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** Eddie isn't innocent ''by the time James kill him,'' but that doesn't mean he never was. At the beginning of the game, he's the perfect representation of an awkward, overgrown child who's aware that he's done "something bad," but still has some hope that he can be "good." The fact that he devolves into a PsychopathicManchild later is just negative character development.



Angela never expresses remorse for what she did, although she may feel it. What she does express (particularly in her last cutscene) is complete and utter ''hopelessness'', to the point of bitterly and cynically rejecting any alternatives. She throws James' attempts at consoling her back in his face. She doesn't want anyone's pity. She doesn't want anyone's help. She isn't goint to help herself. She just wants to lay down and ''die''.

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Angela never expresses remorse for what she did, although she may feel it. What she does express (particularly in her last cutscene) is complete and utter ''hopelessness'', to the point of bitterly and cynically rejecting any alternatives. She throws James' attempts at consoling her back in his face. She doesn't want anyone's pity. She doesn't want anyone's help. She isn't goint going to help herself. She just wants to lay down and ''die''.
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He and James have the exact same hair and eye color, plus his reason for being the way he is (severe bullying) likely stems from her hearing James complain about the way Mary acts without the full context, also, when you fight him, the Radio will go off, which literally means that he is a creation of Silent Hill.

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He and James have the exact same hair and eye color, plus his reason for being the way he is (severe bullying) likely stems from her hearing James complain about the way Mary acts without the full context, also, when you fight him, the Radio will go off, which literally means that he is a creation of Silent Hill.Hill.

[[WMG: Eddie and Angela, and possibly Laura, reflect the three "normal" endings.]]
NOTE: This theory is not stating that Eddie, Angela, and Laura were not real people, but merely drawing parallels between the characters and the endings.
* In the ''Maria'' ending, James chooses to believe (on some level) that killing his wife (because she was sick) was fully justified, and hints that he'll do so again if it turns out Maria is also ill. This is eerily similar to Eddie's own madness, where he justifies to himself--and James--that killing was actually okay. Given Eddie's fate in the game, it's likely to end very badly for James in the long run.
* In the ''In Water'' ending, James is unable to move on past his guilt of killing his wife, no matter how justified the killing might have been. Angela is clearly in the same situation, where she couldn't move past her killing of her father in what most people would call justified self-defense.
* It's only in the ''Leave'' ending that James is able to let go of his guilt and fully move on. Here the connection is a bit more tenuous, since Laura (unlike the other visitors to Silent Hill) hasn't committed any sins and was therefore "innocent" from the start. But it could be seen as James leaving town with a clean slate in terms of feeling guilt--he might still miss Mary, or feel bad about what he did, but now he can move on, since Mary (or a vision of her) gave him license to do so without guilt--which could be seen as reflecting the innocence of Laura.
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* UFO Ending: James has moved in with Harry and Cheryl and is waiting for the UFOs to agree with Harry's plan to destroy Silent Hill. After the town is destroyed, James goes back with the Masons, encounters Douglas who wants information, tells him about it and the case is closed.

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* UFO Ending: James has moved in with Harry and Cheryl and is waiting for the UFOs [=UFOs=] to agree with Harry's plan to destroy Silent Hill. After the town is destroyed, James goes back with the Masons, encounters Douglas who wants information, tells him about it and the case is closed.
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Adding onto the theory that Pyramid Head is James's form as a result of the In Water ending, it's possible the supernatural forces of the town made Mary's form the weapon Pyramid Head wields, making James's claim of uniting with Mary after death more literal.

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Adding onto the theory that Pyramid Head is James's form as a result of the In Water ending, it's possible the supernatural forces of the town made Mary's form the weapon Pyramid Head wields, making James's claim of uniting with Mary after death more literal.literal.

[[WMG: Eddie Dombrowski isn't actually real, and was created by Laura, based off of her subconscious view of James.]]
He and James have the exact same hair and eye color, plus his reason for being the way he is (severe bullying) likely stems from her hearing James complain about the way Mary acts without the full context, also, when you fight him, the Radio will go off, which literally means that he is a creation of Silent Hill.

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* Dog Ending: James has to look for a vet in Silent Hill to make sure Mira the chiba inu is healthy enough to live with him. She isn't sick like Mary, but Silent Hill won't let James get a pet as a replacement for his wife that easily, he still hasn't even found any pet store.
* UFO Ending: James has moved in with Harry and Cheryl and is waiting for the UFOs to agree with Harry's plan to destroy Silent Hill. After the town is destroyed, James goes back with the Masons, encounters Douglas who wants information, tells him about it and the case is closed.

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* Dog Ending: James has to look for a vet in Silent Hill to make sure Mira the chiba inu Shiba Inu is healthy enough to live with him. She isn't sick like Mary, but Silent Hill won't let James get a pet as a replacement for his wife that easily, he still hasn't even found any pet store.
* UFO Ending: James has moved in with Harry and Cheryl and is waiting for the UFOs to agree with Harry's plan to destroy Silent Hill. After the town is destroyed, James goes back with the Masons, encounters Douglas who wants information, tells him about it and the case is closed.closed.

[[WMG: The "Leave" ending takes place near the Graveyard because James buried Mary there.]]

He wouldn't let Laura get into a car with a corpse in it, and it makes the ending even more [[TearJerker sniff-worthy]]. If the game ever gets a proper remake, it'd be ideal for the final scene to focus in on Mary's grave.

[[WMG: The Great Knife is Mary's SoulJar.]]

Adding onto the theory that Pyramid Head is James's form as a result of the In Water ending, it's possible the supernatural forces of the town made Mary's form the weapon Pyramid Head wields, making James's claim of uniting with Mary after death more literal.
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This is generally what I got an impression of, seeing as this game leans more on the psychological trauma rather than physical, along with a dash of symbolism that I felt extended to the endings as well.

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This is generally what I got an impression of, seeing as this game leans more on the psychological trauma rather than physical, along with a dash of symbolism that I felt extended to the endings as well.well.

[[WMG: James' "disappearance" in the continuity of later games]]

Douglas and James' father both mention him never being found or returning from Silent Hill. There's a few possible explanations for what happened to him depending on the ending.
* Maria Ending: James is still in Silent Hill, eternally looking for a way to replace Mary, Maria and any other copy of his wife he finds until he finds a way to properly move on.
* In Water Ending: James died and his car was sucked in away from the town once he joined Mary in death, preventing anyone who's not tied to him from finding him (meaning Laura and his father would be able to find his corpse if they looked or bothered to come where he committed suicide).
* Leave Ending: James left Silent Hill for good with Laura, taking some years for himself to forget about the atrocities he's seen while raising his stepdaughter. The reason he was never found was because, after leaving Mary's body somewhere where she'd be taken to the graveyard, he had to run away to hide the fact he killed his own wife, thus hiding his identity the way Harry does, hopefully living through it this time around.
* Rebirth Ending: James and Mary are together in Silent Hill, merged into a Siam.
* Dog Ending: James has to look for a vet in Silent Hill to make sure Mira the chiba inu is healthy enough to live with him. She isn't sick like Mary, but Silent Hill won't let James get a pet as a replacement for his wife that easily, he still hasn't even found any pet store.
* UFO Ending: James has moved in with Harry and Cheryl and is waiting for the UFOs to agree with Harry's plan to destroy Silent Hill. After the town is destroyed, James goes back with the Masons, encounters Douglas who wants information, tells him about it and the case is closed.
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* Leave: represents his biggest reason was to end her suffering, in his mind he just gave her assisted suicide, allowing her to die with at least some of herself still left (it is heavily shown that the woman James knew and loved was pretty much almost gone by the time he decided to do so.
* Maria: He murdered her because he couldn't stand the thought of this sexless all give and no take marriage anymore, his motivation was to find someone new who wouldn't give him the treatment he was getting with Mary, Maria encapsulates all of the things he no longer had, a woman who ''wants'' him, all he had to do was destroy the last remaining vestiges of his wife and move on, maybe not emotionally but sexually.
* In water: Runs with the same feelings as Leave but brings forth the fact that he killed her as something he could never shake off, he gained an immense amount of depression from the act, and despite having killed her, he just couldn't let her go, but also indicates that this was his state of mind while coming to Silent Hill was to drown himself in the lake with her corpse in the first place.
* Rebirth: His state of mind is the fact that he "stole" her life when he killed her, just as she "stole" years of his life, but again, he cannot shake the guilt of the act of stealing her life (however little was left) , so he decides to give it back (in whatever form she comes out of the church)implying he know she will probably come back a monster and steal back the life he took.

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* Leave: Leave (Acceptence): represents his biggest reason was to end her suffering, in his mind he just gave her assisted suicide, allowing her to die with at least some of herself still left (it is heavily shown that the woman James knew and loved was pretty much almost gone by the time he decided to do so.
* Maria: Maria (Lust): He murdered her because he couldn't stand the thought of this sexless all give and no take marriage anymore, his motivation was to find someone new who wouldn't give him the treatment he was getting with Mary, Maria encapsulates all of the things he no longer had, a woman who ''wants'' him, all he had to do was destroy the last remaining vestiges of his wife and move on, maybe not emotionally but sexually.
* In water: water (Depression): Runs with the same feelings as Leave but brings forth the fact that he killed her as something he could never shake off, he gained an immense amount of depression from the act, and despite having killed her, he just couldn't let her go, but also indicates that this was his state of mind while coming to Silent Hill was to drown himself in the lake with her corpse in the first place.
* Rebirth: Rebirth (guilt): His state of mind is the fact that he "stole" her life when he killed her, just as she "stole" years of his life, but again, he cannot shake the guilt of the act of stealing her life (however little was left) , so he decides to give it back (in whatever form she comes out of the church)implying he know she will probably come back a monster and steal back the life he took.
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Inspired by [[https://www.youtube.com/watch?v=_uSIwddRzfU this video here]]. In a nutshell, Maria is the embodiment of the ''positive'' aspects of Mary -- the things that drew James to her in the first place and made him fall in love with her. That's why she is the most pleasant character to interact with for James, and why she tempts him to embrace her. In contrast, Laura is the embodiment of the ''negative'' aspects of Mary, which is why she's so annoying; we're ''meant'' to find her annoying, which further makes it harder for players (and thusly James) to push for the truth, which is so painful. She likely manifests as a child because people are more inclined to forgive or make excuses for a BrattyHalfPint than they are for a bitchy adult woman.

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Inspired by [[https://www.youtube.com/watch?v=_uSIwddRzfU this video here]]. In a nutshell, Maria is the embodiment of the ''positive'' aspects of Mary -- the things that drew James to her in the first place and made him fall in love with her. That's why she is the most pleasant character to interact with for James, and why she tempts him to embrace her. In contrast, Laura is the embodiment of the ''negative'' aspects of Mary, which is why she's so annoying; we're ''meant'' to find her annoying, which further makes it harder for players (and thusly James) to push for the truth, which is so painful. She likely manifests as a child because people are more inclined to forgive or make excuses for a BrattyHalfPint than they are for a bitchy adult woman.woman.

[[WMG: The 4 non-joke endings represent James' choice of excuse after he finds out he killed Mary]]
Each of the endings represent which of the four main reasons he had for killing his wife, with each ending representing which of these reasons he accepts was the biggest reason, depending on how you play it, the other reasons per ending is still there but each ending brings a diffirent take on which he felt was the biggest reason:
*Leave: represents his biggest reason was to end her suffering, in his mind he just gave her assisted suicide, allowing her to die with at least some of herself still left (it is heavily shown that the woman James knew and loved was pretty much almost gone by the time he decided to do so.
*Maria: He murdered her because he couldn't stand the thought of this sexless all give and no take marriage anymore, his motivation was to find someone new who wouldn't give him the treatment he was getting with Mary, Maria encapsulates all of the things he no longer had, a woman who ''wants'' him, all he had to do was destroy the last remaining vestiges of his wife and move on, maybe not emotionally but sexually.
*In water: Runs with the same feelings as Leave but brings forth the fact that he killed her as something he could never shake off, he gained an immense amount of depression from the act, and despite having killed her, he just couldn't let her go, but also indicates that this was his state of mind while coming to Silent Hill was to drown himself in the lake with her corpse in the first place.
* Rebirth: His state of mind is the fact that he "stole" her life when he killed her, just as she "stole" years of his life, but again, he cannot shake the guilt of the act of stealing her life (however little was left) , so he decides to give it back (in whatever form she comes out of the church)implying he know she will probably come back a monster and steal back the life he took.

This is generally what I got an impression of, seeing as this game leans more on the psychological trauma rather than physical, along with a dash of symbolism that I felt extended to the endings as well.
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* That's why the Abstract Daddy is shaped like two figures under a blanket, and why a female body with a bleeding pelvic area is pinned to the wall under a tarp in Angela's final scene. Her mother blamed Angela for it because her father was raping her on her bed, and since Angela continued to sleep there, her mother interpreted it to mean that Angela was "asking for it". She comes to Silent Hill to find her Mama, but her mother was also abusive; it's because she repressed her memory of her mother's abuse because she had no one else to turn to. She's attacked by monsters that symbolize her rape, in a room that represents her uterus and is most likely a reproduction of the room she was raped in as a child, but it's not until the very end of the game that she's able to say the truth about her mother rather than just to say she's looking for her Mama. Her progress parallels James' in many ways, and when we meet her in the hotel, she realizes that her mother isn't in Silent Hill because her mother is nowhere. Not because she's dead, but because the mother she's seeking, someone loving and understanding who can be her safe harbor in the storm of her awful, awful life, ''doesn't exist at all''. That's the revelation she comes to in the end, not that she's a murderer, but that she's utterly alone. That's why she chooses to die in the end: unlike James, she has no hope, because her entire trip through Silent Hill was meant to force her to face that awful reality.

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* That's why the Abstract Daddy is shaped like two figures under a blanket, and why a female body with a bleeding pelvic area is pinned to the wall under a tarp in Angela's final scene. Her mother blamed Angela for it because her father was raping her on her bed, and since Angela continued to sleep there, her mother interpreted it to mean that Angela was "asking for it". She comes to Silent Hill to find her Mama, but her mother was also abusive; it's because she repressed her memory of her mother's abuse because she had no one else to turn to. She's attacked by monsters that symbolize her rape, in a room that represents her uterus and is most likely a reproduction of the room she was raped in as a child, but it's not until the very end of the game that she's able to say the truth about her mother rather than just to say she's looking for her Mama. Her progress parallels James' in many ways, and when we meet her in the hotel, she realizes that her mother isn't in Silent Hill because her mother is nowhere. Not because she's dead, but because the mother she's seeking, someone loving and understanding who can be her safe harbor in the storm of her awful, awful life, ''doesn't exist at all''. That's the revelation she comes to in the end, not that she's a murderer, but that she's utterly alone. That's why she chooses to die in the end: unlike James, she has no hope, because her entire trip through Silent Hill was meant to force her to face that awful reality.reality.

[[WMG: Laura and Maria are actually both embodiments of different aspects of Mary.]]
Inspired by [[https://www.youtube.com/watch?v=_uSIwddRzfU this video here]]. In a nutshell, Maria is the embodiment of the ''positive'' aspects of Mary -- the things that drew James to her in the first place and made him fall in love with her. That's why she is the most pleasant character to interact with for James, and why she tempts him to embrace her. In contrast, Laura is the embodiment of the ''negative'' aspects of Mary, which is why she's so annoying; we're ''meant'' to find her annoying, which further makes it harder for players (and thusly James) to push for the truth, which is so painful. She likely manifests as a child because people are more inclined to forgive or make excuses for a BrattyHalfPint than they are for a bitchy adult woman.
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And, being a dog, he has no idea of what he's doing.

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And, being a dog, he she has no idea of what he's she's doing.
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** {{Jossed}}; [[SilentHillHomecoming Silent Hill 5]] has nothing at all to do with Silent Hill 2 -- not counting the appearance of Pyramid Head, since he was based off of [[Film/SilentHill the movie version]] this time around -- unless Alex and Mary are somehow related. Then again, they ''do'' have the same last name (Shepherd, Mary's maiden name), so you never know.

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** {{Jossed}}; [[SilentHillHomecoming [[VideoGame/SilentHillHomecoming Silent Hill 5]] has nothing at all to do with Silent Hill 2 -- not counting the appearance of Pyramid Head, since he was based off of [[Film/SilentHill the movie version]] this time around -- unless Alex and Mary are somehow related. Then again, they ''do'' have the same last name (Shepherd, Mary's maiden name), so you never know.
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** Guy Chihi (James' voice and motion capture actor) pretty much confirmed this was the canon ending.



Solid, for me, since the Lying Figures he has around are already dead.

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Solid, for me, since the Lying Figures he has around him are usually already dead.
dead or about to be.

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** Personally always thought it was a mix of both. If a smothering scene was done in silhouette, it would no doubt look like a sexually aggressive scene; arms and legs (or legs and legs) flailing around in a panic. The Legs could represent trying to dehumanize Mary by not giving "her" an upper-half.
Clearly James has sexual frustration when a man and wife aren't intimate anymore but I really don't think that was the driving force with Mary's end.
Pyramid Head is definitely has an aggressive-sexual nature (the video for Fukuro makes it look like something is... "growing" under his smock before reaching for a Lying Figure) but after playing the game once every 10 years, it seems more like he was getting "excited" from killing.
Solid, for me, since the Lying Figures he has around are already dead.
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I want to cut the Main redirect.


It's a purgatory that was created by the sinister [[SilentHill1 Dahlia Gillespie]]. It call those or is "conviently found by those who seek punishment for something even if they don't really don't deserve such as Angela Orosco. Even though the Mother Sect that gave Silent Hill(Other World) is a blasphemous lie, it still had an affect on Silent Hill. Everyone in Silent Hill(Hell) clearly sees it differently and if affected by it differently judging by their comments during their ordealous journeys. Eddie and Angela definitely didn't go through the same chain of events in Silent Hill as James because they were searching for something different.

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It's a purgatory that was created by the sinister [[SilentHill1 [[VideoGame/SilentHill1 Dahlia Gillespie]]. It call those or is "conviently found by those who seek punishment for something even if they don't really don't deserve such as Angela Orosco. Even though the Mother Sect that gave Silent Hill(Other World) is a blasphemous lie, it still had an affect on Silent Hill. Everyone in Silent Hill(Hell) clearly sees it differently and if affected by it differently judging by their comments during their ordealous journeys. Eddie and Angela definitely didn't go through the same chain of events in Silent Hill as James because they were searching for something different.
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I want to cut the Main redirect.


* Douglas makes a similar comment regarding James disappearing in ''SilentHill3'', but I don't think that necessarily means James is canonically dead. He could have just as easily dropped off the grid with Laura after the "Leave" ending.

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* Douglas makes a similar comment regarding James disappearing in ''SilentHill3'', ''VideoGame/SilentHill3'', but I don't think that necessarily means James is canonically dead. He could have just as easily dropped off the grid with Laura after the "Leave" ending.
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** Also, would a search for Eddie really be a missing persons case? He killed a dog and shot a bully in the knee, and it's stated he fled after he did so. I suspect a search for Eddie would be framed as a ''fugitive'' case, not missing persons. It's implied in ''4'' that they don't know what happened to Mary, so a search for James and Mary would be framed as a missing persons case. It'd also explain why James, in ''any'' ending, wouldn't want to be found--if he were discovered alive but with Mary missing, it'd look awfully suspicious. He might be able to get back "on the grid" after a long while if Mary's illness were well-known enough, but it'd be some years before he could, if at all.




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** An alternate explanation was offered by LetsPlay/RoahmMythril. The imagery of the Abstract Daddy is open to interpretation, and could possibly be interpreted as the larger figure ''smothering'' the smaller figure--a piece of imagery directly related to James.
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Mostly supported in ''{{Silent Hill 4}}''. In Henry's apartment, when he looks at one picture depicted a location in original Silent hill he says that there have been rumored spottings of UFO's in there(a location in Silent Hill). To add to that James Sunderlands's whereabouts aren't hinted at one whit. Judging by the info we get James is still in Silent Hill but nobody know's anything about his wellbeing, as if he disappeared perhaps?

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Mostly supported in ''{{Silent ''VideoGame/{{Silent Hill 4}}''. In Henry's apartment, when he looks at one picture depicted a location in original Silent hill he says that there have been rumored spottings of UFO's in there(a location in Silent Hill). To add to that James Sunderlands's whereabouts aren't hinted at one whit. Judging by the info we get James is still in Silent Hill but nobody know's anything about his wellbeing, as if he disappeared perhaps?
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Unfortunately, this may be more true than I want to think it is. In ''SilentHill4'', James is briefly mentioned to have disappeared after having left to Silent Hill. Not only that, but in the novelization of ''Silent Hill 2'', [[http://otakunoeiyaku.blogspot.com/2011/10/silent-hill-2-chapter-6-final-chapter.html the In Water ending is used]]. James is officially dead. Dammit.

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Unfortunately, this may be more true than I want to think it is. In ''SilentHill4'', ''VideoGame/SilentHill4'', James is briefly mentioned to have disappeared after having left to Silent Hill. Not only that, but in the novelization of ''Silent Hill 2'', [[http://otakunoeiyaku.blogspot.com/2011/10/silent-hill-2-chapter-6-final-chapter.html the In Water ending is used]]. James is officially dead. Dammit.
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Badass is an index, not a trope.


Eddie, clearly, doesn't really see monsters. He sees people. He says that they're "laughing at him with their eyes", which is either paranoia, or what Eddie subconsciously wants: carte blanche to kill whoever he pleases. He first feels guilt (vomiting over his first human victim), but rather than coming to Silent Hill to confront the shame and guilt of being a repeat victim of bullying, he's really there to indulge himself. The guilt he feels eventually passes as the feelings of power grow, and Silent Hill (giving only what its visitors really want) presents him with as many victims as he could want. Eventually, Silent Hill ''gives him James''. Think about it: James is strong, married, good-looking, and wanders into his life looking like ... well, the protagonist of a survival horror game: armed with a gun and a flashlight and looking like a BadAss, too hardcore to think Eddie is anything but a pizza-eating turd. Exactly the kind of person Eddie wants to kill most. It just didn't work out because James is every bit as bad ass as he looks, and Eddie is basically just a very angry coward.

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Eddie, clearly, doesn't really see monsters. He sees people. He says that they're "laughing at him with their eyes", which is either paranoia, or what Eddie subconsciously wants: carte blanche to kill whoever he pleases. He first feels guilt (vomiting over his first human victim), but rather than coming to Silent Hill to confront the shame and guilt of being a repeat victim of bullying, he's really there to indulge himself. The guilt he feels eventually passes as the feelings of power grow, and Silent Hill (giving only what its visitors really want) presents him with as many victims as he could want. Eventually, Silent Hill ''gives him James''. Think about it: James is strong, married, good-looking, and wanders into his life looking like ... well, the protagonist of a survival horror game: armed with a gun and a flashlight and looking like a BadAss, badass, too hardcore to think Eddie is anything but a pizza-eating turd. Exactly the kind of person Eddie wants to kill most. It just didn't work out because James is every bit as bad ass as he looks, and Eddie is basically just a very angry coward.



*** I disagree. James doesn't look like a grizzled, AmbiguouslyBrown Call of Duty hero or anything, but he's the only character who runs around consciously armed for self-defense and carrying a flashlight and a radio. He's calm and rational when the others are losing their minds, and he's doing all of it in search of his lost wife. He's outwardly normal, but his actions paint him as a BadAss, motives notwithstanding because he doesn't remember them yet. Eddie definitely sees it, and that's why he hates James. James is tall, svelte, blonde, moderately athletic, but ultimately a hypocrite, on the same level with the people who used to bully him, and Eddie is on a power trip-slash-killing spree who sees ''everyone'' as beneath him. As to Angela, James is ultimately what she wants, but that doesn't negate or overwrite James' free will. She even suggests it herself, but only sarcastically: those are her true desires, to have someone come and rescue her, but she's so consumed with guilt and self-loathing, she takes James' reluctance to instantly step up for her as confirmation that it can't happen and she doesn't deserve to be saved.

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*** I disagree. James doesn't look like a grizzled, AmbiguouslyBrown Call of Duty hero or anything, but he's the only character who runs around consciously armed for self-defense and carrying a flashlight and a radio. He's calm and rational when the others are losing their minds, and he's doing all of it in search of his lost wife. He's outwardly normal, but his actions paint him as a BadAss, badass, motives notwithstanding because he doesn't remember them yet. Eddie definitely sees it, and that's why he hates James. James is tall, svelte, blonde, moderately athletic, but ultimately a hypocrite, on the same level with the people who used to bully him, and Eddie is on a power trip-slash-killing spree who sees ''everyone'' as beneath him. As to Angela, James is ultimately what she wants, but that doesn't negate or overwrite James' free will. She even suggests it herself, but only sarcastically: those are her true desires, to have someone come and rescue her, but she's so consumed with guilt and self-loathing, she takes James' reluctance to instantly step up for her as confirmation that it can't happen and she doesn't deserve to be saved.
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** At least, it's the closest we'll get to DavidLynch doing the sound design for a game.

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** At least, it's the closest we'll get to DavidLynch Creator/DavidLynch doing the sound design for a game.
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Added namespaces.


In {{Blue Velvet}}, Kyle McLachlan ducks in a closet and watches Dennis Hopper rape Isabella Rossellini. He's then drawn into a sordid world of sex and violence, and Dennis Hopper (who, in his own words, will "f*** anything that moves") beats him half to death and possibly rapes him.
In {{Lost Highway}}, Bill Pullman finds a video tape on his doorstep that shows him killing his wife. To escape what he's done, he uses the infinite magics from beyond time and night to transform himself into Balthazar Getty. Once he becomes Balthazar Getty, he meets a woman who looks just like his dead wife and starts sleeping with her.

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In {{Blue Film/{{Blue Velvet}}, Kyle McLachlan ducks in a closet and watches Dennis Hopper rape Isabella Rossellini. He's then drawn into a sordid world of sex and violence, and Dennis Hopper (who, in his own words, will "f*** anything that moves") beats him half to death and possibly rapes him.
In {{Lost Film/{{Lost Highway}}, Bill Pullman finds a video tape on his doorstep that shows him killing his wife. To escape what he's done, he uses the infinite magics from beyond time and night to transform himself into Balthazar Getty. Once he becomes Balthazar Getty, he meets a woman who looks just like his dead wife and starts sleeping with her.
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** There's definitely a sexually suggestive element to the way Pyramid Head and his victim are posed in that scene, and it's not like a video game in that time could have featured an actual, graphic rape scene. Combine that with the ongoing theme of James' sexual frustration and the generally-present theme of abuse, and the idea that it "logically" could not have been rape is just pedantic.

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** There's definitely a sexually suggestive element to the way Pyramid Head and his victim are posed in that scene, and it's not like a video game in that time could have featured an actual, graphic rape scene. Combine that with the ongoing theme of James' sexual frustration and the generally-present theme of abuse, and the idea that it "logically" could not have been rape is just pedantic.pedantic.

[[WMG: Angela's father raped her under a blanket/bedsheet, and it was Angela's mother's victim-blaming that drove her to Silent Hill, not murdering her father.]]
* That's why the Abstract Daddy is shaped like two figures under a blanket, and why a female body with a bleeding pelvic area is pinned to the wall under a tarp in Angela's final scene. Her mother blamed Angela for it because her father was raping her on her bed, and since Angela continued to sleep there, her mother interpreted it to mean that Angela was "asking for it". She comes to Silent Hill to find her Mama, but her mother was also abusive; it's because she repressed her memory of her mother's abuse because she had no one else to turn to. She's attacked by monsters that symbolize her rape, in a room that represents her uterus and is most likely a reproduction of the room she was raped in as a child, but it's not until the very end of the game that she's able to say the truth about her mother rather than just to say she's looking for her Mama. Her progress parallels James' in many ways, and when we meet her in the hotel, she realizes that her mother isn't in Silent Hill because her mother is nowhere. Not because she's dead, but because the mother she's seeking, someone loving and understanding who can be her safe harbor in the storm of her awful, awful life, ''doesn't exist at all''. That's the revelation she comes to in the end, not that she's a murderer, but that she's utterly alone. That's why she chooses to die in the end: unlike James, she has no hope, because her entire trip through Silent Hill was meant to force her to face that awful reality.
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Read the [[http://www.animelyrics.com/game/silenthill/esperandote.htm lyrics]]. The song has nothing to do with the plot of the original ''Videogame/SilentHill'' game, but fits perfectly with many of the themes from Silent Hill 2.

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Read the [[http://www.animelyrics.com/game/silenthill/esperandote.htm lyrics]]. The song has nothing to do with the plot of the original ''Videogame/SilentHill'' ''VideoGame/SilentHill1'' game, but fits perfectly with many of the themes from Silent Hill 2.
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* This troper find this theory interesting, but disagrees with [[VideoGame/DeadlyPremonition that]] [[{{Killer7}} last]] [[{{Suda51}} sentence.]]

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* This troper find this theory interesting, but disagrees with [[VideoGame/DeadlyPremonition that]] [[{{Killer7}} [[VideoGame/{{Killer7}} last]] [[{{Suda51}} [[Creator/{{Suda51}} sentence.]]
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** Ito jossed the theory, but sounds pretty cool.





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\n** Well there are references to Blue Velvet and Lost Highway throughout the game.








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** {{Jossed}}; Alex and Mary's last names are just a coincidence, according to Tomm Hullett.




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** It would make sense that it's quite the authoritative figure in ''James'' version of the town, since, second only to Maria, the Pyramid Head is the strongest representation of James' guilt.
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[[http://www.megabearsfan.net/post/2011/05/26/Is-Pyramid-Head-a-rapist.aspx As this fan notes]], there's actually a lot of happensay and DoesThisRemindYouOfAnything involved in the Red Pyramid Head's infamous "rape time scene", but no real logical reason for it. With what we know about the rest of the game, it makes more sense that the scene was actually a re-enactment of [[spoiler: James smothering his wife]].

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[[http://www.megabearsfan.net/post/2011/05/26/Is-Pyramid-Head-a-rapist.aspx As this fan notes]], there's actually a lot of happensay and DoesThisRemindYouOfAnything involved in the Red Pyramid Head's infamous "rape time scene", but no real logical reason for it. With what we know about the rest of the game, it makes more sense that the scene was actually a re-enactment of [[spoiler: James smothering his wife]].wife]].
** There's definitely a sexually suggestive element to the way Pyramid Head and his victim are posed in that scene, and it's not like a video game in that time could have featured an actual, graphic rape scene. Combine that with the ongoing theme of James' sexual frustration and the generally-present theme of abuse, and the idea that it "logically" could not have been rape is just pedantic.

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[[WMG: Silent Hill is part of [[ChangelingTheLost the Hedge]].]]

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[[WMG: Silent Hill is part of [[ChangelingTheLost [[TabletopGame/ChangelingTheLost the Hedge]].]]



The town intentionally brings together people who will represent things to each other while inside it as a way to help them face and deal with their issues. There may have been other people around, but the town never led James to them or let him see them because they wouldn't be relevant to his story.

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The town intentionally brings together people who will represent things to each other while inside it as a way to help them face and deal with their issues. There may have been other people around, but the town never led James to them or let him see them because they wouldn't be relevant to his story.story.

[[WMG: The Red Pyramid Head was murdering the Mannequin, not raping it]]
[[http://www.megabearsfan.net/post/2011/05/26/Is-Pyramid-Head-a-rapist.aspx As this fan notes]], there's actually a lot of happensay and DoesThisRemindYouOfAnything involved in the Red Pyramid Head's infamous "rape time scene", but no real logical reason for it. With what we know about the rest of the game, it makes more sense that the scene was actually a re-enactment of [[spoiler: James smothering his wife]].
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** Seconded. The sexual nature of the monsters is meant to repulse James, his guilt associating the normal sexual frustrations he felt during Mary's illness with violence and perversion. He's afraid of ''becoming'' a victimizer like Pyramid Head and Abstract Daddy, not hiding from the fact he already is one. Angela constantly accuses him of such throughout their interactions, eventually bringing to the forefront his desire for a woman who isn't his ailing wife--she represents his guilt (assuming she isn't a real person after all) over being sexually attracted to women in the first place, equating his sexuality with being a predator. And in the end she's also his failure to protect or rehabilitate Mary, pointing out in the burning staircase that he can't save her and so shouldn't even try. Maria is also representative of his guilt, but note that she is meant to look exactly like Maria--she isn't the way he views all women, just his wife. She is the emotional and sexual aspects of the relationship that he missed during the illness (as Maria points out several times that he can touch her, unlike Mary, and that she won't hurt him the same way), and he's both guilty over thinking about his own desires while Mary was basically bedridden and trying to hide his attraction to someone who isn't actually Mary. Her eventual skewering by Pyramid Head is to bring James' guilt about murdering Mary to the forefront, not to punish her in particular. He views her death as a failure on his part to protect her, just like the other times he's let Maria die. James reacts negatively to Laura because her first appearance showed her kicking a vital key out of his reach and laughing about it, while subsequent appearances had her locking him in a room with monsters, refusing to answer his questions, and bring up his repressed memories of Mary in the hospital during her illness. When it comes to him being a killer, this is where Eddie comes in. Eddie is his fear of being a monster with no remorse. Both were under extreme pressure and abuse before they engaged in their murders, James coming from his wife and Eddie coming from the bully. They both snapped and killed. They both seek to deny their crimes (Eddie constantly going "I didn't do it!" and James' entire delusion). But where James feels consistent remorse and shame for his actions when he finds out what he did, Eddie loses all empathy and gloats about how easy it is to kill someone. That's what the "We're the same" speech came from--James' fear that because he's killed, he's no better than a psychopath like Eddie. Who he, incidentally, feels remorse for killing in self defense.
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Read the [[http://www.animelyrics.com/game/silenthill/esperandote.htm lyrics]]. The song has nothing to do with the plot of the original ''Videogame/SilentHill'' game, but fits perfectly with many of the themes from Silent Hill 2.

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Read the [[http://www.animelyrics.com/game/silenthill/esperandote.htm lyrics]]. The song has nothing to do with the plot of the original ''Videogame/SilentHill'' game, but fits perfectly with many of the themes from Silent Hill 2.2.

[[WMG: The people James meets in Silent Hill are real (sans Maria), but still related to his psyche]]
The town intentionally brings together people who will represent things to each other while inside it as a way to help them face and deal with their issues. There may have been other people around, but the town never led James to them or let him see them because they wouldn't be relevant to his story.
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*** I disagree. James doesn't look like a grizzled, AmbiguouslyBrown Call of Duty hero or anything, but he's the only character who runs around consciously armed for self-defense and carrying a flashlight and a radio. He's calm and rational when the others are losing their minds, and he's doing all of it in search of his lost wife. He's outwardly normal, but his actions paint him as a BadAss, motives notwithstanding because he doesn't remember them yet. Eddie definitely sees it, and that's why he hates James. James is tall, svelte, blonde, moderately athletic, but ultimately a hypocrite, on the same level with the people who used to bully him, and Eddie is on a power trip-slash-killing spree who sees ''everyone'' as beneath him. As to Angela, James is ultimately what she wants, but that doesn't negate or overwrite James' free will. She even suggests it herself, but only sarcastically: those are her true desires, to have someone come and rescue her, but she's so consumed with guilt and self-loathing, she takes James' reluctance to instantly step up for her as confirmation that it can't happen and she doesn't deserve to be saved.

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