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Film: White Sun of the Desert
White Sun of the Desert is a cult Soviet western-like action movie (since everything occured in the East, it is, in fact, the eastern), filmed in 1969. Director Vladimir Motyl had rewritten the screenplay of Rustam Ibragimbekov and made a lot of references to westerns (from both the United States and Italy). The film was prohibited from Russian cinemas at first, but Leonid Brezhnev, having once seen the movie at his villa, decided to allow White Sun to be released. The movie had broken the box office: Over 50 million tickets were sold.

The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalized and then demobbed, he sets off home to join his wife, but is caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "persuades" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Black Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue the fleeing Abdullah.

Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...

This film provides examples of:

  • Bad Ass: Many — comrade Sukhov, former customs officer Vereshchagin and Sayid. Big Bad Black Abdullah can also be considered one. .
    • Retired Badass: Vereshchagin. Awesome way of retirement: endless supplies of vodka, black caviar and peacocks.
  • Badass Beard: Sukhov. Abdullah has a Beard of Evil.
  • Berserk Button: Vereshchagin, had been informed of Petrukha's murder by Abdullah, decided to take Sukhov's side and overtook Abdulla's launch barehanded
  • Buried Alive: Sayid was buried alive in sizzling hot sand by Djavded (off screen) and dug out by Sukhov.
  • Chew Toy: Sub-lieutenant Semyon, Abdullah's Dragon. Since he had begun from proposing to comrade Sukhov the Sadistic Choice, no one has any pity for him.
  • Cigar Fuse Lighting: Comrade Sukhov does the inverted version: he lights his cigarette off a dynamite fuse.
  • Cloudcuckoolander: Gyulchatai, the youngest of Abdullah's wives.
  • Cool Guns: Abdullah's Mauser C96
  • Couldn't Find a Lighter: Sukhov lights his cigarette from a dynamite fuse.
  • Culture Clash: The clash of progressive Communist ideals and patriarchal Central Asian mores is one of the driving conflicts (as well as a source of more than one humorous moment) of the movie.
  • Destination Defenestration: Semyon, at the hands of a completely sloshed Vereshchagin.
  • Fake Nationality: No named Central Asian character are played by Central Asians, e.g. Abdullah is an ethnic Georgian, and Sayid and Gyulchatai are ethnic Russians.
  • The Gunslinger: Comrade Sukhov.
  • Good Guns, Bad Guns: Inverted. In Soviet media Mauser C96 is a classic Good Gun, strongly associated with the Bolsheviks and Red October. But in that movie it's used by Big Bad.
  • Improbable Use of a Weapon: Semyon, for some inexplicable reason, carries a katana.
    • Quite probably he once served the Japanese-backed warlordship of General Semyonov, where ample opportunities to loot swords from dead Japanese officers existed.
  • In the Back: Djavded's Off Stage Villainy includes killing Sayid's father that way. Sayid is dressed in an old robe with two bullet holes in the back for most of the movie.
  • I Owe You My Life: Sayid was saved by Sukhov and since that feels himself in debt to save Sukhov.
  • Kick the Dog: Black Abdullah. He killed an innocent museum curator even without wasting time to interrogate him. And this was just the beginning.
  • Leave Him to Me: "If you'll meet Djavded, don't hurt him. He's mine."
  • Mood Whiplash: The film's tone is best described as "optimistically downbeat with more than one moment of humour".
  • Nave Newcomer / New Meat: Petrukha, young soldier commanded to assist Sukhov.
  • Nice Job Breaking It, Hero: Rigging the ship Abdullah and his men want to use in their escape to blow up *seems* like a good idea.
  • Proud Warrior Race Guy: Sayid, who is the Asian equivalent of Honest Indian.
  • Offscreen Teleportation: The usual way of Sayid's relocations.
  • One-Man Army: Lampshaded. The Red Army commander who entrusts Sukhov with the harem mission says that he "is worth an entire battalion by himself".
  • Red October: The film takes place in the early 1920's, with the Civil War in Russia proper over; the anti-Communist insurgency in Central Asia, where the action takes place, was still in full swing.
  • Sadistic Choice: Sub-lieutenant Semyon, having captured Sukhov, asks him, whether he wants "to be killed at once or suffer for a while first". Sukhov says that "suffering is better, of course".
  • Social Darwinist: Black Abdullah
  • Still Wearing The Old Colors: Semyon is a former White Guard sub-lieutenant and still looks the part.
    • His sword lets us pinpoint his former allegiance more precisely. He only could acquire a katana in the Far Eastern White remnant, which was backed by Japanese troops for a short period of time. Yet his rank is army, not Cossack, so he could not be a Cossack of General Semyonov's troops originally. So, most likely, he was part of General Kappel's army that escaped to Transbaikal and joined Semyonov's forces after Admiral Kolchak's arrest and execution.
  • Token Enemy Minority: Inverted: one of Abdullah's henchmen is a White Russian officer.
  • Troubled Production: the production was riddled with misfortunes. A stuntman died, actors getting drunk and participating in fights with locals was normal, after two years of filming the crew exceeded the budget and all the studio bosses didn't liked what they shot so far. After the shooting was over it went through heavy Executive Meddling from the officials, and yet the bosses still didn't like the outcome. If it wasn't for Brezhnev himself who had a habit of watching all new western and soviet movies on his dacha, this movie would have never had a proper release. Brezhnev LOVED the movie, and all arguments from officials ended.
  • What Measure Is a Mook?: Villanous variation of the trope. Abdullah shows little care for his mooks. When he captures Sayid after his Crowning Moment Of Awesome, he shows no grudge for killing his men, but only astonishment why Sayid killed them — "I've sent them only to tell you not to seek for Djavded in a dry creek: he's not there!"
  • Unwanted Harem: Literally.
  • You Killed My Father: Sayid shall never know peace till he finds and kills Djavded.

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alternative title(s): White Sun Of The Desert
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