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YMMV can't be played with.
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* EndingFatigue: [[spoiler:Molina is released on parole 3/4ths of the way through the movie. While arguably justified to show how Molina's changed and to provide the DownerEnding, it still feels too long.]] This was averted in the novel through the GenreShift.
to:
* EndingFatigue: [[spoiler:Molina is released on parole 3/4ths of the way through the movie. While arguably justified to show how Molina's changed and to provide the DownerEnding, it still feels too long.]] This was averted in the novel through the GenreShift.]]
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* WhatAnIdiot: Somehow, Molina never realized that his favorite film of all time was obvious Nazi propaganda until Arregui points it out.
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* AdaptationDisplacement: A more mild case; its generally an even split on which of the three most well known versions (novel, film, musical) someone is first exposed to.
to:
* AdaptationDisplacement: A more mild case; its it's generally an even split on which of the three most well known versions (novel, film, musical) someone is first exposed to.
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Changed line(s) 5 (click to see context) from:
* WhatAnIdiot: Somehow, Molina never realized that his favorite film of all time was obvious Nazi propaganda until Agurri points it out.
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* WhatAnIdiot: Somehow, Molina never realized that his favorite film of all time was obvious Nazi propaganda until Agurri Arregui points it out.
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Added DiffLines:
* WhatAnIdiot: Somehow, Molina never realized that his favorite film of all time was obvious Nazi propaganda until Agurri points it out.
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* PropagandaPiece: InUniverse, the Nazi film Molina is obsessed with naturally counts. It tars all Jews and French Resistance members as horrible people.
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* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison rightfully treat her as Luisa, a woman]].
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* FairForItsDay: Surely, While Molina was treated in prison as a man, but [[spoiler:her [[spoiler:all her friends outside prison rightfully treat her as Luisa, a woman]].woman]].
* PropagandaPiece: InUniverse, the Nazi film Molina is obsessed with naturally counts. It tars all Jews and French Resistance members as horrible people.
* PropagandaPiece: InUniverse, the Nazi film Molina is obsessed with naturally counts. It tars all Jews and French Resistance members as horrible people.
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* AwardSnub: For the movie: Raul Julia and Sonia Braga weren't nominated for Oscars, despite getting Golden Globe nods.
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* AwardSnub: For the movie: Raul Julia Creator/RaulJulia and Sonia Braga Creator/SoniaBraga weren't nominated for Oscars, despite getting Golden Globe nods.
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* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison rightfully treat her as Luisa, a woman]].
to:
* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison rightfully treat her as Luisa, a woman]].woman]].
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New trope
Added DiffLines:
* AwardSnub: For the movie: Raul Julia and Sonia Braga weren't nominated for Oscars, despite getting Golden Globe nods.
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* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison righyfully treats her as Luisa, a woman]].
to:
* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison righyfully treats rightfully treat her as Luisa, a woman]].
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* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison righyfully treats her as Luisa, a woman]].
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
to:
* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison righyfully treats her as Luisa, a woman]].
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.woman]].
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
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None
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* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
to:
* FairForItsDay: Surely, Molina was treated in prison as a man, but [[spoiler:her friends outside prison righyfully treats her as Luisa, a woman]].
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
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None
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* EndingFatigue: [[spoiler:Molina gets on parole 3/4ths of the way through the movie. While arguably justified to show how Molina's changed and to provide the DownerEnding, it still feels too long.]] This was averted in the novel through the GenreShift.
to:
* EndingFatigue: [[spoiler:Molina gets is released on parole 3/4ths of the way through the movie. While arguably justified to show how Molina's changed and to provide the DownerEnding, it still feels too long.]] This was averted in the novel through the GenreShift.
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None
Changed line(s) 2 (click to see context) from:
* EndingFatigue: [[spoiler:Molina gets on parole 3/4ths of the way through the movie. While arguably justified to show how Molina's changed and to provide the DownerEnding, it still feels too long.]] This was averted in the novel through the GenreShift
to:
* EndingFatigue: [[spoiler:Molina gets on parole 3/4ths of the way through the movie. While arguably justified to show how Molina's changed and to provide the DownerEnding, it still feels too long.]] This was averted in the novel through the GenreShiftGenreShift.
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
* HoYay: Until Molina reveals he loves Valentin, making it explicit, the film is rife with this.
