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* The creator of ''ComicStrip/{{Dilbert}}'' has been known to link YouTube channels with the entire series of [[WesternAnimation/{{Dilbert}} the animated series]], stating he never made any money off the show thanks to Hollywood Accounting and as such you shouldn't feel bad about watching it for free.

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* The creator of ''ComicStrip/{{Dilbert}}'' has been known to link YouTube [=YouTube=] channels with the entire series of [[WesternAnimation/{{Dilbert}} the animated series]], stating he never made any money off the show thanks to Hollywood Accounting and as such you shouldn't feel bad about watching it for free.
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* The creator of ''ComicStrip/{{Dilbert}}'' has been known to link YouTube channels with the entire series of [[WesternAnimation/{{Dilbert}} the animated series]], stating he never made any money off the show thanks to Hollywood Accounting and as such you shouldn't feel bad about watching it for free.
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[[folder:Anime and Manga]]

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[[folder:Film - Live Action]]

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* The cast and producers of the film ''Film/MyBigFatGreekWedding'' (with the exception of lead actress Nia Vardalos) ended up going to court to sue Playtone Pictures, Creator/{{HBO}} and Gold Circle Films for unpaid profits. The studios claimed the film lost $20 million, despite being one of the highest-grossing independent films of all time (and a record-holder for highest-grossing independent for several years).

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* The cast and producers of the film ''Film/MyBigFatGreekWedding'' (with the exception of lead actress Nia Vardalos) ended up going to court to sue Playtone Pictures, Creator/{{HBO}} and Gold Circle Films for unpaid profits. The studios claimed the film lost $20 million, despite being one of the highest-grossing independent films of all time (and a record-holder for highest-grossing independent for several years).years), making well over 300 million dollars on a budget of ''six'' million.
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* One episode of ''Series/TheDickVanDykeShow'' revolves around this. Buddy and Sally get Rob to ask for a raise of their behalf. Alan Brady's accountant says that this isn't possible, but that it is possible to give Rob a raise. He ends up bewildering Rob with an explanation for this that basically amounts to telling him that Alan owns many, many companies beyond just being the star of ''The Alan Brady Show'', and that Rob is officially employed by a successful company while Buddy and Sally are employed by an unsuccessful company (note that Rob has never even ''heard'' of either company). [[spoiler:The issue is resolved by firing Buddy and Sally and then immediately then rehiring them with another company ("They had the money, the just didn't know what ''pocket'' it was in!")]]

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* One episode of ''Series/TheDickVanDykeShow'' revolves around this. Buddy and Sally get Rob to ask for a raise of their behalf. Alan Brady's accountant says that this isn't possible, but that it is possible to give Rob a raise. He ends up bewildering Rob with an explanation for this that basically amounts to telling him that Alan owns many, many companies beyond just being the star of ''The Alan Brady Show'', and that Rob is officially employed by a successful company while Buddy and Sally are employed by an unsuccessful company (note that Rob has never even ''heard'' of either company). [[spoiler:The issue is resolved by firing Buddy and Sally and then immediately then rehiring them with another company ("They had the money, the they just didn't know what ''pocket'' it was in!")]]
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[[folder: LiveActionTV]]

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[[folder: LiveActionTV]][[folder:LiveActionTV]]
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* One episode of ''Series/TheDIckVanDykeShow'' revolves around this. Buddy and Sally get Rob to ask for a raise of their behalf. Alan Brady's accountant says that this isn't possible, but that it is possible to give Rob a raise. He ends up bewildering Rob with an explanation for this that basically amounts to telling him that Alan owns many, many companies beyond just being the star of ''The Alan Brady Show'', and that Rob is officially employed by a successful company while Buddy and Sally are employed by an unsuccessful company (note that Rob has never even ''heard'' of either company). [[spoiler:The issue is resolved by firing Buddy and Sally and then immediately then rehiring them with another company ("They had the money, the just didn't know what ''pocket'' it was in!")]]

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* One episode of ''Series/TheDIckVanDykeShow'' ''Series/TheDickVanDykeShow'' revolves around this. Buddy and Sally get Rob to ask for a raise of their behalf. Alan Brady's accountant says that this isn't possible, but that it is possible to give Rob a raise. He ends up bewildering Rob with an explanation for this that basically amounts to telling him that Alan owns many, many companies beyond just being the star of ''The Alan Brady Show'', and that Rob is officially employed by a successful company while Buddy and Sally are employed by an unsuccessful company (note that Rob has never even ''heard'' of either company). [[spoiler:The issue is resolved by firing Buddy and Sally and then immediately then rehiring them with another company ("They had the money, the just didn't know what ''pocket'' it was in!")]]
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[[folder: LiveActionTV]]
* One episode of ''Series/TheDIckVanDykeShow'' revolves around this. Buddy and Sally get Rob to ask for a raise of their behalf. Alan Brady's accountant says that this isn't possible, but that it is possible to give Rob a raise. He ends up bewildering Rob with an explanation for this that basically amounts to telling him that Alan owns many, many companies beyond just being the star of ''The Alan Brady Show'', and that Rob is officially employed by a successful company while Buddy and Sally are employed by an unsuccessful company (note that Rob has never even ''heard'' of either company). [[spoiler:The issue is resolved by firing Buddy and Sally and then immediately then rehiring them with another company ("They had the money, the just didn't know what ''pocket'' it was in!")]]
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* Creator/FrankDarabont's lawsuit against Creator/{{AMC}} in 2013 is one of the largest examples of this phenomenon in action. After being ousted from production of ''Series/TheWalkingDead'' midway through its second season, Darabont filed a suit alongside his representation, Creative Artists Agency, not only alleging that he was fired from the show unjustly, but that AMC itself had dodged its profit-sharing agreement with him by setting the "fee" the network paid its studio subsidiary per episode far lower than normal market value.[[note]]Darabont and CAA stated that AMC was claiming a budget[=/=]inputted fee of $2.4 million an episode, for a show that was reaching Super Bowl ratings numbers ''weekly''. Darabont's expert witnesses claimed the real inputted fee should have been ten times more, between $20 million to $30 million an episode.[[/note]] [[https://www.hollywoodreporter.com/business/business-news/walking-dead-creator-frank-darabonts-280m-suit-amc-headed-trial-1168047/ The case was eventually settled out of court]], with Darabont and CAA netting $200 million (plus profit-sharing on some future revenues). The settlement also caused series creator Robert Kirkman and other creative executives with profit participation for the series to pursue a similar claim in a separate lawsuit.
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* Around the time of the release of ''Film/MenInBlackInternational'', the writer of [[Film/MenInBlack the original film]] Ed Solomon [[https://twitter.com/ed_solomon/status/1139031900931198976 tweeted]] that according to the latest profit statement he got, the latter movie was still in the red, prompting him to sarcastically claim the studio had to be DoingIfForTheArt if they just released the ''fourth'' installment on a clearly unprofitable series, and calling the profit statement "better science fiction than the film itself". Considering how ''International'' legitimately bombed, it's safe to assume Solomon got the last laugh.

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* Around the time of the release of ''Film/MenInBlackInternational'', the writer of [[Film/MenInBlack the original film]] Ed Solomon [[https://twitter.com/ed_solomon/status/1139031900931198976 tweeted]] that according to the latest profit statement he got, the latter movie was still in the red, prompting him to sarcastically claim the studio had to be DoingIfForTheArt DoingItForTheArt if they just released the ''fourth'' installment on a clearly unprofitable series, and calling the profit statement "better science fiction than the film itself". Considering how ''International'' legitimately bombed, it's safe to assume Solomon got the last laugh.
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* During Wrestling/ChrisJericho's time in Wrestling/{{WCW}}, wrestlers got a royalty for merchandise with their likenesses. He discovered the hard way that he was being cheated when a relative bought a Chris Jericho action figure from a big retailer and it rang up as a Wrestling/KevinNash action figure instead, which gave Nash the royalty. Nash himself claims he never received any royalty or merch checks from WCW, as they weren't included in his contract. WCW was infamous for this kind of thing, to the point that all of their legal issues[[note]]Which Wrestling/VinceMcMahon didn't inherit because he didn't actually buy the company, just the rights to the video catalog and all of [=WCW's=] intellectual properties, along with about 2 dozen wrestler contracts[[/note]] weren't cleaned up until '''2017''', even though the last WCW show took place in March of 2001.

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* During Wrestling/ChrisJericho's time in Wrestling/{{WCW}}, Wrestling/{{WCW}} was so infamous for this that their legal issues weren't fully cleaned up until '''2017''', sixteen years after the final episode of ''WCW Nitro''.[[note]]And Wrestling/VinceMcMahon didn't inherit the legal issues because he didn't actually buy out the company — only their video library, the intellectual properties, and about two dozen wrestlers' contracts.[[/note]] In the late '[=90s=], WCW wrestlers got a royalty were supposedly entitled to royalties for merchandise sales of merch with their likenesses. He discovered likenesses; however, Wrestling/ChrisJericho found out the hard way that he was being cheated when a relative bought a Chris Jericho action figure from a big retailer and it rang up as a figure of Wrestling/KevinNash action figure instead, which gave Nash the royalty. Nash himself claims he never received any royalty or merch checks from WCW, as they weren't included in his contract. WCW was infamous for this kind of thing, to the point that all of their legal issues[[note]]Which Wrestling/VinceMcMahon — whose contract ''conveniently'' didn't inherit because he didn't actually buy the company, just the rights to the video catalog and all of [=WCW's=] intellectual properties, along with about 2 dozen wrestler contracts[[/note]] weren't cleaned up until '''2017''', even though the last WCW show took place in March of 2001. include merch royalties.
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[[folder:Anime and Manga]]
* ADK and TV Tokyo accused Creator/FourKidsEntertainment of this in their [[https://www.animenewsnetwork.com/news/2011-03-29/tv-tokyo-nihon-ad-terminate-yu-gi-oh-deal-sue-4kids 2011 lawsuit]] against them, which terminated their license to the ''Manga/YuGiOh'' franchise. They claimed 4Kids owed them almost $5 million in royalties due to secret sublicensing agreements with companies like Creator/FUNimation and Creator/CartoonNetwork, and not reporting the profits. However, [[https://www.c21media.net/news/4kids-triumphs-in-yu-gi-oh-lawsuit/ 4Kids won the lawsuit]], with the judge finding little merit to those claims, and 4Kids' license to ''Yu-Gi-Oh!'' was upheld, although it was sold to Konami just three months later.
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-->-- '''John D. [=MacDonald=]''', ''Free Fall in Crimson''

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-->-- '''John D. [=MacDonald=]''', ''Free ''[[Literature/TravisMcGee Free Fall in Crimson''
Crimson]]''
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* Around the time of the release of ''Film/MenInBlackInternational'', the writer of [[Film/MenInBlack the original film]] Ed Solomon [[https://twitter.com/ed_solomon/status/1139031900931198976 tweeted]] that according to the latest profit statement he got, the latter movie was still in the red, prompting him to sarcastically claim the studio had just released the ''fourth'' installment on a clearly unprofitable series and calling the profit statement "better science fiction than the film itself". Considering how ''International'' legitimately bombed, it's safe to assume Solomon got the last laugh.

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* Around the time of the release of ''Film/MenInBlackInternational'', the writer of [[Film/MenInBlack the original film]] Ed Solomon [[https://twitter.com/ed_solomon/status/1139031900931198976 tweeted]] that according to the latest profit statement he got, the latter movie was still in the red, prompting him to sarcastically claim the studio had to be DoingIfForTheArt if they just released the ''fourth'' installment on a clearly unprofitable series series, and calling the profit statement "better science fiction than the film itself". Considering how ''International'' legitimately bombed, it's safe to assume Solomon got the last laugh.
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* Around the time of the release of ''Film/MenInBlackInternational'', the writer of [[Film/MenInBlack the original film]] Ed Solomon [[https://twitter.com/ed_solomon/status/1139031900931198976 tweeted]] that according to the latest profit statement he got, the latter movie was still in the red, prompting him to sarcastically claim the studio was clearly DoingItForTheArt since they had just released the ''fourth'' installment on a clearly unprofitable series and calling the profit statement "better science fiction than the film itself". Considering how ''International'' legitimately bombed, it's safe to assume Solomon got the last laugh.

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* Around the time of the release of ''Film/MenInBlackInternational'', the writer of [[Film/MenInBlack the original film]] Ed Solomon [[https://twitter.com/ed_solomon/status/1139031900931198976 tweeted]] that according to the latest profit statement he got, the latter movie was still in the red, prompting him to sarcastically claim the studio was clearly DoingItForTheArt since they had just released the ''fourth'' installment on a clearly unprofitable series and calling the profit statement "better science fiction than the film itself". Considering how ''International'' legitimately bombed, it's safe to assume Solomon got the last laugh.



* Creator/JMichaelStraczynski got screwed out of his cut of the profits from ''Series/BabylonFive''. Fortunately, he was DoingItForTheArt anyway.

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* Creator/JMichaelStraczynski got screwed out of his cut of the profits from ''Series/BabylonFive''. Fortunately, he was DoingItForTheArt anyway.
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* In ''ComicBook/AstroCity'', comics publisher Manny Monkton gets a visit from costumed hero Crackerjack, who compains about not receiving royalties for his licensed comic book. Monkton fobs him off with lowballed sales figures.

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* In ''ComicBook/AstroCity'', comics publisher Manny Monkton gets a visit from costumed hero Crackerjack, who compains complains about not receiving royalties for his licensed comic book. Monkton fobs him off with lowballed sales figures. figures, claiming that the comic isn't profitable yet, despite his assistant noting it to be one of their most popular books.
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* During Wrestling/ChrisJericho's time in Wrestling/{{WCW}}, wrestlers got a royalty for merchandise with their likenesses. He discovered the hard way that he was being cheated when a relative bought a Chris Jericho action figure from a big retailer and it rang up as a Wrestling/KevinNash action figure instead, which gave Nash the royalty.

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* During Wrestling/ChrisJericho's time in Wrestling/{{WCW}}, wrestlers got a royalty for merchandise with their likenesses. He discovered the hard way that he was being cheated when a relative bought a Chris Jericho action figure from a big retailer and it rang up as a Wrestling/KevinNash action figure instead, which gave Nash the royalty. Nash himself claims he never received any royalty or merch checks from WCW, as they weren't included in his contract. WCW was infamous for this kind of thing, to the point that all of their legal issues[[note]]Which Wrestling/VinceMcMahon didn't inherit because he didn't actually buy the company, just the rights to the video catalog and all of [=WCW's=] intellectual properties, along with about 2 dozen wrestler contracts[[/note]] weren't cleaned up until '''2017''', even though the last WCW show took place in March of 2001.

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* Creator/HBOMax and Creator/{{Netflix}} pulled ''Series/ChappellesShow'' after Creator/DaveChappelle complained ''even in one of his Netflix specials'' that Creator/ComedyCentral gave him ''nothing'' from syndication deals. He went so far as to encourage a ''boycott of his own show'' until Comedy Central's parent company [[Creator/ViacomCBS ViacomCBS]] finally reached a settlement with Chappelle in February 2021, at which time both services, ''plus'' [[Creator/ViacomCBS ViacomCBS]]'s services, Paramount+ and the ad-supported Pluto TV, all added/re-added the show.

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* Creator/HBOMax and Creator/{{Netflix}} pulled ''Series/ChappellesShow'' after Creator/DaveChappelle complained ''even in one of his Netflix specials'' that Creator/ComedyCentral gave him ''nothing'' from syndication deals. He went so far as to encourage a ''boycott of his own show'' until Comedy Central's parent company [[Creator/ViacomCBS ViacomCBS]] Creator/ViacomCBS finally reached a settlement with Chappelle in February 2021, at which time both services, ''plus'' [[Creator/ViacomCBS ViacomCBS]]'s [=ViacomCBS=]'s services, Paramount+ and the ad-supported Pluto TV, all added/re-added the show.



* Creator/LyndaCarter has mentioned this in regards to her time on ''Series/WonderWoman''. Alongside not getting any money from reruns (which isn't exactly rare; back before people saw the financial potential of syndication, no one really thought to add a clause regarding royalties from reruns in their contracts,) she also saw nothing from merchandising. She specifically recalls them making a likeness of her face and created a run of Wonder Woman dolls. After the first run, they took her name off of it, marketed later runs as a generic Wonder Woman doll, and she never saw any profit from it.



* Creator/LyndaCarter has mentioned this in regards to her time on ''Series/WonderWoman''. Alongside not getting any money from reruns (which isn't exactly rare; back before people saw the financial potential of syndication, no one really thought to add a clause regarding royalties from reruns in their contracts,) she also saw nothing from merchandising. She specifically recalls them making a likeness of her face and created a run of Wonder Woman dolls. After the first run, they took her name off of it, marketed later runs as a generic Wonder Woman doll, and she never saw any profit from it.
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* In ''Welcome to Collinwood'', safe cracker Jerzy insists on $500 upfront in order to teach the group how to pull off a jewelry store heist instead of the a portion of the loot:
-->I don't take back-end money. It's useless.
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[[folder:Anime and Manga]]
* ''Manga/BootyRoyaleNeverGoDownWithoutAFight'': Modeling agency president Sanada Hikaru is accused by a PrivateDetective (hired by main character Haebaru Misora's enemy Dr. Ikezaki Gensuke) of shuffling profits to an affiliated company to hide them from the tax man. Nothing comes of it because [[AppealToForce Sanada beats the crap out of the detective]] for trying to {{blackmail}} him over it.
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[[Wiki/{{Wikipedia}} That Other Wiki]] has [[WeAreNotAloneIndex a more in-depth article]] on the subject [[http://en.wikipedia.org/wiki/Hollywood_accounting found here]].

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[[Wiki/{{Wikipedia}} [[Website/{{Wikipedia}} That Other Wiki]] has [[WeAreNotAloneIndex a more in-depth article]] on the subject [[http://en.wikipedia.org/wiki/Hollywood_accounting found here]].
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* The Seoul Metro's Line 9, which infamously suffered from ridership levels that vastly outpaced its conservative forecast, causing it to reach crowding levels of up to 238% at peak times in 2015, has this to blame. The line was a private enterprise, being operated as a franchise by a conglomerate of various companies. To help ease the financial burden, the Seoul Metropolitan Government offered a minimum revenue guarantee based on ridership. To try and reduce the need to pay out that money, the Seoul Metropolitan Government revised their initial ridership forecast to be more conservative, which had the side-effect of the line not being built with handling as many passengers as it would need to in mind.
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* The territory days of professional wrestling were rife with this trope when deciding what to pay wrestlers andother talent. Wrestling/JimCornette once described it as "After they run it through the separator and make the donation to the FIA[[note]]Fuck them In the Ass, "them" being the boys, the wrestlers[[/note]] fund they'd pay the boys."

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* The territory days of professional wrestling were rife with this trope when deciding what to pay wrestlers andother and other talent. Wrestling/JimCornette once described it as "After they run it through the separator and make the donation to the FIA[[note]]Fuck them In the Ass, "them" being the boys, the wrestlers[[/note]] fund they'd pay the boys."
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* The territory days of professional wrestling were rife with this trope when deciding what to pay wrestlers andother talent. Wresting/JimCornette once described it as "After they run it through the separator and make the donation to the FIA[[note]]Fuck them In the Ass, "them" being the boys, the wrestlers[[/note]] fund they'd pay the boys."

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* The territory days of professional wrestling were rife with this trope when deciding what to pay wrestlers andother talent. Wresting/JimCornette Wrestling/JimCornette once described it as "After they run it through the separator and make the donation to the FIA[[note]]Fuck them In the Ass, "them" being the boys, the wrestlers[[/note]] fund they'd pay the boys."
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* The territory days of professional wrestling were rife with this trope when deciding what to pay wrestlers andother talent. Wresting/JimCornette once described it as "After they run it through the separator and make the donation to the FIA[[note]]Fuck them In the Ass, "them" being the boys, the wrestlers[[/note]] fund they'd pay the boys."

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* The SOPA issue (see the last folder) was also parodied in ''WebVideo/ToBoldlyFlee'', where a producer claims his writers aren't getting any money thanks to piracy...despite the fact that he keeps them chained in closet-offices and admits to having multiple houses himself. The BigBad is actually a studio head who prefers big-money-making cheap schlock to actually putting effort into films at the risk of them not making a return, undermining things more for that side.



* The SOPA issue was also parodied in WebVideo/ToBoldlyFlee where a producer claims his writers aren't getting any money thanks to piracy...despite the fact that he keeps them chained in closet-offices and admits to having multiple houses himself. The BigBad is actually a studio head who prefers big-money-making cheap schlock to actually putting effort into films at the risk of them not making a return, undermining things more for that side.
Is there an issue? Send a MessageReason:
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* Creator/HBOMax and Creator/{{Netflix}} pulled ''Series/ChappellesShow'' after Creator/DaveChappelle complained ''even in one of his Netflix specials'' that Creator/ComedyCentral gave him ''nothing'' from syndication deals. He went so far as to encourage a ''boycott of his own show'' until Comedy Central's parent company [[Creator/ViacomCBS]] finally reached a settlement with Chappelle in February 2021, at which time both services, ''plus'' [[Creator/ViacomCBS]]'s services, Paramount+ and the ad-supported Pluto TV, all added/re-added the show.

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* Creator/HBOMax and Creator/{{Netflix}} pulled ''Series/ChappellesShow'' after Creator/DaveChappelle complained ''even in one of his Netflix specials'' that Creator/ComedyCentral gave him ''nothing'' from syndication deals. He went so far as to encourage a ''boycott of his own show'' until Comedy Central's parent company [[Creator/ViacomCBS]] [[Creator/ViacomCBS ViacomCBS]] finally reached a settlement with Chappelle in February 2021, at which time both services, ''plus'' [[Creator/ViacomCBS]]'s [[Creator/ViacomCBS ViacomCBS]]'s services, Paramount+ and the ad-supported Pluto TV, all added/re-added the show.

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