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Changed line(s) 359 (click to see context) from:
Her creator was a little girl who was stranded on an island. That much we know. At first just thankful to be alive, once Coco was created, she used her egg-laying only to get necessities. She eventually began testing the limits of Coco's ability, and slowly grew spoiled, reaching a point where she didn't even want to be rescued. Why would she? No rules, no worries, and everything she could ever need. Coco, on her own, managed to signal for help and get the girl rescued. She knew she would have to stay behind so that the girl could grow up to be a responsible, functioning adult. She now refuses to take requests to prevent spoiling her friends.
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Her creator was a little girl who was stranded on an island. That much we know. At first just thankful to be alive, once Coco was created, she used her egg-laying only to get necessities. She eventually began testing the limits of Coco's ability, and slowly grew spoiled, reaching a point where she didn't even want to be rescued. Why would she? No rules, no worries, and everything she could ever need. Coco, on her own, managed to signal for help and get the girl rescued. She knew she would have to stay behind so that the girl could grow up to be a responsible, functioning adult. She now refuses to take requests to prevent spoiling her friends.friends.
[[WMG: Frankie will one day inherit the house]]
After Madame Foster eventually passes away, she leaves the house to Frankie, who hires the main cast to help run the place.
Frankie gets final say in everything that goes on. She had already proven that she'd be an excellent house president. Though she does occasionally spoil herself at the spa. Knowing how hard she had to work, she does a better job at dividing the work.
Mac takes over Mr. Herriman's job. He handles the finances, paperwork, etc.
Wilt does most of the cleaning and repairs. He's happy to do so, and it really comes in handy when changing high light bulbs. He also finally gets his own bed.
Eduardo becomes the house chef, with occasional help from Jackie Khones. He likes treating the house to his special pies. He spends much of his free time taking care of the baby friends in the nursery.
Coco, being surprisingly charismatic, handles all public relations. She assists people looking to adopt friends, handles phone calls, and advertising.
Bloo started abusing Mac's authority, but karma caught up with him. His punishment involved being Dutchess' assistant, and keeping Cheese out of trouble.
Goo becomes Frankie's assistant. Having so many imaginary friends of her own, she knows exactly how to keep them happy and healthy.
[[WMG: Frankie will one day inherit the house]]
After Madame Foster eventually passes away, she leaves the house to Frankie, who hires the main cast to help run the place.
Frankie gets final say in everything that goes on. She had already proven that she'd be an excellent house president. Though she does occasionally spoil herself at the spa. Knowing how hard she had to work, she does a better job at dividing the work.
Mac takes over Mr. Herriman's job. He handles the finances, paperwork, etc.
Wilt does most of the cleaning and repairs. He's happy to do so, and it really comes in handy when changing high light bulbs. He also finally gets his own bed.
Eduardo becomes the house chef, with occasional help from Jackie Khones. He likes treating the house to his special pies. He spends much of his free time taking care of the baby friends in the nursery.
Coco, being surprisingly charismatic, handles all public relations. She assists people looking to adopt friends, handles phone calls, and advertising.
Bloo started abusing Mac's authority, but karma caught up with him. His punishment involved being Dutchess' assistant, and keeping Cheese out of trouble.
Goo becomes Frankie's assistant. Having so many imaginary friends of her own, she knows exactly how to keep them happy and healthy.
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** Why didn't she explain ''that'' to Mac instead of making it sound like victim-blaming? Mac's a smart kid; he probably would have understood.
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** Why didn't she explain ''that'' to Mac instead of making it sound like victim-blaming? Mac's a smart kid; he probably would have understood.understood.
[[WMG: The reason Coco doesn't take requests]]
Her creator was a little girl who was stranded on an island. That much we know. At first just thankful to be alive, once Coco was created, she used her egg-laying only to get necessities. She eventually began testing the limits of Coco's ability, and slowly grew spoiled, reaching a point where she didn't even want to be rescued. Why would she? No rules, no worries, and everything she could ever need. Coco, on her own, managed to signal for help and get the girl rescued. She knew she would have to stay behind so that the girl could grow up to be a responsible, functioning adult. She now refuses to take requests to prevent spoiling her friends.
[[WMG: The reason Coco doesn't take requests]]
Her creator was a little girl who was stranded on an island. That much we know. At first just thankful to be alive, once Coco was created, she used her egg-laying only to get necessities. She eventually began testing the limits of Coco's ability, and slowly grew spoiled, reaching a point where she didn't even want to be rescued. Why would she? No rules, no worries, and everything she could ever need. Coco, on her own, managed to signal for help and get the girl rescued. She knew she would have to stay behind so that the girl could grow up to be a responsible, functioning adult. She now refuses to take requests to prevent spoiling her friends.
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Changed line(s) 355 (click to see context) from:
It's not so much a matter of her thinking that Mac needs to grow up, it was simple economics driving her decision. She's a single mother, the sole provider for her children as far as we know from the show, meaning she has to earn enough money for the numerous expenses the family experiences through day-to-day life, possibly living paycheck to paycheck, and trying to make ends meet. The expense for a family of four is significant, meaning she has to work very hard. Maybe she couldn't keep affording to take care of herself, her two sons, and Bloo all at the same time. Maybe her hours at work were cut, maybe inflation spiked unexpectedly, but whatever the reason she realized that some hard decisions had to be made, and Bloo unfortunately drew the short straw in her mind rather than her own children.
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It's not so much a matter of her thinking that Mac needs to grow up, it was simple economics driving her decision. She's a single mother, the sole provider for her children as far as we know from the show, meaning she has to earn enough money for the numerous expenses the family experiences through day-to-day life, possibly living paycheck to paycheck, and trying to make ends meet. The expense for a family of four is significant, meaning she has to work very hard. Maybe she couldn't keep affording to take care of herself, her two sons, and Bloo all at the same time. Maybe her hours at work were cut, maybe inflation spiked unexpectedly, but whatever the reason she realized that some hard decisions had to be made, and Bloo unfortunately drew the short straw in her mind rather than her own children.children.
** Why didn't she explain ''that'' to Mac instead of making it sound like victim-blaming? Mac's a smart kid; he probably would have understood.
** Why didn't she explain ''that'' to Mac instead of making it sound like victim-blaming? Mac's a smart kid; he probably would have understood.
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* Adding to this, the real one was the one that have the heartfelt friendship speech when it came down to between him and the fake. Mac didn't realize Bloo's [[JerkWithAHeartOfGold Heart of Gold]] was bigger than he thought so he didn't realize that only the real Bloo would have cared that much.
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[[WMG: Bloo was responsible for Terrence's StartOfDarkness]]
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[[WMG: Bloo was responsible for Terrence's StartOfDarkness]]StartOfDarkness]]
[[WMG: Mac's mom had a different reason for wanting Mac to get rid of Bloo]]
It's not so much a matter of her thinking that Mac needs to grow up, it was simple economics driving her decision. She's a single mother, the sole provider for her children as far as we know from the show, meaning she has to earn enough money for the numerous expenses the family experiences through day-to-day life, possibly living paycheck to paycheck, and trying to make ends meet. The expense for a family of four is significant, meaning she has to work very hard. Maybe she couldn't keep affording to take care of herself, her two sons, and Bloo all at the same time. Maybe her hours at work were cut, maybe inflation spiked unexpectedly, but whatever the reason she realized that some hard decisions had to be made, and Bloo unfortunately drew the short straw in her mind rather than her own children.
[[WMG: Mac's mom had a different reason for wanting Mac to get rid of Bloo]]
It's not so much a matter of her thinking that Mac needs to grow up, it was simple economics driving her decision. She's a single mother, the sole provider for her children as far as we know from the show, meaning she has to earn enough money for the numerous expenses the family experiences through day-to-day life, possibly living paycheck to paycheck, and trying to make ends meet. The expense for a family of four is significant, meaning she has to work very hard. Maybe she couldn't keep affording to take care of herself, her two sons, and Bloo all at the same time. Maybe her hours at work were cut, maybe inflation spiked unexpectedly, but whatever the reason she realized that some hard decisions had to be made, and Bloo unfortunately drew the short straw in her mind rather than her own children.
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I have tried talking to other fans and even Mr. Craig McCracken himself, but so far there has been no answer.
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I have tried talking to other fans and even Mr. Craig McCracken himself, but so far there has been no answer.answer.
[[WMG: Bloo was responsible for Terrence's StartOfDarkness]]
[[WMG: Bloo was responsible for Terrence's StartOfDarkness]]
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----
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[[WMG: Mac has a [[BigScrewedUpFamily]] and is a severe [[StepfordSmiler.]] Also, his relationship with Frankie.]]
I have a very deep and complicated love-hate relationship with this show. I adore it for its concept but utterly despise it for its execution. However, that is a rant for another different time.
Mac has a special place in my heart. I take the theory of Mac having Asperger’s Syndrome very deeply into consideration because he and I share many similar qualities. I don’t know if that is just me tooting my own horn, but I closely relate to Mac. I, too, have AS, and Mac and I both are very intelligent, have a broad vocabulary and excellent deducting skills, are very imaginative, and have difficulty making friends and acting in social situations. I am a 25-year-old man and I have many imaginary friends and I wish to become a cartoonist sometime in the future.
A long time ago, you see, I had one of the strangest dreams. I had a dream in which I found myself competing in some sort of race to reach something before everyone else. Well, I was ahead of everyone else until I was then stopped by a gate. For some reason, there was this feeling of excitement and anticipation rising within me as I was unlocking the gate. The gate opened to reveal a path leading into a cave and I ran inside before the pack could catch up to me.
I traveled deeper into the cave before I found the finish line in the form of a door marked with graffiti. Inside rested, get ready, a corpse of all things with a knife placed beside it. I had to stab the corpse with that knife to win the race and I did so without a second thought. I know things could not have ended in a more morbid way, but here is where it gets very sad. Following the victory stab were no cheers for my congratulations, but hot tears pouring out uncontrollably… which were mine.
I cried in my sleep that night for the oddest of reasons. The other racers were there to offer their comfort, but what those tears meant confounded me. I talked to my friend about it a few days later while waiting for a psychiatrist’s appointment. I don’t think that I have ever cried since middle school where I had to put with a lot bullying for how I expressed myself with my Asperger’s Syndrome. I wanted to try and ask for the psychiatrist’s opinion on what the dream meant, but we were already in the middle of different discussion and the opportunity never came up.
It was then that I suddenly realized what the dream meant. Well, when I got home I learned that my dream was an interpretation of me racing toward a new life. The race represented my mood, the corpse represented an old dead part of me that needed to be buried, and the knife was interpreted as my anger and other negative emotions going into that corpse. The tears that I cried out that night were both tears of pain over what I to go through in my old life, which was represented by the corpse, and tears of relief that I could now move on to a better life. Looking back, I am now very thankful to have had that fateful dream because that very dream is what has inspired me to both write a new comic series and this rant
Truthfully, how professional this rant is typed out is sadly but a veneer that is covering up righteous fury. The reason I love Mac so much is more than just because we have similar traits. The reason I live him so much is because I feel his family situation is punch square in the gut.
My theory, or whatever it should be called, is that Mac has been raised in an incredibly abusive household. Let me talk about how simply his family life is so screwed up and then let me go into deeper detail. According to Mr. Craig McCracken himself, Mac’s father is implied to be either dead or divorced. The reason why is never explored and I believe the show missed a wonderful opportunity to discuss that. However, this more than about a non-existent father for this rant mainly covers two of my most loathed characters besides you-know-who.
Mac’s unnamed mother and Terrence.
I hate these two with a burning passion and I will tell you why.
I have never met a character so cruel and hateful other than Terrence, a person who seems to hate imaginary friends so much that he is even willing to kill one. However, I believe I have reason to understand that he hates Mac twice as much. His cruelty was taken to the extreme in “Duchess of Wails,” and I explored the aftermath of this episode in a what-if.
The what-if goes deeper into Mac’s psyche concerning what he must put up with at home, and it is not pretty. Mac reveals, for instance, that he has no earthly clue of how to sort his mother’s bank files or whatever he said he could do in the episode “Franky, My Dear,” and that it was all pushed on him. Two chapters in, it is revealed that Mac’s mother and brother are both stuck in denial and anger respectively over the death of Mac’s father, and they both project it onto him. What’s worse is that Mac’s mother has grown to hate, yes, hate her child’s sense of imagination, wanting him to grow up and understand that life is not a beautiful as it seems, and that she harbors a prejudice towards imaginary friends.
Thankfully, Frankie steps in and decides to help Mac run away to Foster’s. Mac’s relationship with Frankie has always been more intriguing to me than his relationship with Bloo. I suspect that Mac’s “romance” with Frankie was all just a clever cover up. He was simply acting like he had a crush on her, when in reality, he was so ecstatic to actually find someone who legitimately treated like a son/ little brother.
If it’s one thing Mac excels at, it’s saving face, both in a good and bad way.
Mac has every single damn right to run away. Frankie no longer has that luxury because she is an adult and I could the say the same for Mac’s mother, come to think of it. The problem is that Frankie is an adult who has stated that she is in her early twenties. I’m sorry, but as far as I am concerned, adults do not have the right to run away from their problems and responsibilities. There is a lot that I want to say on this subject of Mac's family situation. I feel that I have kept to myself for far too long and if keep myself quiet any longer then nothing will change. I feel that must call out my piece so things can possibly change for the future.
At the beginning of the series, Mac’s mother forces her 8-year-old child to abandon his imaginary friend so he can “grow up.” The problem is that Bloo, Mac’s imaginary friend, is a living, breathing, thinking thing. He is just as human as the person that created him and he is being thrown out like he’s an extra mouth to feed. Later, to make another long story short, Terrence tries to go so far as to have Bloo killed.
In that very dream I talked about at the beginning of this rant, I felt that I was suddenly in Mac’s shoes. I felt that my life was going nowhere with a careless mother and a hateful older brother, not that my own family situation mirrors his. Both of those were represented by the corpse that symbolized my older life and I was severing that old life.
The least thing I can say about Mac’s mother and brother, is that they both served as nothing but tools to the plot.
You know what? I could even compare Mac’s situation to Woody's in "Toy Story 2." Woody ran away because he was afraid of never being loved again by Andy, why doesn't Mac do the same? There is a complete and utter lack of sympathy to Mac's situation I feel both in this fanbase and in the show.
Having been around the block a few times, it's my firm belief that children can be much smarter than most adults anticipate, and Mac is no exception. I used to wonder if Mac was made to suffer what with his careless mother, bully older brother, and implied to deceased or divorced father. I used to believe that Mac never had a choice in what went on around, but after looking to other places, I realized that I was wrong. Mac has always had a choice and he never realized it himself until he went to Foster's and met everyone. In my opinion, Mac is so much smarter than most kids his age and that is what is supposed to make him unique, and it greatly irritates me when others say that he is just a kid and that bullies like Terrence are "misunderstood."
Mac's mother has always been in the wrong in every decision she has made. From forcing her child to give up a living being and possibly security blanket for his father to threatening to move out, she is someone I would not like to have as my mother. If Mac's mother knew any better, she would realize that she sorely underestimates her 8-year old son and that it is Terrence who needs to have an eye kept on. Mac's mother had no right to force her child to grow up when it was clear that he was already mature for his age.
The three of them, Mac, his mother, and Terrence, all need to see a therapist ASAP. I personally consider it downright abusive to project all your problems onto your youngest child, force him to grow up when he barely is getting used to his childhood, and make him subject to an immature and hateful older brother's bullying and make Mac responsible for it. I talked to my own mother about this and she agrees with by saying that she would nothing to hurt so unlike Mac's mother, who wanted a living, breathing, and thinking creature tossed out because she thought she was an extra mouth to feed or an object.
All of this came from my head, not someone else’s, I swear.
I have tried talking to other fans and even Mr. Craig McCracken himself, but so far there has been no answer.
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[[WMG: Bloo is Mac's ShugoChara]]
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[[WMG: Bloo is Mac's ShugoChara]]Manga/ShugoChara]]
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[[WMG: ''Every'' imaginary friend is/was/will be someone's ShugoChara/would-be self]]
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[[WMG: ''Every'' imaginary friend is/was/will be someone's ShugoChara/would-be Manga/ShugoChara/would-be self]]
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*Also. it's worth noting that at the end of Good Wilt Hunting, Coco acts motherly towards her two adopter, with fixing Douglass's hair and cleaning Adam's face.
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*Alternatively, Mac ended up working at Foster's as an adult.
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[[WMG: Coco was created by Mac's mom]]
In House of Bloo's, Mac's mom brought up that she once had an imaginary friend, who she had to leave as she grew up. Mac's mom however had no idea about Foster's, so it's likely that she abandoned her friend. Coco was found alone on an island by Douglas and Adam, who stated that she had no signs of a creator. Given her adamance over having Mac get rid of Bloo, it's possible that she probably feels guilt over leaving behind her friend on what was probably a vacation.
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Changed line(s) 109 (click to see context) from:
This theory has been popular for a while and is even mentioned in the Foster's Wiki. Bloo completely fits into this part of Freud's model of personality, except that he rarely displays sexual lust... Then again, he does in ''Frankie My Dear''. Maybe FreudWasRight after all.
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This theory has been popular for a while and is even mentioned in the Foster's Wiki. Bloo completely fits into this part of Freud's model of personality, except that he rarely displays sexual lust... Then again, he does in ''Frankie My Dear''. Maybe FreudWasRight after all.
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Changed line(s) 293 (click to see context) from:
Madame Foster's age suggests that people have been creating imaginaries for a long time, since at least the Jim Crow era. It's possible that many kids during the 30s, 40s, and 50s created friends based off of the kind of racist imagery that was common at the time, such as Blackface caricatures and "Injuns" that speak in TontoTalk. Since imaginaries don't age, that means that these friends are probably still running around today. Obviously, people wouldn't want these friends around, since they're a reminder of our ugly past, which makes me wonder what Foster's would do with them. Would they lock them up like with the Scribbles? Would they be banned from Foster's completely?
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Madame Foster's age suggests that people have been creating imaginaries for a long time, since at least the Jim Crow era. It's possible that many kids during the 30s, 40s, and 50s created friends based off of the kind of racist imagery that was common at the time, such as Blackface caricatures and red-skinned "Injuns" that speak in TontoTalk. Since imaginaries don't age, that means that these friends are probably still running around today. Obviously, people wouldn't want these friends around, since they're a reminder of our ugly past, which makes me wonder what Foster's would do with them. Would they lock them up like with the Scribbles? Would they be banned from Foster's completely?
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[[WMG: There are [[ValuesDissonance racially-insensitive]] imaginary friends out there.]]
Madame Foster's age suggests that people have been creating imaginaries for a long time, since at least the Jim Crow era. It's possible that many kids during the 30s, 40s, and 50s created friends based off of the kind of racist imagery that was common at the time, such as Blackface caricatures and "Injuns" that speak in TontoTalk. Since imaginaries don't age, that means that these friends are probably still running around today. Obviously, people wouldn't want these friends around, since they're a reminder of our ugly past, which makes me wonder what Foster's would do with them. Would they lock them up like with the Scribbles? Would they be banned from Foster's completely?
Madame Foster's age suggests that people have been creating imaginaries for a long time, since at least the Jim Crow era. It's possible that many kids during the 30s, 40s, and 50s created friends based off of the kind of racist imagery that was common at the time, such as Blackface caricatures and "Injuns" that speak in TontoTalk. Since imaginaries don't age, that means that these friends are probably still running around today. Obviously, people wouldn't want these friends around, since they're a reminder of our ugly past, which makes me wonder what Foster's would do with them. Would they lock them up like with the Scribbles? Would they be banned from Foster's completely?
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[[WMG: Mac will adopt Bloo, as well as Wilt, Eduardo, and Coco when he is an adult.]]
By then, his mother will have ''zero'' say in his association with imaginary friends.
By then, his mother will have ''zero'' say in his association with imaginary friends.
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Changed line(s) 270 (click to see context) from:
[[WMG: The show is a prequel to BluesClues.]]
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[[WMG: The show is a prequel to BluesClues.Blue's Clues.]]
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Changed line(s) 65,66 (click to see context) from:
** Just like StElsewhere.
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** Just like StElsewhere.
''Series/StElsewhere''.
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* The other cities shown in PowerpuffGirls are actually city-states that have their own methods for defending themselves.
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* The other cities shown in PowerpuffGirls ''WesternAnimation/ThePowerpuffGirls'' are actually city-states that have their own methods for defending themselves.
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[[WMG: Foster's Home is located in a suburb of [[ThePowerpuffGirls Townsville.]] ]]
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[[WMG: Foster's Home is located in a suburb of [[ThePowerpuffGirls [[WesternAnimation/ThePowerpuffGirls Townsville.]] ]]
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[[WMG: The Home is really [[https://en.wikipedia.org/wiki/House_of_Mystery the House Of Mystery]].]]
A gentler version, at least. It would explain how the size and interior architecture varies so much from episode to episode, and what are imaginary friends but characters in stories that children tell themselves? Also, the exteriors are pretty similar.
A gentler version, at least. It would explain how the size and interior architecture varies so much from episode to episode, and what are imaginary friends but characters in stories that children tell themselves? Also, the exteriors are pretty similar.
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[[WMG: Due to the Hitler Youth, in the fosters world both Greedy Inhuman Jews and Perfect Aryan SS members became real groups of imaginary friends.]]
The Hitler Youth made the Children have imaginary friends based on the propaganda they were exposed to.
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im cool with it
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[[WMG: 90% of the show is made up by Mac AND Mac is an old man in an old folks' home]]
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[[WMG: Pranks for Nothing takes place at Mac had left fosters in Goodbye To Bloo]]
The Reason was Mac was not seen or mentioned in the episode.
[[WMG: 90% of the show is made up by MacAND and Mac is an old man in an old folks' home]]
The Reason was Mac was not seen or mentioned in the episode.
[[WMG: 90% of the show is made up by Mac
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[[WMG: A kid has to be lonely to create an imaginary friend.]]
If having an active imagination was the only aspect of creating an imaginary friend, there would be lots of kids like Goo constantly creating new ones. So even if a kid is creating a friend for a different purpose, they have to be lonely deep down.
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[[WMG: Goo's imagination is powerful and capable of creating many times of things...]]
* Goo has been shown to just talk about an imaginary friend in particular and POOF! It's instantly there. It has been shown with others, it takes moments of hard concentration. Due to highly developed imagination, she is somewhat a reality warped on some level. She could become rich with her imagination in severe ways. She could imagine up building for architects, weapons out of nowhere for the military, etc. She could even do Madam Foster a favor by imagining up more humans to adopt the other friends. Ooh ooh, she could even imagine up children for infertile families.
* Goo has been shown to just talk about an imaginary friend in particular and POOF! It's instantly there. It has been shown with others, it takes moments of hard concentration. Due to highly developed imagination, she is somewhat a reality warped on some level. She could become rich with her imagination in severe ways. She could imagine up building for architects, weapons out of nowhere for the military, etc. She could even do Madam Foster a favor by imagining up more humans to adopt the other friends. Ooh ooh, she could even imagine up children for infertile families.
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[[WMG: PowerpuffGirls takes place on the same world as FostersHomeForImaginaryFriends and AdventureTime (but not at the same time)]]
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[[WMG: PowerpuffGirls WesternAnimation/ThePowerpuffGirls takes place on the same world as FostersHomeForImaginaryFriends WesternAnimation/FostersHomeForImaginaryFriends and AdventureTime WesternAnimation/AdventureTime (but not at the same time)]]
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* We never see the imaginary friends of adults except for Madame Foster in FostersHomeForImaginaryFriends , but we do see that teenagers create dangerous creatures they use to attack each other. The adults may be using their friends to protect the town so they can go about their business as usual and pretend that life has not drastically changed.
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* We never see the imaginary friends of adults except for Madame Foster in FostersHomeForImaginaryFriends WesternAnimation/FostersHomeForImaginaryFriends , but we do see that teenagers create dangerous creatures they use to attack each other. The adults may be using their friends to protect the town so they can go about their business as usual and pretend that life has not drastically changed.
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[[WMG: Imaginary friends change to suit the needs of their kids as they get older.]]
Basically when the kids grow up, if they keep their friends, they grow up to change into something that they need. The reason it doesn't come up is that most kids don't keep their imaginary friends that long. Edwardo despite being scary at first to scare off bullies was gentle, and became an example of someone for his kid to stand up for, Bloo becomes much much more jerky as the series goes on because as Mac is growing up he's becoming the example of how Mac shouldn't be acting. The strongest example is Mr. Harriman, he likely didn't start out as stiff and proper as he is now, he was originally a playmate for Madam Foster, but as she got older he needed to become an example of responsibility and adulthood, and eventually became her full blown caretaker as she became more in need of care in her old age. Harriman is strict, practical and stingy because that's the role he has to take to manage the house and take care of Madam Foster in her old age. The fact that he even changed his name to reflect that (his first name being Funny Bunny) shows the drastic change in himself.
Basically when the kids grow up, if they keep their friends, they grow up to change into something that they need. The reason it doesn't come up is that most kids don't keep their imaginary friends that long. Edwardo despite being scary at first to scare off bullies was gentle, and became an example of someone for his kid to stand up for, Bloo becomes much much more jerky as the series goes on because as Mac is growing up he's becoming the example of how Mac shouldn't be acting. The strongest example is Mr. Harriman, he likely didn't start out as stiff and proper as he is now, he was originally a playmate for Madam Foster, but as she got older he needed to become an example of responsibility and adulthood, and eventually became her full blown caretaker as she became more in need of care in her old age. Harriman is strict, practical and stingy because that's the role he has to take to manage the house and take care of Madam Foster in her old age. The fact that he even changed his name to reflect that (his first name being Funny Bunny) shows the drastic change in himself.
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Changed line(s) 96,97 (click to see context) from:
* Somewhat confirmed. It's stated that Imaginary Friends are what the person needs. So they do help them reach their potential.
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* Somewhat confirmed. It's stated that Imaginary Friends are what the person needs. So they do help them reach their potential.
potential.* * and World is an example gone wrong of what his kid would have become if he had been neglected by his parents. He has a giant castle, but he doesn't have friends
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[[WMG:Mac is [[FightClub Edward Norton's nameless Fight Club narrator]]]]
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[[WMG:Mac is [[FightClub [[Film/FightClub Edward Norton's nameless Fight Club narrator]]]]
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[[WMG: Madame Foster (and, by relation, Frankie) is a Time Lady.]]
The house is her TARDIS, which explains why it is so much bigger on the inside.
The house is her TARDIS, which explains why it is so much bigger on the inside.
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[[WMG: The show is a prequel to BluesClues.]]
All of the talking animals and objects are imaginary friends. Steve is Mac all grown up. He ran away from home and created a home of his own because his mom would not let him have imaginary friends in the house. He changed his name to Steve so that it would be hard for his mom to fing him. Bloo became too dickish, so Mac abandoned him, and then Bloo got adopted. Nevertheless, he still created another main blue imaginary friend: the nicer and female dog Blue. He did not give her the ability to speak because he was worried that it would make her as annoying as Bloo. Luckily, that ended up not being the case in BluesRoom. When Steve/Mac he goes to college, his brother, who is actually Terrance under the new nickname Joe, takes over, having become a nicer person since the events of ''Foster's Home For Imaginary Friends.''
All of the talking animals and objects are imaginary friends. Steve is Mac all grown up. He ran away from home and created a home of his own because his mom would not let him have imaginary friends in the house. He changed his name to Steve so that it would be hard for his mom to fing him. Bloo became too dickish, so Mac abandoned him, and then Bloo got adopted. Nevertheless, he still created another main blue imaginary friend: the nicer and female dog Blue. He did not give her the ability to speak because he was worried that it would make her as annoying as Bloo. Luckily, that ended up not being the case in BluesRoom. When Steve/Mac he goes to college, his brother, who is actually Terrance under the new nickname Joe, takes over, having become a nicer person since the events of ''Foster's Home For Imaginary Friends.''
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[[WMG: PowerpuffGirls takes place on the same world as FostersHomeForImaginaryFriends and AdventureTime (but not at the same time)]]
Reasons:
* The girls protect Townsville from gigantic beasts that could have come from the Mushroom War in Adventure Time. They might be the ones standing between Townsville becoming an inhabitable wasteland.
* This also explains why the Mayor is still in office despite his incompetence.
* The other cities shown in PowerpuffGirls are actually city-states that have their own methods for defending themselves.
* Chemical X may have been caused by the Mushroom War as well.
* Both Mike, the Powerpuff girls, and Finn and Jake were all able to change reality through their imagination. Their abilities could also have been caused by the nuclear fall-out, as could the ability of people to create imaginary friends in Foster's Home.
* We never see the imaginary friends of adults except for Madame Foster in FostersHomeForImaginaryFriends , but we do see that teenagers create dangerous creatures they use to attack each other. The adults may be using their friends to protect the town so they can go about their business as usual and pretend that life has not drastically changed.
* To finish up the theory, it isn't the terrifying monsters that finished off the city-states. It's the rainicorns, who humanity could not believe was evil. That was why the dogs went to war with them, because they were trying to protect their best friends.
Reasons:
* The girls protect Townsville from gigantic beasts that could have come from the Mushroom War in Adventure Time. They might be the ones standing between Townsville becoming an inhabitable wasteland.
* This also explains why the Mayor is still in office despite his incompetence.
* The other cities shown in PowerpuffGirls are actually city-states that have their own methods for defending themselves.
* Chemical X may have been caused by the Mushroom War as well.
* Both Mike, the Powerpuff girls, and Finn and Jake were all able to change reality through their imagination. Their abilities could also have been caused by the nuclear fall-out, as could the ability of people to create imaginary friends in Foster's Home.
* We never see the imaginary friends of adults except for Madame Foster in FostersHomeForImaginaryFriends , but we do see that teenagers create dangerous creatures they use to attack each other. The adults may be using their friends to protect the town so they can go about their business as usual and pretend that life has not drastically changed.
* To finish up the theory, it isn't the terrifying monsters that finished off the city-states. It's the rainicorns, who humanity could not believe was evil. That was why the dogs went to war with them, because they were trying to protect their best friends.
