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* HilariousInHindsight: Creator/RyanGosling's character Holland March keeps comparing people to Nazis and following protocol to Hitler on multiple occasions. Ironically, early in their careers, both stars Gosling and Creator/RussellCrowe had played Neo-Nazis (Gosling played a Jewish BoomerangBigot in ''Film/TheBeliever'', while Crowe played one in his native Australia in ''Film/RomperStomper'').

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* HilariousInHindsight: HilariousInHindsight:
**
Creator/RyanGosling's character Holland March keeps comparing people to Nazis and following protocol to Hitler on multiple occasions. Ironically, early in their careers, both stars Gosling and Creator/RussellCrowe had played Neo-Nazis (Gosling played a Jewish BoomerangBigot in ''Film/TheBeliever'', while Crowe played one in his native Australia in ''Film/RomperStomper'').''Film/RomperStomper'').
** Creator/RussellCrowe and Creator/KimBasinger are reunited once again in a crime movie set in Los Angeles after ''Film/LAConfidential''.
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* AlasPoorScrappy: Possibly intentional. [[spoiler:Amelia's really not that sympathetic or likeable once the main characters get to know her a little better, but her murder is so brutal and perfunctory you almost can't help but join in Healy's and March's dejection when they find out.]]
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** The various porn stars at Sid's party provide a memorable bit of color in less than a minute apiece, particularly the mermaids, the innuendo-dropping Pinocchio, and the costumed man on stilts.

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** The various porn stars at Sid's party provide a memorable bit of color in less than a minute apiece, particularly the mermaids, the woman who complains about how her boyfriend or co-star ate asparagus right before a sex act, a bent-over woman with body paint who Healy briefly mistakes for a table, the innuendo-dropping Pinocchio, and the costumed man on stilts.
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* JerkassWoobie: Amelia comes across as somewhat loony, rude, and ungrateful once March and Healy manage to have a long conversation with her. Still, the death of her boyfriend (which she briefly looks genuinely pained over) and her knowledge that [[spoiler:her mother is a CorruptBureaucrat who's working with the people who want her dead]] can make her somewhat pitiable.
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** The foul-mouthed kid on the bike who March and Healy question near Dean's burned house and who tried to get Dean to feature him in the porno film.
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* OneSceneWonder
** Holly's friend Jessica is pretty entertaining in her two (consecutive) scenes. She's amused when March and Healy discuss the case and has an expressive reaction when an assassin threatens her and Holly.
** The various porn stars at Sid's party provide a memorable bit of color in less than a minute apiece, particularly the mermaids, the innuendo-dropping Pinocchio, and the costumed man on stilts.
** The young boy with the PornStash who witnesses Misty's death and covers up her body makes a powerful impression.
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* BrokenBase: Holly's insistence on [[SaveTheVillain saving Blueface and John Boy]]. Some think it's endearing and helps maintain the movie's surprising amount of heart while others find it to be a very illogical and stupid move on her part, especially considering both of them were [[WouldHurtAChild very obviously willing to hurt her]].
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Approved by the thread.

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* CompleteMonster: "[[ProfessionalKiller John Boy]]" is a ruthless hitman hired by the Detroit mob to silence Amelia Kuttner and tie up loose ends connected to her. Arriving in Los Angeles and immediately murdering two businessmen who had dealings with Amelia, John Boy tracks Amelia to the home of Holland March, where John Boy threatens and nearly murders March's [[WouldHurtAChild daughter and her best friend]] for standing in his way. Killing Amelia with wry amusement, John Boy later stages an attack on the Los Angeles Auto Show to prevent Amelia's filmed exposure of Detroit's criminal dealings from airing, brutally beating the teenage film projectionist and leaving him for dead in his search. Tossing a grenade into a crowd and killing innocents to cause panicked chaos, John Boy tries to kill March and his partner Jackson Healy, as well as anyone else who gets in his way, notably executing three harmless security guards after dispatching them.
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** Similarly, Holland gets quietly offended when Healy snarks at his being unable to smell, and it's PlayedForLaughs. This is before we find out that he blames himself for the fire that killed his wife, because he couldn't smell the leak.
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* CultClassic: Fortunately, what it lacks in box office success and award nominations, it makes up for it with a very dedicated fanbase and primarily enthusiastic reviews from moviegoers lucky enough to see it.
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* AlternativeCharacterInterpretation: Did Amelia run away from Holland's just because she was scared for her life, or because she didn't want ''more'' people dying after they got close to her?

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* HarsherInHindsight: Holly reading by flashlight in an empty lot at first underscores what an independent kid she is despite Healy's instinct to protect her. Later, it becomes clear that her relative self-sufficiency is a consequence of her sole surviving parent being [[AlcoholicParent a drunken wreck]]... and the open field she was reading in used to be ''their house'' before it burned to the ground.

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* HarsherInHindsight: HarsherInHindsight:
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Holly reading by flashlight in an empty lot at first underscores what an independent kid she is despite Healy's instinct to protect her. Later, it becomes clear that her relative self-sufficiency is a consequence of her sole surviving parent being [[AlcoholicParent a drunken wreck]]... and the open field she was reading in used to be ''their house'' before it burned to the ground.ground.
** Healy punching out a man for preying on underage girls became a lot darker when it was revealed Shane Black was friends with a registered sex offender he provided acting work for, including this film.
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** The scene where Chet takes them to what's left of Dean's house for apparently no reason other than the drama, and Holland spends the entire time chewing him out for it, is a lot less funny when you know how his wife died. No wonder he gets pissy.
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* HoYay: Much like ''KissKissBangBang''. March and Healy have a buddy-cop dynamic that's been popular among slash fans for a ''very'' long time. (At least since the 70s!) In addition, Healy's growing investment in their partnership is paralleled by a growing attachment to his partner's daughter, resulting in [[FanNickname a lot of casual fandom references to]] [[HasTwoMommies Holly's two dads.]]

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* HoYay: Much like ''KissKissBangBang''.''Film/KissKissBangBang''. March and Healy have a buddy-cop dynamic that's been popular among slash fans for a ''very'' long time. (At least since the 70s!) In addition, Healy's growing investment in their partnership is paralleled by a growing attachment to his partner's daughter, resulting in [[FanNickname a lot of casual fandom references to]] [[HasTwoMommies Holly's two dads.]]
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* HilariousInHindsight: Creator/RyanGosling's character Holland March keeps comparing people to Nazis, while Creator/RussellCrowe's character Jackson Healy compares people following protocol to Hitler on multiple occasions. Ironically, early in their careers, both Gosling and Crowe had played Neo-Nazis (Gosling played a Jewish BoomerangBigot in ''Film/TheBeliever'', while Crowe played one in his native Australia in ''Film/RomperStomper'').

to:

* HilariousInHindsight: Creator/RyanGosling's character Holland March keeps comparing people to Nazis, while Creator/RussellCrowe's character Jackson Healy compares people Nazis and following protocol to Hitler on multiple occasions. Ironically, early in their careers, both stars Gosling and Crowe Creator/RussellCrowe had played Neo-Nazis (Gosling played a Jewish BoomerangBigot in ''Film/TheBeliever'', while Crowe played one in his native Australia in ''Film/RomperStomper'').
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* EnsembleDarkhorse: Angourie Rice as Holly was considered one of the movies highlights, which is saying a lot considering you have Creator/RyanGosling and Creator/RussellCrowe.
* FriendlyFandoms: With the Marvel Cinematic Universe, thanks to Creator/ShaneBlack writing and directing ''Film/IronMan3'' and Angourie Rice playing Betty Brant in ''Film/SpidermanHomecoming''.
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* GeniusBonus: Though it's fairly well lampshaded for the audience by March's 'electric cars' line, the average car enthusiast will know that Detroit and the Big Three car companies (Ford, GM, and Chrysler) were already on the slide by 1977, the car show seems the symbolize the ill-fated hubris with the big drop-top Caddy and the gold Corvette. Indeed Healy's Olds Toronado is often thought of as one of the last great cars of the 1960s Detroit era, and contrasts hugely with the young girl's Volkswagen 181 "Thing" - exactly the kind of foreign compact car that hit the US industry so hard.
* HarsherInHindsight: Holly reading by flashlight in an empty lot at first underscores what an independent kid she is despite Healy's instinct to protect her. Later it becomes clear that her relative self-sufficiency is a consequence of her sole surviving parent being [[AlcoholicParent a drunken wreck]]... and the open field she was reading in used to be ''their house'' before it burned to the ground.

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* GeniusBonus: Though it's fairly well lampshaded well-lampshaded for the audience by March's 'electric cars' line, the average car enthusiast will know that Detroit and the Big Three car companies (Ford, GM, and Chrysler) were already on the slide by 1977, 1977; the car show seems the to symbolize the ill-fated hubris with the big drop-top Caddy and the gold Corvette. Indeed Indeed, Healy's Olds Toronado is often thought of as one of the last great cars of the 1960s Detroit era, and contrasts hugely with the young girl's Volkswagen 181 "Thing" - -- exactly the kind of foreign compact car that hit the US industry so hard.
* HarsherInHindsight: Holly reading by flashlight in an empty lot at first underscores what an independent kid she is despite Healy's instinct to protect her. Later Later, it becomes clear that her relative self-sufficiency is a consequence of her sole surviving parent being [[AlcoholicParent a drunken wreck]]... and the open field she was reading in used to be ''their house'' before it burned to the ground.



** Seeing how defeated Healy, March, and even Holly feel after [[spoiler:Amelia is murdered.]]

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** Seeing how defeated Healy, March, and even Holly feel after [[spoiler:Amelia is murdered.]]murdered]].
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* AwardSnub: While it was always a long shot, quite a few people, including critics, bemoaned the film's lack of Screenplay nominations.
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* BigLippedAlligatorMoment: The DreamSequence with an enormous talking bumblebee in the backseat of March's car.
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* HoYay: Much like ''KissKissBangBang''. March and Healy have a buddy-cop dynamic that's been popular among slash fans for a ''very'' long time. (At least since the 70s!) In addition, Healy's growing investment in their partnership is paralleled by a growing attachment to his partner's daughter, resulting in [[FanNickname a lot of casual fandom references to]] [[HasTwoMommies Holly's two dads.]]
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* FunnyAneurysmMoment: Marsh's antics earlier in the film, once you realise the severity of his drinking problem.

to:

* FunnyAneurysmMoment: Marsh's March's antics earlier in the film, once you realise the severity of his drinking problem.
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None

Added DiffLines:

* HilariousInHindsight: Creator/RyanGosling's character Holland March keeps comparing people to Nazis, while Creator/RussellCrowe's character Jackson Healy compares people following protocol to Hitler on multiple occasions. Ironically, early in their careers, both Gosling and Crowe had played Neo-Nazis (Gosling played a Jewish BoomerangBigot in ''Film/TheBeliever'', while Crowe played one in his native Australia in ''Film/RomperStomper'').

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* FunnyAneurysmMoment: Marsh's antics earlier in the film, once you realise the severity of his drinking problem.



* HarsherInHindsight: Marsh's antics earlier in the film, once you realise the severity of his drinking problem.
** Holly reading by flashlight in an empty lot at first underscores what an independent kid she is despite Healy's instinct to protect her. Later it becomes clear that her relative self-sufficiency is a consequence of her sole surviving parent being [[AlcoholicParent a drunken wreck]]... and the open field she was reading in used to be ''their house'' before it burned to the ground.

to:

* HarsherInHindsight: Marsh's antics earlier in the film, once you realise the severity of his drinking problem.
**
Holly reading by flashlight in an empty lot at first underscores what an independent kid she is despite Healy's instinct to protect her. Later it becomes clear that her relative self-sufficiency is a consequence of her sole surviving parent being [[AlcoholicParent a drunken wreck]]... and the open field she was reading in used to be ''their house'' before it burned to the ground.

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Removed: 76

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* Bratty Teenage Daughter: Holly. YMMV as to how annoying you think she is.



** Mrs. Glenn breaking down when she finally realizes that Misty really is dead.

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** Mrs. Glenn breaking down when she finally realizes that Misty really is dead.dead.
----
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* Bratty Teenage Daughter: Holly. YMMV as to how annoying you think she is.
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None

Added DiffLines:

** Holly reading by flashlight in an empty lot at first underscores what an independent kid she is despite Healy's instinct to protect her. Later it becomes clear that her relative self-sufficiency is a consequence of her sole surviving parent being [[AlcoholicParent a drunken wreck]]... and the open field she was reading in used to be ''their house'' before it burned to the ground.
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None

Added DiffLines:

* HarsherInHindsight: Marsh's antics earlier in the film, once you realise the severity of his drinking problem.
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None

Added DiffLines:

* BigLippedAlligatorMoment: The DreamSequence with an enormous talking bumblebee in the backseat of March's car.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* GeniusBonus: Though it's fairly well lampshaded for the audience by March's 'electric cars' line, the average car enthusiast will know that Detroit and the Big Three car companies (Ford, GM, and Chrysler) were already on the slide by 1977, the car show seems the symbolize the ill-fated hubris with the big drop-top Caddy and the gold Corvette. Indeed Healy's Olds Toronado is often thought of as one of the last great cars of the 1960s Detroit era, and contrasts hugely with the young girl's Volkswagen 181 "Thing" - exactly the kind of foreign compact car that hit the US industry so hard.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* TearJerker:
** Seeing how defeated Healy, March, and even Holly feel after [[spoiler:Amelia is murdered.]]
** Mrs. Glenn breaking down when she finally realizes that Misty really is dead.

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