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* SignatureScene: The entire battle against Matthew Patel is what turns this film from a quirky romantic dramedy to a hype action film; a mix of Satya Bhabha's bombastic performance as Patel, the anime-like action shots throughout the fight, and capping off with a Bollywood-style music number make this a very memorable shift in tone for the story.
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* FanPreferredCutContent: In the end, [[spoiler:Scott and Ramona both got together, with Knives approving of their relationship]]. While many fans are receptive towards the ending, an alternative ending was filmed that featured [[spoiler:both Knives and Scott together]]. Some felt that this was a better send-off for the movie, as they felt that it was a better ending for the ''film,'' since it focuses on developing Knives as much as Ramona and Scott, [[AscendedExtra compared to the books]], where she's a more minor character, and the buildup seems to be for both of them finally getting back together.

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* FanPreferredCutContent: In the end, [[spoiler:Scott and Ramona both got together, with Knives approving of their relationship]]. While many fans are receptive towards the ending, an alternative ending was filmed that featured [[spoiler:both Knives and Scott together]]. Some A lot of fans felt that this was a better send-off for the movie, as they felt that it was a better ending for the ''film,'' since it focuses on developing Knives as much as Ramona and Scott, [[AscendedExtra compared to the books]], where she's a more minor character, and the buildup seems to be for both of them finally getting back together.
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Cleaning up the entry a bit.


* FanPreferredCutContent: In the end, [[spoiler:Scott and Ramona both got together, with Knives approving of their relationship]]. While many fans are receptive towards the ending, an alternative ending was filmed that featured [[spoiler:both Knives and Scott together]]. Many felt that this was a better send-off for the movie, as they felt that it was a better ending for the ''film,'' since it focuses on developing Knives as much as Ramona and Scott, [[AscendedExtra compared to the books]], where she's a more minor character, and the buildup seems to be for both of them finally getting back together.

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* FanPreferredCutContent: In the end, [[spoiler:Scott and Ramona both got together, with Knives approving of their relationship]]. While many fans are receptive towards the ending, an alternative ending was filmed that featured [[spoiler:both Knives and Scott together]]. Many Some felt that this was a better send-off for the movie, as they felt that it was a better ending for the ''film,'' since it focuses on developing Knives as much as Ramona and Scott, [[AscendedExtra compared to the books]], where she's a more minor character, and the buildup seems to be for both of them finally getting back together.



* PlatonicWritingRomanticReading: Scott/Knives in hindsight; [[spoiler:originally, the intended ending was for Scott to get back together with Knives, and her increased role in the film was meant to build up to this. Then Edgar Wright learned of the ending to the comic and ended up changing the film's ending based off of this. So we're left with all this subtext between Scott and Knives without them becoming a couple again. On the home versions, the Scott/Knives pay-off was actually released as an full alternate cut of the ending.]]

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* PlatonicWritingRomanticReading: Scott/Knives in hindsight; [[spoiler:originally, the intended ending was for Scott to get back together with Knives, and her increased role in the film was meant to build up to this. Then Edgar Wright learned of the ending to the comic and ended up changing the film's ending based off of this. So So, we're left with all this subtext between Scott and Knives without them becoming a couple again. On the home versions, the Scott/Knives pay-off was actually released as an a full alternate cut of the ending.]]
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* FanPreferredCutContent: In the end, [[spoiler:Scott and Ramona both got together, with Knives approving of their relationship]]. While many fans are receptive towards the ending, an alternative ending was filmed that featured [[spoiler:both Knives and Scott together]]. Many felt that this was a better send-off for the movie, as they felt that it was a better ending for the ''film,'' since it focuses on developing Knives as much as Ramona and Scott, [[AscendedExtra compared to the books]], where she's a more minor character, and the buildup seems to be for both of them finally getting back together.
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Getting rid of the "Condemned by History" pothole as it was blatant bashing and the movie was always niche.


** Even as streaming platforms make it more accessible than it was in 2010, the original target audience of millennials haven't celebrated the film beyond the small cult audience. The film being built around a nerdy DoggedNiceGuy chasing after a girl feels too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]]

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** Even as streaming platforms make it more accessible than it was in 2010, the original target audience of millennials haven't celebrated the film beyond the small cult audience. The film being built around a nerdy DoggedNiceGuy chasing after a girl feels too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]] forget.
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** The film traditionally features artwork that has Scott and Ramona, front and center, with Ramona’s evil exes in the background. The 4K re-release, however, features a similar style of artwork but replaces most of Ramona’s exes with the faces of (the now famous) Anna Kendrick, Brie Larson, and Aubrey Plaza.
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* SugarWiki/AwesomeMusic: See [[AwesomeMusic/ScottPilgrim here]].
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* WhatDoYouMeanItsNotForKids: Due to the flashy visuals, toilet humor, and videogame references, Website/{{IMDb}} users passed it off as a "kiddie" movie. Need we remind you that this is a movie that has sexual references (although mild), Scott accidentally saying that he wants to give Knives a golden shower, Scott being impaled by the seventh ex (yes, he comes back with a 1-Up, and there's no blood, but still!), and one of the exes dying from having an orgasm. This film actually was not as successful as hoped since [[UncertainAudience it was too "adult" for children and too "kiddie" for most adults at the time]].

to:

* WhatDoYouMeanItsNotForKids: Due to the flashy visuals, toilet humor, and videogame video game references, Website/{{IMDb}} users passed it off as a "kiddie" movie. Need we remind you that this is a movie that has sexual references (although mild), Scott accidentally saying that he wants to give Knives a golden shower, Scott being impaled by the seventh ex (yes, he comes back with a 1-Up, and there's no blood, but still!), and one of the exes dying from having an orgasm. This film actually was not as successful as hoped since [[UncertainAudience it was too "adult" for children and too "kiddie" for most adults at the time]].
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* CommonKnowledge: It's widely "known" that Ramona Flowers is a ManicPixieDreamGirl, to the point that she's practically become the poster-child for the trope... even though she's not actually an example. This misconception probably comes from a joke where Scott describes her as "fickle, impulsive [and] spontaneous", even though the whole point of the joke is that Scott is jumping to wildly inaccurate conclusions based on InsaneTrollLogic. The movie's dynamic is actually closer to an ''inversion'' of the trope, as ''Ramona'' is the brooding, emotionally distant partner in the relationship, while ''Scott'' is the hyperactive, childish one whose obsession with her leads her to open up and start enjoying life more.
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What?


** Even as streaming platforms make it more accessible than it was in 2010, the original target audience of millennials haven't celebrated the film beyond the small cult audience. The film being built around a nerdy DoggedNiceGuy chasing after a girl feels too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]] Scott dating a younger, [[CatholicSchoolGirlsRule Asian, catholic high schoolgirl]] also feels a little gross and fetishistic even if their 'dating' is shown to be non-physical, with Scott hanging out with Knives after school because he doesn't want the complication of a more adult relationship.

to:

** Even as streaming platforms make it more accessible than it was in 2010, the original target audience of millennials haven't celebrated the film beyond the small cult audience. The film being built around a nerdy DoggedNiceGuy chasing after a girl feels too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]] Scott dating a younger, [[CatholicSchoolGirlsRule Asian, catholic high schoolgirl]] also feels a little gross and fetishistic even if their 'dating' is shown to be non-physical, with Scott hanging out with Knives after school because he doesn't want the complication of a more adult relationship.
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* {{Applicability}}: After facing off against the first couple evil-exes, Scott gets into a short argument with Ramona talking about her love life and how many more people he will have to fight. This turns the {{Shonen}} inspired action/comedy into an analogy of bringing baggage into a new relationship.
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* RefrainFromAssuming: The second song Crash and the Boys play is NOT called "We Hate You, Please Die" - that song was actually cut from the movie, despite the announcing of it being left in. The song that plays in the movie after the announcement of that song is actually called "Last Song Kills Audience" - this can be found in a deleted scene on the DVD.
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What An Idiot is now classified as Flame Bait.


* WhatAnIdiot: Scott gets one from Wallace when Scott gets an email from Matthew Patel, outlining the League of Evil Exes' format and what would be coming his way, and then Scott dismisses it as rubbish until his sudden fight with Matthew. Granted, when was the last time ''you'' took a threat over the internet seriously?
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* HarsherInHindsight: Ramona's line when she fights Knives, "I didn't steal Scott! I didn't steal ''anyone!''" becomes this after her actress, Creator/MaryElizabethWinstead, received a lot of backlash online after it was revealed she and Creator/EwanMcGregor had had an affair while working together on {{Series/Fargo}}, [[https://www.thelist.com/296679/the-truth-about-ewan-mcgregors-relationship-with-mary-elizabeth-winstead/ with the two leaving their significant others to be together]]. Even [=McGregor's=] daughter voiced her (very negative) opinion about the two, although she has since [[https://www.mirror.co.uk/3am/celebrity-news/inside-ewan-mcgregors-messy-divorce-22175711 admitted]] that posting the comments was "not her finest hour".

to:

* HarsherInHindsight: Ramona's line when she fights Knives, "I didn't steal Scott! I didn't steal ''anyone!''" becomes this after her actress, Creator/MaryElizabethWinstead, received a lot of backlash online after it was revealed she and Creator/EwanMcGregor had had an affair while working together on {{Series/Fargo}}, ''{{Series/Fargo}}'', [[https://www.thelist.com/296679/the-truth-about-ewan-mcgregors-relationship-with-mary-elizabeth-winstead/ with the two leaving their significant others to be together]]. Even [=McGregor's=] daughter voiced her (very negative) opinion about the two, although she has since [[https://www.mirror.co.uk/3am/celebrity-news/inside-ewan-mcgregors-messy-divorce-22175711 admitted]] that posting the comments was "not her finest hour".
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* RelationshipWritingFumble: Scott/Knives ended up becoming one in hindsight; [[spoiler:originally, the intended ending was for Scott to get back together with Knives, and her increased role in the film was meant to build up to this. Then Edgar Wright learned of the ending to the comic and ended up changing the film's ending based off of this. So we're left with all this subtext between Scott and Knives without them becoming a couple again. On the home versions, the Scott/Knives pay-off was actually released as an full alternate cut of the ending.]]

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* RelationshipWritingFumble: PlatonicWritingRomanticReading: Scott/Knives ended up becoming one in hindsight; [[spoiler:originally, the intended ending was for Scott to get back together with Knives, and her increased role in the film was meant to build up to this. Then Edgar Wright learned of the ending to the comic and ended up changing the film's ending based off of this. So we're left with all this subtext between Scott and Knives without them becoming a couple again. On the home versions, the Scott/Knives pay-off was actually released as an full alternate cut of the ending.]]
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** Even as streaming platforms make it more accessible than it was in 2010, the original target audience of millennials haven't celebrated the film beyond the small cult audience. The film being built around a nerdy DoggedNiceGuy chasing after a girl feels too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]]

to:

** Even as streaming platforms make it more accessible than it was in 2010, the original target audience of millennials haven't celebrated the film beyond the small cult audience. The film being built around a nerdy DoggedNiceGuy chasing after a girl feels too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]]]] Scott dating a younger, [[CatholicSchoolGirlsRule Asian, catholic high schoolgirl]] also feels a little gross and fetishistic even if their 'dating' is shown to be non-physical, with Scott hanging out with Knives after school because he doesn't want the complication of a more adult relationship.

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* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. The emphasis on the problems of 20-somethings alienated people over 30, the allusions to 80's-90s video games and pop culture alienated most people ''under'' the age of 20 (who in most cases wouldn't have been born or old enough when the games came out), and Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after the movie was released, bringing it up on certain platforms is a good way to summon people in their late twenties who have absolutely no interest on watching it because they couldn't care any less about the misadventures of a nerdy DoggedNiceGuy chasing after a girl, finding the premise way too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]] This feeling is mitigated by the films cult following though.

to:

* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. well on it's release in 2010.
**
The emphasis on the problems of millennial 20-somethings born in the late 1980's alienated everyone older than the youngest of the Gen-Xers, with the film gaining no traction at all with people aged over 30, the 40.
** The
allusions to 80's-90s video games and pop culture alienated most people from the 1980's and early 1990's pushed away the cohort of those born in the late 1990's and early 2000's who were ''under'' the age of 20 (who in most cases wouldn't and were either not born yet or were too young to have been born or old enough when the games came out), and any memory of those subjects.
**
Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after It also feels laughable that he would in any way be the movie "strongest fighter in the city" and his acting outside the specific typecasting was released, bringing it up on certain another source of disdain for the film.
** Even as streaming
platforms is a good way to summon people make it more accessible than it was in their late twenties who have absolutely no interest on watching it because they couldn't care any less about 2010, the misadventures original target audience of millennials haven't celebrated the film beyond the small cult audience. The film being built around a nerdy DoggedNiceGuy chasing after a girl, finding the premise way girl feels too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]] This feeling is mitigated by the films cult following though.]]
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* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. The emphasis on the problems of 20-somethings alienated people over 30, the allusions to 80's-90s video games and pop culture alienated most people under the age of 21 (who in most cases wouldn't have been born or old enough when the games came out), and Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after the movie was released, bringing it up on certain platforms is a good way to summon people in their late twenties who have absolutely no interest on watching it because they couldn't care any less about the misadventures of a nerdy DoggedNiceGuy chasing after a girl, finding the premise way too reminiscent of the late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]] This feeling is mitigated by the films cult following though.

to:

* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. The emphasis on the problems of 20-somethings alienated people over 30, the allusions to 80's-90s video games and pop culture alienated most people under ''under'' the age of 21 20 (who in most cases wouldn't have been born or old enough when the games came out), and Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after the movie was released, bringing it up on certain platforms is a good way to summon people in their late twenties who have absolutely no interest on watching it because they couldn't care any less about the misadventures of a nerdy DoggedNiceGuy chasing after a girl, finding the premise way too reminiscent of the more cringeworthy aspects of late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]] This feeling is mitigated by the films cult following though.
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Foe Yay has been cut


* FoeYay: Gideon's way of speaking to Scott were... interesting to say the least.
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* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. The emphasis on the problems of 20-somethings alienated people over 30, the allusions to 80's-90s video games and pop culture alienated most people under the age of 21 (who in most cases wouldn't have been born or old enough when the games came out), and Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after the movie was released, bringing it up on certain platforms is a good way to summon people in their late twenties who have absolutely no interest on watching it because they couldn't care any less about the misadventures of a nerdy DoggedNiceGuy chasing after a girl, finding the premise way too reminiscent of the late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]]

to:

* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. The emphasis on the problems of 20-somethings alienated people over 30, the allusions to 80's-90s video games and pop culture alienated most people under the age of 21 (who in most cases wouldn't have been born or old enough when the games came out), and Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after the movie was released, bringing it up on certain platforms is a good way to summon people in their late twenties who have absolutely no interest on watching it because they couldn't care any less about the misadventures of a nerdy DoggedNiceGuy chasing after a girl, finding the premise way too reminiscent of the late 2000s "nerd culture" [[CondemnedByHistory they would rather forget.]]]] This feeling is mitigated by the films cult following though.



* WhatDoYouMeanItsNotForKids: Due to the flashy visuals, toilet humor, and videogame references, Website/{{IMDb}} users passed it off as a "kiddie" movie. Need we remind you that this is a movie that has sexual references (although mild), Scott accidentally saying that he wants to give Knives a golden shower, Scott being impaled by the seventh ex (yes, he comes back with a 1-Up, and there's no blood, but still!), and one of the exes dying from having an orgasm. This film actually was not as successful as hoped since [[UncertainAudience it was too "adult" for children and too "kiddie" for most adults]].

to:

* WhatDoYouMeanItsNotForKids: Due to the flashy visuals, toilet humor, and videogame references, Website/{{IMDb}} users passed it off as a "kiddie" movie. Need we remind you that this is a movie that has sexual references (although mild), Scott accidentally saying that he wants to give Knives a golden shower, Scott being impaled by the seventh ex (yes, he comes back with a 1-Up, and there's no blood, but still!), and one of the exes dying from having an orgasm. This film actually was not as successful as hoped since [[UncertainAudience it was too "adult" for children and too "kiddie" for most adults]].adults at the time]].
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Looking for the ''Scott Pilgrim'' comic YMMV page? [[YMMV/ScottPilgrim Click here]].

!! [[Film/ScottPilgrimVsTheWorld The film]]:

to:

Looking for ->For YMMV tropes that apply to the ''Scott Pilgrim'' comic YMMV page? book, go [[YMMV/ScottPilgrim Click here]].

!! [[Film/ScottPilgrimVsTheWorld The film]]:
here]].
->For YMMV tropes that apply to the video game, go [[YMMV/ScottPilgrimVsTheWorldTheGame here]].
----
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* HilariousInHindsight: The script describes Scott hurling one of Kim's cymbals at Matthew Patel, defeating him, as "ComicBook/CaptainAmerica style". The next Evil Ex, Lucas Lee, is played by Creator/ChrisEvans, who would not a year later become the official movie face of Captain America himself. This coincidence is actually commented on by the cast (Evans included) during the [[https://www.youtube.com/watch?v=DKqKLnsmoK4&ab_channel=EntertainmentWeekly 10 year anniversary table read]].
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Sentence doesn't make sense.


* AlternativeCharacterInterpretation: Done on purpose for the film, where if it was about Stephen and his band trying to make it big but Scott accidentally screws up by being strung on Ramona and they only get successful without him, just like his own ex-girlfriend.
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* SomeAnvilsNeedToBeDropped: The movie makes it clear that in order for a relationship to work, it takes something more powerful than [[spoiler: {{the Power of Love}}. Namely, the Power of Self Respect, and ThePowerOfFriendship, too.]]
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* AudienceColoringAdaptation: Literally--when Bryan Lee O'Malley released a color edition of the books after the movies, some of the coloring matches the movie rather than the original black-and-white books, such as Young Neil having dark hair instead of light hair.
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* SpiritualAdaptation: [[https://mechaguignol.wordpress.com/2010/08/13/scott-pilgrim-vs-utena-tenjou/ Some]] fans would argue that this is the closest thing they could have a live-action adaptation of ''Anime/{{Revolutionary Girl Utena}}''. While the original comic book also made a reference to the anime, the franchise share the similar theme with it as well.

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* SpiritualAdaptation: [[https://mechaguignol.wordpress.com/2010/08/13/scott-pilgrim-vs-utena-tenjou/ Some]] fans would argue that this is the closest thing they could have to a live-action adaptation of ''Anime/{{Revolutionary Girl Utena}}''. While the original comic book also made a reference to the anime, the franchise share the shares similar theme themes with it as well.
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You can't play with a YMMV.


** The second evil ex is played by Creator/ChrisEvans, who would go on to play [[ComicBook/CaptainAmerica Steve Rogers/Captain America]] in the Franchise/MarvelCinematicUniverse. Though this is {{averted|Trope}} for those that knew him as [[Film/FantasticFour2005 Johnny Storm]].

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** The second evil ex is played by Creator/ChrisEvans, who would go on to play [[ComicBook/CaptainAmerica Steve Rogers/Captain America]] in the Franchise/MarvelCinematicUniverse. Though this is {{averted|Trope}} for those that knew him as [[Film/FantasticFour2005 Johnny Storm]].
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* HarsherInHindsight: Ramona's line when she fights Knives, "I didn't steal Scott! I didn't steal ''anyone!''" becomes this after her actress, Creator/MaryElizabethWinstead, received a lot of backlash online after it was revealed she and Creator/EwanMcGregor had had an affair while working together on Series/Fargo, [[https://www.thelist.com/296679/the-truth-about-ewan-mcgregors-relationship-with-mary-elizabeth-winstead/ with the two leaving their significant others to be together]]. Even [=McGregor's=] daughter voiced her (very negative) opinion about the two, although she has since [[https://www.mirror.co.uk/3am/celebrity-news/inside-ewan-mcgregors-messy-divorce-22175711 admitted]] that posting the comments was "not her finest hour".

to:

* HarsherInHindsight: Ramona's line when she fights Knives, "I didn't steal Scott! I didn't steal ''anyone!''" becomes this after her actress, Creator/MaryElizabethWinstead, received a lot of backlash online after it was revealed she and Creator/EwanMcGregor had had an affair while working together on Series/Fargo, {{Series/Fargo}}, [[https://www.thelist.com/296679/the-truth-about-ewan-mcgregors-relationship-with-mary-elizabeth-winstead/ with the two leaving their significant others to be together]]. Even [=McGregor's=] daughter voiced her (very negative) opinion about the two, although she has since [[https://www.mirror.co.uk/3am/celebrity-news/inside-ewan-mcgregors-messy-divorce-22175711 admitted]] that posting the comments was "not her finest hour".
Is there an issue? Send a MessageReason:
None


* HarsherInHindsight: Ramona's line when she fights Knives, "I didn't steal Scott! I didn't steal ''anyone!''" becomes this after her actress, Creator/MaryElizabethWinstead, received a lot of backlash online after Creator/EwanMcGregor announced he was leaving his wife and seen dating her, with people blaming Winstead for the divorce, one of the most vocal being [=McGregor's=] daughter.

to:

* HarsherInHindsight: Ramona's line when she fights Knives, "I didn't steal Scott! I didn't steal ''anyone!''" becomes this after her actress, Creator/MaryElizabethWinstead, received a lot of backlash online after it was revealed she and Creator/EwanMcGregor announced he was had had an affair while working together on Series/Fargo, [[https://www.thelist.com/296679/the-truth-about-ewan-mcgregors-relationship-with-mary-elizabeth-winstead/ with the two leaving his wife and seen dating her, with people blaming Winstead for the divorce, one of the most vocal being their significant others to be together]]. Even [=McGregor's=] daughter.daughter voiced her (very negative) opinion about the two, although she has since [[https://www.mirror.co.uk/3am/celebrity-news/inside-ewan-mcgregors-messy-divorce-22175711 admitted]] that posting the comments was "not her finest hour".
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Renamed per TRS


* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. The emphasis on the problems of 20-somethings alienated people over 30, the allusions to 80's-90s video games and pop culture alienated most people under the age of 21 (who in most cases wouldn't have been born or old enough when the games came out), and Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after the movie was released, bringing it up on certain platforms is a good way to summon people in their late twenties who have absolutely no interest on watching it because they couldn't care any less about the misadventures of a nerdy DoggedNiceGuy chasing after a girl, finding the premise way too reminiscent of the late 2000s "nerd culture" [[DeaderThanDisco they would rather forget.]]

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* AudienceAlienatingPremise: According to [[http://www.cinemablend.com/new/Box-Office-Bob-omb-5-Reasons-Scott-Pilgrim-Vs-The-World-Failed-To-Find-An-Audience-20168.html this article]], that is why the movie didn't do well. The emphasis on the problems of 20-somethings alienated people over 30, the allusions to 80's-90s video games and pop culture alienated most people under the age of 21 (who in most cases wouldn't have been born or old enough when the games came out), and Creator/MichaelCera was subject of some HypeBacklash thanks to the perception that [[{{Typecasting}} he'd been playing the same meek hipster characters over and over]] ([[NeverTrustATrailer a notion that the trailers did little to dispel, heavily featuring Scott's meeker moments and omitting his more jerkass ones]]). Years after the movie was released, bringing it up on certain platforms is a good way to summon people in their late twenties who have absolutely no interest on watching it because they couldn't care any less about the misadventures of a nerdy DoggedNiceGuy chasing after a girl, finding the premise way too reminiscent of the late 2000s "nerd culture" [[DeaderThanDisco [[CondemnedByHistory they would rather forget.]]

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