Detroit: Become Human has an incredible orchestral/electronic score that's worth listening to outside the game.
- The themes for each of the main characters are distinct and reflect their respective personalities and stories perfectly.
- Markus's theme
is a melancholic piece, reflecting his struggle for freedom. His instrument is the piano. - Kara's theme is an emotional piece that becomes more intense and hopeful over time. Her instrument is the cello.
- Connor's theme is a badass and mysterious piece that slowly grows in intensity. His instrument is the synth bass but changes into different, more organic sounding bass instruments as he begins to deviate.
- Markus's theme
- Run With Me plays as Connor chases Kara and Alice over the highway, and is a perfect blend of Kara's hopeful strings and Connor's looming bass.
- Now, the track that plays as Connor chases Rupert across a farm, is an epic rendition of Connor's theme that's bound to make your blood start pumping.
- This is the End is a song that plays whenever something peaceful and amazing happens. Come on, listen to 2:05 and tell someone that didn't make your heart swell up with joy and hope.
- Hostage is another rendition of Connor's theme that focuses more on the static and synth, which helps induce a strong feeling of tension and suspense.
- Eden Club, which sounds unusually ominous and foreboding that it gives the player the feeling that they're in a haunted house rather than a sex club.
- Will You Trust Me is the musical embodiment of tension, especially as this plays in the scene where Connor fights against either a SWAT team or Hank.
- Little One, a Lonely Piano Piece played while Kara first innocently tries to connect with a very quiet Alice.
- Dark Night, a haunting and suspenseful track that plays as Kara and Alice try to flee from Todd. Beautiful incorporation of Kara's theme, especially towards the end as you successfully escape the house.
- Something You've Never Seen Before is sweetly haunting—using the piano, Markus' instrument, to underscore him painting as Carl watches in increasing wonder—before ending on an ominous note.
