, the wind whistled through the cracked walls, the rain fell through the broken roof, the weeds choked the passage to the rotting door. When I brought what remained of him home here, the brains seemed to me to have been blown out of the house too, it was so shattered and ruined."
• Esther’s thoughts concerning two long-suffering, henpecked husbands, Chapter 8: Covering a Multitude of Sins:
  Suppose Mr. Pardiggle were to dine with Mr. Jellyby, and suppose Mr. Jellyby were to relieve his mind after dinner to Mr. Pardiggle, would Mr. Pardiggle, in return, make any confidential communication to Mr. Jellyby? I was quite confused to find myself thinking this, but it came into my head.
• Esther's description of Mr Boythorn, Chapter 9: Signs and Tokens:
  The subject of this laudation was a very little canary, who was so tame that he was brought down by Mr. Boythorn's man, on his forefinger, and after taking a gentle flight round the room, alighted on his master's head. To hear Mr. Boythorn presently expressing the most implacable and passionate sentiments, with this fragile mite of a creature quietly perched on his forehead, was to have a good illustration of his character, I thought.
• A description of Mr Tulkinghorn, Chapter 10: The Law-Writer:
  Here, among his many boxes labelled with transcendent names, lives Mr. Tulkinghorn, when not speechlessly at home in country-houses where the great ones of the earth are bored to death. Here he is to-day, quiet at his table. An oyster of the old school whom nobody can open.
• Regarding Nemo, Chapter 11: Our Dear Brother:
  The dark young surgeon passes the candle across and across the face and carefully examines the law-writer, who has established his pretensions to his name by becoming indeed No one.
• A description of Hortense, Chapter 12: On the Watch:
  My Lady’s maid is a Frenchwoman of two and thirty, from somewhere in the southern country about Avignon and Marseilles, a large-eyed brown woman with black hair who would be handsome but for a certain feline mouth and general uncomfortable tightness of face, rendering the jaws too eager and the skull too prominent. There is something indefinably keen and wan about her anatomy, and she has a watchful way of looking out of the corners of her eyes without turning her head which could be pleasantly dispensed with, especially when she is in an ill humour and near knives. Through all the good taste of her dress and little adornments, these objections so express themselves that she seems to go about like a very neat she-wolf imperfectly tamed.
• Caddy Jellyby on the subject of her father, Mr Jellyby, Chapter 14: Deportment:
  "Oh, yes, his family is all very fine, Miss Summerson," replied Miss Jellyby; "but what comfort is his family to him? His family is nothing but bills, dirt, waste, noise, tumbles downstairs, confusion, and wretchedness. His scrambling home, from week’s end to week’s end, is like one great washing-day—only nothing’s washed!"
• Esther's first impressions of Old Mr Turveydrop, Chapter 14: Deportment:
  He was a fat old gentleman with a false complexion, false teeth, false whiskers, and a wig. He had a fur collar, and he had a padded breast to his coat, which only wanted a star or a broad blue ribbon to be complete. He was pinched in, and swelled out, and got up, and strapped down, as much as he could possibly bear. He had such a neckcloth on (puffing his very eyes out of their natural shape), and his chin and even his ears so sunk into it, that it seemed as though he must inevitably double up if it were cast loose. He had under his arm a hat of great size and weight, shelving downward from the crown to the brim, and in his hand a pair of white gloves with which he flapped it as he stood poised on one leg in a high-shouldered, round-elbowed state of elegance not to be surpassed. He had a cane, he had an eye-glass, he had a snuff-box, he had rings, he had wristbands, he had everything but any touch of nature; he was not like youth, he was not like age, he was not like anything in the world but a model of deportment.
• Mr Jellyby finally speaks, Chapter 30: Esther’s Narrative:
  "My dear Caddy!" said Mr. Jellyby, looking slowly round from the wall. It was the first time, I think, I ever heard him say three words together. [...] "Never have a mission, my dear child."
  Mr. Jellyby groaned and laid his head against the wall again, and this was the only time I ever heard him make any approach to expressing his sentiments on the Borrioboolan question. I suppose he had been more talkative and lively once, but he seemed to have been completely exhausted long before I knew him.
• Chapter 30: Esther's Narrative:
  They drove away, and whether I wondered most at Mrs. Jellyby or at Mr. Turveydrop, I did not know. Ada and my guardian were in the same condition when we came to talk it over. But before we drove away too, I received a most unexpected and eloquent compliment from Mr. Jellyby. He came up to me in the hall, took both my hands, pressed them earnestly, and opened his mouth twice. I was so sure of his meaning that I said, quite flurried, "You are very welcome, sir. Pray, don’t mention it!"
• Miss Flite on the allure of the Courts of Chancery, Chapter 35: Esther’s Narrative:
  "But, my dear," she went on in her mysterious way, "there’s a dreadful attraction in the place. Hush! Don’t mention it to our diminutive friend when she comes in. Or it may frighten her. With good reason. There’s a cruel attraction in the place. You can't leave it. And you must expect."
• Sir Leicester Dedlock, regarding his wife, Lady Honoria Dedlock, following The Reveal, Chapter 63: A Wintry Day and Night:
  "I was about to add," [Sir Leicester] presently goes on, "I was about to add, respecting this attack, that it was unfortunately simultaneous with a slight misunderstanding between my Lady and myself. I do not mean that there was any difference between us (for there has been none), but that there was a misunderstanding of certain circumstances important only to ourselves, which deprives me, for a little while, of my Lady’s society. She has found it necessary to make a journey—I trust will shortly return. Volumnia, do I make myself intelligible? The words are not quite under my command in the manner of pronouncing them. [...]in case I should relapse, in case I should not recover, in case I should lose both my speech and the power of writing, though I hope for better things— [...]Therefore I desire to say, and to call you all to witness—beginning, Volumnia, with yourself, most solemnly—that I am on unaltered terms with Lady Dedlock. That I assert no cause whatever of complaint against her. That I have ever had the strongest affection for her, and that I retain it undiminished. Say this to herself, and to every one. If you ever say less than this, you will be guilty of deliberate falsehood to me[...] My Lady is too high in position, too handsome, too accomplished, too superior in most respects to the best of those by whom she is surrounded, not to have her enemies and traducers, I dare say. Let it be known to them, as I make it known to you, that being of sound mind, memory, and understanding, I revoke no disposition I have made in her favour. I abridge nothing I have ever bestowed upon her. I am on unaltered terms with her, and I recall—having the full power to do it if I were so disposed, as you see—no act I have done for her advantage and happiness."
• John Jarndyce’s report on his most recent act of generosity, Chapter 64: Esther’s Narrative:
  "Hear me, my love, but do not speak. It is for me to speak now. When it was that I began to doubt whether what I had done would really make you happy is no matter. Woodcourt came home, and I soon had no doubt at all[...] Lie lightly, confidently here, my child," said he, pressing me gently to him. "I am your guardian and your father now. Rest confidently here[...] Understand me, my dear girl. I had no doubt of your being contented and happy with me, being so dutiful and so devoted; but I saw with whom you would be happier. That I penetrated his secret when Dame Durden was blind to it is no wonder, for I knew the good that could never change in her better far than she did. Well! I have long been in Allan Woodcourt’s confidence, although he was not, until yesterday, a few hours before you came here, in mine. But I would not have my Esther’s bright example lost; I would not have a jot of my dear girl’s virtues unobserved and unhonoured; I would not have her admitted on sufferance into the line of Morgan ap-Kerrig, no, not for the weight in gold of all the mountains in Wales! [...]Hush, little woman! Don't cry; this is to be a day of joy. I have looked forward to it," he said exultingly, "for months on months! A few words more, Dame Trot, and I have said my say. Determined not to throw away one atom of my Esther’s worth, I took Mrs. Woodcourt into a separate confidence. 'Now, madam,' said I, 'I clearly perceive—and indeed I know, to boot—that your son loves my ward. I am further very sure that my ward loves your son, but will sacrifice her love to a sense of duty and affection, and will sacrifice it so completely, so entirely, so religiously, that you should never suspect it though you watched her night and day.’ Then I told her all our story—ours—yours and mine. ’Now, madam,’ said I, ’come you, knowing this, and live with us. Come you, and see my child from hour to hour; set what you see against her pedigree, which is this, and this'—for I scorned to mince it—'and tell me what is the true legitimacy when you shall have quite made up your mind on that subject.’ Why, honour to her old Welsh blood, my dear," cried my guardian with enthusiasm, "I believe the heart it animates beats no less warmly, no less admiringly, no less lovingly, towards Dame Durden than my own!"
  He tenderly raised my head, and as I clung to him, kissed me in his old fatherly way again and again. What a light, now, on the protecting manner I had thought about!
  "One more last word. When Allan Woodcourt spoke to you, my dear, he spoke with my knowledge and consent—but I gave him no encouragement, not I, for these surprises were my great reward, and I was too miserly to part with a scrap of it. He was to come and tell me all that passed, and he did. I have no more to say. My dearest, Allan Woodcourt stood beside your father when he lay dead—stood beside your mother. This is Bleak House. This day I give this house its little mistress; and before God, it is the brightest day in all my life!"
  He rose and raised me with him. We were no longer alone[...] "Allan," said my guardian, "take from me a willing gift, the best wife that ever man had. What more can I say for you than that I know you deserve her! Take with her the little home she brings you. You know what she will make it, Allan; you know what she has made its namesake. Let me share its felicity sometimes, and what do I sacrifice? Nothing, nothing."
  He kissed me once again, and now the tears were in his eyes as he said more softly, "Esther, my dearest, after so many years, there is a kind of parting in this too. I know that my mistake has caused you some distress. Forgive your old guardian, in restoring him to his old place in your affections; and blot it out of your memory. Allan, take my dear."
  He moved away from under the green roof of leaves, and stopping in the sunlight outside and turning cheerfully towards us, said, "I shall be found about here somewhere. It’s a west wind, little woman, due west! Let no one thank me any more, for I am going to revert to my bachelor habits, and if anybody disregards this warning, I’ll run away and never come back!"
• The conclusion of the Boythorn-Dedlock conflict, Chapter 66: Down in Lincolnshire:
  War rages yet with the audacious Boythorn, though at uncertain intervals, and now hotly, and now coolly, flickering like an unsteady fire. The truth is said to be that when Sir Leicester came down to Lincolnshire for good, Mr. Boythorn showed a manifest desire to abandon his right of way and do whatever Sir Leicester would, which Sir Leicester, conceiving to be a condescension to his illness or misfortune, took in such high dudgeon, and was so magnificently aggrieved by, that Mr. Boythorn found himself under the necessity of committing a flagrant trespass to restore his neighbour to himself. Similarly, Mr. Boythorn continues to post tremendous placards on the disputed thoroughfare and (with his bird upon his head) to hold forth vehemently against Sir Leicester in the sanctuary of his own home; similarly, also, he defies him as of old in the little church by testifying a bland unconsciousness of his existence. But it is whispered that when he is most ferocious towards his old foe, he is really most considerate, and that Sir Leicester, in the dignity of being implacable, little supposes how much he is humoured. As little does he think how near together he and his antagonist have suffered in the fortunes of two sisters, and his antagonist, who knows it now, is not the man to tell him. So the quarrel goes on to the satisfaction of both.
• A humorous incident at the close of the novel, Chapter 67: The Close of Esther’s Narrative:
  Peepy is in the Custom House, and doing extremely well. Old Mr. Turveydrop, very apoplectic, still exhibits his deportment about town, still enjoys himself in the old manner, is still believed in in the old way. He is constant in his patronage of Peepy and is understood to have bequeathed him a favourite French clock in his dressing-room—which is not his property.