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* WorkingTitle: the project was humorously and begrudgingly named "El Dorado: The Lost City on Hold" to symbolize [[TroubledProduction its hell-ish production staduse.]]
to:
* WorkingTitle: the The project was humorously and begrudgingly named "El Dorado: The Lost City on Hold" to symbolize [[TroubledProduction its hell-ish production staduse.]]
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Trivia cannot be averted.
Deleted line(s) 24,26 (click to see context) :
* NonSingingVoice:
** {{Averted|Trope}}; the main characters have the same voice actors for speaking and singing.
** Played awfully straight in most foreign dubbings.
** {{Averted|Trope}}; the main characters have the same voice actors for speaking and singing.
** Played awfully straight in most foreign dubbings.
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* WorkingTitle: the project was humorously and begrudgingly named "El Dorado: The Lost City on Hold" to symbolize [[TroubledProduction its hell-ish production staduse.]]
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Changed line(s) 41 (click to see context) from:
** An early design for Chel had her wearing a poncho with nothing underneath. It was probably abandoned when they realized that she wouldn't be able to bend over without flashing everyone.
to:
** An early design for Chel had her wearing a poncho with nothing underneath. It was probably abandoned when they realized that she wouldn't logically be able to bend over without flashing everyone.
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Changed line(s) 41 (click to see context) from:
** An early design for Chel had her wearing a poncho with nothing underneath.
to:
** An early design for Chel had her wearing a poncho with nothing underneath. It was probably abandoned when they realized that she wouldn't be able to bend over without flashing everyone.
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Changed line(s) 1 (click to see context) from:
* BoxOfficeBomb: Dreamworks' first bomb. Budget: $95 million. Box office draw: $76,432,727.
to:
* BoxOfficeBomb: Dreamworks' A first bomb.for Creator/DreamWorksAnimation. Budget: $95 million. Box office draw: $76,432,727.
Changed line(s) 28 (click to see context) from:
* OldShame: Almost everyone who worked on the film views it as this. Hell, even today DreamWorks wants almost nothing to do with it.
to:
* OldShame: Almost everyone who worked on the film views it as this. Hell, even today DreamWorks Creator/DreamWorksAnimation wants almost nothing to do with it.
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* OldShame: Almost everyone who worked on the film views it as this. Hell, even today DreamWorks wants almost nothing to do with it.
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* WhatCouldHaveBeen:
to:
* WhatCouldHaveBeen:WhatCouldHaveBeen
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Changed line(s) 8 (click to see context) from:
-->"Great crew - fantastic dedication of talented people but a doomed mess from concept on. I "directed" on it for almost 3 years but resigned ultimately. The movie has its moments but as a piece of entertainment it's [[SoOkayItsAverage utterly innocuous and forgettable]]. Yet unless you were there you'd never know the sheer madness and bloodbath it was to make. If they made a movie of the making of it it would be a cross between ''Film/MutinyOnTheBounty'' and ''Film/TheProducers!''"
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Changed line(s) 10 (click to see context) from:
-->"Part of my opinion of the movie is tied in with the crazy-making of it. I have no particular fondness for it. It was a big missed opportunity as far as I'm concerned. The MAKING of it would make a much more compelling film!"
to:
Changed line(s) 12 (click to see context) from:
-->"For me, there were two major problems with ''The Road to El Dorado''. First, it was a period piece set in Latin America — I thought at the time that that combination would be box office poison. There are certain settings and time periods that I don’t think modern audiences are interested in, even if the film is fantastic. Second, the film didn’t know what it wanted to be. Buddy movie? Action-adventure? Romantic comedy? Musical? Historical tragedy? Romance? For adults? For kids? I think the project was like the proverbial elephant being examined by the blind scientists. Different directors, writers, and producers all tried to make different movies, and it ended up a mish-mash."
to:
Changed line(s) 17 (click to see context) from:
* EarlyDraftTiein: Chel's attempt at being a sacrifice was shown in various tie-in media.
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* EarlyDraftTiein: EarlyDraftTieIn: Chel's attempt at being a sacrifice was shown in various tie-in media.
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Changed line(s) 17 (click to see context) from:
* ''EarlyDraftTie-in'': Chel's attempt at being a sacrifice was shown in various tie-in media.
to:
* ''EarlyDraftTie-in'': EarlyDraftTiein: Chel's attempt at being a sacrifice was shown in various tie-in media.
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Changed line(s) 17 (click to see context) from:
* EarlyDraftTie-in: Chel's attempt at being a sacrifice was shown in various tie-in media.
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* EarlyDraftTie-in: ''EarlyDraftTie-in'': Chel's attempt at being a sacrifice was shown in various tie-in media.
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Changed line(s) 17 (click to see context) from:
* EarlyDraftTiein: Chel's attempt at being a sacrifice was shown in various tie-in media.
to:
* EarlyDraftTiein: EarlyDraftTie-in: Chel's attempt at being a sacrifice was shown in various tie-in media.
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Changed line(s) 38 (click to see context) from:
** The film was going to have more profanity and innuendos so it would earn a [[UsefulNotes/RestrictedRating R]] rating, but executives removed most of them.
to:
** The film was going to have more profanity and innuendos so it would earn a an [[UsefulNotes/RestrictedRating R]] rating, rating (or, at the very least, PG-13), but executives removed most of them.
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Changed line(s) 14,15 (click to see context) from:
** After previously composing the ''WesternAnimation/TheLionKing1994'', the disappointing performing of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Creator/TimRice. They have mainly stuck to theatre since, only reuniting for the 2019 [[WesternAnimation/TheLionKing2019 remake]] of ''The Lion King''.
** In addition, this was the first in the set of dominoes that made Dreamworks give up on hand-drawn animation until 2015, starting with ''WesternAnimation/DawnOfTheCroods''.
** In addition, this was the first in the set of dominoes that made Dreamworks give up on hand-drawn animation until 2015, starting with ''WesternAnimation/DawnOfTheCroods''.
to:
** After previously composing the ''WesternAnimation/TheLionKing1994'', the disappointing performing performance of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Creator/TimRice. They have mainly stuck to theatre since, only reuniting for the 2019 [[WesternAnimation/TheLionKing2019 remake]] of ''The Lion King''.
** In addition, this was the first in the set of dominoes that madeDreamworks [=DreamWorks=] give up on hand-drawn animation until 2015, starting with ''WesternAnimation/DawnOfTheCroods''.
** In addition, this was the first in the set of dominoes that made
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Changed line(s) 12 (click to see context) from:
-->"For me, there were two major problems with The Road to El Dorado. First, it was a period piece set in South America — I thought at the time that that combination would be box office poison. There are certain settings and time periods that I don’t think modern audiences are interested in, even if the film is fantastic. Second, the film didn’t know what it wanted to be. Buddy movie? Action-adventure? Romantic comedy? Musical? Historical tragedy? Romance? For adults? For kids? I think the project was like the proverbial elephant being examined by the blind scientists. Different directors, writers, and producers all tried to make different movies, and it ended up a mish-mash."
to:
-->"For me, there were two major problems with The ''The Road to El Dorado. Dorado''. First, it was a period piece set in South Latin America — I thought at the time that that combination would be box office poison. There are certain settings and time periods that I don’t think modern audiences are interested in, even if the film is fantastic. Second, the film didn’t know what it wanted to be. Buddy movie? Action-adventure? Romantic comedy? Musical? Historical tragedy? Romance? For adults? For kids? I think the project was like the proverbial elephant being examined by the blind scientists. Different directors, writers, and producers all tried to make different movies, and it ended up a mish-mash."
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Changed line(s) 7 (click to see context) from:
** Animator Will Finn, who directed a bulk of the film, has spoken at length about how much he hated making this film and that he still has nightmares about it to this day. He hated the script and brought it to writer David Swift in the hopes of punching it up, later admitting that he agreed with Swift when he said, "You're never going to make a good movie with shit like this for writing!". He fought tooth and nail to keep the game sequence in the film because it was one of the few actual references to real Native American culture, and the higher-ups could give him no rational reason as to why they wanted it removed. He [[ScrewThisImOuttaHere jumped ship late in production to return to Disney]] and had his name removed from the credits, leaving Don Paul and Eric "Bibo" Bergeron (and even an uncredited Jeff Katzenberg and Creator/DavidSilverman) to finish the job.
to:
** Animator Will Finn, who directed a bulk of the film, has spoken at length about how much he hated making this film and that he still has nightmares about it to this day. He hated the script and brought it to writer David Swift in the hopes of punching it up, later admitting that he agreed with Swift when he said, "You're never going to make a good movie with shit like this for writing!". He fought tooth and nail to keep the game sequence in the film because it was one of the few actual references to real Native American Indigenous Mesoamerican culture, and the higher-ups could give him no rational reason as to why they wanted it removed. He [[ScrewThisImOuttaHere jumped ship late in production to return to Disney]] and had his name removed from the credits, leaving Don Paul and Eric "Bibo" Bergeron (and even an uncredited Jeff Katzenberg and Creator/DavidSilverman) to finish the job.
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* CompletelyDifferentTitle:
** Japan: ''El Dorado Golden City''
** Netherlands: ''El Dorado: The Land of Gold''
** Taiwan: ''Brave the Golden City''
** Japan: ''El Dorado Golden City''
** Netherlands: ''El Dorado: The Land of Gold''
** Taiwan: ''Brave the Golden City''
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* ScrewedByTheNetwork: A non-intentional example. Due to the TroubledProduction the film went through, the studio's advertisements went about trying to sell the movie as a ShownTheirWork story about the New World instead of what the film actually was, essentially a comedy movie. This played a role in the films failure at the box-office; critics thought it was a failure at the thing the advertisements said it was, causing people to not see it.
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Changed line(s) 1 (click to see context) from:
* BoxOfficeBomb: Dreamworks' first. Budget: $95 million. Box office: $76,432,727.
to:
* BoxOfficeBomb: Dreamworks' first.first bomb. Budget: $95 million. Box office: office draw: $76,432,727.
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Lifted from this Kinder And Cleaner because it was neither included in the final print of this film nor cruder relative to a sequel.
Added DiffLines:
** The film was going to have more profanity and innuendos so it would earn a [[UsefulNotes/RestrictedRating R]] rating, but executives removed most of them.
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* FakeBrit: New Yorker Creator/ArmandAssante affects a British accent as Tzekel-Kan.
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Changed line(s) 34 (click to see context) from:
** Before Jeffrey Katzenberg left Disney and took this and other ideas with him, it was listed among Disney's upcoming animated features under the name ''The Man Who Would Be King'', the plot of which is transplanted to the Age of the Conquistadors.
to:
** Before Jeffrey Katzenberg left Disney and took this and other ideas with him, it was listed among Disney's upcoming animated features under the name ''The Man Who Would Be King'', the plot of which is transplanted to the Age of the Conquistadors.Discovery.
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Changed line(s) 17 (click to see context) from:
* MidDevelopmentGenreShift: The movie was originally conceived as an R-rated comedy, which explains some of the dirty humor and near cursing.
to:
* MidDevelopmentGenreShift: The movie was originally conceived as an R-rated comedy, comedy (in the ''Disney Animated Canon'', of all things!), which explains some of the dirty humor and near cursing.
Added DiffLines:
** Before Jeffrey Katzenberg left Disney and took this and other ideas with him, it was listed among Disney's upcoming animated features under the name ''The Man Who Would Be King'', the plot of which is transplanted to the Age of the Conquistadors.
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Added DiffLines:
** An early design for Chel had her wearing a poncho with nothing underneath.
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Added DiffLines:
* EarlyDraftTiein: Chel's attempt at being a sacrifice was shown in various tie-in media.
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Changed line(s) 6,8 (click to see context) from:
-->"Part of my opinion of the movie is tied in with the crazy making of it. I have no particular fondness for it. It was a big missed opportunity as far as I'm concerned. The MAKING of it would make a much more compelling film!"
** Kevin Koch, an assistant animator on Chel's character, mentioned on his Synchro Lux blog that he had mixed feelings about the final film, particularly that the films direction was unfocused [[TooManyCooksSpoilTheSoup due to a case of it having too many cooks in the kitchen.]]
-->"For me there were two major problems with The Road to El Dorado. First, it was a period piece set in South America — I thought at the time that that combination would be box office poison. There are certain settings and time periods that I don’t think modern audiences are interested in, even if the film is fantastic. Second, the film didn’t know what it wanted to be. Buddy movie? Action adventure? Romantic comedy? Musical? Historical tragedy? Romance? For adults? For kids? I think the project was like the proverbial elephant being examined by the blind scientists. Different directors, writers, and producers all tried to make different movies, and it ended up a mish-mash."
** Kevin Koch, an assistant animator on Chel's character, mentioned on his Synchro Lux blog that he had mixed feelings about the final film, particularly that the films direction was unfocused [[TooManyCooksSpoilTheSoup due to a case of it having too many cooks in the kitchen.]]
-->"For me there were two major problems with The Road to El Dorado. First, it was a period piece set in South America — I thought at the time that that combination would be box office poison. There are certain settings and time periods that I don’t think modern audiences are interested in, even if the film is fantastic. Second, the film didn’t know what it wanted to be. Buddy movie? Action adventure? Romantic comedy? Musical? Historical tragedy? Romance? For adults? For kids? I think the project was like the proverbial elephant being examined by the blind scientists. Different directors, writers, and producers all tried to make different movies, and it ended up a mish-mash."
to:
-->"Part of my opinion of the movie is tied in with the crazy making crazy-making of it. I have no particular fondness for it. It was a big missed opportunity as far as I'm concerned. The MAKING of it would make a much more compelling film!"
** Kevin Koch, an assistant animator on Chel's character, mentioned on his Synchro Lux blog that he had mixed feelings about the final film, particularly that thefilms film's direction was unfocused [[TooManyCooksSpoilTheSoup due to a case of it having too many cooks in the kitchen.]]
-->"Forme me, there were two major problems with The Road to El Dorado. First, it was a period piece set in South America — I thought at the time that that combination would be box office poison. There are certain settings and time periods that I don’t think modern audiences are interested in, even if the film is fantastic. Second, the film didn’t know what it wanted to be. Buddy movie? Action adventure? Action-adventure? Romantic comedy? Musical? Historical tragedy? Romance? For adults? For kids? I think the project was like the proverbial elephant being examined by the blind scientists. Different directors, writers, and producers all tried to make different movies, and it ended up a mish-mash."
** Kevin Koch, an assistant animator on Chel's character, mentioned on his Synchro Lux blog that he had mixed feelings about the final film, particularly that the
-->"For
Changed line(s) 23 (click to see context) from:
* StillbornFranchise: If this film had made its money back, we could have a whole franchise of them by now. They deliberately sprinkled the film with sequel hooks, and were already in the early stages of plotting out the sequels. One alternative ending to the film actually had them InMediasRes in their next adventure.
to:
* QuoteSource:
** ImOkay
* StillbornFranchise: If this film had made its money back, we could have a whole franchise of them by now. They deliberately sprinkled the film with sequelhooks, hooks and were already in the early stages of plotting out the sequels. One alternative ending to the film actually had them InMediasRes in their next adventure.
** ImOkay
* StillbornFranchise: If this film had made its money back, we could have a whole franchise of them by now. They deliberately sprinkled the film with sequel
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Changed line(s) 10 (click to see context) from:
** After previously composing the ''Disney/TheLionKing'', the disappointing performing of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Creator/TimRice. They have mainly stuck to theatre since, only reuniting for the 2019 [[WesternAnimation/TheLionKing2019 remake]] of ''The Lion King''.
to:
** After previously composing the ''Disney/TheLionKing'', ''WesternAnimation/TheLionKing1994'', the disappointing performing of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Creator/TimRice. They have mainly stuck to theatre since, only reuniting for the 2019 [[WesternAnimation/TheLionKing2019 remake]] of ''The Lion King''.
Changed line(s) 12 (click to see context) from:
* DuelingMovies: [[Series/{{Jeopardy}} Answer: Daily Double!]]. ''The Road to El Dorado'' is noteworthy for dueling thematically with not one, but two Franchise/DisneyAnimatedCanon films, with ''Disney/TheEmperorsNewGroove'' being the first (in the buddy-comedy in pre-colonial Latin America arena), and ''Disney/AtlantisTheLostEmpire'' being the second (in the hidden city with riches/MsFanservice lead arena). ''El Dorado'' managed to lose to both (it was a clear-cut victory with ''The Emperor's New Groove'', but not so much with ''Atlantis'', which is in the exact same critical range as ''El Dorado''. ''Atlantis'' was also a BoxOfficeBomb, but did end up making more money than ''El Dorado''.
to:
* DuelingMovies: [[Series/{{Jeopardy}} Answer: Daily Double!]]. ''The Road to El Dorado'' is noteworthy for dueling thematically with not one, but two Franchise/DisneyAnimatedCanon films, with ''Disney/TheEmperorsNewGroove'' ''WesternAnimation/TheEmperorsNewGroove'' being the first (in the buddy-comedy in pre-colonial Latin America arena), and ''Disney/AtlantisTheLostEmpire'' ''WesternAnimation/AtlantisTheLostEmpire'' being the second (in the hidden city with riches/MsFanservice lead arena). ''El Dorado'' managed to lose to both (it was a clear-cut victory with ''The Emperor's New Groove'', but not so much with ''Atlantis'', which is in the exact same critical range as ''El Dorado''. ''Atlantis'' was also a BoxOfficeBomb, but did end up making more money than ''El Dorado''.
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Deleted line(s) 9 (click to see context) :
* CreatorCameo: Animator Duncan Marjoribanks also voices Tzelekan's servant.
Changed line(s) 11,12 (click to see context) from:
** After previously composing the ''Disney/TheLionKing'', the disappointing performing of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Tim Rice. They have mainly stuck to theatre since, only reuniting for the 2019 [[WesternAnimation/TheLionKing2019 remake]] of ''The Lion King''.
** In addition, this was the first in the set of dominoes that made Dreamworks give up on hand-drawn animation until 2015, starting with ''[[WesternAnimation/DawnOfTheCroods Dawn of the Croods]]''.
** In addition, this was the first in the set of dominoes that made Dreamworks give up on hand-drawn animation until 2015, starting with ''[[WesternAnimation/DawnOfTheCroods Dawn of the Croods]]''.
to:
** After previously composing the ''Disney/TheLionKing'', the disappointing performing of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Tim Rice.Creator/TimRice. They have mainly stuck to theatre since, only reuniting for the 2019 [[WesternAnimation/TheLionKing2019 remake]] of ''The Lion King''.
** In addition, this was the first in the set of dominoes that made Dreamworks give up on hand-drawn animation until 2015, starting with''[[WesternAnimation/DawnOfTheCroods Dawn of the Croods]]''.''WesternAnimation/DawnOfTheCroods''.
** In addition, this was the first in the set of dominoes that made Dreamworks give up on hand-drawn animation until 2015, starting with
Changed line(s) 15,16 (click to see context) from:
** In a good way--Kenneth Branagh and Kevin Kline were actually in the recording booth together (which is rare; actors usually record their lines alone with someone else filling in the other characters) so they could play off each other and banter. It worked beautifully.
** Armand Assante went shirtless like his character for half a recording session because the mike kept picking up the ruffles of his shirt as he acted.
** Armand Assante went shirtless like his character for half a recording session because the mike kept picking up the ruffles of his shirt as he acted.
to:
** In a good way--Kenneth Branagh way--Creator/KennethBranagh and Kevin Kline Creator/KevinKline were actually in the recording booth together (which is rare; actors usually record their lines alone with someone else filling in the other characters) so they could play off each other and banter. It worked beautifully.
**Armand Assante Creator/ArmandAssante went shirtless like his character for half a recording session because the mike kept picking up the ruffles of his shirt as he acted.acted.
* MidDevelopmentGenreShift: The movie was originally conceived as an R-rated comedy, which explains some of the dirty humor and near cursing.
**
* MidDevelopmentGenreShift: The movie was originally conceived as an R-rated comedy, which explains some of the dirty humor and near cursing.
Changed line(s) 23 (click to see context) from:
* StillbornFranchise: This movie was supposed to be the start of a film franchise.
to:
* StillbornFranchise: This movie was supposed to be the start of a If this film franchise.had made its money back, we could have a whole franchise of them by now. They deliberately sprinkled the film with sequel hooks, and were already in the early stages of plotting out the sequels. One alternative ending to the film actually had them InMediasRes in their next adventure.
Changed line(s) 26 (click to see context) from:
* VoicesInOneRoom: Kevin Kline and Kenneth Branagh recorded their lines together, providing effective chemistry.
to:
* VoicesInOneRoom: Kevin Kline Creator/KevinKline and Kenneth Branagh Creator/KennethBranagh recorded their lines together, providing effective chemistry.
Changed line(s) 28,30 (click to see context) from:
** If this film had made its money back, we could have a whole franchise of them by now. They deliberately sprinkled the film with sequel hooks, and were already in the early stages of plotting out the sequels. One alternative ending to the film actually had them InMediasRes in their next adventure.
** It was also going to be revealed at the end that Bibo was an angel/spirit sent to help Miguel and Tulio. This makes sense when you think about it, considering all the crazy stuff that happens with it around, including pretty much flying through the ball hoop.
** The movie was originally conceived as an R-rated comedy, which explains some of the dirty humor and near cursing.
** It was also going to be revealed at the end that Bibo was an angel/spirit sent to help Miguel and Tulio. This makes sense when you think about it, considering all the crazy stuff that happens with it around, including pretty much flying through the ball hoop.
** The movie was originally conceived as an R-rated comedy, which explains some of the dirty humor and near cursing.
to:
** The movie was originally conceived as an R-rated comedy, which explains some of the dirty humor and near cursing.
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None
Changed line(s) 11 (click to see context) from:
** After previously composing the ''Disney/TheLionKing'', the disappointing performing of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Tim Rice. They have mainly stuck to theatre since, only reuniting for the 2019 [[Film/TheLionKing2019 remake]] of ''The Lion King''.
to:
** After previously composing the ''Disney/TheLionKing'', the disappointing performing of this film botched the collaboration of singer and composer Music/EltonJohn and lyricist Tim Rice. They have mainly stuck to theatre since, only reuniting for the 2019 [[Film/TheLionKing2019 [[WesternAnimation/TheLionKing2019 remake]] of ''The Lion King''.
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Added DiffLines:
* CreatorCameo: Animator Duncan Marjoribanks also voices Tzelekan's servant.
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* PopCultureUrbanLegends: There's a rumor that in the original script, there were strong hints that Miguel and Tulio were a gay couple which [[ExecutiveMeddling the higher-ups didn't like so they added Chel to replace such content]], but the fact that Chel is included in rough model sheets and early test footage has debunked this rumor.
Deleted line(s) 24 (click to see context) :
* UrbanLegends: There's a rumor that in the original script, there were strong hints that Miguel and Tulio were a gay couple which [[ExecutiveMeddling the higher-ups didn't like so they added Chel to replace such content]], but the fact that Chel is included in rough model sheets and early test footage has debunked this rumor.