Film / Monsieur Verdoux

A 1947 Black Comedy film written, directed by and starring Charlie Chaplin.

Henri Verdoux (Chaplin) was a quiet, respected banker completely ruined by The Great Depression. Terrified of his wheelchair-bound wife and child being reduced to poverty and thrown out on the street, he takes to seducing wealthy, single (usually widowed) women across France and then killing them for their money. Through clever (if gruesome) means of disposing of the bodies and a charming personality, he manages to keep one step ahead of the police.

Three main plot strands play out over the course of the movie. At the beginning, he meets Marie Grosnay, an elderly widow looking to buy the house he owns. He tries to win her over, but fails miserably. Later, in need of money, he travels to meet the easily excitable Annabella Bonheur, planning on killing her and stealing her money. Unfortunately, she has just had her fortune read, which shows her to be an incredibly lucky woman. True to the reading, Verdoux's attempts to kill her backfire, nearly killing Verdoux on several occasions. In trying to develop better means to kill, Verdoux develops a poison which should be undetectable by autopsy. To test this theory, he plans to kill a girl off the street and leave her body where it will be found, then wait to see if anything comes up in the autopsy report. The girl he picks (credited in the movie as The Girl) turns out to be charming, and tells the cynical Verdoux that she still believes in love, as she was truly in love once. Verdoux, heart melting, decides at the last possible moment to spare her life, and replaces her poisoned glass of wine with another.

The plots come together in the movie's climax. After narrowly escaping capture by a detective hot on his trail, and having a brief encounter with The Girl, where he gives her some money, Verdoux bumps into Madame Grosnay, sends her flowers daily until she relents to see him, and then is more successful at seducing her. The wedding is ruined as a common friend invites Annabella Bonheur; Verdoux spends most of the wedding hiding from her and eventually ends up running away before the marriage can happen. The movie at this point jumps into the future. In the prelude to World War II, European stock markets crash and Verdoux ends up losing everything. We learn in an aside that his wife and child died during this time. Wandering the street, he bumps into The Girl, now dressed very chic in an expensive car. She treats Verdoux to dinner at an expensive restaurant, explaining that she's had to put her idealism aside to marry a man she doesn't love, but who can afford to take good care of her. A couple who had seen a photograph of Verdoux when a relative had left with (and later been killed by) him recognize him and immediately start to tail him. He traps them in a back room of the restaurant to give himself enough time to say goodbye to The Girl. After she departs he tears her card, returns to the restaurant, and hangs about until he is identified and placed under arrest.

Verdoux maintains his cynicism in the ensuing trial and later before his execution, declaring that he will see the Judge, jury and all present "soon - very soon" (i.e., in hell) and "One murder makes a villain; millions, a hero. Numbers sanctify, my good fellow" claiming the actions of war profiteers and soldiers kill far more, but unlike his are lauded. The movie ends as Verdoux - after having a last drink of rum; initially refusing, he then comments that he's never tried it and proceeds to do so - is lead off to the guillotine.


Shows examples of

  • Chekhov's Gun: The family of the first woman to be killed by Verdoux in the movie promise that they'd recognize Verdoux anywhere. Sure enough, a chance to identify turns up at the climax of the movie.
  • Evil Vegetarian: Verdoux himself.
  • Have You Told Anyone Else?: Detective Morrow tells Verdoux he's going to charge him with 14 murders, that he hasn't told anyone else, and why yes, he'd love some wine.
  • A Million Is a Statistic: Towards the end, Verdoux comments wryly, "One murder makes a villain; millions, a hero. Numbers sanctify, my good fellow!"
  • Mood Whiplash: The whole thing is pretty dark, but humorously so—until the last quarter of the movie, when he's caught and sentenced to death, at which point it becomes a very philosophical and pointed message about the death penalty and hypocrisy.
  • Morality Pet: Verdoux's sickly wife and child, and later, the Girl as well.
  • No Historical Figures Were Harmed: Henri Verdoux is based on the real-life Henri Désiré Landru, a French Bluebeard murderer who died 20 years before the film was made.
  • Not So Different: Verdoux denounces society, especially the war machine, in his final words at the trial as responsible for crimes as bad or worse than his.
  • Posthumous Narration: Opens the movie.
Verdoux: I shall see you all soon. Very soon.
  • Serial Killer: Henri Verdoux, though he claims that his murders are based on money and acquisition of property rather than simply killing on a whim.
  • Spit Take: Verdoux delivers an epic one when he realizes one of his wives is present at his wedding to another woman.
  • Very Loosely Based on a True Story: Verdoux is inspired by the real case of Henri Landru.
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