"Mama, welcome to the '60s!"It's 1962 Baltimore and Tracy Turnblad is a huge fan of The Corny Collins Show, which is similar to American Bandstand. She also is a fan of big hairstyles which require hairspray to stay in place - a trend the adults disapprove of. When one of the old dancers has to leave because of pregnancy, an audition is held for a new female dancer, and Tracy gets the spot because of her talent and her exuberant personality. This leads to a chain of events that will change Baltimore forever...This was the first film John Waters made with a PG rating. It was released in 1988 and starred Ricki Lake as Tracy Turnblad, Divine as her mother, Edna, and John Waters's usual repertory cast.The film eventually inspired a 2002 Broadway musical. The music was changed for this production. The original film was for the most part not a musical per se, just full of music, and its songs were all Dance Sensation songs of one sort or another. The musical had songs tell the story more directly. The storyline is similar to the original, but some details and some emphases were adjusted (for example, most references to Velma Von Tussle in the tropes below are from the Broadway musical or second film, as her role was greatly expanded from the original). It won eight Tony Awards, and introduced the world to Marissa Jaret Winokur (who previously was more known as the fast-food girl with Kevin Spacey in American Beauty).The musical was successful enough that it itself was made into a film in 2007. It starred Nikki Blonsky as Tracy Turnblad and John Travolta as Edna, among an all-star ensemble cast.NBC aired a live performance in December 2016, in its fourth annual live musical event. It contained some "firsts" for NBC musicals, such as their first to air on a Wednesday instead of a Thursday, their first performed with a live studio audience, and their first recorded partially outdoors. (Except for the timeslot, all of this follows the lead of Fox's Grease production, which this special shares a live television director with). Per John Waters' preference for a newcomer, Maddie Baillio plays Tracy, while Broadway's original Edna, Harvey Fierstein, reprised his role, and wrote the teleplay (a responsibility he previously assumed for NBC's The Wiz telecast).Not to be confused with Hair.
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- Acrofatic: Tracy. Edna, too—she does a fair amount of fleet-footed dancing in the 2007 version. While John Travolta isn't overweight, he's wearing a lot of foam rubber padding, so his dancing is doubly impressive.
- Added Alliterative Appeal: Penny Pingleton, you are permanently, positively, punished!
- Alliterative Name: Tracy Turnblad, Penny and Prudy Pingleton, Velma Von Tussle, Corny Collins, Link Larkin, Motormouth Maybelle, Seaweed J. Stubbs.
- Alpha Bitch: Amber Von Tussle.
- Beta Couple: Penny and Seaweed.
- Big Beautiful Woman: Tracy is this in spades. Also her mother Edna and Motormouth Maybelle.
- Big Fun: Tracy's a rare female example.
- Big Eater: Tracy, Maybelle, and Edna all fit this trope to a degree, although it's only portrayed in an unrealistically over-the-top manner in Edna's case.
- Brainless Beauty: Link Larkin is a light, male version
- Civil Rights Movement: Maybelle and the black dancers' plight.
- Cloudcuckoolander: Penny, somewhat. Tracy can come off as this too.
- Crosscast Role: Edna is always played by a man.
- Deadpan Snarker:
- Corny, big time.
- Penny has her moments as well:Maybelle(after seeing that Penny and Seaweed were in love): So this is love. Well, love is a gift, but a lot of people don't remember that. So, you two better brace yourselves for a whole lotta ugly comin' at you from a neverending parade of stupid.
Penny: So, you met my mom.
- Expy: Corny Collins was based on Buddy Deane.
- Fat and Skinny: Tracy and Penny, respectively.
- Four-Temperament Ensemble: Tracy is Sanguine, Penny is Leukine, Link is Choleric, Amber is Melancholic, and Seaweed is Phlegmatic.
- Generation Xerox: It's implied, by the ending, that Tracy and Link will be the future version of Tracy's parents; Tracy as the big woman and Link as the skinny guy.
- Genki Girl: Tracy is very cheerful and energetic.
- Girlish Pigtails: Penny's hair is in pigtails.
- Good Parents: Edna and Wilbur Turnblad to Tracy.
- Heel–Face Turn: Amber and Velma in the musical; just Amber seems to get one in the film (walking out on her mother and getting along with a black dancer), even after the Humiliation Conga. Also, the rest of the Corny Collins Show council in all versions.
- Happily Married: Edna and Wilbur
- Henpecked Husband: Or rather, Henpecked Boyfriend. Link is henpecked by his girlfriend Amber.
- Jerkass: Velma Von Tussle in the musical and even more so in its film adaptation (where she's less Laughably Evil), and Amber Von Tussle for a good while due to emulating her mother. The whole Von Tussle family takes this to ridiculously extreme levels in the original 1988 film. Tracy and (especially) Edna have their moments there too, in stark contrast to the kind people they are in the musical and 2007 film.
- Jerk with a Heart of Gold: Corny Collins is very smarmy and egotistical ("The only thing better than Hairspray...that's me!), but his heart is shown to be in the right place.
- Kick the Dog: Almost every scene Velma appears in, though racism lends itself easily to this trope.
- Not So Different: Tracy, Penny, and Amber all have radically different personalities, but are the same when it comes to their mother issues, as shown in the play's "Mama, I'm a big girl now" number.
- Rose Tinted Narrative: Played with. In any incarnation it's definitely a loving look at the dance crazes and American Bandstand-style shows of the sixties. And then the fun times get spoiled when the racism of that period is highlighted.
- Satellite Love Interest: Link in the original 1988 film, and to a lesser extent in the 2007 film. Deliberately subverted in the stage musical, where his Character Development is about stopping being a shallow tool and doing things for himself.
- The Theme Park Version: Of The '60s, particularly the anti-segregation movement. Doesn't mean the movie's bad, though.
- Ugly Hero, Good-Looking Villain: The Turnblads and the Von Tussles, except that Tracey's not exactly ugly.
- Where Da White Women At?: Seaweed and Penny.
- Implied with Amber at the end of the 2007 film. She can be seen making eyes at one of the black dancers and then, after walking away from her mother, chit chatting coyly with him in the finale.
- Implied nothing. Check the left side of the second-to-last shot of the movie. Amber can actually be seen jumping into his arms on the dance floor!
- Who Names Their Kid "Dude"?: Corny? Link?? Seaweed??? Corny, however, might be short for Cornelius, making it less bad.
- Link is also a pet form of Lincoln, like rock legend Link Wray. You can thank him for the power chord.
Exclusive to the 1988 movie
- The Cameo: Pia Zadora and Ric Ocasek as Beatniks - the former even starts reading Howl to the naive kids.
- Covert Pervert: While Amber is introducing "The Roach", Arvin Hodgepile is quite blatantly staring down the top of her dress.
- Creator Cameo: John Waters plays the psychiatrist that hypnotizes/tortures Penny.
- Insistent Terminology: Divine stated she was not in drag in the film, because no drag queen would ever let herself be as frumpy as Edna is in the film.
- Large Ham: Divine as Hodgepile. Zadora also hams it up.
- Running Gag: The kids run into a beatnik couple, and the woman says she uses a straightening iron to get her hair so silky. This leads to a couple scenes where the girls are using a clothing iron to straighten their hair complete with laying their heads on an ironing boardnote . This is given a subtle shout-out in the second movie at the end, where Tracy and Penny have straightened their hair for the big show as if out of protest.
- Starmaking Role: Not that John Waters and Divine were unknowns in 1988, but this was their first truly mainstream film. Divine was even tapped to play Peg Bundy's parents on Married...With Children, but sadly died before they could shoot his scenes. Which is why later episodes have Peg's mother heard and not seen, other than the fact that she's inhumanly obese.
- Take That!:Tracy: Where do you go after special ed?
- Waxing Lyrical:
Exclusive to the 2002 Broadway musical and its screen versions
- Accent Upon The Wrong Syllable: Really, Accent on the Wrong Word, but it's just as annoying."You can try to stop the paradise we're dreaming of"
- Adaptational Dye Job: Originally a blonde in the 1988 film, Penny becomes a redhead for the stage musical. In the second film, her hair is dirty blonde bordering on light brown, and the 2016 telecast, she's a brunette.
- Aerosol Flamethrower: Link breaks Tracy out of prison with this method.
- Bait and Switch: Wilbur interrupts the program to suspiciously wheel in a giant can of hairspray, which Velma suspects is a Trojan Horse to sneak Tracy into the show, and she has it kept shut. Turns out, Tracy shows up by walking into the studio, and Edna was in the can for her television debut. This doesn't occur in the 2007 movie.
- Be Careful What You Wish For: Edna warns Tracy this after discussing her failed dreams to design fashion, and become "the biggest thing in brassieres".
- Blonde, Brunette, Redhead: Mentioned in the song "(It's) Hairspray."
- Broken Smile: Velma Von Tussle displays a perfect example when the show is finally integrated in the play. In the second movie, she stays pissy throughout, probably due to losing her job.
- Cavalier Competitor: Amber after losing; quickly in the 2007 film, gradually as "You Can't Stop The Beat" goes on in the musical. Also counts as Graceful Loser.
- Climactic Music: "You Can't Stop the Beat", the climactic number that coincides with the climactic dance showdown.
- Curtain Call: The play and the telecast both have one. This marks NBC's first time ending a live musical with a curtain call.
- Dark Reprise: In the Broadway musical, Tracy sings a reprise of "Good Morning Baltimore" after she finds out she won't be granted any bail. And while "Miss Baltimore Crabs" was already dark, "Velma's Revenge" is much darker.
- Food Porn: "Big, Blonde, and Beautiful" is this trope in song form. Then we see Maybelle's soul food spread in the movie...
- Gag Boobs: Wilbur grabs and shakes Edna's breasts during "You're Timeless to Me" for no other apparent reason than comedy.
- Graceful Loser: In the second movie, Amber was surprisingly mature about her defeat, indicating Character Development. She and her mother both become graceful losers in the stage show as well, after much sulking, they give in and realize that they "can't stop the beat". See Heel–Face Turn in the first folder.
- Ham-to-Ham Combat: "(You're) Timeless to Me", especially on Broadway where the actors playing Edna and Wilbur seemed to be in a contest over who will corpse first.
- Hidden Track: The Original Broadway Cast Recording follows up "You Can't Stop the Beat" with a few seconds of silence, then another song titled, "Blood on the Pavement", in which Link, Amber, and Velma use Lyrical Dissonance to warn against drunk driving.
- Historical In-Joke: When Penny rushes to show the Turnblads Tracy's TV debut, Edna misunderstands and thinks she's trying to show them the footage of John Glenn's space trip. She chastises her, saying "Oh, I've seen it! It's all some studio out in Hollywood. Do they really expect me to believe he's up there?" In the stage version, it's "Oh no, don't tell me Khrushchev has his shoes off again!"
- I Take Offense to That Last One:Link Larkin: I shoulda been there, beside her. I can't sleep. I can't eat...
Edna Turnblad: You can't eat? Well, come on in and worry with us. I'll make you some pork.
Link: I couldn't sleep, I couldn't eat, I couldn't even concentrate!
- Or, in the stage version,
Tracy: You couldn't eat?
- "I Want" Song: "Good Morning Baltimore" and "I Can Hear The Bells".
- Implausible Deniability: Edna refuses to believe that First Lady Jackie Kennedy's hairstyle has anything to do with hairspray."I believe it is just naturally stiff."
- Lean and Mean:
- The Makeover: Tracy and Edna get one in "Welcome to the Sixties"; Tracy gets another when she crashes the beauty contest. Penny gets one in the finale as well, and Edna comes out of the Hairspray Can in the musical with clothing she made herself.
- Morning Routine: The 2007 movie starts with one. The musical too, but in less detail.
- The Plan: How the main characters get Tracy into the Miss Teenage Hairspray pageant.
- Popular Is Dumb: The openly embraced creed of the Nicest Kids in Town:Who cares about sleep, when you can snooze in school?
they'll never get to college but they sure look cool!
Don't need a cap or a gown
When you're the Nicest Kids in Town!
- Shout-Out: The stage musical contains a few references to Gypsy. In the beginning, these references were quite timely, as Hairspray premiered on Broadway in the same season as a revival of Gypsy starring Bernadette Peters. By the time Hairspray closed, these references would again become timely, as a new revival starring Patti LuPone had just started its run.
- Sidekick Song: "Run and Tell That" and "Big, Blonde, and Beautiful" Depending on whether or not you think of Wilbur and Edna as leads, "Timeless To Me", as well.
- Stigmatic Pregnancy Euphemism: Dancer Brenda must take time off from Corny's show, thus prompting the audition. How long will she be gone? "Just nine months..."
- Suspiciously Specific Denial: In the stage show, when Tracy makes her grand entrance to the "Miss Hairspray" competition, Corny has a lovely throwaway line: "I had nothing to do with this complex conspiracy!" What complex conspiracy is that, Corny?
- Teen Pregnancy: The reason The Corny Collins Show needs a new dancer in the first place.Corny: And speaking of the unexpected, our own fun-loving, freewheeling Brenda will be taking a leave of absence from the show. How long will you be gone, Brenda?Brenda: (giant smile unwavering) Just nine months.Corny: ...So, it seems we have an opening for a girl who's just as fun-loving, but maybe not quite as freewheeling.
- "They've Come So Far" Song:
- "I Know Where I've Been," which is about the continuing fight against prejudice as much as it is about the progress of the characters and plot.
- And another song called "Come So Far (Got So Far to Go)" was written for the 2007 film adaptation. However, unlike "I Know Where I've Been," it lacks the narrative significance typically associated with this trope, as it is played over the credits rather than as part of the film. (Some productions of the play, including NBC's telecast, have the cast sing it during the curtain call.)
- Took a Level in Kindness: Tracy and Edna could be pretty surly and offputting on several occasions in the original film (Edna in particular due to being played by Divine, the inspiration for Ursula, and it shows), but are very nice people in the musical.
- Villain Song: In addition to Velma's "Miss Baltimore Crabs" above, Amber gets "Cooties" or "New Girl in Town". The other members of the Corny Collins Show council contribute to all of these, as well.
- Weight Woe: Edna has to work through this.
- White-Dwarf Starlet: Velma Von Tussle, who never lets anyone forget that she was once Miss Baltimore Crabs.
Exclusive to the 2007 movie
- Awesome Moment of Crowning: Inez winning Miss Teenage Hairspray.
- But Not Too Black: A lot of people objected to Queen Latifah's casting, claiming that she's too light for the role, especially given certain lines in her song refer to how dark her skintone is.
- California Doubling: Many of the Baltimore scenes were shot in Toronto.
- Chekhov's Gun : The large, hollow hairspray canister in the foreground while Corny and Velma are arguing about putting Tracy on the show.
- Chekhov's Gunman: Two examples from the 2007 film that are related to each other:
- When Velma switches the Miss Teenage Hairspray votes at the end of the movie, Edna, in disguise, is the only one to see her do it; later, it's Edna who orchestrates the Engineered Public Confession described below.
- Early in the movie, Velma harasses a cameraman for not giving Amber enough screen time during the Corny Collins Show. Guess who helps Edna and Wilbur expose Velma's cheating by letting them use his camera?
- Cold War: Referenced now and then ("I don't even know why we have this room down here, but there's food, water, first aid kit, gas mask, Russian language books...")
- Conspicuous CG: Many of the buildings in the opening shot are CGI recreations, and it's not hard to tell that.
- Continuity Nod: The 2007 film makes several references to scenes from the 1988 movie that don't happen in the new version. During one song montage, Tracy is knocked in the head during dodge ball. One of the nasty rumors Amber tries to start is about Tracy getting put into Special Ed.
- Creator Cameo: John Waters, director of the 1988 film, appears as a flasher during "Good Morning Baltimore", and director Adam Shankman, composer/lyricist Mark Shaiman and co-composer/lyricist Scott Wittman play talent agents. The associate choreographers also make appearances.
- Curtain Clothing: An extremely subtle one: The dress Penney wears during "You Can't Stop The Beat" is made from the curtains in her room (see "Shout Out" below).
- Curse Cut Short: Amber sounds like she's about to call another female dancer a whore before Link intervenes.
- Dark Horse Victory: Little Inez's victory in the Miss Teenage Hairspray contest.
- Deliberate Values Dissonance : Many tongue in cheek examples, particularly during "Welcome to the Sixties." Two pregnant women smoking and drinking martinis, a carful of children standing up on the seats, and so on. Also, the circular pins worn by a couple of the girls, that indicated a girl was a virgin. Brenda was wearing one in the "Just nine months" scene, made even more ironic by the possibility that Corny is the father (look closely, you'll see them arguing in a Funny Background Event).
- Demoted to Extra: Poor Link doesn't get to shine in the 2007 film as much as he did in the stage show.
- Dirty Cop: The lead police officer who's working for Velma.
- The Dog Bites Back: The cameraman who lets the Turnblads use his camera for Velma's Engineered Public Confession is the same one that she had belittled and threatened in the beginning of the movie.
- Engineered Public Confession: Velma admits to cheating to ensure her daughter the crown, to find out a camera has been on her the whole time.
- Freudian Slip: Velma von Tussle: "We've got to lead kids in the white direction...I mean...you know what I mean."
- The Hero Dies: Definitely doesn't happen in the musical or the movie, but the final lines of the song "New Girl in Town" imply that the new girl mentioned in the lyrics (Tracy?) was ran over by a moving van and died:
- Humiliation Conga: Amber has Tracy steal her thunder and her boyfriend, gets hoisted above the set, tears her dress and sprains her ankle getting down, and loses her crown to a child on live TV. And then she's surprisingly good natured about it in the end, possibly making this a subversion. Played straight with Velma, though, whose humiliation is more thorough and not taken well.
- Indy Ploy: Corny Collins isn't responsible for any of the events of the movie, but damned if he isn't ready to use them to his advantage. In the movie, he knows Inez Stubb's name and the very specific clause to let her win, implying that he's been waiting and preparing for any kind of situation for him to push his agenda.
- Remake Cameo: Jerry Stiller, who played Wilbur Turnblad in the original movie, played Mr. Pinky, who ran a plus-sized boutique and wanted Tracy to do commercials for him when she became a hit on the Corny Collins show. Ricki Lake (Tracy from the 1988 film) also appears, as a talent agent.
- Informed Ability: Inez's dancing. She's not appreciably better than the rest of the talented cast, yet we're supposed to believe that she alone was impressive enough to win Miss Teen Hairspray after just one (short) dance. It's implied she won because she was the only black contestant (ever) and the whole community voted for her, even though there'd still be a lot of racism in the community, making this very improbable.
- Inez's age may have been a factor. She can hold her own with kids significantly older than her. Plus, she is adorable and people like kids.
- The implication was likely that the entire black or otherwise POC community, which is very large in Baltimore, voted for her.
- Link also brought her on stage, bringing his popularity in to help her as well.
- Laser-Guided Karma: Velma Von Tussle gets struck by this.
- Lovable Alpha Bitch: Amber. Although she only seems to be like that because her mother holds very high standards to her. In the end, she accepts defeat and (in the musical at least) Tracy and the others are happy to invite her to join in the final number.
- Mighty Whitey: in the 2007 film, the fact that Tracy, a white high school girl obsessed with dancing who has no real understanding of the sociopolitical scene or the importance of integration - she spends all day at school sleeping and has no knowledge of American history either - comes up with the idea to do a "march" to save the 'Negro Day' TV show while all the black people who have been fighting and striving to make a difference just stand around accepting being forced out from TV.
- Nice Job Breaking It, Hero!: When Tracy participates at the march and hits a cop on the head with her sign and runs away, it gives Velma a good opportunity to stop Tracy from participating in the pageant by having the same police guard the entrance, making Tracy and the others devise a plan to sneak into the pageant. If Tracy had been bailed out along with Maybelle, she wouldn't have had to hide from the cops and sneak into the pageant!
- Nice Job Fixing It, Villain!:
- Playing right into Tracy and friends' plans, Velma forces all the security guards outside despite ample security outside in response to the bait (Wilbur dressed as Tracy), getting them locked out. The guards then beat down the door with a hairspray battering ram with Tracy inside. Once Velma realizes what they've done, they all rush to it, only for all of them to get locked out once again.
- After Amber loses the Miss Teenage Hairspray Competition, Velma then admits to Amber that she rigged the votes. Edna then informs Velma that her confession was broadcasted on camera, which causes Velma to lose her job.
- No Celebrities Were Harmed: The Dynamites are stand-ins for The Supremes.
- No Sense of Personal Space: Tracy, possibly, since in "I Can Hear the Bells", she has no problem pushing people and pinning a guy against a locker.
- Not His Sled: Although it sticks pretty close to the musical, the film does change up a few key moments in the story.
- In the musical, Tracy gets arrested after the protest, but eventually breaks out of prison with Link's help. Here, she actually escapes the police before they can apprehend her, and flees to Penny's house to hide out.
- Tracy manages to sneak into the Miss Hairspray pageant by hiding in a giant hairspray can, Trojan Horse-style. The same thing happens in the musical, but as a Bait and Switch: Velma thinks that Tracy's hiding in the can, when it's actually Edna. Tracy merely enters the pageant from the front door.
- Tracy isn't crowned Miss Hairspray this time around. Instead, it's Little Inez.
- One Head Taller: Inverted with Penny and Seaweed. She is noticeably taller than him. In the 1988 movie, Penny is of average height while Seaweed is very tall indeed.
- Parental Hypocrisy: Penny's mother, Prudy, forbids Penny from watching the Corny Collins Show, yet Prudy watches the show herself.
- Politically Incorrect Villain: Velma Von Tussle is quite blatantly racist in the second movie, where she seems to revel in her own misdeeds. In the first film, she's more of a Lawful Selfish Stage Mom who's willing to court segregationist attitudes to look respectable.
- Poor Communication Kills: When Link doesn't want to join in the march for fear of ruining his career.Link: I'm sorry, Trace. I just think that this adventure's...a little too big for me.Tracy: *gasps and backs away with a hurt look*Link: ...oh God, nonono, that's not what I-Tracy: I get it, Link. It's your shot.Link: No, Trace! That's not what I-Tracy: (trying to hold back her tears) It's fine... *Leaves link behind*
- Reasonable Authority Figure: Corny Collins, the dance show host, who is very open to bending the rules and doing away with segregation.
- Recursive Adaptation: Hairspray: The Musical: The Movie.
- Seduction-Proof Marriage: Alpha Bitch Velma tries to seduce Wilbur simply so she can cause strife between Wilbur and his wife. Wilbur is so faithful to his wife that he seems completely oblivious to her advances, but Velma's plan works anyway because she just throws herself at Wilbur as his wife comes in the door to "catch" them in the "act".
- Shout-Out: Director Adam Shankman included several homages to and winks at the films that were his inspiration. The opening shot is a mix of the opening shots for West Side Story and The Sound of Music. Penny's dress at the end of the film is made from her curtains, just like the Von Trapp childrens' play clothes that Maria makes out of old curtains in The Sound of Music. Several of Tracy's scenes - such as her ride atop the garbage truck, and her post-makeover hairstyle in "Welcome to the Sixties" - are taken from the Barbra Streissand film version of Funny Girl. Link singing to Tracy's photograph, which sings back, is directly inspired from The Broadway Melody of 1938, in which Judy Garland sings to a photo of Clark Gable.
- Theme Twin Naming: Noreen and Doreen
- Victoria's Secret Compartment: Where Velma hides the official votes when rigging the pageant.
- Villainous Breakdown: Velma has a great one after Inez wins Miss Teenage Hairspray, leading to an Engineered Public Confession which costs her her job.
- Wounded Gazelle Gambit: Velma pulls this when she's trying to hit on Wilbur and Edna walks in.
- Writers Cannot Do Math: According to the script, the show begins in "early June" on a Monday and ends on June 6th, 1962. Schools did not run into June in 1962, especially in Baltimore, because there was no air conditioning and it was oppressively hot and humid.
Exclusive to the 2016 TV Version
- Audience Participation: Members of the live studio audience became extras in crowd scenes.
- Cardboard Prison: Due to recent budget cuts, the jail has no guards, and the bars can be removed by vigorous shaking.
- Character Celebrity Endorsement: Corny Collins delivers one for Oreo cookies after "Ladies' Choice", to segue into an actual commercial break.
- The Host: Darren Criss appeared during commercial breaks of the premiere broadcast, interacting with the audience.
- Logo Joke: During the opening credits, the camera pans past an "NBC Studios" sign with a vintage-looking Peacock, while the NBC Chimes play.
- Product Placement: Tracy passes a Reddi-Wip truck during "Good Morning Baltimore", Wilbur drinks Coca-Cola in a different part, and the Turnblads' refrigerator has a jar of Oreo cookies on top of it.
- Remake Cameo: Two of Mr. Pinky's girls are played by Ricki Lake and Marissa Jaret Winokur, who played Tracy in the original 1988 film and the original Broadway production respectively.
- Role Reprisal: In addition to Fierstein as Edna, Broadway's original Dynamites, Kamilah Marshall, Judine Somerville, and Shayna Steele, reunited for the show.
- In the opening scene alone, the storefronts include Waters Plumbing, Greenblatt's Baltimore Crabs (Bob Greenblatt is the NBC executive who spearheaded these musicals), and Divine Pet Food — whose sign has a pink flamingo on it. One wonders whether they sell the bowel movements of dogs.
- The grocery store Edie's advertises eggs and dairy, a reference to Dreamlander Edith Massey's character from Pink Flamingos and her infatuation with eggs.
- Vanilla Edition: Unlike the DVDs of NBC's three previous musicals, Hairspray doesn't come with any bonus features.
- Wardrobe Malfunction: A strap on Kristin Chenoweth (Velma)'s dress apparently came off during the curtain call. She managed to cover herself up, but the telecast still didn't show her taking her bow—with the camera instead focusing on Ariana Grande (Penny). For the West Coast feed, NBC managed to put the focus back on Chenoweth.