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Referring to other entries for context is frowned upon.
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* TearJerker: The aforementioned "Goofin' On the Job." It focuses on an office worker who just broke up with a woman he was in a relationship, with him switching between being glad she's gone and depressed about it, all focusing on the photo of her he has in his cubicle. [[spoiler:At the end, it turns out the photo is actually the window, which he accidently falls out off.]]
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* TearJerker: The aforementioned "Goofin' On the Job." It focuses on an office worker who just broke up with a woman he was in a relationship, with him switching between being glad she's gone and depressed about it, all focusing on the photo of her he has in his cubicle. [[spoiler:At the end, it turns out the photo is actually the window, which he accidently falls out off.]]
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* TearJerker: The aforementioned "Goofin' On the Job." It focuses on an office worker who just broke up with a woman he was in a relationship, with him switching between being glad she's gone and depressed about it, all focusing on the photo of her he has in his cubicle. [[spoiler:At the end, it turns out the photo is actually the window, which he accidently falls out off.]]
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* AlternativeCharacterInterpretation: The final non-chorus lyric of "They're Coming To Take Me Away, Ha Ha!" ("And when they do, they'll put you in The A.S.P.C.A., you mangy mutt!") is supposed to be taken literally as the song's punch line. However, it's not uncommon for it to be interpreted as still referring to a person in a mocking tone.
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* {{Sequelitis}}: "They're Coming To Take Me Away, Ha-Haaa!" had two sequels: "They're Coming To Get Me Again, Ha-Haaa!" and "I'm Glad That They Took You Away, Ha-Haa!", the latter of which was from the perspective of the woman. The titles were funnier than the songs themselves.
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* {{Sequelitis}}: "They're Coming To Take Me Away, Ha-Haaa!" had two sequels: "They're Coming To Get Me Again, Ha-Haaa!" and "I'm Glad That They Took You Away, Ha-Haa!", the latter of which was from the perspective of the woman. The Most would agree that the titles were funnier than the songs themselves.
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* NightmareFuel: Again, "Goofin' On the Job." "They're Coming To Take Me Away, Ha Ha!" is, if taken at face value.
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* NightmareFuel: Again, "Goofin' On the Job." "They're Coming To Take Me Away, Ha Ha!" is, is pretty creepy if taken at face value.
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Needs explanation
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* FridgeHorror: "Goofin' On the Job".
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* FridgeHorror: "Goofin' On the Job"
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* FridgeHorror: "Goofin' On the Job"Job".
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* OneHitWonder
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* SignatureSong: "They're Coming to Take Me Away, Ha-Haaa!"
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* SignatureSong: "They're Coming to Take Me Away, Ha-Haaa!"Ha-Haaa!"
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* NightmareFuel: Again, "Goofin' On the Job." And of corse, "They're Coming To Take Me Away, Ha Ha!"
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* NightmareFuel: Again, "Goofin' On the Job." And of corse, "They're Coming To Take Me Away, Ha Ha!"Ha!" is, if taken at face value.
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* {{Sequelitis}}: "They're Coming To Take Me Away, Ha-Haaa!" had two sequels: "They're Coming To Get Me Again, Ha-Haaa!" and "I'm Glad That They Took You Away, Ha-Haa!", the latter of which was from the perspective of the woman. The titles were funnier than the songs themselves.
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* NightmareFuel: Again, "Goofin' On the Job"
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* NightmareFuel: Again, "Goofin' On the Job"Job." And of corse, "They're Coming To Take Me Away, Ha Ha!"
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* NightmareFuel: Again, "Goofin' On the Job"
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not ymmv
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* LyricalDissonace: Every single thing he's ever done, with the possible exceptions of "Iowa Pot" and "The Explorer," and the definite exception of "Goofin' On The Job." The latter is sufficiently disturbing to him that he buried it in the middle of the CD release of his complete collection.
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* LyricalDissonace: Every single thing he's ever done, with the possible exceptions of "Iowa Pot" and "The Explorer," and the definite exception of "Goofin' On The Job." The latter is sufficiently disturbing SignatureSong: "They're Coming to him that he buried it in the middle of the CD release of his complete collection.Take Me Away, Ha-Haaa!"
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Changed line(s) 1 (click to see context) from:
LyricalDissonace: Every single thing he's ever done, with the possible exceptions of "Iowa Pot" and "The Explorer," and the definite exception of "Goofin' On The Job." The latter is sufficiently disturbing to him that he buried it in the middle of the CD release of his complete collection.
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* LyricalDissonace: Every single thing he's ever done, with the possible exceptions of "Iowa Pot" and "The Explorer," and the definite exception of "Goofin' On The Job." The latter is sufficiently disturbing to him that he buried it in the middle of the CD release of his complete collection.collection.
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LyricalDissonace: Every single thing he's ever done, with the possible exceptions of "Iowa Pot" and "The Explorer," and the definite exception of "Goofin' On The Job." The latter is sufficiently disturbing to him that he buried it in the middle of the CD release of his complete collection.
