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[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/exile_on_main_st_4061.jpg]]
[[caption-width-right:320:''"May the good lord shine a light on you. Make every song your favourite tune."'']]
[[caption-width-right:320:''"May the good lord shine a light on you. Make every song your favourite tune."'']]
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** "Casino Boogie" mentions Creator/MarleneDietrich
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** "Casino Boogie" mentions Creator/MarleneDietrichCreator/MarleneDietrich.
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''Exile on Main St.'' is the tenth studio album (twelfth American album) by Music/TheRollingStones, released in 1972. It was mainly recorded at Nellcôte in France, with additional recording at Olympic Studios in London and Sunset Sound Recorders in Los Angeles. Hits and fan favourites include "Tumbling Dice", "Rip This Joint", "Happy", "Sweet Virginia", "Rocks Off" and "Shine a Light".
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''Exile on Main St.'' is the tenth studio album (twelfth American album) by Music/TheRollingStones, Music/{{The Rolling Stones|Band}}, released in 1972. It was mainly recorded at Nellcôte in France, with additional recording at Olympic Studios in London and Sunset Sound Recorders in Los Angeles. Hits and fan favourites include "Tumbling Dice", "Rip This Joint", "Happy", "Sweet Virginia", "Rocks Off" and "Shine a Light".
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* ProtestSong: "Sweet Black Angel" is one of only about ten in the Stones' entire discography, written in support of civil rights activist UsefulNotes/AngelaDavis, who at the time was on trial for the kidnapping and murder of a California judge (she was acquitted later that year). The song does not mention her by name, but as critic Steve Kurutz writes:
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* ProtestSong: "Sweet Black Angel" is one of only about ten in the Stones' entire discography, written in support of civil rights activist UsefulNotes/AngelaDavis, who at the time was on trial in jail for the kidnapping and murder of a California judge (she was acquitted later that year). The song does not mention her by name, but as critic Steve Kurutz writes:
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** "Sweet Black Angel", one of the Stones' few overtly political songs, was written in support of [[UsefulNotes/CivilRightsMovement civil rights]] activist UsefulNotes/AngelaDavis, at the time accused as an accomplice to kidnapping and murder (she would be acquitted on all counts shortly after the release of the album).
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** "Sweet Black Angel", one of the Stones' few overtly political songs, was written in support of [[UsefulNotes/CivilRightsMovement civil rights]] activist UsefulNotes/AngelaDavis, at the time accused jailed as an accomplice to a kidnapping and murder (she would be acquitted on all counts shortly after the release of the album).
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* ProtestSong: "Sweet Black Angel" is one of only about ten in the Stones' entire discography, written in support of civil rights activist Angela Davis, who at the time was on trial for murder (she was acquitted later that year). The song does not mention her by name, but as critic Steve Kurutz writes:
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* ProtestSong: "Sweet Black Angel" is one of only about ten in the Stones' entire discography, written in support of civil rights activist Angela Davis, UsefulNotes/AngelaDavis, who at the time was on trial for the kidnapping and murder of a California judge (she was acquitted later that year). The song does not mention her by name, but as critic Steve Kurutz writes:
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** "Sweet Black Angel", one of the Stones' few overtly political songs, was written in support of [[UsefulNotes/CivilRightsMovement civil rights]] activist UsefulNotes/AngelaDavis, at the time accused as an accomplice to murder and conspiracy (she would be acquitted on all counts shortly after the release of the album).
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** "Sweet Black Angel", one of the Stones' few overtly political songs, was written in support of [[UsefulNotes/CivilRightsMovement civil rights]] activist UsefulNotes/AngelaDavis, at the time accused as an accomplice to kidnapping and murder and conspiracy (she would be acquitted on all counts shortly after the release of the album).
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--> "You got to roll me and call me the tumblin' dice"
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--> "You ''You got to roll me and call me the tumblin' dice"dice''
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* SpiritualSuccessor: Music/LizPhair's ''Music/ExileInGuyville'' is an [[AnswerSong answer]] to this record. Try not to think about it too hard, since some of the song counterparts don't make sense. She did give an interview to ''Magazine/RollingStone'' where [[http://www.rollingstone.com/music/news/14639/89656 she elaborated on the parallels]].
** "Exile on Mainstream" by Music/MatchboxTwenty is another ShoutOut.
** Music/{{Chemlab}} named the leading track from the album "East Side Militia" "Exile on Mainline".
** "Exile on Mainstream" by Music/MatchboxTwenty is another ShoutOut.
** Music/{{Chemlab}} named the leading track from the album "East Side Militia" "Exile on Mainline".
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* SpiritualSuccessor: SpiritualSuccessor:
** Music/LizPhair's ''Music/ExileInGuyville'' is an [[AnswerSong answer]] to this record. Try not to think about it too hard, since some of the song counterparts don't make sense. She did give an interview to ''Magazine/RollingStone'' where [[http://www.rollingstone.com/music/news/14639/89656 she elaborated on the parallels]].
**"Exile ''Exile on Mainstream" Mainstream'' by Music/MatchboxTwenty is another ShoutOut.
** Music/{{Chemlab}} named the leading track fromthe their album "East ''East Side Militia" Militia'' "Exile on Mainline".
** Music/LizPhair's ''Music/ExileInGuyville'' is an [[AnswerSong answer]] to this record. Try not to think about it too hard, since some of the song counterparts don't make sense. She did give an interview to ''Magazine/RollingStone'' where [[http://www.rollingstone.com/music/news/14639/89656 she elaborated on the parallels]].
**
** Music/{{Chemlab}} named the leading track from
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* FakeShemp: An essay in the book ''Kill Your Idols'' points out that most of the band-members were trotting in and out of rehab during the recording, and that very few of the parts were played by actual Rolling Stones.
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* FakeShemp: An essay in the book ''Kill Your Idols'' points out that most of the band-members were trotting in and out of rehab during the recording, album sessions, and that very few of the parts were played by actual Rolling Stones.
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* ClothingDamage: "Turd on the Run" has the narrator successively tearing off the coattail, lapel, and pants of the person he's addressing.
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''Exile on Main St.'' is the tenth studio album (twelfth American album) by Music/TheRollingStones, released in 1972. Despite being divisive back in the day and even among themselves (Music/KeithRichards likes it, Music/MickJagger far less) it has been VindicatedByHistory as one of their best albums. It's frequently listed as one of the greatest albums of all time, and it's the one you're most likely to hear rock critics cite as their best album. It was mainly recorded at Nellcôte in France, with additional recording at Olympic Studios in London and Sunset Sound Recorders in Los Angeles. Hits and fan favourites include "Tumbling Dice", "Rip This Joint", "Happy", "Sweet Virginia", "Rocks Off" and "Shine a Light".
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''Exile on Main St.'' is the tenth studio album (twelfth American album) by Music/TheRollingStones, released in 1972. Despite being divisive back in the day and even among themselves (Music/KeithRichards likes it, Music/MickJagger far less) it has been VindicatedByHistory as one of their best albums. It's frequently listed as one of the greatest albums of all time, and it's the one you're most likely to hear rock critics cite as their best album. It was mainly recorded at Nellcôte in France, with additional recording at Olympic Studios in London and Sunset Sound Recorders in Los Angeles. Hits and fan favourites include "Tumbling Dice", "Rip This Joint", "Happy", "Sweet Virginia", "Rocks Off" and "Shine a Light".
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''[[Magazine/TimeMagazine Time]]'' magazine included the album in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums.]] and it was listed at #7 in ''Magazine/RollingStone''[='s=] [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
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* ProtestSong: "Sweet Black Angel" is one of only about ten in the Stones' entire discography, written in support of civil rights activist Angela Davis, who at the time was on trial for murder (she was acquitted later that year). The song does not mention her by name, but as critic Steve Kurutz writes:
--> "Having never heard of Angela Davis, a listener could easily overlook the political lyrics and get lost in the circular acoustic plucking or the washboard rhythm that propels the song so well. Yet, by knowing the case history one realizes how deft and clever Mick's lyrics could be, even if he hides behind his best backwoods diction and garbled annunciation [sic] obscure[s] the point."
--> "Having never heard of Angela Davis, a listener could easily overlook the political lyrics and get lost in the circular acoustic plucking or the washboard rhythm that propels the song so well. Yet, by knowing the case history one realizes how deft and clever Mick's lyrics could be, even if he hides behind his best backwoods diction and garbled annunciation [sic] obscure[s] the point."
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* WordSaladLyrics: A justified example with "Casino Boogie". Jagger had writer's block when attempting to write the lyrics, so he cut up a bunch of phrases he'd written on torn pieces of paper and mixed them up; then the band members pulled them out at random. The order in which the band members pulled out the phrases was used for the song. This technique was evidently inspired by Creator/WilliamSBurroughs, who in fact had passed through the Nellcôte villa where the Stones recorded much of the album.
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* WordSaladLyrics: A justified example with "Casino Boogie". Jagger had writer's block when attempting to write the lyrics, so he cut mixed up a bunch of phrases he'd written on torn pieces of paper and mixed them up; paper; then the band members pulled them out at random. The order in which the band members they pulled out the phrases was used for the song. This technique was evidently inspired by Creator/WilliamSBurroughs, who in fact had passed through the Nellcôte villa where the Stones recorded much of the album.
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* WordSaladLyrics: A justified example with "Casino Boogie". Jagger had writer's block when attempting to write the lyrics, so he cut up a bunch of phrases he'd written on torn pieces of paper and mixed them up; then the band members pulled them out at random. The order in which the band members pulled out the phrases was used for the song. This technique was evidently inspired by Creator/WilliamSBurroughs, who in fact had passed through the Nellcôte villa where the Stones recorded much of the album.
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!!! LP One
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!!! LP Two
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[-Note: CD releases are on a single disc.-]
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--> ''Dietrich movies, close up boogies''.
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--> ''Dick and Pat in ole D.C.\\
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!!Tumbling Tropes:
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* NWordPrivileges: Averted in "Sweet Black Angel" - see BlackGalOnWhiteGuyDrama above. Because the song was in support of civil rights activist Angela Davis, the Stones escaped controversy over it. (Also, it's an allusion to the original title of Creator/AgathaChristie's ''Literature/AndThenThereWereNone'', which has been changed in modern printings for obvious reasons.)
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* NWordPrivileges: Averted in "Sweet Black Angel" - see BlackGalOnWhiteGuyDrama above. Because the song was in support of civil rights activist Angela Davis, the Stones escaped controversy over it. (Also, it's the song's aversion of this trope doubles as an allusion to the original title of Creator/AgathaChristie's ''Literature/AndThenThereWereNone'', which has been changed in modern printings for obvious reasons.)
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my job is about 50% proofreading others' work so i've just completely stopped being able to proofread my own, apparently
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* NWordPrivileges: Averted in "Sweet Black Angel" - see BlackGalOnWhiteGuyDrama above. Because the song was in support of civil rights activist Angela Davis, the Stones escaped controversy over it. (Also, it's an allusion to the original title of Creator/AgathaChristie's ''Literature/AndThenThereWereNone'', which has been changed in modern privileges for obvious reasons.)
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* NWordPrivileges: Averted in "Sweet Black Angel" - see BlackGalOnWhiteGuyDrama above. Because the song was in support of civil rights activist Angela Davis, the Stones escaped controversy over it. (Also, it's an allusion to the original title of Creator/AgathaChristie's ''Literature/AndThenThereWereNone'', which has been changed in modern privileges printings for obvious reasons.)
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Changed line(s) 124 (click to see context) from:
** "Sweet Black Angel", one of the Stones' few overtly political songs, was written in support of [[UseuflNotes/CivilRightsMovement civil rights]] activist UsefulNotes/AngelaDavis, at the time accused as an accomplice to murder and conspiracy (she would be acquitted on all counts shortly after the release of the album).
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** "Sweet Black Angel", one of the Stones' few overtly political songs, was written in support of [[UseuflNotes/CivilRightsMovement [[UsefulNotes/CivilRightsMovement civil rights]] activist UsefulNotes/AngelaDavis, at the time accused as an accomplice to murder and conspiracy (she would be acquitted on all counts shortly after the release of the album).
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* NWordPrivileges: Averted in "Sweet Black Angel" - see BlackGalOnWhiteGuyDrama above. Because the song was in support of civil rights activist Angela Davis, the Stones escaped controversy over it. (Also, it's an allusion to the original title of Creator/AgathaChristie's ''Literature/AndThenThereWereNone'', which has been changed in modern privileges for obvious reasons.)
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* NocturnalEmission: Alluded to in "Rocks Off", whose narrator can "Only get his rocks off when he's dreaming."
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Changed line(s) 76,87 (click to see context) from:
--> ''Not a sweet black slave.''
--> ''Ten little niggers''
--> ''Sittin' on de wall,''
--> ''Her brothers been a fallin',''
--> ''Fallin' one by one.''
--> ''For a judges murder''
--> ''In a judges court,''
--> ''Now de judge he gonna judge her''
--> ''For all dat he's worth.''
--> ''Well de gal in danger,''
--> ''De gal in chains,''
--> ''But she keep on pushin'''
--> ''Ten little niggers''
--> ''Sittin' on de wall,''
--> ''Her brothers been a fallin',''
--> ''Fallin' one by one.''
--> ''For a judges murder''
--> ''In a judges court,''
--> ''Now de judge he gonna judge her''
--> ''For all dat he's worth.''
--> ''Well de gal in danger,''
--> ''De gal in chains,''
--> ''But she keep on pushin'''
to:
--> ''Not a sweet black slave.''
--> ''Ten\\
Ten littleniggers''
--> ''Sittin'niggers sittin' on de wall,''
--> ''Herwall,\\
Her brothers been afallin',''
--> ''Fallin'fallin', fallin' one by one.''
--> ''For\\
For ajudges murder''
--> ''Injudge's murder in a judges court,''
--> ''Nowjudge's court,\\
Now de judge he gonna judgeher''
--> ''Forher for all dat he's worth.''
--> ''Well\\
Well de gal indanger,''
--> ''Dedanger, de gal in chains,''
--> ''Butchains,\\
But she keep on pushin'''
--> ''Ten
Ten little
--> ''Sittin'
--> ''Her
Her brothers been a
--> ''Fallin'
--> ''For
For a
--> ''In
--> ''Now
Now de judge he gonna judge
--> ''For
--> ''Well
Well de gal in
--> ''De
--> ''But
But she keep on pushin'''
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--> Kissing cunt in Cannes''
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--> ''You don't want to walk and talk about Jesus''
--> ''You just want to see His face''
--> ''You just want to see His face''
to:
--> ''You don't want to walk and talk about Jesus''
--> ''YouJesus\\
You just want to see His face''
--> ''You
You just want to see His face''
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--> ''It's gonna be the death of me''
--> ''It's the graveyard watch''
--> ''It's the graveyard watch''
to:
--> ''It's gonna be the death of me''
--> ''It'sme\\
It's the graveyard watch''
--> ''It's
It's the graveyard watch''
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--> ''May the good Lord shine a light on you''
--> ''Make every song (you sing) your favourite tune''
--> ''Make every song (you sing) your favourite tune''
to:
--> ''May the good Lord shine a light on you''
--> ''Makeyou\\
Make every song (you sing) your favourite tune''
--> ''Make
Make every song (you sing) your favourite tune''
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--> ''Well, I met a little girl in a country town''
--> ''She said: "What do you know: there's Slim Harpo!"''
--> ''She said: "What do you know: there's Slim Harpo!"''
to:
--> ''Well, I met a little girl in a country town''
--> ''Shetown\\
She said: "What do you know: there's Slim Harpo!"''
--> ''She
She said: "What do you know: there's Slim Harpo!"''
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--> ''Dick and Pat in ole D.C.''
--> ''Well, they're gonna hold some shit for me''
--> ''Well, they're gonna hold some shit for me''
to:
--> ''Dick and Pat in ole D.C.''
--> ''Well,\\
Well, they're gonna hold some shit for me''
--> ''Well,
Well, they're gonna hold some shit for me''
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Editing some stuff. Great album by the way.
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* AlliterativeTitle: "'''L'''et It '''L'''oose" (also mentioning "'''b'''edroom '''b'''lues"), "'''S'''oul '''S'''urvivor" (which talks about "'''b'''ell '''b'''ottom '''b'''lues"). And who could forget that great line in "Casino Boogie":
--> ''Kissing cunt in Cannes''
--> ''Kissing cunt in Cannes''
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* AlliterativeTitle: AddedAlliterativeAppeal: "'''L'''et It '''L'''oose" (also mentioning "'''b'''edroom '''b'''lues"), "'''S'''oul '''S'''urvivor" (which talks about "'''b'''ell '''b'''ottom '''b'''lues"). And who could forget that great line in "Casino Boogie":
-->''Kissing cunt '''''K'''issing '''c'''unt in Cannes'''''C'''annes''
-->
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--> ''Kissing cunt in Cannes''
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--> ''Kissing ''Dietrich movies, close-up boogies\\
--> Kissing cunt in Cannes''
--> Kissing cunt in Cannes''
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* DistinctDoubleAlbum: The first of two by the Stones, the other is ''Music/ABiggerBang'' from 2005.
** Was one of these originally, although CD reissues manage to squeeze it onto a single disc.
** Was one of these originally, although CD reissues manage to squeeze it onto a single disc.
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* GettingCrapPastTheRadar: "Casino Boogie"
--> "Kissing cunt in Cannes"
--> "Kissing cunt in Cannes"
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* IntentionallyAwkwardTitle: "Turd on the Run", which is basically a TheReasonYouSuckSpeech about a former lover.
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* IntentionallyAwkwardTitle: "Turd on the Run", which is Run". Fitting, since it's basically a TheReasonYouSuckSpeech about a former lover.
Changed line(s) 117 (click to see context) from:
* PrecisionFStrike: Richards ad-libs "I just can't fuck it" in the outro of the alternate take of "Soul Survivor". The album also contains the lines "Got to scrape that shit right off your shoe" in "Sweet Virginia" and "They're gonna hold some shit for me" in "Rip This Joint", plus the use of CountryMatters mentioned above.
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* PrecisionFStrike: Richards ad-libs "I just can't fuck it" in the outro of the alternate take of "Soul Survivor". The album also contains the lines "Got to scrape that shit right off your shoe" in "Sweet Virginia" and "Let it Loose", "They're gonna hold some shit for me" in "Rip This Joint", plus "Plug in, flush out, and fire the fuckin' feed" in "Rocks Off", and, of course, the use of CountryMatters mentioned above.
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--> "You got to roll me and call me the tumblin'
--> Roll me and call me the tumblin' dice"
--> Roll me and call me the tumblin' dice"
to:
--> "You got to roll me and call me the tumblin'
--> Roll me and call me thetumblin' dice"
--> Roll me and call me the