%% If you're adding a work that DreamWorks Animation (or any of its subsidiaries) produced/published substantive original material for,
%% make sure it's caught within one of the "[[index]](List of works)[[/index]]" sections.

->''There was this wonderful great mission statement that WaltDisney had: 'I make movies for children, and the child that exists in all of us'. And 14 years later at [=DreamWorks=] I can say 'We make movies for adults, and the adult that exists in every child'. And that literally has been our approach.''
-->--'''Jeffrey Katzenberg''', in a 2007 interview promoting ''WesternAnimation/BeeMovie''

The studio that managed to finally destroy the long-held perception that [[AllAnimationIsDisney all feature film animation is Disney]].

[=DreamWorks=] Animation's story begins with Jeffrey Katzenberg -- one of the architects of the [[TheRenaissanceAgeOfAnimation Disney Renaissance]] -- getting fired from Creator/{{Disney}}[[note]]As to exactly ''why'' he was fired... it was well known that he and Disney's then-CEO Michael Eisner did ''NOT'' get along; the final straw was when Eisner refused to promote him to the position of President of Disney that was vacated by the death of Frank Wells in a helicopter crash in 1994. Also, it's generally accepted that Katzenberg was the one who authorized the marketing team for ''Disney/{{Aladdin}}'' to violate Creator/RobinWilliams's contract, a move which hurt Disney in industry circles and started Williams's first of two feuds with the studio, which lasted until Katzenberg was shown the door, at which point his successor Joe Roth mended relations until ''Film/BicentennialMan''[[/note]], and co-founding Creator/DreamWorks with Creator/StevenSpielberg and David Geffen. Katzenberg used his portion of the studio to create a new animation subsidiary, merging with animation studio and partner Pacific Data Images (PDI)[[note]]a company that got their start doing AdBumpers for stations like Creator/{{ABC}}, Creator/{{CBS}}, {{Creator/HBO}}, Creator/{{NBC}} and others and did the sequences for the Halloween episode of ''WesternAnimation/TheSimpsons'' where Homer hides behind a bookcase that takes him into a computer-generated 3D world[[/note]]. After Spielberg's Creator/{{Amblimation}} shut down, most of its animators moved to [=DreamWorks=].

Katzenberg's ultimate goal was to compete directly with his old bosses on their home turf: feature animation. To that end, DWA came roaring out of the gate in 1998 with ''WesternAnimation/ThePrinceOfEgypt'', an animated epic telling the story of Moses and the Exodus -- similar to but distinct from Creator/CecilBDeMille's ''Film/TheTenCommandments''. A fine article about the environment in which ''Prince'' was made can be read [[http://www.ew.com/ew/article/0,,290103,00.html here]]. ''Prince'' performed extremely well at the box office, though still below Disney's films from that decade. The same year, DWA released the AllCGICartoon ''WesternAnimation/{{Antz}}'', a blatant FollowTheLeader of Creator/{{Pixar}}'s ''WesternAnimation/ABugsLife'' although ''Antz'' actually premiered first. More on that film and its repercussions further down this page.

In addition to its in-house films, DWA also benefited from a partnership with Creator/AardmanAnimations, with Nick Park creating well-received stop-motion films like ''WesternAnimation/ChickenRun'' and ''WesternAnimation/TheCurseOfTheWereRabbit''.

Although ''Prince of Egypt'' had been a success, DWA's follow-up traditionally-animated films met with diminishing returns. ''WesternAnimation/TheRoadToElDorado'' failed to recoup its budget (to date the ''only'' DWA film not to do so), and although ''WesternAnimation/SpiritStallionOfTheCimarron'' & ''WesternAnimation/SinbadLegendOfTheSevenSeas'' both turned profits, they suffered from poor critical reviews in part because of typical North American AllAnimationIsDisney prejudice -- as well as their returns looking absolutely pathetic on the heels of ''Shrek''. 2003's ''Sinbad'' in particular only made back its budget upon international release and performed poorly enough with critics to cause DWA to stop traditional animation completely.[[note]] Incidentally, ''Sinbad'' isn't completely to blame here. 2D animation in general was going the way of the dodo at this point. Disney themselves had had a string of mediocre to bad 2D films and -- combined with America's increasing acceptance of and preference for CGI due to Pixar's efforts -- shuttered their 2D feature animation operations less than a year after DWA did (Disney would restart traditional animation in 2009). [[Creator/TwentiethCenturyFox Fox]] -- which also tried to compete with Disney in the 90's, took a financial bath with Creator/DonBluth's ''WesternAnimation/TitanAE'' in 2000 and shut down their animation studio as a result. Creator/WarnerBros, meanwhile, faced TroubledProduction after TroubledProduction and flop after flop; they stopped their forays into feature animation at the same time DWA and Disney went all-CGI and now only produce work for television (of their films, only ''WesternAnimation/TheIronGiant'' was VindicatedByCable).[[/note]]

Computer animation was another story entirely. ''WesternAnimation/{{Antz}}'' proved a surprisingly big hit with comparable critical acclaim to Pixar's ''WesternAnimation/ABugsLife'', and it eventually showed DWA the path they would take to success. The premiere of ''WesternAnimation/{{Shrek}}'' in 2001 changed the animation game completely. Using Katzenberg's penchant for [[StuntCasting rampant celebrity casting]] and modelling the characters from their movies [[InkSuitActor after the actors voicing them]] to the max, this film finally put DWA on the map as a legitimate competitor in the feature film market, permanently opening the door Creator/{{Disney}} largely held shut for decades. It's a fact made undeniable with this film winning the first UsefulNotes/AcademyAward for Best Feature Animated Film.

Post-''Shrek 2'', however, DWA hit something of a DorkAge -- an impressive feat for a studio less than a decade old. In addition to the increasingly blatant StuntCasting, their films became notorious for being simply conduits for pop-culture references and toilet humor (and predictable plots). With the notable exception of 2006's ''WesternAnimation/OverTheHedge'', nearly every film DWA put out in the middle of the 2000's was savaged by critics -- though they still performed well at the box office (usually beating contemporary Disney CGI films). ''WesternAnimation/SharkTale'' holds the distinction of being the worst-reviewed [=DreamWorks=] animated film. ''WesternAnimation/{{Madagascar}}'' generally got mediocre reviews and, though it made a healthy enough profit to spawn two sequels, did not have as much financial success as the first two ''Shrek'' films. The studio arguably hit its [[DarkestHour nadir]] in 2007 with ''WesternAnimation/{{Shrek}} the Third'' and ''WesternAnimation/BeeMovie'' disappointing at least critically, and [[Creator/AardmanAnimations Aardman]] breaking away from [=DreamWorks=] after the release of ''WesternAnimation/FlushedAway''.

Beginning in 2008 however, the studio [[GrowingTheBeard grew its beard]] with a new crop of films arising with a greater focus on story, characters, and quality. So far, this new direction has been paying off handsomely in the box office worldwide. For instance, not only was the classic ''WesternAnimation/KungFuPanda'' released, but ''WesternAnimation/{{Madagascar}} Escape 2 Africa'' marked the transition as that franchise moved from a hastily pre-emptive strike against Creator/{{Disney}}'s ''WesternAnimation/TheWild'' to become a gradually improving series with its own voice.

Originally arch-rivals with [[Franchise/DisneyAnimatedCanon Disney]] in [[TheNineties the 1990s]], they became arch-rivals with Creator/{{Pixar}} in [[TurnOfTheMillennium the 2000s]], and now they're kind-of sort-of arch-rivals with both studios in [[TheNewTens the 2010s]]. Disney alum Jeffrey Katzenberg has produced more animated films through his studio alone than Creator/WaltDisney did when he was alive! While the quality of the films have been more inconsistent than Disney, the best of the bunch manage to reach for Disney and Pixar quality (with ''WesternAnimation/HowToTrainYourDragon'' sharing a director team with ''Disney/LiloAndStitch''). In fact, in 2011, DWA ''exceeded'' them in critical reception with ''WesternAnimation/KungFuPanda2'' ([[RottenTomatoes RT]] 81%) and ''WesternAnimation/PussInBoots'' (RT 84%) considered far and away superior films to Pixar's ''WesternAnimation/{{Cars}} 2'' (RT 39%) and both were nominated for the Best Animated Feature Oscar while the Pixar film was shut out. Furthermore, ''KFP 2'' outgrossed ''Cars 2'' in the box office worldwide. In short, Katzenberg's dream has come true.

To bolster the company's revenues with meat and potatoes stuff, DWA acquired Classic Media, whose library contains rights to many classic cartoons, including most of the Creator/{{Filmation}} library (e.g. ''WesternAnimation/FatAlbertAndTheCosbyKids'' and ''[[WesternAnimation/HeManAndTheMastersOfTheUniverse1983 He-Man and the Masters of the Universe]]''), the Gold Key properties that aren't owned by Random House, most of the old FamousStudios/Paramount characters, including the properties acquired by Creator/HarveyComics like ''WesternAnimation/CasperTheFriendlyGhost'' with their original ones like ''ComicBook/RichieRich'', the Creator/RankinBass christmas specials (all the post-1974 R-B content, like ''WesternAnimation/{{Thundercats}}'', is held by Creator/WarnerBros, as they acquired R-B alongside Lorimar-Telepictures in 1989), and JayWard's library, including ''WesternAnimation/RockyAndBullwinkle'', among others.

On the business side, the company's distribution contract with Paramount was not renewed at the end of 2012 as that company began getting back into animation itself after the success of ''WesternAnimation/{{Rango}}'' while DWA went to Creator/TwentiethCenturyFox as its distributor from 2013 on, which means a balancing act with Creator/BlueSkyStudios' own animated films. Considering that DWA planned 12 films in four years, that has been quite a scheduling challenge. However, in that year they suffered their first serious box office sting in nearly a decade when ''WesternAnimation/RiseOfTheGuardians'' underperformed financially despite warm critical reception, which caused the studio to lay off 25% of their worldwide staff at the end of the year.

In 2013, the studios' next film, ''WesternAnimation/TheCroods'', proved a big sustained worldwide hit (with some decent critical reception), and the studio scored a great exclusive big time content deal with Creator/{{Netflix}} to help earn a steadier income so they didn't have primarily risk their solvency on feature films. Unfortunately, their next two films, ''WesternAnimation/{{Turbo}}'' and ''WesternAnimation/MrPeabodyAndSherman'', were box office disappointments despite having good critical reception (and both movies generating Internet-exclusive animated series).

In 2014, DWA acquired the rights to all of its pre-2013 theatrical films from Paramount. The rights are currently licensed to 20th Century Fox in conjunction with the current distribution deal (which explains why Fox distributed recent DVD and Blu-ray rereleases of ''Shrek'' and ''Madagascar'').

The studio's sole success in 2014 was the highly promising ''WesternAnimation/HowToTrainYourDragon2'', which surpassed the total grosses of their four previous films (as well as its prequel). Their follow-up ''WesternAnimation/PenguinsOfMadagascar'' once again underperformed (although it grossed more than ''Turbo'' and ''Mr. Peabody & Sherman''); these combined disappointments led [=DreamWorks=] [[http://www.latimes.com/entertainment/envelope/cotown/la-et-ct-dreamworks-layoffs-20150122-story.html to announce in early 2015]] that they would be laying off 500 employees and reevaluating their core animation business - this included a smaller film schedule as well as the shuttering of Pacific Data Images.

Their sole release for 2015: ''WesternAnimation/{{Home}}'', resulted a moderate success at the box office (it made back its budget domestically, which the studio's previous flops failed to do) and well-received by the public, but has received the lowest critical score for a DWA film since 2007.

The studio seems to have entered a second DorkAge, ironically characterized by having good critical and audience reception but below-average box office grosses, the complete opposite of their 2004-2007 output.

In August 2015, [=DreamWorks=] Animation did something nobody expected: they [[http://variety.com/2015/tv/asia/dreamworks-animation-launches-tv-channel-in-thailand-1201551924/ launched]] a WesternAnimation network in Asia - The [=DreamWorks=] Channel, in partnership with CTH Thailand and apparently, HBO. The channel broadcasts in HD and airs mostly content from their DreamWorks Classics library, along with several series that had not yet been licensed out to other networks in the region (i.e. ''WesternAnimation/TheAdventuresOfPussInBoots'', which is a Creator/{{Netflix}}-original and [[NoExportForYou thus not available in the region outside of Japan]] [[SubvertedTrope otherwise]]), and they soon liberated the airing rights to ''WesternAnimation/DragonsRidersOfBerk'' from the latter in the region so that they could have it on their own network, though they expressed no interest in liberating ''WesternAnimation/ThePenguinsOfMadagascar'' from Nickelodeon[[note]]An understandable move. While Madagascar was a CashCowFranchise for the company, and the ''Penguins'' SpinOff initially was, the spinoff's movie ''tanked hard'', plus Nick also has a share in the creative rights of the Penguins TV show[[/note]]. Initially only available in Thailand, the channel was made available to and was quickly picked up by other Pay TV providers in South-East Asia in September 2015.

Incidentally, their decision to launch a western animation channel in Asia comes a year after [[ScrewedByTheNetwork NBC pulled out of the Joint Venture that is KidsCo in Asia]] and [[BlatantLies claiming that Asia has too many kids networks]] which [[ScrewedByTheNetwork caused the closure of said channel]] (NBC's wrong, on so many accounts), so [=DreamWorks=] clearly realized that there is still much demand in Asia for western animation, and is doing their part to fill the gap.

Despite these endeavors, [=DreamWorks=] Animation continued to face financial pressures throughout the mid-2010s. Katzenberg expressed interest in selling the studio off for several years, but no deal ever came to fruition. The Japanese corporation [=SoftBank=] and later the toy company Creator/{{Hasbro}} attempted to acquire [=DreamWorks=] in 2014, but both companies pulled out of talks after just one day. Two years later, in 2016, [=DreamWorks=] Animation [[https://variety.com/2016/biz/news/dreamworks-animation-3-8-billion-nbcuniversal-comcast-1201762634/ finally succeeded]] in reaching a deal, this time with Comcast, the parent company of media conglomerate [[Creator/{{NBC}} NBC]][[Creator/{{Universal}} Universal]]. Under Comcast's acquisition plan that is worth '''$3.8 billion'''[[note]]A scale not seen in the mass media since Disney's purchase of Creator/MarvelComics and Lucasfilm, which were both bought for $4 billion[[/note]], Katzenberg will retire as CEO of DWA and become chairman of the new DWA division [=DreamWorks=] New Media, who will oversee the studio's controlling interests in [=AwesomenessTV=] and the NOVA joint venture. Chris Meledandri, the head of Universal's feature animation wing Creator/IlluminationEntertainment, will become the operations overseer of both studios, though the [=DreamWorks=] Animation imprint will remain separate from Illumination. The deal is expected to close by the end of 2016, pending regulatory approval.

See also Creator/DreamWorks, who despite the having the same name and being founded by the same group of people, has been a separate entity since 2004. However, when the DWA sale closes, both sides of DreamWorks will once again be united under one roof, since the live-action DreamWorks is now part of the Amblin Partners group, which is in a deal with Comcast/Universal that starts after the release of Disney/Amblin's ''Film/TheBFG''.

!!List of subsidiaries and acquired franchises owned by [=DreamWorks=] Animation:
* Oriental [=DreamWorks=] (45%)
* [=DreamWorks=] Classics
* The [=DreamWorks=] Channel (partnership with CTH Thailand and HBO)
* Portley Ltd
* Troll Dolls (Except in Scandanavia)
* [=AwesomenessTV=] (75%)
* Chapman Entertainment
* Felix The Cat
!![=DreamWorks=]' filmography:
* ''WesternAnimation/{{Antz}}'' (with Pacific Data Images; 1998)
* ''WesternAnimation/ThePrinceOfEgypt'' (1998)
* ''WesternAnimation/TheRoadToElDorado'' (2000)
* ''WesternAnimation/ChickenRun'' (with Creator/AardmanAnimations; 2000)
* ''WesternAnimation/JosephKingOfDreams'' (2000)
* ''WesternAnimation/{{Shrek}}'' (with Pacific Data Images; 2001)
* ''WesternAnimation/SpiritStallionOfTheCimarron'' (2002)
* ''WesternAnimation/SinbadLegendOfTheSevenSeas'' (2003)
* ''WesternAnimation/ShrekFourD'' (short; 2003)
* ''WesternAnimation/{{Shrek 2}}'' (with Pacific Data Images; 2004)
* ''WesternAnimation/SharkTale'' (with Pacific Data Images; 2004)
* ''WesternAnimation/{{Madagascar}}'' (with Pacific Data Images; 2005)
* ''WesternAnimation/TheCurseOfTheWereRabbit'' (with Aardman Animations; 2005)
* ''WesternAnimation/OverTheHedge'' (with Pacific Data Images; 2006)
* ''WesternAnimation/FlushedAway'' (with Aardman Animations; 2006)
* ''WesternAnimation/ShrekTheThird'' (with Pacific Data Images; 2007)
* ''WesternAnimation/BeeMovie'' (with Pacific Data Images; 2007)
* ''WesternAnimation/KungFuPanda'' (with Pacific Data Images; 2008)
* ''Madagascar: Escape 2 Africa'' (with Pacific Data Images; 2008)
* ''WesternAnimation/MonstersVsAliens'' (2009)
* ''WesternAnimation/HowToTrainYourDragon'' (2010)
* ''WesternAnimation/ShrekForeverAfter'' (with Pacific Data Images; 2010)
* ''WesternAnimation/{{Megamind}}'' (with Pacific Data Images; 2010)
* ''WesternAnimation/KungFuPanda2'' (2011)
* ''WesternAnimation/PussInBoots'' (with Creator/MovingPictureCompany; 2011)
* ''Madagascar 3: Europe's Most Wanted'' (with Pacific Data Images; 2012)
* ''[[WesternAnimation/RiseOfTheGuardians Rise of the Guardians]]'' (2012)
* ''WesternAnimation/TheCroods'' (2013)
* ''WesternAnimation/{{Turbo}}'' (2013)
* ''WesternAnimation/MrPeabodyAndSherman'' (with Pacific Data Images; 2014)
* ''WesternAnimation/HowToTrainYourDragon2'' (2014)
* ''WesternAnimation/PenguinsOfMadagascar'' (with Pacific Data Images; 2014)
* ''WesternAnimation/{{Home}}'' (2015)
* ''WesternAnimation/KungFuPanda3'' (with Oriental [=DreamWorks=]; 2016)
!!Films in development:
* ''Trolls'' (2016)
* ''Boss Baby'' (2017)
* ''The Croods 2'' (2017)
* ''Larrikins'' (2018)
* ''WesternAnimation/HowToTrainYourDragon3'' (2018)
* ''WesternAnimation/CaptainUnderpants'' (with Mikros Image Canada; TBA)
!!Television work:
* ''WesternAnimation/TheSimpsons'' "[[Recap/TheSimpsonsS7E6TreehouseOfHorrorVI Treehouse of Horror VI]]" segment "Homer[--[[superscript:3]]--]" (1995; PDI, with Creator/RoughDraftStudios)[[index]]
* ''WesternAnimation/{{Toonsylvania}}'' (1998)
* ''WesternAnimation/InvasionAmerica'' (1998; with Creator/{{AKOM}})
* ''WesternAnimation/AlienatorsEvolutionContinues'' (with Creator/ColumbiaPictures and Creator/DiCEntertainment)
* ''WesternAnimation/FatherOfThePride'' (2004)
* ''WesternAnimation/ThePenguinsOfMadagascar'' (2009)
* ''WesternAnimation/NeighborsFromHell'' (2010)
* ''WesternAnimation/KungFuPandaLegendsOfAwesomeness'' (2011)
* ''WesternAnimation/DragonsRidersOfBerk'' (2012)
* ''WesternAnimation/MonstersVsAliens2013''
* ''WesternAnimation/TurboFAST'' (2014; with Creator/{{Titmouse}})
* ''WesternAnimation/VeggieTalesInTheHouse'' (2014)
* ''WesternAnimation/AllHailKingJulien'' (2014)
* ''WesternAnimation/TheAdventuresOfPussInBoots'' (2015)
* ''WesternAnimation/DinoTrux'' (2015)
* ''WesternAnimation/TheNewMrPeabodyAndShermanShow'' (2015)
* ''WesternAnimation/DawnOfTheCroods'' (2015)
* ''WesternAnimation/VoltronLegendaryDefender'' (2016)
* ''WesternAnimation/{{Trollhunters}}'' (2016)
!!Live Action work (Through PDI; either prior or after the merger):
* ''Film/AIArtificialIntelligence''
* ''Film/AngelsInTheOutfield''
* ''Film/TheArrival''
* ''Film/BatmanAndRobin''
* ''Film/BatmanForever''
* ''Film/BatmanReturns''
* ''Film/{{Broken Arrow|1996}}''
* ''Film/CarlitosWay''
* ''Film/{{Cliffhanger}}''
* ''Film/DoubleDragon''
* ''Film/{{Eraser}}''
* ''Film/{{Evolution}}''
* ''Film/ExecutiveDecision''
* ''Film/FreddysDeadTheFinalNightmare'' (Dream Demon Animation)
* ''Film/HeartAndSouls''
* ''Series/TheJimHensonHour''
* ''Film/TheMexican''[[/index]]
* The videos for Music/MichaelJackson's ''Black or White'' & ''Ghosts''[[index]]
* ''Film/MinorityReport''
* ''Film/NaturalBornKillers''
* ''Film/TheRiverWild''
* ''Film/RoboCop3''
* ''Film/RookieOfTheYear''
* ''Film/StarTrekVITheUndiscoveredCountry''
* ''Film/{{Supernova}}''
* ''Film/Terminator2JudgmentDay''
* ''Film/TrueLies''
* ''Film/{{Toys}}''
!![=DreamWorks=] Classics properties:
* ''WesternAnimation/{{Bravestarr}}''
* ''WesternAnimation/FatAlbertAndTheCosbyKids'' (under license from Creator/BillCosby) [[note]] It's still unknown how this franchise is being affected by the multiple [[RapeIsASpecialKindOfEvil rape accusations]] against Cosby, which even convinced Disney to effectively purge his image from their company. [[/note]]
* ''WesternAnimation/FelixTheCat''
* ''WesternAnimation/FilmationsGhostbusters''[[index]]
* ''WesternAnimation/GeraldMcBoingBoing''[[/index]]
* ''Franchise/{{Godzilla}}'' (select films are under license from Creator/{{Toho}})[[index]]
* ''WesternAnimation/GuessWithJess'' (with Creator/{{Nelvana}})[[/index]]
* ''WesternAnimation/HeManAndTheMastersOfTheUniverse1983'' (series rights under license from Creator/{{Mattel}})
* ''WesternAnimation/MrMagoo''
* ''Series/LambChopsPlayAlong''
* ''Franchise/{{Lassie}}''
* ''ComicStrip/LittleLulu''
* ''Franchise/TheLoneRanger''[[note]][[Film/TheLoneRanger You read that right: Disney had to pay their rival a licensing fee here. The film was so long in development that the first payment happened before Dreamworks purchased Classic Media;]] [[EnemyMine Any ideas of Disney and Dreamworks needing to negotiate further development and licensing deals with each other regarding that series]] vanished when ''The Lone Ranger'' wound up becoming the biggest BoxOfficeBomb of 2013, which did producer Jerry Bruckheimer, [[CreatorKiller director Gore Verbinski,]] and [[StarDerailingRole stars Johnny Depp and Armie Hammer no favors.]][[/note]][[index]]
* ''[[WesternAnimation/NoddysToylandAdventures Noddy]]''[[/index]]
* ''WesternAnimation/{{Olivia}}''[[index]]
* ''WesternAnimation/PostmanPat'' [[/index]]
* ''WesternAnimation/RogerRamjet''
* ''[[ComicStrip/RupertBear Rupert Bear, Follow The Magic...]]''
* ''Series/TheSecretsOfIsis''
* ''WesternAnimation/SheRaPrincessOfPower'' (series rights under license from Creator/{{Mattel}})
* ''WesternAnimation/TransformersAnimated'' (TV distribution)
* ''WesternAnimation/{{Underdog}}''[[index]]
* ''Anime/{{Voltron}}'' (under license from Creator/WorldEventsProductions)[[/index]]
* Bullwinkle Studios properties (with Creator/JayWard Productions):
** ''WesternAnimation/RockyAndBullwinkle''
*** ''WesternAnimation/DudleyDoRight''[[index]]
** ''WesternAnimation/GeorgeOfTheJungle''[[/index]]
* Chapman Entertainment Properties
** ''WesternAnimation/FifiAndTheFlowerTots''
** ''WesternAnimation/RoaryTheRacingCar'' (with Creator/HITEntertainment)
** ''WesternAnimation/LittleCharleyBear'' (with Annix Studios)
** ''WesternAnimation/RaaRaaTheNoisyLion'' (with Mackinnon & Saunders)
* Creator/HarveyComics properties:
** ''WesternAnimation/BabyHuey''
** ''WesternAnimation/CasperTheFriendlyGhost''[[index]]
*** ''WesternAnimation/CasperScareSchool''[[/index]]
** ''WesternAnimation/LittleAudrey''
** ''ComicBook/RichieRich''
* Creator/GoldKeyComics properties:
** ''ComicBook/DoctorSolar'' (under license from Creator/RandomHouse)
** ''ComicBook/MagnusRobotFighter'' (under license from Creator/RandomHouse)
** ''ComicBook/{{Turok}}''
* Big Idea properties:[[index]]
** ''WesternAnimation/ThreeTwoOnePenguins''
** ''WesternAnimation/{{Veggietales}}''
* Creator/{{Rankin Bass|Productions}} animated specials (program rights only):
** ''WesternAnimation/FrostyTheSnowman''
** ''WesternAnimation/HereComesPeterCottontail''
** ''WesternAnimation/TheLittleDrummerBoy''
** ''WesternAnimation/RudolphTheRedNosedReindeer''
** ''WesternAnimation/SantaClausIsCominToTown''
!!Tropes for [=DreamWorks=] Animation:

* AmplifiedAnimalAptitude
* [[ArchEnemy Arch-Competitor]]: [=DreamWorks=] was created to be this to Disney, but in the 2000s it became much more famous for its rivalry with Creator/{{Pixar}}.
* {{Balloonacy}}: How that kid in the logo gets to the moon.
* BeYourself: Often very important in pushing the main characters before the climax.
* CashCowFranchise: [=DreamWorks=] Animation was unique among animation studios at the time of its creation for being a studio dedicated entirely to turning every single one of their successful films into franchises, rather than (like Creator/{{Disney}} and Creator/{{Pixar}}) creating a series of one-off films. [[FollowTheLeader Every American animation studio]] created since [=DreamWorks=] - Creator/BlueSkyStudios, Sony Pictures Animation, Creator/IlluminationEntertainment, etc. - have picked up this approach, and even Disney and Pixar have loosened their "no theatrical sequels, ever" policy because of it (the success of ''Disney/WreckItRalph'' and ''Disney/{{Frozen}}'' also contributed to this mentality for Disney/Pixar).
** StillbornFranchise: The unfortunate flip side of this approach of course means that every original [=DreamWorks=] film that bombs or disappoints at the box office will automatically become this.
* DancePartyEnding: Popularized it in animated films.
* {{Disneyesque}}: All their hand-drawn animated films.
* DreamworksFace: TropeNamer and [[TropeCodifier Codifier]].
* EarlyInstallmentWeirdness: ''The Prince of Egypt'', ''The Road to El Dorado'', or ''Spirit: Stallion of the Cimarron'' -- if nothing else, for being cel animated instead of CGI.
* FollowTheLeader: Earlier on in their history, before they decided to go in a "light fantasy" direction to counter Pixar's more "epic" films, they were notorious for copying the template of whatever Pixar film was being developed at the same time.
** While [=DreamWorks=] were copying Pixar, everyone else was copying [=DreamWorks=] (Disney even joined the fray for a few movies). ''Shrek'' in 2001 was followed by numerous imitators, and its template pretty much defined what "animated fairy tale" meant for the rest of [[TurnOfTheMillennium the decade]]. And that's not to mention the number of copycat studios that were created after [=DreamWorks=] proved that non-Disney feature animation could be profitable, a few of which are still around today.
* TheManInTheMoon: In the new logo animation, that kid in the logo is part of the moon.
* NoRespectGuy: A common theme in [=DreamWorks=] movies are main characters who are treated as [[ButtMonkey Butt Monkeys]] for being different or for seeing things in an unorthodox way, despite being relatively pleasant or rational in comparison to the other characters.
* SingleWomanSeeksGoodMan: A lot of the films with romance as main plot or sub-plot will often have one of the female characters falling for a decent guy.
* SpamAttack: As early as 2004, [=DreamWorks=] had built a reputation for releasing animated movies quickly and frequently, with a release schedule of about two films a year. In 2009 they announced a plan to release three or four animated theatrical movies a year, twice as many per year as Disney and Pixar combined. In 2015 they abandoned this plan, only releasing one film in that year, and scheduling two movies per year for 2016 and beyond.
* StrictlyFormula: They have been accused of enforcing this trope in most of their CGI-animated movies during the 2000s: in the beginning, the main character is an outcast (or at the very least is "different"). Throughout the film he becomes a better person. In the end, he saves the day and everyone accepts him for who he is. Add bonus points for pop culture references, fart jokes and the occasional DreamWorksFace, and you're good to go.
* ThrowItIn: A few of the background jokes (like the "[[http://en.wikipedia.org/wiki/Utah_teapot Utah Teapot]]") in "Homer[--[[superscript:3]]--]" were added in by the company[[note]]the left-handed "X, Y, Z" signpost actually corresponded with PDI's software at the time[[/note]].
* WhatCouldHaveBeen: PDI (pre-Dreamworks) had plans for a feature-length CGI movie as early as ''1985''. It never happened due to money issues.