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** "There was nothing we could do about it... X was a made man and Y wasn't. It was some real greaseball shit."

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** "There was nothing we could do about it... X was a made man and Y wasn't. And we had to sit still and take it. It was some real greaseball shit."

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** "There was nothing we could do about it... X was a made man and Y wasn't"

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** "There was nothing we could do about it... X was a made man and Y wasn't"wasn't. It was some real greaseball shit."



*** Creator/RayLiotta appears in the prequel movie, ''Film/TheManySaintsOfNewark'', as twins "Hollywood Dick" and Salvatore Moltisanti, Christopher's grandfather and great uncle.



** "There was nothing that we could do about it. Batts was a made man, Tommy wasn't".

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** "There was nothing that we could do about it. Batts was a made man, man and Tommy wasn't".wasn't, and we had to sit still and take it. As among the Italians, it was real greaseball shit."
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* EightDeadlyWords: Some viewers may find the protagonists’ endless, repetitive violence so dull and despicable that they don’t really care who gets killed or imprisoned for it.
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* SpecialEffectsFailure: During [[spoiler:Stacks's]] BoomHeadshot death, it's possible to see that the massive spray of gore shoots in from offscreen rather than from the character's head, likely fired by some sort of air cannon.
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** “Fuck you. Pay me.” has become a bit of a meme in TheNewTwenties among job hunters who are sick of being offered crap pay and benefits, and sometimes no pay at all.
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*** Vincent Pastore (Big Pussy Bonpensiero) is the guy carrying a coatrack.

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*** Vincent Pastore Creator/VincentPastore (Big Pussy Bonpensiero) is the guy carrying a coatrack.
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* WhatAnIdiot:
** [[spoiler: Jimmy wants to put a hit on Henry at the end because he is worried Henry'll squeal to the cops. It's the realization that he has a hit on him that makes Henry squeal in the first place.]] Note that despite the WhatAnIdiot aspect, this really happened on several occasions.
** Tommy killing Billy Batts, despite him of all people knowing that Batts was a Made Man and therefore under official protection. [[note]] In real-life it was even worse: ''he killed a second made-man 4 years after the Batts murder.'' [[/note]] [[spoiler:This eventually leads to Tommy's death as revenge.]]
** Johnny Roastbeef and Frankie Carbone deserve a mention due to their stupidity of immediately buying themselves expensive shit with their share of the Lufthansa loot, despite Jimmy ''explicitly telling them not to do so'' since it would draw attention from the cops. This is one of the reasons why he decides to get rid of them, so they essentially dug their own graves. However, it must be known that at that point, everyone was going to be killed. As Henry stated, that money was ''his''. He would kick up a share to Paulie, but he didn't want to share the loot with anyone else.
** Stacks Edwards, leaving the Lufthansa Heist getaway van parked right outside his apartment while he got high with his girlfriend, allowing the cops to find it.
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** Tommy [[spoiler:being whacked for killing Billy Batts]] and Jimmy's reaction to the event.
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** Did the Lufthansa Heist crew get whacked out of paranoia, or was Jimmy always planning on killing them? Stacks, Johnny Roastbeef and Frank Carbone’s murders can be somewhat justified as they didn’t do what Jimmy told them to do, but Frenchy is also whacked with no apparent grievance, and Maury is whacked essentially for being annoying. Henry’s narration that Jimmy "loved to steal" and felt "[the Lufthansa] money was his"suggest the murders were due to the character's immorality rather than paranoia, but the filmmaking suggests growing mistrust and paranoia.
** Was Jimmy upset over [[spoiler:Tommy’s death]] or was he upset that there wouldn’t be a made member in his crew? Or perhaps terrified he himself might get killed due to his involvement.

to:

** Did the Lufthansa Heist crew get whacked out of paranoia, or was Jimmy always planning on killing them? Stacks, Johnny Roastbeef and Frank Carbone’s murders can be somewhat justified as they didn’t do what Jimmy told them to do, but Frenchy is also whacked with no apparent grievance, and Maury is whacked essentially for being annoying. Henry’s narration that Jimmy "loved to steal" and felt "[the Lufthansa] money was his"suggest his" suggest the murders were due to the character's immorality rather than paranoia, but the filmmaking suggests growing mistrust and paranoia.
** Was Jimmy upset over [[spoiler:Tommy’s death]] or was he upset that there wouldn’t be a made member in his crew? Or perhaps was he terrified he himself might get killed due to his involvement.involvement?



** When Paulie is being arrested, one of his guys yells, "Why don't you go to Wall Street, get some ''real'' criminals". Cut to 20 years later and Scorsese makes ''Film/TheWolfOfWallStreet'', the SpiritualSuccessor to both this movie and ''Film/{{Casino}}'' and is pretty up front about how Wall Street brokers are just as corrupt as gangsters.

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** When Paulie is being arrested, one of his guys yells, "Why don't you go to Wall Street, get some ''real'' criminals". Cut to 20 years later and Scorsese makes ''Film/TheWolfOfWallStreet'', the SpiritualSuccessor to both this movie and ''Film/{{Casino}}'' and is pretty up front about how Wall Street brokers are all too often just as corrupt as gangsters.
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** "There was nothing that we could do about it. Batts was a made man, Tommy wasn't".
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*** Chuck Low (Shlomo Teittelman) is Morrie Kessler.
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** ''[=GoodFellas=]'', Creator/MartinScorsese, and Creator/LorraineBracco lost to ''Film/DancesWithWolves'', Creator/KevinCostner, and Creator/WhoopiGoldberg for Best Picture, Best Director, and Best Supporting Actress, respectively. In hindsight, ''[=GoodFellas=]'' is considered Scorsese's greatest film (and one of the greatest films ever). For some (most notably, ''Series/SiskelAndEbert''), the loss for Best Director was particularly galling. Kevin Costner was already listed as a co-producer for ''Dances With Wolves'' (the heavy frontrunner for Best Picture), so it seemed redundant for the Academy to honor him again as a Director over Scorsese, especially given how much the latter's direction was specifically praised and analyzed. To make matters worse, ''Wolves'' was Costner's film debut, and many already thought Scorsese was due for recognition after losing out for ''Film/RagingBull'' against Creator/RobertRedford and ''Ordinary People'' (coincidently enough, Redford had beaten Marty for a directorial debut, also).

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** ''[=GoodFellas=]'', At the UsefulNotes/{{Academy Award}}s, the movie, Creator/MartinScorsese, and Creator/LorraineBracco lost to ''Film/DancesWithWolves'', Creator/KevinCostner, and Creator/WhoopiGoldberg for Best Picture, Best Director, and Best Supporting Actress, respectively. In hindsight, ''[=GoodFellas=]'' is considered Scorsese's greatest film (and one of the greatest films ever). For some (most notably, ''Series/SiskelAndEbert''), the loss for Best Director was particularly galling. Kevin Costner was already listed as a co-producer for ''Dances With Wolves'' (the heavy frontrunner for Best Picture), so it seemed redundant for the Academy to honor him again as a Director over Scorsese, especially given how much the latter's direction was specifically praised and analyzed. To make matters worse, ''Wolves'' was Costner's film debut, and many already thought Scorsese was due for recognition after losing out for ''Film/RagingBull'' against Creator/RobertRedford and ''Ordinary People'' (coincidently enough, Redford had beaten Marty for a directorial debut, also).
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*** Vincent Pastore (Big Pussy Bonpensiero) is the guy carrying a coatrack.

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*** Creator/MichaelImperioli (Christopher) has one of his first roles in this film as the waiter who runs afoul of Tommy.

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*** Creator/MichaelImperioli (Christopher) (Christopher Moltisanti) has one of his first roles in this film as the waiter who runs afoul of Tommy.


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*** Creator/RayLiotta appears in the prequel movie, ''Film/TheManySaintsOfNewark'', as twins "Hollywood Dick" and Salvatore Moltisanti, Christopher's grandfather and great uncle.
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** Was Jimmy upset over [[spoiler:Tommy’s death]] or was he upset that there wouldn’t be a made member in his crew?

to:

** Was Jimmy upset over [[spoiler:Tommy’s death]] or was he upset that there wouldn’t be a made member in his crew?crew? Or perhaps terrified he himself might get killed due to his involvement.
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** Was Jimmy upset over Tommy’s death or was he upset that there wouldn’t be a made member in his crew?

to:

** Was Jimmy upset over Tommy’s death [[spoiler:Tommy’s death]] or was he upset that there wouldn’t be a made member in his crew?
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** Was Jimmy upset over Tommy’s death or was he upset that there wouldn’t be a made member in his crew.

to:

** Was Jimmy upset over Tommy’s death or was he upset that there wouldn’t be a made member in his crew.crew?
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** Was Jimmy upset over Tommy’s death or was he upset that there wouldn’t be a made member in his crew.

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** Creator/LorraineBracco
** Creator/MichaelImperioli, best known as Christopher from ''Series/TheSopranos'', has one of his first roles as the waiter who runs afoul of Tommy. , Tony "Paulie Walnuts" Sirico as one of Paulie Cicero's henchmen in the 1955 scenes, and Tony "Larry Boy Barese" Darrow as the hangout owner who complains to Paulie about Tommy.

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** Creator/LorraineBracco
** Creator/MichaelImperioli,
Several actors from this film would later become best known as Christopher from ''Series/TheSopranos'', cast-members on ''Series/TheSopranos'':
*** Perhaps the more well-known example is Creator/LorraineBracco (Dr. Jennifer Melfi), who plays Karen Hill here. If anything, [[TwoHitWonder those two roles are the only ones she's best known for.]]
*** Creator/MichaelImperioli (Christopher)
has one of his first roles in this film as the waiter who runs afoul of Tommy. , Tommy.
***
Tony "Paulie Walnuts" Sirico as (Paulie Walnuts) is one of Paulie Cicero's henchmen in the 1955 scenes, and scenes.
***
Tony "Larry Boy Barese" Darrow as (Larry Boy Barese) is the hangout owner who complains to Paulie about Tommy.

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** It also has a major rivalry with ''Film/TheGodfather'' over which is the better gangster film. Both are made by Italian-American film-makers and have achieved PopCulturalOsmosis with much iconic catch-phrases. Supporters argue that ''Goodfellas'' is more realistic gritty and far less romantic than ''The Godfather'' since its gangsters weren't romanticized with DelusionsOfEloquence, while others argue that ''The Godfather'' on account of being stylized, especially with Part II, can have an epic historical sweep over the immigration experience.
*** Although, to be fair, some people don't seem to notice that ''The Godfather Part II'' shows the ugliest side of the classic Mafia (which was largely intentional); Furthermore, ''The Godfather'' trilogy doesn't focus on lower-ranking mobsters like ''[=GoodFellas=]'', but rather on the top level of the Mafia and where the true power of the organization is concentrated.

to:

** It also has a major rivalry with ''Film/TheGodfather'' over which is the better gangster film. Both are made by Italian-American film-makers filmmakers and have achieved PopCulturalOsmosis with much iconic catch-phrases. Supporters argue that ''Goodfellas'' is more realistic gritty and far less romantic than ''The Godfather'' since its gangsters weren't romanticized with DelusionsOfEloquence, while others argue that ''The Godfather'' on account of being stylized, especially with Part II, ''Part II'', can have an epic historical sweep over the immigration experience.
*** Although, to be fair, some people don't seem to notice
experience. A third camp argues for both films, saying that ''The Godfather Part II'' shows the ugliest side of the classic Mafia (which was largely intentional); Furthermore, ''The Godfather'' trilogy doesn't focus on lower-ranking mobsters like ''[=GoodFellas=]'', but rather on the top level of the Mafia and where the true power of the organization is concentrated.

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** Did the Lufthansa Heist crew get whacked out of paranoia, or was Jimmy always planning on killing them? Stacks, Johnny Roastbeef and Frank Carbone’s murders can be somewhat justified as they didn’t do what Jimmy told them to do, but Frenchy is also whacked with no apparent grievance, and Maury is whacked essentially for being annoying. Henry’s narration that Jimmy “loved to steal” and felt “[the Lufthansa] money was his” suggest the murders were due to the character's immorality rather than paranoia, but the filmmaking suggests growing mistrust and paranoia.
* AwardSnub: ''[=GoodFellas=]'', Creator/MartinScorsese, and Creator/LorraineBracco lost to ''Film/DancesWithWolves'', Creator/KevinCostner, and Creator/WhoopiGoldberg for Best Picture, Best Director, and Best Supporting Actress, respectively. In hindsight, ''[=GoodFellas=]'' is considered Scorsese's greatest film (and one of the greatest films ever). On the other hand, Creator/JoePesci not only got a fully deserved Oscar for Best Supporting, he didn't even expect to win and gave one of the shortest and most modest speeches in Academy history ("It's my privilege. Thank you.")

to:

** Did the Lufthansa Heist crew get whacked out of paranoia, or was Jimmy always planning on killing them? Stacks, Johnny Roastbeef and Frank Carbone’s murders can be somewhat justified as they didn’t do what Jimmy told them to do, but Frenchy is also whacked with no apparent grievance, and Maury is whacked essentially for being annoying. Henry’s narration that Jimmy “loved "loved to steal” steal" and felt “[the "[the Lufthansa] money was his” suggest his"suggest the murders were due to the character's immorality rather than paranoia, but the filmmaking suggests growing mistrust and paranoia.
* AwardSnub: AwardSnub:
**
''[=GoodFellas=]'', Creator/MartinScorsese, and Creator/LorraineBracco lost to ''Film/DancesWithWolves'', Creator/KevinCostner, and Creator/WhoopiGoldberg for Best Picture, Best Director, and Best Supporting Actress, respectively. In hindsight, ''[=GoodFellas=]'' is considered Scorsese's greatest film (and one of the greatest films ever). On For some (most notably, ''Series/SiskelAndEbert''), the other hand, Creator/JoePesci not only got a fully deserved Oscar loss for Best Supporting, he didn't even expect to win and gave one of Director was particularly galling. Kevin Costner was already listed as a co-producer for ''Dances With Wolves'' (the heavy frontrunner for Best Picture), so it seemed redundant for the shortest and most modest speeches in Academy history ("It's my privilege. Thank you.") to honor him again as a Director over Scorsese, especially given how much the latter's direction was specifically praised and analyzed. To make matters worse, ''Wolves'' was Costner's film debut, and many already thought Scorsese was due for recognition after losing out for ''Film/RagingBull'' against Creator/RobertRedford and ''Ordinary People'' (coincidently enough, Redford had beaten Marty for a directorial debut, also).



** For some (most notably, ''Series/SiskelAndEbert''), the loss for Best Director was particularly galling. Kevin Costner was already listed as a co-producer for ''Dances With Wolves'' (the heavy frontrunner for Best Picture), so it seemed redundant for the Academy to honor him again as a Director over Marty, especially given how much the latter's direction was specifically praised and analyzed. To make matters worse, ''Wolves'' was Costner's film debut, and many already thought Scorsese was due for recognition after losing out for ''Film/RagingBull'' against Creator/RobertRedford and ''Ordinary People'' (coincidently enough, Redford had beaten Marty for a directorial debut, also).

to:

** For some (most notably, ''Series/SiskelAndEbert''), On the loss other hand, Creator/JoePesci not only got a fully deserved Oscar for Best Director was particularly galling. Kevin Costner was already listed as a co-producer for ''Dances With Wolves'' (the heavy frontrunner for Best Picture), so it seemed redundant for Supporting Actor, he didn't even expect to win and gave one of the shortest and most modest speeches in Academy to honor him again as a Director over Marty, especially given how much the latter's direction was specifically praised and analyzed. To make matters worse, ''Wolves'' was Costner's film debut, and many already thought Scorsese was due for recognition after losing out for ''Film/RagingBull'' against Creator/RobertRedford and ''Ordinary People'' (coincidently enough, Redford had beaten Marty for a directorial debut, also). history ("It's my privilege. Thank you.")



** Creator/MichaelImperioli, best known as Christopher from ''Series/TheSopranos'', has one of his first roles as the waiter who runs afoul of Tommy. Creator/LorraineBracco, Tony "Paulie Walnuts" Sirico as one of Paulie Cicero's henchmen in the 1955 scenes, and Tony "Larry Boy Barese" Darrow as the hangout owner who complains to Paulie about Tommy.

to:

** Creator/LorraineBracco
** Creator/MichaelImperioli, best known as Christopher from ''Series/TheSopranos'', has one of his first roles as the waiter who runs afoul of Tommy. Creator/LorraineBracco, , Tony "Paulie Walnuts" Sirico as one of Paulie Cicero's henchmen in the 1955 scenes, and Tony "Larry Boy Barese" Darrow as the hangout owner who complains to Paulie about Tommy.
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** Go to the comment section on any Website/YouTube video with either Joe Pesci, or Frank Vincent, (including clips from 'Raging Bull', ''Film/HomeAlone'', ''Film/{{Casino}}'' and ''Series/TheSopranos'', and even 'Film/DonnieBrasco'' which features neither actor but somewhat similar scenes) or the songs "The Boy I Love" and "Atlantis" and there's a good chance it'll be filled with "shinebox" jokes.

to:

** Go to the comment section on any Website/YouTube video with either Joe Pesci, or Frank Vincent, (including clips from 'Raging Bull', ''Film/RagingBull'', ''Film/HomeAlone'', ''Film/{{Casino}}'' ''Casino'' and ''Series/TheSopranos'', and even 'Film/DonnieBrasco'' ''Film/DonnieBrasco'' which features neither actor but somewhat similar scenes) or the songs "The Boy I Love" and "Atlantis" and there's a good chance it'll be filled with "shinebox" jokes.
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** Go to the comment section on any Website/YouTube video with either Joe Pesci, or Frank Vincent, (including clips from 'Raging Bull', 'Home Alone', 'Casino' and 'The Sopranos', and even 'Donnie Brasco' which features neither actor but somewhat similar scenes) or the songs 'The Boy I Love' and 'Atlantis' and there's a good chance it'll be filled with 'shinebox' jokes.

to:

** Go to the comment section on any Website/YouTube video with either Joe Pesci, or Frank Vincent, (including clips from 'Raging Bull', 'Home Alone', 'Casino' ''Film/HomeAlone'', ''Film/{{Casino}}'' and 'The Sopranos', ''Series/TheSopranos'', and even 'Donnie Brasco' 'Film/DonnieBrasco'' which features neither actor but somewhat similar scenes) or the songs 'The "The Boy I Love' Love" and 'Atlantis' "Atlantis" and there's a good chance it'll be filled with 'shinebox' "shinebox" jokes.
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** A blink and you'll miss it appearance from Creator/TobinBell as Jimmy's parole officer.
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** Stacks Edwards, leaving the Lufthansa Heist getaway van parked right outside his apartment while he got high with his girlfriend, allowing the cops to find it.
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** Jimmy's first line is referring to himself as "the Irishman". [[Film/TheIrishman Twenty-nine years later...]]

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** Did the Lufthansa Heist crew get whacked out of paranoia, or was Jimmy always planning on killing them? Stacks, Johnny Roastbeef and Frank Carbone’s murders can be somewhat justified as they didn’t do what Jimmy told them to do, but Frenchy is also whacked with no apparent grievance, and Maury is whacked essentially for being annoying. Henry’s narration that Jimmy “loved to steal” and felt “[the Lufthansa] money was his” suggest the murders were due to the character’s immorality rather than paranoia, but the filmmaking suggests growing mistrust and paranoia.

to:

** Did the Lufthansa Heist crew get whacked out of paranoia, or was Jimmy always planning on killing them? Stacks, Johnny Roastbeef and Frank Carbone’s murders can be somewhat justified as they didn’t do what Jimmy told them to do, but Frenchy is also whacked with no apparent grievance, and Maury is whacked essentially for being annoying. Henry’s narration that Jimmy “loved to steal” and felt “[the Lufthansa] money was his” suggest the murders were due to the character’s character's immorality rather than paranoia, but the filmmaking suggests growing mistrust and paranoia.



** Michael Blauhuas' cinematography wasn't nominated.



%%** "Now go home and get your fucking shinebox!"
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* AwardSnub: ''[=GoodFellas=]'', Creator/MartinScorsese, and Creator/LorraineBracco lost to ''Film/DancesWithWolves'', Creator/KevinCostner, and Creator/WhoopiGoldberg for Best Picture, Best Director, and Best Supporting Actress, respectively. In hindsight, ''[=GoodFellas=]'' is considered Scorsese's greatest film. On the other hand, Creator/JoePesci not only got a fully deserved Oscar for Best Supporting, he didn't even expect to win and gave one of the shortest and most modest speeches in Academy history ("It's my privilege. Thank you.")

to:

* AwardSnub: ''[=GoodFellas=]'', Creator/MartinScorsese, and Creator/LorraineBracco lost to ''Film/DancesWithWolves'', Creator/KevinCostner, and Creator/WhoopiGoldberg for Best Picture, Best Director, and Best Supporting Actress, respectively. In hindsight, ''[=GoodFellas=]'' is considered Scorsese's greatest film.film (and one of the greatest films ever). On the other hand, Creator/JoePesci not only got a fully deserved Oscar for Best Supporting, he didn't even expect to win and gave one of the shortest and most modest speeches in Academy history ("It's my privilege. Thank you.")
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*** Given she was shown arrested along with the rest of them, it looks like she really was just that stupid. Although that also raises the legitimate question of why Henry was trusting her with critical information and tasks anyway.

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*** Given she was shown arrested along with the rest of them, it looks like she really was just that stupid. Although that also raises the legitimate question of why Henry was trusting her with critical information and tasks anyway. Then again, her arrest may have been a means to maintain her cover.
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** "As far back as I can remember, I always wanted to be a gangster ".

to:

** "As far back as I can remember, I always wanted to be a gangster ".gangster".

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