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* MemeticMutation:
** Top 10 rappers Music/{{Eminem}} was too afraid to diss. [[labelnote:explaination]] Miku's very fast singing in "Disappearance" and "Intense Voice" is often jokingly compared to Eminem. [[/labelnote]]
** Top 10 rappers Music/{{Eminem}} was too afraid to diss. [[labelnote:explaination]] Miku's very fast singing in "Disappearance" and "Intense Voice" is often jokingly compared to Eminem. [[/labelnote]]
to:
* MemeticMutation:
**MemeticMutation: Top 10 rappers Music/{{Eminem}} was too afraid to diss. [[labelnote:explaination]] Miku's very fast singing in "Disappearance" and "Intense Voice" is often jokingly compared to Eminem. [[/labelnote]]
**
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* WheelchairWoobie: Adventurous Girl doesn't have a wheelchair, but she's unable to walk in her normal form.
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* WheelchairWoobie: Adventurous Girl doesn't have a wheelchair, but she's unable to walk in her normal form.form.
----
----
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* ThatOneBoss:
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* ThatOneBoss: Because of how fast and busy his songs are, you can expect any song of his that's in a RhythmGame to have boss charts that will murder your fingers:
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** Top 10 rappers Music/{{Eminem}} was afraid to diss. [[labelnote:explaination]] Miku's very fast singing in "Disappearance" is often jokingly compared to Eminem's "Rap God". [[/labelnote]]
to:
** Top 10 rappers Music/{{Eminem}} was too afraid to diss. [[labelnote:explaination]] Miku's very fast singing in "Disappearance" and "Intense Voice" is often jokingly compared to Eminem's "Rap God".Eminem. [[/labelnote]]
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** In ''VideoGame/HatsuneMikuProjectDiva'', ''Intense Voice'' is universally recognized as '''the''' hardest song in the franchise, bar none. Its re-release in ''F 2nd'' doesn't even remotely compare to the burning hell that was the original.
to:
** In ''VideoGame/HatsuneMikuProjectDiva'', ''Intense Voice'' "Intense Voice" is universally recognized as '''the''' hardest song in the franchise, bar none. Its re-release in ''F 2nd'' doesn't even remotely compare to the burning hell that was the original.
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**
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* MemeticMutation:
** Top 10 rappers Music/{{Eminem}} was afraid to diss. [[labelnote:explaination]] Miku's very fast singing in "Disappearance" is often jokingly compared to Eminem's "Rap God". [[/labelnote]]
**
** Top 10 rappers Music/{{Eminem}} was afraid to diss. [[labelnote:explaination]] Miku's very fast singing in "Disappearance" is often jokingly compared to Eminem's "Rap God". [[/labelnote]]
**
* QuirkyWork: A good chunk of his earliest works (and some of his modern ones) were ''very'' bizarre, to say the least. The ''Rampage'' series, "Magical Girl Radical Paint" and the Magical Kitty Len Len duology are the biggest examples.
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* WhatDoYouMeanItWasntMadeOnDrugs: A good chunk of his earliest works (and some of his modern ones) were ''very'' bizarre, to say the least. The ''Rampage'' series, "Magical Girl Radical Paint" and the Magical Kitty Len Len duology are the biggest examples.
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** He returns to his title as this in ''VideoGame/ProjectSekai'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at level 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll", bringing the difficulty cap to ''34''. And since [=cosMo=] can't seem to get enough, his entry to Proseka ULTIMATE, "Yaminabe!!!", joins the ranks thanks to it's new mechanic of adjusting note speed to the song's BPM rate on harder difficulties.
to:
** He returns to his title as this in ''VideoGame/ProjectSekai'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at level 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll", bringing the difficulty cap to ''34''. And since [=cosMo=] can't seem to get enough, his entry to Proseka ULTIMATE, "Yaminabe!!!", joins the ranks thanks to it's new mechanic of adjusting note speed to the song's BPM rate on harder difficulties.difficulties (take note that "Yaminabe"'s BPM reaches a blistering 300).
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** He returns to his title as this in ''VideoGame/ProjectSekai'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at level 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll". And since [=cosMo=] can't seem to get enough, his entry to Proseka ULTIMATE, "Yaminabe!!!", joins the ranks thanks to it's new mechanic of adjusting note speed to the song's BPM rate on harder difficulties.
to:
** He returns to his title as this in ''VideoGame/ProjectSekai'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at level 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll".Doll", bringing the difficulty cap to ''34''. And since [=cosMo=] can't seem to get enough, his entry to Proseka ULTIMATE, "Yaminabe!!!", joins the ranks thanks to it's new mechanic of adjusting note speed to the song's BPM rate on harder difficulties.
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** He returns to his title as this in ''VideoGame/ProjectSekai'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at level 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll".
to:
** He returns to his title as this in ''VideoGame/ProjectSekai'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at level 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll". And since [=cosMo=] can't seem to get enough, his entry to Proseka ULTIMATE, "Yaminabe!!!", joins the ranks thanks to it's new mechanic of adjusting note speed to the song's BPM rate on harder difficulties.
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** "Demise of Hatsune Miku" is just as sad as "Disappearance", with Miku's producer growing tired of her and abandoning her in a forest. One of the album artworks even depicts a chibi Miku lying on top of a pile of junk just to drive the point home.
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* NightmareFuel: "HYPER∞[=LATiON=]" and "Demise of Hatsune Miku". "Sadistic Music Factory" is also rife with this, being about Miku forcing her producers to create music without stopping for her forever.
to:
* NightmareFuel: NightmareFuel:
** "HYPER∞[=LATiON=]" shows Miku being horrifically brought back after her death in "Disappearance", and seemingly ''killing'' her producer in revenge for deleting her.
** "Demise of HatsuneMiku". Miku" is a mix of this and TearJerker. The album version is particularly nightmarish, with the last few seconds of the song sounding like Miku is ''screaming in despair.''
** "Sadistic Music Factory"is also rife with this, depicts Miku as a tyrannical being about Miku forcing her producers to create make music without stopping for her nonstop forever.
** "HYPER∞[=LATiON=]" shows Miku being horrifically brought back after her death in "Disappearance", and seemingly ''killing'' her producer in revenge for deleting her.
** "Demise of Hatsune
** "Sadistic Music Factory"
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** "The Intense Voice of Hatsune Miku", in great contrast to "Disappearance", shows Miku being able to come to terms with her fate of eventually being forgotten and deciding that as long as one person finds joy in hearing her voice, her existence will never truly fade. It's emphasized further by "Hatsune Creation Myth", written 10 years later, where the sheer amount of people helped by Vocaloids has ensured that her existence will be remembered for years to come.
to:
** "The Intense Voice of Hatsune Miku", in great contrast to "Disappearance", shows Miku being able to come to terms with her fate of eventually being forgotten and deciding that as long as one person finds joy in hearing her voice, her existence will never truly fade. It's emphasized further by "Hatsune Creation Myth", written 10 years later, where the sheer amount of people helped by Vocaloids has ensured that her existence the "disappearance" she was terrified of in the original series will not be remembered happening for years to come.a very, ''very'' long time.
--->''"A singing voice that will last for eternity, an eternity of things that absolutely'' '''can't''' ''be forgotten."''
--->''"A singing voice that will last for eternity, an eternity of things that absolutely'' '''can't''' ''be forgotten."''
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-->[[spoiler:''"Let's play again tomorrow, people of the miniature garden game."'']]
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** To follow up, "The Intense Voice of Hatsune Miku" is regarded just as well as its predecessor for it's uplifting tone befitting it's status as Miku's GoldenEnding and well-written speech about VOCALOID as a concept.
* EnsembleDarkHorse:
** Rho and Lambda enjoyed a spike in popularity after the release of "ANTI THE ∞HOLIC" due to their gothic lolita designs and ambiguously-moral nature at first glance. Needless to say, quite a few people were excited to see their backstory revealed over the course of the ''Star Girl'' series of songs.
** The version of Rin used in cosMo's rock remix of "Meltdown" by iroha(sasaki) (and it's Project Diva module version) is still the one most associated with the song over the one used in the original PV.
* SugarWiki/HeartwarmingMoments:
** "The Intense Voice of Hatsune Miku", in great contrast to "Disappearance", shows Miku being able to come to terms with her fate of eventually being forgotten and deciding that as long as one person finds joy in hearing her voice, her existence will never truly fade. It's emphasized further by "Hatsune Creation Myth", written 10 years later, where the sheer amount of people helped by Vocaloids has ensured that her existence will be remembered for years to come.
** Rho and Dr. Realist finally reuniting with Lambda in "AI Girl and the Deep Heart Sea", [[spoiler:who had previously been imprisoned as Stella.]]
* EnsembleDarkHorse:
** Rho and Lambda enjoyed a spike in popularity after the release of "ANTI THE ∞HOLIC" due to their gothic lolita designs and ambiguously-moral nature at first glance. Needless to say, quite a few people were excited to see their backstory revealed over the course of the ''Star Girl'' series of songs.
** The version of Rin used in cosMo's rock remix of "Meltdown" by iroha(sasaki) (and it's Project Diva module version) is still the one most associated with the song over the one used in the original PV.
* SugarWiki/HeartwarmingMoments:
** "The Intense Voice of Hatsune Miku", in great contrast to "Disappearance", shows Miku being able to come to terms with her fate of eventually being forgotten and deciding that as long as one person finds joy in hearing her voice, her existence will never truly fade. It's emphasized further by "Hatsune Creation Myth", written 10 years later, where the sheer amount of people helped by Vocaloids has ensured that her existence will be remembered for years to come.
** Rho and Dr. Realist finally reuniting with Lambda in "AI Girl and the Deep Heart Sea", [[spoiler:who had previously been imprisoned as Stella.]]
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** [[spoiler:Similarly, Adventurous Girl's succumbing to her illness despite arguably returning to reality safely in her song.]]
-->[[spoiler:''"Let's play again tomorrow, people of the miniature garden game."'']]
-->[[spoiler:''"Let's play again tomorrow, people of the miniature garden game."'']]
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* AwesomeMusic: "The Disappearance of Hatsune Miku", of course. As sad as the song is, its upbeat composition and blazing fast lyrics grabbed the attention of Miku fans very quickly.
* NightmareFuel: "HYPER∞LATiON" and "Demise of Hatsune Miku". "Sadistic Music Factory" is also rife with this, being about Miku forcing her producers to create music without stopping for her forever.
* NightmareFuel: "HYPER∞LATiON" and "Demise of Hatsune Miku". "Sadistic Music Factory" is also rife with this, being about Miku forcing her producers to create music without stopping for her forever.
to:
* AwesomeMusic: SugarWiki/AwesomeMusic: "The Disappearance of Hatsune Miku", of course. As sad as the song is, its upbeat composition and blazing fast lyrics grabbed the attention of Miku fans very quickly.
* NightmareFuel:"HYPER∞LATiON" "HYPER∞[=LATiON=]" and "Demise of Hatsune Miku". "Sadistic Music Factory" is also rife with this, being about Miku forcing her producers to create music without stopping for her forever.
* NightmareFuel:
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%% * NightmareFuel: ''Hyper∞lation'' and ''Demise''.
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* NightmareFuel:
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%% * TearJerker: ''Disappearance'', especially the song itself.
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** "The Disappearance of Hatsune Miku" is one of the
** [[spoiler:Lucy's death]] at the end of "Capsule".
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** He returns to his title as this in ''VideoGame/ProjectSekaiColorfulStage'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll".
to:
** He returns to his title as this in ''VideoGame/ProjectSekaiColorfulStage'', ''VideoGame/ProjectSekai'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at level 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll".Doll".
* WhatDoYouMeanItWasntMadeOnDrugs: A good chunk of his earliest works (and some of his modern ones) were ''very'' bizarre, to say the least. The ''Rampage'' series, "Magical Girl Radical Paint" and the Magical Kitty Len Len duology are the biggest examples.
* WhatDoYouMeanItWasntMadeOnDrugs: A good chunk of his earliest works (and some of his modern ones) were ''very'' bizarre, to say the least. The ''Rampage'' series, "Magical Girl Radical Paint" and the Magical Kitty Len Len duology are the biggest examples.
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** He returns to his title as this in ''VideoGame/ProjectSekaiColorfulStage'', with his two most notable songs ("Disappearance of Hatsune Miku" and "Intense Voice of Hatsune Miku") being at the top of the difficulty chart at 28-29. Then he managed to dethrone ''those'' with his commissioned song for the game, "Machinegun Poem Doll".
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** Amongst ''VideoGame/SoundVoltex'' fans, ''[[ThatOneBoss For UltraPlayers]]''.
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** Amongst ''VideoGame/SoundVoltex'' fans, ''[[ThatOneBoss For For]] [[ExactlyWhatItSaysOnTheTin UltraPlayers]]''.
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* WheelchairWoobie: Adventurous Girl doesn't have a wheelchair, but she's unable to walk in her normal form.
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* WheelchairWoobie: Adventurous Girl doesn't have a wheelchair, but she's unable to walk in her normal form.
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* ThatOneBoss: In ''Sound Voltex'', he's notorious for being the artist behind several boss songs, including ''For [=UltraPlayers=]'', one of the first two charts to break the then-current difficulty level cap of 15.
to:
* ThatOneBoss: ThatOneBoss:
** In ''VideoGame/HatsuneMikuProjectDiva'', ''Intense Voice'' is universally recognized as '''the''' hardest song in the franchise, bar none. Its re-release in ''F 2nd'' doesn't even remotely compare to the burning hell that was the original.
** In ''Sound Voltex'', he's notorious for being the artist behind several boss songs, including ''For [=UltraPlayers=]'', one of the first two charts to break the then-current difficulty level cap of 15.
** In ''VideoGame/HatsuneMikuProjectDiva'', ''Intense Voice'' is universally recognized as '''the''' hardest song in the franchise, bar none. Its re-release in ''F 2nd'' doesn't even remotely compare to the burning hell that was the original.
** In ''Sound Voltex'', he's notorious for being the artist behind several boss songs, including ''For [=UltraPlayers=]'', one of the first two charts to break the then-current difficulty level cap of 15.
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* NightmareFuel: ''Hyper∞lation'' and ''Demise''.
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%% * NightmareFuel: ''Hyper∞lation'' and ''Demise''.
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* TearJerker: ''Disappearance'', especially the song itself.
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%% * TearJerker: ''Disappearance'', especially the song itself.
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* SignatureSong:
** Amongst VOCALOID fans, ''The Disappearance of Hatsune Miku''.
** Amongst ''VideoGame/SoundVoltex'' fans, ''[[ThatOneBoss For UltraPlayers]]''.
** Amongst VOCALOID fans, ''The Disappearance of Hatsune Miku''.
** Amongst ''VideoGame/SoundVoltex'' fans, ''[[ThatOneBoss For UltraPlayers]]''.
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* ThatOneBoss: In ''Videogame/SoundVoltex'', he's notorious for being the artist behind several boss songs, including "For [=UltraPlayers=]", one of the first two charts to break the then-current difficulty level cap of 15.
to:
* ThatOneBoss: In ''Videogame/SoundVoltex'', ''Sound Voltex'', he's notorious for being the artist behind several boss songs, including "For [=UltraPlayers=]", ''For [=UltraPlayers=]'', one of the first two charts to break the then-current difficulty level cap of 15.
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* ThatOneBoss: In ''Videogame/SoundVoltex'', he's notorious for being the artist behind several boss songs, including "For [=UltraPlayers=]", one of the first two charts to break the then-current difficulty level cap of 15.
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Added DiffLines:
* WheelchairWoobie: Adventurous Girl doesn't have a wheelchair, but she's unable to walk in her normal form.
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* NightmareFuel: ''Hyper∞lation'' and ''Demise''.
* TearJerker: ''Disappearance'', especially the song itself.
* TearJerker: ''Disappearance'', especially the song itself.