->''"He was a storyteller--a showman--a dreamer--a genius."''
-->--Film critic '''Leonard Maltin''', '''''The Disney Films'''''

Walter Elias Disney (December 5, 1901 – December 15, 1966), America's most famous animator, has quite an interesting history. He started out as a boy who wanted to entertain people. He attempted various careers to find out how best to do that—acting, cartooning, filmmaking—until he decided to try and break into the new and expanding field of animation. Since cartoons were mainly a novelty at the time, he had little trouble absorbing all there was to be known about it, and then he began pushing the envelope. After several of his animators were recruited out from under him, and his [[WesternAnimation/OswaldTheLuckyRabbit mascot character]] stolen away by his [[Creator/{{Universal}} old employer]], it seemed all hope was lost for this aspiring animator.

Then he (or his pal, Creator/UbIwerks, more likely) drew a rough draft of what became WesternAnimation/MickeyMouse. The rest is history.

Walt Disney's animation studio, [[Creator/{{Disney}}the Walt Disney Productions]], which he founded with his brother Roy, became a pop culture phenomenon. Mickey Mouse became beloved by children everywhere during UsefulNotes/TheGoldenAgeOfAnimation, and soon after his ''Disney/ThreeLittlePigs'' short met similar fame and success. Then, Disney decided that short cartoons weren't enough, considering the set fees for that format could not cover their big budgets enough for good profits, and that he would gamble on making a feature-length film. At the time, some scoffed at the plan, calling it "Disney's Folly" and saying the animation wunderkind had bitten off more than he could chew. They were quickly silenced when they saw [[Disney/SnowWhiteAndTheSevenDwarfs the movie]] (or, perhaps even more importantly, its ''profits''). Seventy years later, it is number 34 in the Creator/AmericanFilmInstitute's 100 Greatest American Films list, and the only one to be animated.

After completely dominating the field of animation, and inspiring many new techniques in the field, Disney, a driven perfectionist who was never satisfied with any of his work, began to move in other directions — namely, television and theme parks. Again, he was ahead of his time in both fields, turning potential disasters into huge successes. His ultimate dream was never realized — a fully-functional city, where people could live and work, centered around an arts college, which his detractors have noted sounds disturbingly in the details like ''Series/ThePrisoner1967'''s Village, or, more realistically, like [[http://en.wikipedia.org/wiki/Paternalism an industrial paternalism project]]. He died of lung cancer (though he didn't smoke in public in order to project a wholesome personal image, Walt was known to be a chain smoker when in private) before EPCOT was finished, and without his guidance the plan soon became another theme park. However, thanks in part to his prescient foundation of the California Institute of the Arts which taught major film greats like Creator/TimBurton and Creator/JohnLasseter, his legacy lives on with the Walt Disney Corporation, one of the most powerful media enterprises in the world. The Disney studios are [[VanityPlate symbolized]] by an image of Cinderella's/Sleeping Beauty's castle.

Walt Disney earned fifty-nine Academy Award nominations, and of those he won twenty-six, giving him more awards and nominations than any other individual.

There are [[http://www.snopes.com/disney/waltdisn/walt.asp numerous]] UrbanLegends. Rumors about Walt Disney being less friendly than many people would see him are common. He was rarely satisfied with the films his studio produced and was intensely critical of his employees (and perhaps justifiably afraid of unions, as he once had an entire animation staff sell him out to work with a competitor) but stories also abound of Walt's supposed racism, sexism and antisemitism, and supposedly he never actually drew anything, took credit for people's work, and was so extremely paranoid with the threat of communism he put innocent people in jail during the [=McCarthy=] Communist witch hunts. Many of these attitudes can be attributed to the time in which he lived - [[ValuesDissonance most of America at the time saw little problem mocking blacks, Jews, Native Americans, and women, and reporting suspected communists was actively encouraged by the government.]] In truth Walt hired several Jewish, female and black employees (Floyd Norman, Mary Blair, Sherman Brothers) was close with his female employees, and devoted to his daughters. However, [[NotHelpingYourCase he didn't help his case with some of his actions]] - for instance, he was the only Hollywood figure prepared to meet Leni Riefenstahl, director of Nazi propaganda film ''Triumph of the Will'', when she visited Hollywood (no, he wasn't a Nazi sympathizer).

Perhaps the oddest UrbanLegend that after his death Walt's body was placed in a [[HumanPopsicle cryostasis chamber]] under Ride/{{Pirates of the Caribbean}} at Disneyland. (Everyone knows it's really just his head that was frozen in Cinderella's Castle at Disney World, of course. When it's not under Epcot.) The ''actual'' truth is that he was cremated.

He is played by Creator/TomHanks in the film ''Film/SavingMrBanks'', about the production of ''Film/MaryPoppins''. Thomas Ian Nicholas played him in the film ''Walt Before Mickey'', which is about [[ExactlyWhatItSaysOnTheTin Walt's early years in animation before creating Mickey and founding his successful independent animation studio.]]

In 1999, Time Magazine named him #24 on their list of the 100 Most Influential People of the 20th Century.

In September 2015, Creator/{{PBS}} aired a two part documentary called "American Experience: Walt Disney" which deals with Walt's life and reveals more info behind Walt outside his public persona and his relationship with his family. It will include new video footage and never before seen or heard audio recording from him.

See MrAltDisney.
!!Tropes Related to Walt:
* AlterEgoActing: Disney had a soft spot for Mickey Mouse, the character to whom he owned his success. He voiced him for many years and once jokingly said, "I love Mickey Mouse more than any woman"
** He may have said it jokingly, but according to his wife Lillian, it wasn't all that far off from the truth.
* AmusingInjuries: Slapstick is actually prominent in some of his work.
* AnimatedAdaptation: The bulk of the 19 animated features made in his lifetime were based on pre-existing stories. The only features he made that weren't based on any pre-existing stories were Saludos Amigos and The Three Caballeros. The bulk of Make Mine Music and Melody Time consist of original story material as well, but have a couple segments based on pre-existing stories, such as Casey at the Bat, Johnny Appleseed, Little Toot and Pecos Bill. Several of the WesternAnimation/SillySymphonies were based on classic fairy tales as well.
* AnimalWrongsGroup: Several Disney stories revolve around cutesy animals who are either killed by humans or saved in the nick of time ''Disney/{{Bambi}}'' and ''Disney/OneHundredAndOneDalmatians'' being among the most famous. This has helped make millions of audiences sympathetic of animals' causes all over the world.
* AnthropomorphicPersonification: Though not the first to do so his work is very much associated with anthropomorphizing animals, plants and objects (machines and so on).
* ArtEvolution: While Disney himself hardly drew any drawing himself after 1926 since he was famous enough to hire animators, said animators achieved an enormous technical advancement between 1928 and 1940. Just compare ''WesternAnimation/PlaneCrazy'' to some of the sequences in ''Disney/{{Fantasia}}'' and you'll see exactly what we mean. Disney is still associated with top-notch art work.[[note]](1991s ''Disney/BeautyAndTheBeast'' used computer animation to make the "camera" swoop around the pair in a ballroom dancing scene, and animation has never been the same since.)[[/note]]
* AuthorAppeal:
** Disney felt particularly passionate about rural America in the early 1900, and as a result, some of his works are PeriodPieces from this time. He also animated several American folk tales, such as Myth/PaulBunyan, or folkloric characters of American history like UsefulNotes/JohnnyAppleseed and UsefulNotes/DavyCrockett.
** On the [[AccidentalPun comical end]], Walt unapologetically ''loved'' butt jokes, especially ones involving characters getting their butts jabbed, burned or maimed in some way. They're one of the [[http://land.allears.net/blogs/jackspence/2012/10/rump_humor_1.html most frequently used gags in his cartoons and animated features]], and many of them have at least one--this kind of humor even popped up in some of his theme park attractions.
* BookEnds: Walt's first and last works in any subject tend to match up surprisingly well.
** The very first Mickey Mouse short ''WesternAnimation/SteamboatWillie'' begins with Mickey entering the scene on a steamboat. Walt's last Mickey short ''The Simple Things'' ends with him being chased off screen by a flock of seagulls.
** WesternAnimation/{{Goofy}}'s first short ''Goofy and Wilbur'' starts with Goofy riding in on a motor boat while on a fishing trip. His last short ''Aquamania'' ends with him ([[TheKlutz naturally]]) crashing his motor boat after winning a race.
** ''Disney/SnowWhiteAndTheSevenDwarfs'', his first animated film, begins with the camera zooming in on the villain as she walks onscreen. His last animated film ''Disney/TheJungleBook'' ends with the camera zooming out on two of the protagonists as they walk off screen.
** His first ([[RogerRabbitEffect mostly]]) live-action film ''Film/SongOfTheSouth'' beings with the main characters riding in on a horse and cart. His last live-action film ''The Happiest Millionaire'' ends with two of the main characters riding off in a motor car.
* {{Bowdlerise}}: Notorious for sugarcoating classic fairytales and novels too much into children's stories with happy endings. At the same he did keep a lot of hardcore NightmareFuel in his early animated features that parents to this day find too scary for their offspring.
* ClassicLiterature: He adapted many classic (children's) novels to the big screen.
* CultSoundtrack: Many of the catchy songs written for Disney movies have become so popular over the decades that they are practically standards.
* {{Disneyfication}}: The TropeNamer.
** Disney had a talent for making otherwise complex – or in some scenes not always that engaging – stories into mesmerizing tales that the general public could easily understand and enjoy. Unfortunately this has also led to some drastic AdaptationDisplacement where many classics of world literature have been altered, simplified, and sugarcoated so much that his version became the official version instead of the other way around. To this day you'll find people complaining about film or theatre adaptations of stories they only know from the Disney adaptations, because certain scenes are so different, despite being in the original book. This can be forgiven somewhat in the case of the fairy tales (The Three Little Pigs, Snow White, Cinderella, Sleeping Beauty,etc.) because they were carried over by oral tradition and thus varied from storyteller to storyteller. With the literary classics it's a bit more controversial. ''Literature/{{Pinocchio}}'', ''Literature/AliceInWonderland'', ''Literature/TheSwordInTheStone'' and ''Literature/JungleBook'' are perhaps the Disney films that resemble the original source material the least. Even after Walt's death, the Disney Studio is still criticized for deviating and sugarcoating from great (copyrighted and/or public domain) literary works a lot.
** For the record, even Disney himself occasionally grew tired of the house style that led to the Disneyfication, since it involved watering down complex artwork or story concepts. However, his attempts to deviate from that style and create more complex and technical films such as Fantasia or Sleeping Beauty wound up being too expensive to turn a profit, until their rerelease years later.
* EarlyInstallmentWeirdness: The early Disney cartoons from the 1920s show only a few sparks of the storytelling brilliance that Walt would become famous for, and are legendary for introducing subject matter thought somewhat scandalous at the time, such as Mickey's casual cruelty to the animals in Steamboat Willie, a trait that Mickey would later lose as he became less Charlie Chaplin and more Douglas Fairbanks.
* ExcusePlot: Surprisingly, despite his acclaim as a master storyteller and his legendary reputation for having anal-retentive attention to detail in his films, Walt firmly believed in using the Excuse Plot in both his short cartoons and feature films, even as early as his WesternAnimation/OswaldTheLuckyRabbit cartoons. To him, gags based on character motivation and context were what really mattered. Two of his top animators, [[Creator/DisneysNineOldMen Frank Thomas and Ollie Johnston]], verify this early in their book "Too Funny For Words: Disney's Greatest Sight Gags";
-->"At that time, however, even the distributors were questioning whether gags were enough to sustain a whole film and they started asking for more story. Walt, the greatest of storytellers, reacted in a surprising way. "By the time you have a story really started," he said, "it is time to iris out (end the picture), and you have failed to make the audience laugh." Obviously, in Walt's mind, the first priority in any film was the laughter, and too much story quickly became tedious. He never forgot that point throughout his whole life, constantly shying away from projects that had more continuity than entertainment."
** Disney's ''Disney/TheJungleBook'' is acclaimed as a legitimate animated feature classic, even though its plot is wafer thin. Creator/WaltDisney specifically told the story artists to not read or follow the book, and even chewed them out when they had concerns over the simplistic story, saying the characters and entertainment were more important. Animator and story artist Floyd Norman, who worked on the film, [[http://floydnormancom.squarespace.com/blog/2015/5/5/requiem-for-a-gagman summed it up on his blog]]:
-->''"With Pixar's string of successful movies it became popular among animation buffs to quote the familiar mantra, story, story, story. But, I remember it was no less than Walt Disney himself who chewed us out back during the development of "The Jungle Book." Because we thought we had legitimate concerns about the films' simple plot line. Well, we caught the wrath of the Old Maestro head on. "You guys worry too much about the story," Walt shouted. "Just give me some good stuff." And, what was that good stuff Walt Disney was talking about, you ask? Fun, humor, entertainment. In a word, Walt was speaking of gags. "The Jungle Book" didn't need a more involved story line because we already had great characters to work with. Let the humor come out of the situation, the characters, and the story will take care of itself."''
* {{Expy}}: Disney/MickeyMouse was more or less based on Disney's earlier succesful character, Oswald the Lucky Rabbit, only with the rabbit ears changed into round mouse ears. As Disney's film catalogue grew on some critics complained that certain characters in his films were virtually similar in design or personality. For instance, Jiminy Cricket (''Pinocchio'') and Timothy the Mouse (''Dumbo'') fulfill the same kind of roles and even have the same height. Alice from Alice In Wonderland and Wendy from Peter Pan not only share very similar builds, faces, personalities, and roles in the story, but also the same ''voice actress.'' The same is also true of Maleficent and Snow White's Evil Queen.
* FairyTale: He famously adapted many to the big screen.
* InsultToRocks: When he saw Creator/FleischerStudios 1939 adaptation of ''WesternAnimation/GulliversTravels'', he took a snipe at it by saying "We can make a better film than that with our second string animators."
* LoadsAndLoadsOfCharacters: Being a LongRunner, obviously.
* ManOfAThousandVoices: Like his work or not, he was an ''amazing'' voice actor.
* MickeyMousing: Obviously the TropeMaker, but not only in Mickey Mouse cartoons. He made music an integral part of all his cartoons and movies.
* MissingMom: The long tradition of motherless protagonists in his studio's full-length features, stretching back to ''Snow White'' but most famously in ''Bambi'', may have its roots in the death of Walt's own mother, Flora, who asphyxiated not long after ''Snow White'' due to a furnace leak in the house Walt had had built for his parents. Walt reportedly blamed himself and never spoke about his mother's death again.
* NaziProtagonist: During UsefulNotes/WorldWarII, Disney produced many propaganda films in support of the Allied cause. [[http://www.youtube.com/watch?v=yJT9XbX4Thg One of these]] was about a German boy named Hans, it was to show how Nazi indoctrination can cause a small child to grow up into a bloodthirsty monster. He also cast Donald Duck as a Nazi in ''Disney/DerFuehrersFace'', showing what terrible conditions the Nazi soldiers were forced to work under (exaggerated both for comedic effect and PatrioticFervor), though it turns out to be AllJustADream of the real American Donald Duck.
* NightmareFuelStationAttendant: While his name has become synonymous with stuff aimed at c hildren(syrupy-sweet children fare, {{Bowdlerize}}d Fairy Tales, and overly-simplistic, historically inaccurate, way-too-lighthearted treatment of grim stories, it's easy to forget that some Disney fare used NightmareFuel by the tanker truck. [[http://tvtropes.org/pmwiki/pmwiki.php/NightmareFuel/Disney Look here for a partial list]].
* RagsToRiches: In addition to creating the version of ''Cinderella'' most are familiar with, the now worldly known Disney came from a poor rural background and his father was a failed businessman, so his children had to work hard to help him make ends meet. When Disney started making animated cartoons the medium wasn't exactly the best investment for a bright future. Animation was used at the time crude, primitive shorts used as filler in film theaters---they were new and exciting but hadn't achieved great quality. Disney changed that by revolutionizing the art form, and became the first millionaire in the cartooning business.
* RailEnthusiast: This was shown in much of his work that featured railroads, such as ''The Brave Engineer'' and the Casey Jr. scenes from ''Dumbo''. Despite the fantasy nature of the scenes, there are many small details, such as certain moving parts and railroad terms, that were in fact very accurate. Furthermore, one of his stated requirements for Disneyland was that it have a steam train (the Santa Fe Railway was a corporate sponsor, incidentally), which was not only duplicated at Walt Disney World, but the newest version of the company's VanityPlate has a steam train puffing through the background. Disney himself loved building model railroads in his spare time and a few ones he would ride.
** CoolTrain: Fictional and real life examples (Casey Jr., Monorail)
* TheRival: Throughout the 1930s Creator/MaxAndDaveFleischer were Disney's main competitors. Near the end of the decade this crown went to WesternAnimation/LooneyTunes and WesternAnimation/TomAndJerry. In animated features he had no genuine competition of any major studio.
** Defunct studios like Van Beuren, Famous Studios and Terrytoons which didn't last long. Even Creator/UbIwerks' studio tried to rival Walt.
* RogerRabbitEffect: One of his earliest projects, the WesternAnimation/AliceComedies), had a real-life girl named Alice inserted in an animated world.
* SceneryPorn: The Disney cartoons have always stood out among their competitors because of their technical advancement. The eye for detail in most of their work between 1932 and 1960 is amazing, with beautiful and colorful backgrounds full of atmosphere. Just watching some of the stills is enough to make you sigh in beauty.
* ScrewTheMoneyIHaveRules: Because of Disney's perfectionism, his films were all exceptionally expensive, but this trope was Walt's basic attitude about the money culture. His brother Roy, who handled the money end of the studio, worried constantly about expenses and tried to keep Walt in line about such. One time, in response to Roy criticizing Walt about expenses, according to production supervisor Dave Hand, Walt raised one of his eyebrows in frustration at Roy and, "in an uncompromising, matter-of-fact, straight-from-the-shoulder answer, said quite simply, 'Roy, ''we'll'' make the pictures -- ''you'' get the money.' That was that." In short, Walt viewed financing as nothing more than a necessary evil.
* SlidingScaleOfIdealismVersusCynicism: Definitely idealism.
* SlidingScaleOfRealisticVersusFantastic: While being very realistically animated with much attention to physic detail the stories are still rooted in fantasy worlds with magic, monsters, anthropomorphic characters, plants and objects and sometimes physically impossible cartoony gags. His animated short films tend to be more cartoony than his animated features.
* SlidingScaleOfShinyVersusGritty: Shiny at it's best.
* SophisticatedAsHell: Walt firmly believed that animation was a real art form and not just matinee filler, and pushed hard for the medium to be taken seriously. He also unapologetically loved cornball humor (particularly butt jokes) and children's stories, and his films prominently feature them. He even lampshaded it by admitting he was corny, but so were millions of other people in his audience.
* StandardSnippet: Long before Carl Stalling (WesternAnimation/LooneyTunes) made it into an art form Disney short cartoons were using countless classical music melodies as background music for certain situations. The man responsible for much of this in the Disney catalog, until his departure from the studio in 1930, was none other than Stalling himself.
* SugarBowl: Disney was a master in creating idyllic fantasy worlds where any child or nostalgic parent would enjoy living. Even if scary or evil stuff happens it is usually defeated or overcome in the end. This gave his work a timeless entertainment value, ideal for forgetting your troubles for a couple of minutes or hours. However, in his theme parks he tried to create these worlds in reality, which crosses into [[UncannyValley creepy territory]] for some observers.
* WhatExactlyIsHisJob: Everybody on Earth knows who Disney is. But his actual profession is far more difficult to describe. Many see him as a cartoonist and an animator, yet Disney drew his last drawing in 1926. Others claim he is a film director, but he only directed a minor few of his movies himself. He is often credited as a wonderful creator and storyteller, but most of the character designs, ideas and technical innovations were thought up and done by other people. The best description may be 'film producer', seeing that Walt invested millions of money in his cartoons and used the profits back for new projects. He could also combine the talents of many people and make them enthusiastic for each new project. And of course he was also a voice actor for his own studio, providing Mickey Mouse's vocals until his voice became hoarse from years of smoking. Walt himself admitted to being asked this question...
-->"You know, I was stumped one day when a little boy asked, 'Do you draw Mickey Mouse?' And I had to admit I do not draw anymore. 'Well then, you think up all the jokes and ideas?' 'No,' I said, 'I don't do that.' Finally, he looked at me and said, 'Mr. Disney, just what do you do?' 'Well,' I said, 'sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen, and sort of stimulate everyone. I guess that's the job I do.'"