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* {{Squick}}: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds, and WordOfGod is the scene was shot to resemble someone remembering a trauma. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.
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* {{Squick}}: The scene in which Patrick Kenzie enters [[WouldHurtAChild Corwin Earle's Earle's]] room and sees what is there.[[spoiler:a child's body in the bathtub, with his blood-stained underwear in the sink]]. The images only last a few split seconds, and WordOfGod is the scene was shot to resemble someone remembering a trauma. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.
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Deleted bad spoiler-markup; see "swiss-cheese entries" in Handling Spoilers. Added more information.
* AwardSnub: Creator/AmyRyan swept the Critics' awards for Best Supporting Actress, but lost all the major awards to Creator/CateBlanchett (Golden Globe), Creator/RubyDee (Screen Actors Guild), and Creator/TildaSwinton (BAFTA and UsefulNotes/AcademyAward).
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* {{Squick}}: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds, and WordOfGod is the scene was shot to resemble someone remembering a trauma. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.[[invoked]]
* TearJerker: Bressant's speech about the time [[spoiler:he planted evidence]] when he gets to the part about the kid.
-->'''Bressant''': [[spoiler:Now, this place was a shithole, mind you? Rats, roaches, all over the place. But the kid's room, in the back, was spotless. No, I mean, he swept it, mopped it; it was immaculate. The little boy's sitting on the bed, holding onto his Playstation for dear life. There's no expression on his face, tears streaming down. He wants to tell me he just learned his multiplication tables. I mean, the father's got him in this crack den, subsisting on twinkies and ass-whippings, [[TheWoobie and this little boy just wants someone to tell him that he's doing a good job]].]]
* TearJerker: Bressant's speech about the time [[spoiler:he planted evidence]] when he gets to the part about the kid.
-->'''Bressant''': [[spoiler:Now, this place was a shithole, mind you? Rats, roaches, all over the place. But the kid's room, in the back, was spotless. No, I mean, he swept it, mopped it; it was immaculate. The little boy's sitting on the bed, holding onto his Playstation for dear life. There's no expression on his face, tears streaming down. He wants to tell me he just learned his multiplication tables. I mean, the father's got him in this crack den, subsisting on twinkies and ass-whippings, [[TheWoobie and this little boy just wants someone to tell him that he's doing a good job]].]]
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* {{Squick}}: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds, and WordOfGod is the scene was shot to resemble someone remembering a trauma. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.[[invoked]]
sight.
* TearJerker: Bressant's speech about the time[[spoiler:he he planted evidence]] evidence when he gets to the part about the kid.
-->'''Bressant''':[[spoiler:Now, Now, this place was a shithole, mind you? Rats, roaches, all over the place. But the kid's room, in the back, was spotless. No, I mean, he swept it, mopped it; it was immaculate. The little boy's sitting on the bed, holding onto his Playstation for dear life. There's no expression on his face, tears streaming down. He wants to tell me he just learned his multiplication tables. I mean, the father's got him in this crack den, subsisting on twinkies and ass-whippings, [[TheWoobie and this little boy just wants someone to tell him that he's doing a good job]].]]
* TearJerker: Bressant's speech about the time
-->'''Bressant''':
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Some Anvils Need To Be Dropped is getting cut, although I'll see if this can fit as An Aesop example.
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* SomeAnvilsNeedToBeDropped: Patrick's line about "The hundreds of children who go missing each year and never return" is chilling. Not to mention how sickening it is that Amanda's abduction, while no less heinous, got more attention than the poor Hispanic boy [[spoiler:who was ''raped and murdered'']]. Lehane has admitted that that part of the book in particular was a reflection of things he'd seen while he worked with abused children.
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-->'''Bressant''': [[spoiler:Now, this place was a shithole, mind you? Rats, roaches, all over the place. But the kid's room, in the back, was spotless. No, I mean, he swept it, mopped it; it was immaculate. The little boy's sitting on the bed, holding onto his Playstation for dear life. There's no expression on his face, tears streaming down. He wants to tell me he just learned his multiplication tables. I mean, the father's got him in this crack den, subsisting on twinkies and ass-whippings, and this little boy just wants someone to tell him that he's doing a good job.]]
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-->'''Bressant''': [[spoiler:Now, this place was a shithole, mind you? Rats, roaches, all over the place. But the kid's room, in the back, was spotless. No, I mean, he swept it, mopped it; it was immaculate. The little boy's sitting on the bed, holding onto his Playstation for dear life. There's no expression on his face, tears streaming down. He wants to tell me he just learned his multiplication tables. I mean, the father's got him in this crack den, subsisting on twinkies and ass-whippings, [[TheWoobie and this little boy just wants someone to tell him that he's doing a good job.job]].]]
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* HarsherInHindsight: The film was released right around the time of 4-year-old Madeleine [=McCann's=] unsolved disappearance, which prompted the U.K. release date to be delayed by a few months. Amanda resembles Madeleine.
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* HarsherInHindsight: The film was released right around the time of 4-year-old Madeleine [=McCann's=] unsolved disappearance, which prompted the U.K. release date to be delayed by a few months. Amanda resembles Madeleine.Madeleine and her actress even has the same first name, albeit spelled differently.
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* HarsherInHindsight: The film was released right around the time of 4-year-old Madeleine [=McCann's=] unsolved disappearance, which prompted the U.K. release date to be delayed by a few months.
** Doesn't help that Amanda resembles Madeleine.
** Doesn't help that Amanda resembles Madeleine.
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* HarsherInHindsight: The film was released right around the time of 4-year-old Madeleine [=McCann's=] unsolved disappearance, which prompted the U.K. release date to be delayed by a few months.
** Doesn't help thatmonths. Amanda resembles Madeleine.
** Doesn't help that
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* TearJerker: Bressant's speech about the time [[spoiler:he planted evidence]] gets me when he gets to the part about the kid.
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* TearJerker: Bressant's speech about the time [[spoiler:he planted evidence]] gets me when he gets to the part about the kid.
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Cut for having no context; if anyone wants to re-add, discuss it here first.
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* CompleteMonster: Corwin Earle.
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* {{Squick}}: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds, and WordOfGod is the scene was shot to resemble someone remembering a trauma. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.[[invoked]]
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* {{Wangst}}: Helene spends a lot of time whining about her daughter not returned to her.
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* {{Wangst}}: Helene spends a lot of time whining about her daughter not being returned to her.her, especially considering how she treats her daughter. Even Patrick starts to get sick of it.
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* {{Squick}}: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.
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* {{Wangst}}: Helene spends a lot of time whining about her daughter not returned to her.
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* {{Squick}} / HighOctaneNightmareFuel: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.
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* {{Squick}} / HighOctaneNightmareFuel: {{Squick}}: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds. A few split seconds are ''more than enough'', and Patrick actually ''throws up'' at the sight.
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** Doesn't help that Amanda resembles Madeleine.
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* SomeAnvilsNeedToBeDropped: Patrick's line about "The hundreds of Children who go missing each year and never return" is chilling. Not to mention how sickening it is that Amanda's abduction, while no less heinous, got more attention than the poor Hispanic boy [[spoiler:who was ''raped and murdered'']]. Lehane has admitted that that part of the book in particular was a reflection of things he'd seen while he worked with abused children.
to:
* SomeAnvilsNeedToBeDropped: Patrick's line about "The hundreds of Children children who go missing each year and never return" is chilling. Not to mention how sickening it is that Amanda's abduction, while no less heinous, got more attention than the poor Hispanic boy [[spoiler:who was ''raped and murdered'']]. Lehane has admitted that that part of the book in particular was a reflection of things he'd seen while he worked with abused children.
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-->'''Bressant''': [[spoiler:Now, this place was a shithole, mind you? Rats, roaches, all over the place. But the kid's room, in the back, was spotless. No, I mean, he swept it, mopped it; it was immaculate. The little boy's sitting on the bed, holding onto his playstation for dear life. There's no expression on his face, tears streaming down. He wants to tell me he just learned his multiplication tables. I mean, the father's got him in this crack den, subsisting on twinkies and ass-whippings, and this little boy just wants someone to tell him that he's doing a good job.]]
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-->'''Bressant''': [[spoiler:Now, this place was a shithole, mind you? Rats, roaches, all over the place. But the kid's room, in the back, was spotless. No, I mean, he swept it, mopped it; it was immaculate. The little boy's sitting on the bed, holding onto his playstation Playstation for dear life. There's no expression on his face, tears streaming down. He wants to tell me he just learned his multiplication tables. I mean, the father's got him in this crack den, subsisting on twinkies and ass-whippings, and this little boy just wants someone to tell him that he's doing a good job.]]
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* {{Squick}} / HighOctaneNightmareFuel: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds. A few split seconds are ''more than enough''.
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* {{Squick}} / HighOctaneNightmareFuel: The scene in which Patrick Kenzie enters Corwin Earle's room and sees what is there. The images only last a few split seconds. A few split seconds are ''more than enough''.enough'', and Patrick actually ''throws up'' at the sight.