| 1 | * IKnewIt: TheReveal becomes glaringly obvious as soon as [[spoiler:the reporter says a young woman suffered severe head trauma in the bombing]]. |
| 2 | * {{Narm}}: Meow screaming at the sight of [[spoiler:the girl who kept calling Alex, who turns out to be her from the beginning of the film]]. |
| 3 | * NightmareFuel: Especially if you’ve lived in a place where bombings like in this film were a very real danger. |
| 4 | * SpecialEffectsFailure: [[spoiler:The make up for Meow’s revealed wounds under the bandages in the end.]] |
| 5 | * {{Squick}}: The masturbation scene, when you think about it too much. |
| 6 | * WhatDoYouMeanItsNotPolitical: Film scholar Shmulik Duvdevani interpreted the film as a ‘[depiction of] the Israeli reality as a [[spoiler:hallucination]]. Its pivot is a traumatic experience―a suicide bombing―and [[spoiler:the return thereto]], i.e. the need to [[spoiler:re-experience it]] in order to, perhaps, break free. The vagueness that characterises this film expresses simultaneously its main character’s consciousness and the fluidity of the Israeli experience: always under threat, in a state of trauma, revolving and tangling in itself in restless motion (just like the heroine here), [[spoiler:circular]], meaningless and with no way out.’ |
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