History YMMV / FrozenDays

19th Jun '15 2:11:48 AM Morgenthaler
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* [[AlternateCharacterInterpretation Alternate Ending Interpretation]]: [[spoiler:How much of what happened before the bombing was real?]]
19th Jun '15 2:11:28 AM Morgenthaler
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* XMeetsY: Creator/SatoshiKon meets... well, UsefulNotes/{{Israel}}.

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* XMeetsY: Creator/SatoshiKon meets... well, UsefulNotes/{{Israel}}.----
7th Jul '14 3:24:31 PM SvartiKotturinn
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* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), [[spoiler:circular]], meaningless and with no way out.’

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* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), [[spoiler:circular]], meaningless and with no way out.
* XMeetsY: Creator/SatoshiKon meets... well, UsefulNotes/{{Israel}}.
19th Feb '14 11:15:49 AM SvartiKotturinn
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* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), circular, meaningless and with no way out.’

to:

* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), circular, [[spoiler:circular]], meaningless and with no way out.’
5th Oct '13 3:53:07 AM SvartiKotturinn
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* AlternateEndingInterpretation: [[How much of what happened before the bombing was real?]]

to:

* AlternateEndingInterpretation: [[How [[AlternateCharacterInterpretation Alternate Ending Interpretation]]: [[spoiler:How much of what happened before the bombing was real?]]
5th Oct '13 3:52:30 AM SvartiKotturinn
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Added DiffLines:

* AlternateEndingInterpretation: [[How much of what happened before the bombing was real?]]
2nd Oct '13 3:13:42 PM SvartiKotturinn
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* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.

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* Squick: {{Squick}}: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.
2nd Oct '13 8:44:55 AM SvartiKotturinn
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* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.

to:

* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.much.
* WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), circular, meaningless and with no way out.’
2nd Oct '13 8:02:54 AM SvartiKotturinn
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* FetishFuel: The [[ADateWithRosiePalms]] scene, when you don’t think about it too much.

to:

* FetishFuel: The [[ADateWithRosiePalms]] [[ADateWithRosiePalms masturbation]] scene, when you don’t think about it too much.
2nd Oct '13 8:02:36 AM SvartiKotturinn
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* FetishFuel: The [[ADateWithRosiePalms]] scene, when you don’t think about it too much.



* SpecialEffectsFailure: [[spoiler:The make up for Meow’s revealed wounds under the bandages in the end.]]

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* SpecialEffectsFailure: [[spoiler:The make up for Meow’s revealed wounds under the bandages in the end.]]]]
* Squick: The [[ADateWithRosiePalms masturbation]] scene, when you think about it too much.
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http://tvtropes.org/pmwiki/article_history.php?article=YMMV.FrozenDays