Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* ToughActToFollow: The Battle of Waterloo from this film is still considered the best live-action rendition of a battle from UsefulNotes/TheNapoleonicWars to this day. Even with some inaccuracies, it still greatly renders the sheer scale and formations.
to:
* ToughActToFollow: The Battle of Waterloo from this film is still considered the best live-action rendition of a battle from UsefulNotes/TheNapoleonicWars to this day. Even with some inaccuracies, it still greatly renders the sheer scale scale, sequence of events and formations.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* ToughActToFollow: The reenacting of Waterloo from this film is still considered the best live-action one of a battle from UsefulNotes/TheNapoleonicWars. Even with some inaccuracies, it still greatly renders the sheer scale and formations.
to:
* ToughActToFollow: The reenacting Battle of Waterloo from this film is still considered the best live-action one rendition of a battle from UsefulNotes/TheNapoleonicWars.UsefulNotes/TheNapoleonicWars to this day. Even with some inaccuracies, it still greatly renders the sheer scale and formations.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* SpiritualSuccessor: To 1960's ''Film/{{Austerlitz}}''. Both films focus on a specific battle of UsefulNotes/TheNapoleonicWars (''Austerlitz'' is about UsefulNotes/NapoleonBonaparte's greatest victory, ''Waterloo'' is about his final defeat). Amusingly, Creator/OrsonWelles had a role in both.
to:
* SpiritualSuccessor: To 1960's ''Film/{{Austerlitz}}''. Both films focus on a specific battle of UsefulNotes/TheNapoleonicWars (''Austerlitz'' is about UsefulNotes/NapoleonBonaparte's greatest victory, ''Waterloo'' is about his final defeat). Amusingly, Creator/OrsonWelles had a role in both.both (and in 1955's ''[[Film/Napoleon1955 Napoléon]]'' as well).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ToughActToFollow: The reenacting of Waterloo from this film is still considered the best live-action one of a battle from UsefulNotes/TheNapoleonicWars. Even with some inaccuracies, it still greatly renders the sheer scale and formations.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* SpiritualSuccessor: To 1960's ''Film/{{Austerlitz}}''. Both films focus on a specific battle of UsefulNotes/TheNapoleonicWars (''Austerlitz'' is about UsefulNotes/NapoleonBonaparte's greatest victory, ''Waterloo'' is about his final defeat). Alusingly, Creator/OrsonWelles had a role in both.
to:
* SpiritualSuccessor: To 1960's ''Film/{{Austerlitz}}''. Both films focus on a specific battle of UsefulNotes/TheNapoleonicWars (''Austerlitz'' is about UsefulNotes/NapoleonBonaparte's greatest victory, ''Waterloo'' is about his final defeat). Alusingly, Amusingly, Creator/OrsonWelles had a role in both.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* SpiritualSuccessor: To 1960's ''Film/{{Austerlitz}}''. Both films focus on a specific battle of UsefulNotes/TheNapoleonicWars (''Austerlitz'' is about UsefulNotes/NapoleonBonaparte's greatest victory, ''Waterloo'' is about his final defeat).
to:
* SpiritualSuccessor: To 1960's ''Film/{{Austerlitz}}''. Both films focus on a specific battle of UsefulNotes/TheNapoleonicWars (''Austerlitz'' is about UsefulNotes/NapoleonBonaparte's greatest victory, ''Waterloo'' is about his final defeat). Alusingly, Creator/OrsonWelles had a role in both.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SpiritualSuccessor: To 1960's ''Film/{{Austerlitz}}''. Both films focus on a specific battle of UsefulNotes/TheNapoleonicWars (''Austerlitz'' is about UsefulNotes/NapoleonBonaparte's greatest victory, ''Waterloo'' is about his final defeat).
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* {{Anvilicious}}: The British soldier who has a breakdown in the middle of the battle, throws down his weapon, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!" seems to serve nothing but as a rather tactless messenger for a WarIsHell message.
to:
* {{Anvilicious}}: The scene of a British soldier who has a breakdown in the middle of the battle, throws down his weapon, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!" seems to serve nothing but as to deliver a rather tactless messenger for a WarIsHell unsubtle "WarIsHell" message.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* {{Anvilicious}}: The British soldier who has a breakdown in the middle of the battle, throws down his weapon, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!"
to:
* {{Anvilicious}}: The British soldier who has a breakdown in the middle of the battle, throws down his weapon, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!" seems to serve nothing but as a rather tactless messenger for a WarIsHell message.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* BaseBreakingCharacter: Is Rod Steiger's portrayal of Napoleon flamboyant yet nuanced, or embarrassingly hammy? Critics and fans who feel the latter are fairly common.
to:
* BaseBreakingCharacter: Is Rod Steiger's Creator/RodSteiger's portrayal of Napoleon flamboyant yet nuanced, or embarrassingly hammy? Critics and fans who feel the latter are fairly common.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* {{Anvilicious}}: The British soldier who has a breakdown in the middle of the battle, throws down his weapons, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!"
to:
* {{Anvilicious}}: The British soldier who has a breakdown in the middle of the battle, throws down his weapons, weapon, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!"
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* Anvilicious: The British soldier who has a breakdown in the middle of the battle, throws down his weapons, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!"
to:
* Anvilicious: {{Anvilicious}}: The British soldier who has a breakdown in the middle of the battle, throws down his weapons, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!"
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Anvilicious: The British soldier who has a breakdown in the middle of the battle, throws down his weapons, and starts screaming, "We've never seen each other! How can we kill one another?! Why do we?! Why?!"
Is there an issue? Send a MessageReason:
The soldier (not officer) who wanders screaming, is in fact killed; his body is visible in the end during the view of the battlefield, and the movie even plays his speech as a ghostly echo..
Deleted line(s) 1 (click to see context) :
* {{Anvilicious}}: Made in the early 70's, the movie was influenced by the anti-war feeling of the time. To wit, when the British trap the French cavalry, one British officer wanders around the battlefield disoriented, [[SkywardScream yelling about why they're killing each other.]] He survives (or is never killed onscreen). Another officer immediately after is showing encouraging his troops to fight "For England," and is shot in the head.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,4 (click to see context) from:
* {{Anvilicious}}: Made in the early 70's, the movie was influenced by the anti-war feeling of the time. To wit, when the British trap the French cavalry, one British officer disorientedly wanders around the battlefield, [[SkywardScream yelling about why they're killing each other.]] He survives (or is never killed onscreen). Another officer immediately after is showing encouraging his troops to fight "For England," and is shot in the head.
Tomlinson, the rank and file yelling about why they're killing each other, is seen among the dead at the end.
Tomlinson, the rank and file yelling about why they're killing each other, is seen among the dead at the end.
to:
* {{Anvilicious}}: Made in the early 70's, the movie was influenced by the anti-war feeling of the time. To wit, when the British trap the French cavalry, one British officer disorientedly wanders around the battlefield, battlefield disoriented, [[SkywardScream yelling about why they're killing each other.]] He survives (or is never killed onscreen). Another officer immediately after is showing encouraging his troops to fight "For England," and is shot in the head. \n\nTomlinson, the rank and file yelling about why they're killing each other, is seen among the dead at the end. \n
Is there an issue? Send a MessageReason:
None
Added DiffLines:
Tomlinson, the rank and file yelling about why they're killing each other, is seen among the dead at the end.
Is there an issue? Send a MessageReason:
None
Deleted line(s) 3 (click to see context) :
* SugarWiki/MomentOfAwesome: Napoleon faces down an entire army, dares them to shoot him and causes them to ''join his side''.
Is there an issue? Send a MessageReason:
Changed line(s) 3,4 (click to see context) from:
* CrowningMomentOfAwesome: Napoleon faces down an entire army, dares them to shoot him and causes them to ''join his side''.
* TearJerker: Napoleon bidding adieu to his guard in the court of Fontainbleau.
* TearJerker: Napoleon bidding adieu to his guard in the court of Fontainbleau.
to:
* CrowningMomentOfAwesome: SugarWiki/MomentOfAwesome: Napoleon faces down an entire army, dares them to shoot him and causes them to ''join his side''.
* TearJerker: Napoleon bidding adieu to his guard in the court ofFontainbleau.Fontainbleau.
----
* TearJerker: Napoleon bidding adieu to his guard in the court of
----
Is there an issue? Send a MessageReason:
Renamed per TRS
Changed line(s) 2 (click to see context) from:
* BaseBreaker: Is Rod Steiger's portrayal of Napoleon flamboyant yet nuanced, or embarrassingly hammy? Critics and fans who feel the latter are fairly common.
to:
* BaseBreaker: BaseBreakingCharacter: Is Rod Steiger's portrayal of Napoleon flamboyant yet nuanced, or embarrassingly hammy? Critics and fans who feel the latter are fairly common.
Changed line(s) 4 (click to see context) from:
* TearJerker: Napoleon bidding adieu to his guard in the court of Fontainbleau.
to:
* TearJerker: Napoleon bidding adieu to his guard in the court of Fontainbleau.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BaseBreaker: Is Rod Steiger's portrayal of Napoleon flamboyant yet nuanced, or embarrassingly hammy? Critics and fans who feel the latter are fairly common.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* CrowningMomentOfAwesome: Napoleon faces down an entire army and causes them to ''join his side''.
to:
* CrowningMomentOfAwesome: Napoleon faces down an entire army army, dares them to shoot him and causes them to ''join his side''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* Anvilicious: Made in the early 70's, the movie was influenced by the anti-war feeling of the time. To wit, when the British trap the French cavalry, one British officer disorientedly wanders around the battlefield, [[SkywardScream yelling about why they're killing each other.]] He survives (or is never killed onscreen). Another officer immediately after is showing encouraging his troops to fight "For England," and is shot in the head.
to:
* Anvilicious: {{Anvilicious}}: Made in the early 70's, the movie was influenced by the anti-war feeling of the time. To wit, when the British trap the French cavalry, one British officer disorientedly wanders around the battlefield, [[SkywardScream yelling about why they're killing each other.]] He survives (or is never killed onscreen). Another officer immediately after is showing encouraging his troops to fight "For England," and is shot in the head.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Anvilicious: Made in the early 70's, the movie was influenced by the anti-war feeling of the time. To wit, when the British trap the French cavalry, one British officer disorientedly wanders around the battlefield, [[SkywardScream yelling about why they're killing each other.]] He survives (or is never killed onscreen). Another officer immediately after is showing encouraging his troops to fight "For England," and is shot in the head.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* CrowningMomentOfAwesome: Napoleon faces down an entire army and causes them to ''join his side''.
* TearJerker: Napoleon bidding adieu to his guard in the court of Fontainbleau.
* TearJerker: Napoleon bidding adieu to his guard in the court of Fontainbleau.