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A Date With Rosie Palms is no longer a trope


* {{Squick}}: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.

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* {{Squick}}: The [[ADateWithRosiePalms masturbation]] masturbation scene, when you think about it too much.
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Fetish Fuel is not a trope any more, and examples are being removed. If there's in-universe fetish activity, it needs to be placed under the Fetish trope on the work page as it's not a YMMV trope.


* FetishFuel: The [[ADateWithRosiePalms masturbation]] scene, when you don’t think about it too much.
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Trope and pothole misuse.


* [[AlternateCharacterInterpretation Alternate Ending Interpretation]]: [[spoiler:How much of what happened before the bombing was real?]]
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X Meets Y isn\'t supposed to get crosswicks.


* XMeetsY: Creator/SatoshiKon meets... well, UsefulNotes/{{Israel}}.

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* XMeetsY: Creator/SatoshiKon meets... well, UsefulNotes/{{Israel}}.----

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* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), [[spoiler:circular]], meaningless and with no way out.’

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* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), [[spoiler:circular]], meaningless and with no way out.
* XMeetsY: Creator/SatoshiKon meets... well, UsefulNotes/{{Israel}}.
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* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), circular, meaningless and with no way out.’

to:

* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), circular, [[spoiler:circular]], meaningless and with no way out.’
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None


* AlternateEndingInterpretation: [[How much of what happened before the bombing was real?]]

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* AlternateEndingInterpretation: [[How [[AlternateCharacterInterpretation Alternate Ending Interpretation]]: [[spoiler:How much of what happened before the bombing was real?]]
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None

Added DiffLines:

* AlternateEndingInterpretation: [[How much of what happened before the bombing was real?]]
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None


* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.

to:

* Squick: {{Squick}}: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.
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* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.

to:

* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.much.
* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), circular, meaningless and with no way out.’
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None


* FetishFuel: The [[ADateWithRosiePalms]] scene, when you don’t think about it too much.

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* FetishFuel: The [[ADateWithRosiePalms]] [[ADateWithRosiePalms masturbation]] scene, when you don’t think about it too much.

Added: 179

Changed: -4

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* FetishFuel: The [[ADateWithRosiePalms]] scene, when you don’t think about it too much.



* SpecialEffectsFailure: [[spoiler:The make up for Meow’s revealed wounds under the bandages in the end.]]

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* SpecialEffectsFailure: [[spoiler:The make up for Meow’s revealed wounds under the bandages in the end.]]]]
* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.
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None


* SpecialEffectsFailure: [[spoilerThe make up for Meow’s revealed wounds under the bandages in the end.]]

to:

* SpecialEffectsFailure: [[spoilerThe [[spoiler:The make up for Meow’s revealed wounds under the bandages in the end.]]
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None


* SpecialEffectsFailure: [[The make up for Meow’s revealed wounds.]]

to:

* SpecialEffectsFailure: [[The [[spoilerThe make up for Meow’s revealed wounds.wounds under the bandages in the end.]]
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None

Added DiffLines:

* IKnewIt: TheReveal becomes glaringly obvious as soon as [[spoiler:the reporter says a young woman suffered severe head trauma in the bombing]].
* {{Narm}}: Meow screaming at the sight of [[spoiler:the girl who kept calling Alex, who turns out to be her from the beginning of the film]].
* NightmareFuel: Especially if you’ve lived in a place where bombings like in this film were a very real danger.
* SpecialEffectsFailure: [[The make up for Meow’s revealed wounds.]]

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