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** Animator Will Finn enjoyed working on ''WesternAnimation/TheLittleMermaid'', but he stated on his Small Room blog that he wasn't happy with his animation of Grimbsy, saying there are only one or two scenes he did that don't make him cringe today.

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** Animator Will Finn enjoyed working on ''WesternAnimation/TheLittleMermaid'', ''WesternAnimation/TheLittleMermaid1989'', but he stated on his Small Room blog that he wasn't happy with his animation of Grimbsy, saying there are only one or two scenes he did that don't make him cringe today.



** The fourth was ''WesternAnimation/TheBlackCauldron'', which was such a huge [[BoxOfficeBomb financial misfire]] that it nearly took the studio down with it (it was still able to kill the Disney careers of directors Ted Berman and Creator/RichardRich and producer Joe Hale, plus it's one of the factors that forced Ron Miller to leave and allowed Jeffrey Katzenberg into Disney). Thankfully, the modest success of ''WesternAnimation/TheGreatMouseDetective'' managed to keep the studio afloat until ''WesternAnimation/TheLittleMermaid'' came in and started the Renaissance.

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** The fourth was ''WesternAnimation/TheBlackCauldron'', which was such a huge [[BoxOfficeBomb financial misfire]] that it nearly took the studio down with it (it was still able to kill the Disney careers of directors Ted Berman and Creator/RichardRich and producer Joe Hale, plus it's one of the factors that forced Ron Miller to leave and allowed Jeffrey Katzenberg into Disney). Thankfully, the modest success of ''WesternAnimation/TheGreatMouseDetective'' managed to keep the studio afloat until ''WesternAnimation/TheLittleMermaid'' ''WesternAnimation/{{The Little Mermaid|1989}}'' came in and started the Renaissance.



** ''WesternAnimation/TheLittleMermaid'': [[WesternAnimation/TheLittleMermaid1992 A prequel TV series of the same name]] that ran in the '90s. The direct-to-video prequel ''WesternAnimation/TheLittleMermaidIII'', however, retconned some of the show's elements.

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** ''WesternAnimation/TheLittleMermaid'': ''Franchise/TheLittleMermaid'': [[WesternAnimation/TheLittleMermaid1992 A prequel TV series of the same name]] that ran in the '90s. The direct-to-video prequel ''WesternAnimation/TheLittleMermaidIII'', however, retconned some of the show's elements.
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*** Second commentary by Pixar director Pete Docter, Disney historian Paula Sigman, and Disney animator Andreas Deja, with archival audio excerpts by writers Dick Huemer and Joe Grant, animators Ward Kimball, and Wolfgang Reitherman, sound designer Jim MacDonald, and layout artist Ken O’Conner

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*** Second commentary by Pixar director Pete Docter, Disney historian Paula Sigman, and Disney animator Andreas Deja, with archival audio excerpts by writers Dick Huemer and Joe Grant, animators Ward Kimball, and Wolfgang Reitherman, sound designer Jim MacDonald, [=MacDonald=], and layout artist Ken O’Conner
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** The fifth wasn't a single film but the large amount of commercial and/or critical disappointments that lasted for years after Jeffrey Katzenberg left Disney and started Creator/DreamWorks. [[http://www.nytimes.com/2014/03/05/business/media/at-disney-a-celebration-that-was-a-long-time-coming.html?hpw&rref=movies&_r=0 Once Pixar was officially integrated into Disney, there were once again talks of permanently shutting down the studios]]. Thankfully, [[Creator/{{ABC}} Bob Iger]], Creator/JohnLasseter, and Ed Catmull decided to work on reviving the studios with the Pixar charm instead of shutting it down [[ToughActToFollow out of being ]] [[OvershadowedByAwesome overshadowed by Pixar]]. Years later, ''WesternAnimation/{{Tangled}}'', ''WesternAnimation/WreckItRalph'', ''WesternAnimation/Frozen2013'', ''WesternAnimation/BigHero6'', and ''WesternAnimation/{{Zootopia}}'' were released, showing that the studios was once again at the top of their game.

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** The fifth wasn't a single film but the large amount of commercial and/or critical disappointments that lasted for years after Jeffrey Katzenberg left Disney and started Creator/DreamWorks.Creator/DreamWorksAnimation. [[http://www.nytimes.com/2014/03/05/business/media/at-disney-a-celebration-that-was-a-long-time-coming.html?hpw&rref=movies&_r=0 Once Pixar was officially integrated into Disney, there were once again talks of permanently shutting down the studios]]. Thankfully, [[Creator/{{ABC}} Bob Iger]], Creator/JohnLasseter, and Ed Catmull decided to work on reviving the studios with the Pixar charm instead of shutting it down [[ToughActToFollow out of being ]] [[OvershadowedByAwesome overshadowed by Pixar]]. Years later, ''WesternAnimation/{{Tangled}}'', ''WesternAnimation/WreckItRalph'', ''WesternAnimation/Frozen2013'', ''WesternAnimation/BigHero6'', and ''WesternAnimation/{{Zootopia}}'' were released, showing that the studios was once again at the top of their game.
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** ''WesternAnimation/TheLionKing'' is practically a "Who's Who" of popular film, stage and television personalities of 1994.

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** ''WesternAnimation/TheLionKing'' ''WesternAnimation/{{The Lion King|1994}}'' is practically a "Who's Who" of popular film, stage and television personalities of 1994.



** ''WesternAnimation/TheLionKing'': Two; ''[[WesternAnimation/TimonAndPumbaa The Lion King's Timon & Pumbaa]]'', a spin-off which came in the '90s, focuses on the original film's supporting characters. Like ''The Little Mermaid'' TV series above, some of the show's elements are retconned by the direct-to-video POVSequel ''WesternAnimation/TheLionKingOneAndAHalf''. ''WesternAnimation/TheLionGuard'', which came in TheNewTens, is primarily set during the TimeSkip of the [[WesternAnimation/TheLionKingIISimbasPride first direct-to-video sequel]].

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** ''WesternAnimation/TheLionKing'': ''WesternAnimation/{{The Lion King|1994}}'': Two; ''[[WesternAnimation/TimonAndPumbaa The Lion King's Timon & Pumbaa]]'', a spin-off which came in the '90s, focuses on the original film's supporting characters. Like ''The Little Mermaid'' TV series above, some of the show's elements are retconned by the direct-to-video POVSequel ''WesternAnimation/TheLionKingOneAndAHalf''. ''WesternAnimation/TheLionGuard'', which came in TheNewTens, is primarily set during the TimeSkip of the [[WesternAnimation/TheLionKingIISimbasPride first direct-to-video sequel]].



** ''WesternAnimation/TheNightmareBeforeChristmas'' was apparently supposed to be Disney's 32nd animated film, to have been released during the 1993 holiday season, with ''WesternAnimation/TheLionKing'', then Disney's 33rd animated film, being scheduled for the 1994 holiday season. Then ''Nightmare'' was rebranded as a Touchstone film due to being DarkerAndEdgier even by Disney's standards (and some of the animated canon's entries are more mature than others) and ''Lion King'' found itself pushed forward to summer 1994 and directly replacing ''Nightmare'' as Disney's 32nd as a direct result of said rebranding. Had things gone as planned, ''Nightmare'' would've been Disney's first non-hand-drawn film, as well as the first and so far only stop-motion entry, in the animated canon.

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** ''WesternAnimation/TheNightmareBeforeChristmas'' was apparently supposed to be Disney's 32nd animated film, to have been released during the 1993 holiday season, with ''WesternAnimation/TheLionKing'', ''WesternAnimation/{{The Lion King|1994}}'', then Disney's 33rd animated film, being scheduled for the 1994 holiday season. Then ''Nightmare'' was rebranded as a Touchstone film due to being DarkerAndEdgier even by Disney's standards (and some of the animated canon's entries are more mature than others) and ''Lion King'' found itself pushed forward to summer 1994 and directly replacing ''Nightmare'' as Disney's 32nd as a direct result of said rebranding. Had things gone as planned, ''Nightmare'' would've been Disney's first non-hand-drawn film, as well as the first and so far only stop-motion entry, in the animated canon.
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** ''WesternAnimation/LiloAndStitch'': Commentary by writers/directors Chris Sanders and Dean DeBlois and producer Clarke Spencer

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** ''WesternAnimation/LiloAndStitch'': Commentary by writers/directors Chris Sanders Creator/ChrisSanders and Dean DeBlois Creator/DeanDeBlois and producer Clarke Clark Spencer



** ''WesternAnimation/WreckItRalph'': Deleted scenes commentary by director Rich Moore, writer Phil Johnson and story supervisor Jim Readron

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** ''WesternAnimation/WreckItRalph'': Deleted scenes commentary by director Rich Moore, writer Phil Johnson Johnson, and story supervisor Jim Readron
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Added DiffLines:

* DVDCommentary: Half of the Walt Disney movie canon have made commentary for their films:
** ''WesternAnimation/SnowWhiteAndTheSevenDwarfs'': Commentary by animation historian John Canemaker, with archival audio excerpts by Walt Disney
** ''WesternAnimation/{{Pinocchio}}'': Commentary by film critic Leonard Maltin, Disney animator Eric Goldberg, and Disney historian J.B. Kaufman, with archival audio excerpts by animators Ward Kimball, Frank Thomas, Ollie Johnston, and Eric Larson
** ''WesternAnimation/{{Fantasia}}'' :
*** First commentary by animation historian John Canemaker, with archival audio excerpts by Walt Disney
*** Second commentary by Roy E. Disney, conductor James Levine, and restoration supervisor Scott MacQueen
*** Third commentary by Disney historian Brian Sibley
** ''WesternAnimation/{{Dumbo}}'':
*** First commentary by animation historian John Canemaker
*** Second commentary by Pixar director Pete Docter, Disney historian Paula Sigman, and Disney animator Andreas Deja, with archival audio excerpts by writers Dick Huemer and Joe Grant, animators Ward Kimball, and Wolfgang Reitherman, sound designer Jim MacDonald, and layout artist Ken O’Conner
** ''WesternAnimation/PeterPan'': Commentary by Roy E. Disney, animation historian Jeff Kurtti, with archival audio excerpts by Walt Disney, animators Frank Thomas, Ollie Johnston, Marc Davis, and Ward Kimball, live-action reference model Margaret Kerry, voice actor/live-action reference model Kathryn Beaumont, film historian Leonard Maltin, and animation historian John Canemaker
** ''WesternAnimation/SleepingBeauty'':
*** First commentary by Disney historian Jeff Kurtti, with archival audio excerpts by production designer/background artist Eyvind Earle, voice actor Mary Costa, supervising animators Ollie Johnston and Marc Davis, background artist Frank Armitage, Pocahontas director Mike Gabriel, and Pocahontas art designer Michael Giaimo
*** Second commentary by Disney historian Leonard Maltin, Pixar director John Lasseter, Disney animator Andreas Deja, with archival audio excerpts by Walt Disney, production designer Eyvind Earle, and supervising animators Marc Davis, Ollie Johnston, and Frank Thomas
** ''WesternAnimation/{{The Jungle Book|1967}}'': Commentary by composer/song-writer Richard M. Sherman, supervising pencil animator Andreas Deja and voice actor Bruce Reitherman, with archival audio excerpts by director Wolfgang Reitherman, directing animators Ollie Johnson and Frank Thomas, and co-screenwriter Larry Clemmons
** ''WesternAnimation/{{The Little Mermaid|1989}}'': Commentary by writers/directors Ron Clements and John Musker, and composer Alan Menken
** ''WesternAnimation/BeautyAndTheBeast'': Commentary by producer Don Hahn, directors Kirk Wise and Gary Trousdale and composer Alan Menken
** ''WesternAnimation/{{Aladdin}}'':
*** First commentary by producer Amy Pell and writers/directors/producers Ron Clements and John Musker
*** Second commentary by supervising animators Andreas Deja, Will Finn, Eric Goldberg, and Glen Keane
** ''WesternAnimation/{{The Lion King|1994}}'': Commentary by producer Don Hahn and directors Roger Allers & Rob Minkoff
** ''WesternAnimation/{{Pocahontas}}'':
*** First commentary by producer James Pentecost, directors Mike Gabriel and Eric Goldberg, composer Alan Menken, lyricist Stephen Schwartz, art director Michael Giaimo, and co-writer Carl Binder
*** Second commentary by producer James Pentacost and directors Mike Gabriel and Eric Goldberg
** ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'': Commentary by producer Don Hahn and directors Kirk Wise and Gary Trousdale
** ''WesternAnimation/{{Mulan}}'': Commentary by producer Pam Coats and directors Tony Bancroft and Barry Cook
** ''WesternAnimation/{{Tarzan}}'': Commentary by producer Bonnie Arnold and directors Kevin Lima and Chris Buck
** ''WesternAnimation/Fantasia2000'':
*** First commentary by executive producer Roy E. Disney, conductor James Levine, and producer Don Ernst
*** Second commentary by directors and artists Don Hahn, Pixote Hunt, Hendel Butoy, Dean Gordon, Bill Perkins, Eric Goldberg, Susan Goldberg, Michael Humphries, Roy Disney, Gaëtan Brizzi, Paul Brizzi, and Carl Jones
** ''WesternAnimation/{{Dinosaur}}'': Commentary by directors Eric Leighton and Ralph Zondag, visual effects supervisor Neil Krepela and digital effects supervisor Neil Eskuri
** ''WesternAnimation/TheEmperorsNewGroove'': Commentary by producer Randy Fullmer, director Mark Dindal, art director Colin Stimpson, character designer Joseph C. Moshier, story supervisor Stephen Anderson, and supervising animators Nik Ranieri and Bruce W. Smith
** ''WesternAnimation/AtlantisTheLostEmpire'': Commentary by producer Don Hahn and directors Kirk Wise and Gary Trousdale
** ''WesternAnimation/LiloAndStitch'': Commentary by writers/directors Chris Sanders and Dean DeBlois and producer Clarke Spencer
** ''WesternAnimation/TreasurePlanet'': Commentary by writers/directors/producers Ron Clements and John Musker, producer Roy Conli, supervising animators Glen Keane and John Ripa, associate art director Ian Gooding
** ''WesternAnimation/BrotherBear'': Commentary by Rut and Tuke
** ''WesternAnimation/HomeOnTheRange'': Commentary by producer Alice Dewey and wrtiers/directors Will Finn and John Sanford
** ''WesternAnimation/ChickenLittle'': Commentary by director Mark Dindal, producer Randy Fullmer and visual effects supervisor Steve Goldberg
** ''WesternAnimation/MeetTheRobinsons'': Commentary by director Stephen J. Anderson
** ''WesternAnimation/ThePrincessAndTheFrog'': Commentary by co-writers/directors Ron Clements and John Musker, producer Peter Del Vecho
** ''WesternAnimation/{{Tangled}}'': Unofficial commentary by animators Amy Smeed, Adam Dykstra, Jennifer Hager, Miyuki Kanno-Long, Adam Green, Daniel Peixe, John Wong, Zach Parrish, Marlon Nowe, Doug Bennett, Joel Reid, Mark Mitchell, Kira Lehtomaki, Patrick Osborne, Darrin Butters, Becky Bresee, Chris Cordingly, Chadd Ferron, Clay Kaytis, John Kahrs, Chad Sellers, Jason Figliozi, and Malcon Pierce
** ''WesternAnimation/WreckItRalph'': Deleted scenes commentary by director Rich Moore, writer Phil Johnson and story supervisor Jim Readron
** ''WesternAnimation/{{Moana}}'': Commentary by directors Ron Clements and John Musker
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** ''WesternAnimation/OneHundredAndOneDalmatians'': Two; ''WesternAnimation/OneHundredAndOneDalmatiansTheSeries'', which ran in TheNineties and is set in an AlternateContinuity given that it's based on both the original animated film and [[Film/OneHundredAndOneDalmatians its 1996 remake]], and ''WesternAnimation/OneHundredAndOneDalmatianStreet'', which began airing in The New '10s and is set in its own separate continuity decades after the original film.[[note]]Much of the dalmatian characters are descendants of Pongo and Perdita through the family matriarch.[[/note]]

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** ''WesternAnimation/OneHundredAndOneDalmatians'': Two; ''WesternAnimation/OneHundredAndOneDalmatiansTheSeries'', which ran in TheNineties on ABC and in syndication from [[TheNineties 1997 to 1998]] (with ''both'' its seasons running concurrently, with season two first airing ''before'' season one) and is set in an AlternateContinuity given that it's based on both the original animated film and [[Film/OneHundredAndOneDalmatians its 1996 remake]], and ''WesternAnimation/OneHundredAndOneDalmatianStreet'', which began aired for one season from 2019[[note]]following a "sneak peek" airing in The New '10s 2018[[/note]] to 2020 and is set in its own separate continuity decades after the original film.[[note]]Much of the dalmatian characters are descendants of Pongo and Perdita through the family matriarch.[[/note]]
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*** ''WesternAnimation/LiloAndStitchTheSeries'', bookended by ''WesternAnimation/StitchTheMovie'' and ''WesternAnimation/LeroyAndStitch'', ran during [[TurnOfTheMillennium the mid 2000s]] and was the only one of the three shows to truly follow up on the original. This is the possible exception to CanonDiscontinuity that we noted back on the main page, since Disney has been significantly and somewhat uncharacteristically more open to incorporating this series' characters in their marketing and merchandise years after the show ended, even in the [[FirstInstallmentWins more puristic]] United States.[[note]]The show's main BigBad Dr. Jacques von Hämsterviel made a cameo in the original film, [[Characters/LiloAndStitchExperiments Stitch's cousins]] were briefly alluded to in the beginning of ''Lilo & Stitch'' (and actually appeared in [[ComicStrip/ComicZoneLiloAndStitch supplementary]] [[VideoGame/StitchExperiment626 material]] released ''before'' the original film) one of said cousins--Splodyhead (Experiment 619)--actually made a cameo in ''Big Hero 6'', ''Franchise/KingdomHearts'' incorporated Sparky (Experiment 221) in ''VideoGame/KingdomHeartsBirthBySleep'', and Zap (X-603) is a spell in ''VideoGame/DisneySorcerersArena''. Most prominently, however, Disney's current marketing and merchandising for the ''Franchise/LiloAndStitch'' franchise involves Stitch's love interest from the show, Angel (Experiment 624). She's even become a playable/unlockable character in several Disney crossover mobile games including ''VideoGame/DisneyTsumTsum'' (and later on, so has WesternAnimation/{{Leroy|AndStitch}} and Dr. Hämsterviel), ''VideoGame/DisneyMagicKingdoms'', ''Disney Getaway Blast'', ''VideoGame/DisneyHeroesBattleMode'', and ''VideoGame/DisneyEmojiBlitz''. And adding on to all that, Disney has even made her, some of Stitch's other cousins, and Dr. Hämsterviel costumed characters at the Ride/DisneyThemeParks, and Angel's now even appearing at Disney's Hawaiian resort Aulani alongside Stitch.[[/note]]

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*** ''WesternAnimation/LiloAndStitchTheSeries'', bookended by ''WesternAnimation/StitchTheMovie'' and ''WesternAnimation/LeroyAndStitch'', ran during [[TurnOfTheMillennium the mid 2000s]] and was the only one of the three shows to truly follow up on the original. This is the possible exception to CanonDiscontinuity that we noted back on the main page, since Disney has been significantly and somewhat uncharacteristically more open to incorporating this series' characters in their marketing and merchandise years after the show ended, even in the [[FirstInstallmentWins more puristic]] United States.[[note]]The show's main BigBad Dr. Jacques von Hämsterviel made a cameo in the original film, [[Characters/LiloAndStitchExperiments Stitch's cousins]] were briefly alluded to in the beginning of ''Lilo & Stitch'' (and actually appeared in [[ComicStrip/ComicZoneLiloAndStitch supplementary]] [[VideoGame/StitchExperiment626 material]] released ''before'' the original film) film), one of said cousins--Splodyhead (Experiment 619)--actually made a cameo in ''Big Hero 6'', ''Franchise/KingdomHearts'' incorporated Sparky (Experiment 221) in ''VideoGame/KingdomHeartsBirthBySleep'', and Zap (X-603) is a spell in ''VideoGame/DisneySorcerersArena''. Most prominently, however, Disney's current marketing and merchandising for the ''Franchise/LiloAndStitch'' franchise involves Stitch's love interest from the show, Angel (Experiment 624). She's even become a playable/unlockable character in several Disney crossover mobile games including ''VideoGame/DisneyTsumTsum'' (and later on, so has WesternAnimation/{{Leroy|AndStitch}} WesternAnimation/{{Leroy|AndStitch}}/X-629 and Dr. Hämsterviel), ''VideoGame/DisneyMagicKingdoms'', ''Disney Getaway Blast'', ''VideoGame/DisneyHeroesBattleMode'', and ''VideoGame/DisneyEmojiBlitz''.''VideoGame/DisneyEmojiBlitz'' (which also has Sparky, Reuben/X-625, and Cannonball/X-520 making a cameo). And adding on to all that, Disney has even made her, some of Stitch's other cousins, and Dr. Hämsterviel costumed characters at the Ride/DisneyThemeParks, and Angel's now even appearing Angel appears at Disney's Hawaiian resort Aulani alongside Stitch.[[/note]]



** ''WesternAnimation/{{Tangled}}'': ''WesternAnimation/TangledTheSeries'' (later rebranded as ''Rapunzel's Tangled Adventure''), a 2D animated sequel series [[{{Interquel}} set between both]] the CGI original film and [[WesternAnimation/TangledEverAfter its sequel short film]].

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** ''WesternAnimation/{{Tangled}}'': ''WesternAnimation/TangledTheSeries'' (later rebranded renamed as ''Rapunzel's Tangled Adventure''), a 2D animated sequel series [[{{Interquel}} set between both]] the CGI original film and [[WesternAnimation/TangledEverAfter its sequel short film]].
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** ''WesternAnimation/BigHero6'': ''WesternAnimation/BigHero6TheSeries'', which is another 2D animated sequel series to a CGI film. The guys behind ''WesternAnimation/KimPossible'' created this show. Another series called ''Baymax!'' is also in production for Creator/DisneyPlus.

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** ''WesternAnimation/BigHero6'': ''WesternAnimation/BigHero6TheSeries'', which is another 2D animated sequel series to a CGI film. The guys behind ''WesternAnimation/KimPossible'' created this show. Another series, a short series called ''Baymax!'' is ''WesternAnimation/{{Baymax}}'', was also in production produced by WDAS for Creator/DisneyPlus.
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Trivia tropes can't be played with, and those are all big names anyway.


** Averted with ''WesternAnimation/ThePrincessAndTheFrog''. Most of the cast is made up of lesser-known character actors and actual voice actors. A few cameos aside, the biggest names in the cast are Creator/JohnGoodman and Creator/OprahWinfrey. Emeril Lagasse is in there too, as a crocodile who yells "Bam!" a lot.
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* BannedEpisode: ''WesternAnimation/MakeMineMusic'' eventually became this because of "The Martins and the Coys".

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* BannedEpisode: ''WesternAnimation/MakeMineMusic'' eventually became this because of "The Martins and the Coys". Out of every film in the canon, this is the only one unavailable on Creator/DisneyPlus.
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Not trivia


* HistoryRepeats:
** A meta-example. The Disney Revival films ''WesternAnimation/{{Zootopia}}'' and ''WesternAnimation/{{Moana}}'' are an interesting mirror of the Disney Renaissance films ''WesternAnimation/TheLionKing'' and ''WesternAnimation/{{Pocahontas}}''. Each set of films had the situation where a "talking animals" film was released and only expected to be a "filler" film that came before the next highly anticipated "princess" film. In each case, the "talking animals" film became a massively successful SleeperHit that surpassed its respective "princess" film. ''Moana'' took in a very respectful $640 million worldwide but was outdone by ''Zootopia'' which took in $1.02 billion. ''Pocahontas'' was a moderate success with $346 million and was eclipsed by ''Lion King''[='=]s $968 million. However, ''Moana'' was still well received by critics and audiences while ''Pocahontas'' had a very mixed reception.
** Another meta-example: The last time Disney Animation Studios had two of its films nominated for "Best Animated Feature" in the same year was back in 2002 with ''WesternAnimation/LiloAndStitch'' and ''WesternAnimation/TreasurePlanet''. In 2016, almost 15 years later, they had ''WesternAnimation/{{Moana}}'' and ''WesternAnimation/{{Zootopia}}''. Both times, Disney had a film in the running with a Polynesian protagonist and a strong Polynesian influence. Bonus points for John Musker and Ron Clements who were the directors for both ''Treasure Planet'' and ''Moana'' (both of which included a reference to ''Lilo & Stitch'' in the beginning of their films with their protagonists in their youth).
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* AllStarCast: Although not as blatantly advertised and abused as Creator/DreamWorksAnimation, the movies in the canon will occasionally have a staggering roster of A-list celebrities lending their vocal talent. Before 1992's ''WesternAnimation/{{Aladdin}}'' introduced Robin Williams as the Genie, Disney preferred actual voice actors, with the oldest films having actors who were theater mainstays or those who were experienced with singing and providing voice work on radio shows. After that, they started to increasingly advertise celebrity roles. Some of the more blatant examples: Music/MandyMoore and Creator/ZacharyLevi as the leads in ''WesternAnimation/{{Tangled}}'', Music/MileyCyrus in ''WesternAnimation/{{Bolt}}'' (particularly egregious because she replaced [[Creator/ChloeMoretz a voice actor]] who had already recorded most of her lines) and perhaps Creator/MelGibson in ''WesternAnimation/{{Pocahontas}}''.

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* AllStarCast: Although not as blatantly advertised and abused as Creator/DreamWorksAnimation, the movies in the canon will occasionally have a staggering roster of A-list celebrities lending their vocal talent. Before 1992's ''WesternAnimation/{{Aladdin}}'' introduced Robin Williams Creator/RobinWilliams as the Genie, Disney preferred actual voice actors, with the oldest films having actors who were theater mainstays or those who were experienced with singing and providing voice work on radio shows. After that, they started to increasingly advertise celebrity roles. Some of the more blatant examples: Music/MandyMoore and Creator/ZacharyLevi as the leads in ''WesternAnimation/{{Tangled}}'', Music/MileyCyrus in ''WesternAnimation/{{Bolt}}'' (particularly egregious because she replaced [[Creator/ChloeMoretz a voice actor]] who had already recorded most of her lines) and perhaps Creator/MelGibson in ''WesternAnimation/{{Pocahontas}}''.



** In [[http://www.animatormag.com/archive/issue-26/issue-26-page-24/ issue 26]] of the magazine "Animator", Creator/DonBluth expressed dissatisfaction with working on Disney's ''WesternAnimation/RobinHood'';
--->"I drew with great excitement, thinking how good it was to work on a Disney feature. When Robin Hood was completed I decided it did not look the greatest of films. The heart wasn't in it. It had technique, the characters were well drawn, the Xerox process retained the fine lines so I could see all of the self indulgence of the animators, each one saying, “Look how great I am,” but the story itself had no soul."

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** In [[http://www.animatormag.com/archive/issue-26/issue-26-page-24/ issue 26]] of the magazine "Animator", Creator/DonBluth expressed dissatisfaction with working on Disney's ''WesternAnimation/RobinHood'';
''WesternAnimation/RobinHood1973''.
--->"I drew with great excitement, thinking how good it was to work on a Disney feature. When Robin Hood ''Robin Hood'' was completed I decided it did not look the greatest of films. The heart wasn't in it. It had technique, the characters were well drawn, the Xerox process retained the fine lines so I could see all of the self indulgence of the animators, each one saying, “Look how great I am,” but the story itself had no soul."



** Disney ''used'' to have this attitude towards ''WesternAnimation/AliceInWonderland'' and ''WesternAnimation/RobinHood'', but they became big-enough cult classics to go mainstream.

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** Disney ''used'' to have this attitude towards ''WesternAnimation/AliceInWonderland'' and ''WesternAnimation/RobinHood'', ''WesternAnimation/RobinHood1973'', but they became big-enough cult classics to go mainstream.



*** Phil Harris, Pat Buttram, Sterling Holloway (a remnant from the studio's Golden Age) and George Lindsey.

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*** Phil Harris, Pat Buttram, Creator/PatButtram, Sterling Holloway (a remnant from the studio's Golden Age) and George Lindsey.



*** Alan Menken and Randy Newman.

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*** Alan Menken Music/AlanMenken and Randy Newman.Music/RandyNewman.



*** John Lasseter, Peter Del Vecho, Roy Conli, Clark Spencer

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*** John Lasseter, Creator/JohnLasseter, Peter Del Vecho, Roy Conli, Clark Spencer
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** ''WesternAnimation/TheBlackCauldron'' is not held in high regard by either its staff or the company as a whole, not helping that it was one of the biggest flops that Disney ever experienced and destroyed the careers of its producer, Joe Hale (who had an editing run-in with Jeffrey Katzenberg that didn't help his chances), and co-directors Ted Berman and Richard Rich.

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** ''WesternAnimation/TheBlackCauldron'' is not held in high regard by either its staff or the company as a whole, not helping that it was one of the biggest flops that Disney ever experienced and destroyed the careers of its producer, Joe Hale (who had an editing run-in with Jeffrey Katzenberg that didn't help his chances), and co-directors Ted Berman and Richard Rich. It's so bad that Disney will rewrite their own history by saying WesternAnimation/TheGreatMouseDetective was the first film to use CGI, not Cauldron.
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** ''WesternAnimation/OneHundredAndOneDalmatians'': Two; ''WesternAnimation/OneHundredAndOneDalmatiansTheSeries'', which ran in TheNineties and is set in an AlternateContinuity to the original animated film, and ''WesternAnimation/OneHundredAndOneDalmatianStreet'', which began airing in The New '10s and is set in its own separate continuity decades after the original film.[[note]]Much of the dalmatian characters are descendants of Pongo and Perdita through the family matriarch.[[/note]]

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** ''WesternAnimation/OneHundredAndOneDalmatians'': Two; ''WesternAnimation/OneHundredAndOneDalmatiansTheSeries'', which ran in TheNineties and is set in an AlternateContinuity to given that it's based on both the original animated film, film and [[Film/OneHundredAndOneDalmatians its 1996 remake]], and ''WesternAnimation/OneHundredAndOneDalmatianStreet'', which began airing in The New '10s and is set in its own separate continuity decades after the original film.[[note]]Much of the dalmatian characters are descendants of Pongo and Perdita through the family matriarch.[[/note]]



** ''WesternAnimation/TheLittleMermaid'': [[WesternAnimation/TheLittleMermaid A prequel TV series of the same name]] that ran in the '90s. The direct-to-video prequel ''WesternAnimation/TheLittleMermaidIII'', however, retconned some of the show's elements.

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** ''WesternAnimation/TheLittleMermaid'': [[WesternAnimation/TheLittleMermaid [[WesternAnimation/TheLittleMermaid1992 A prequel TV series of the same name]] that ran in the '90s. The direct-to-video prequel ''WesternAnimation/TheLittleMermaidIII'', however, retconned some of the show's elements.
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No longer Trivia


* CharacterSpecificPages:
** [[Characters/BambiRonno Ronno]]
** [[Characters/CinderellaCinderella Cinderella]]
** [[Characters/FrozenAnna Anna]]
** [[Characters/FrozenElsa Elsa]]
** [[Characters/FrozenHans Hans]]
** [[Characters/TheHunchbackOfNotreDameDisneyJudgeClaudeFrollo Judge Claude Frollo]]
** [[Characters/TheLionKingSimba Simba]]
** [[Characters/TheLionKingScar Scar]]
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Fan Nickname is now YMMV.


* FanNickname: All the eras' names are this, even the widely-recognized Disney Renaissance. In fact, the names we use on the Recap page were partly taken from the Disney Wiki's articles before they later decided to delete all of them save for the aforementioned Disney Renaissance.
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** The descendants of Creator/VictorHugo bashed Disney in an open letter to the Libération newspaper for their ancestor getting no mention on the advertisement posters for [[WesternAnimation/TheHunchbackOfNotreDame the Disney adaptation]] of ''Literature/TheHunchbackOfNotreDame'', and they harshly criticized the film itself as a vulgar commercialization of Victor Hugo's story.

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** The descendants of Creator/VictorHugo bashed Disney in an open letter to the Libération newspaper for their ancestor getting no mention on the advertisement posters for [[WesternAnimation/TheHunchbackOfNotreDame [[WesternAnimation/TheHunchbackOfNotreDameDisney the Disney adaptation]] of ''Literature/TheHunchbackOfNotreDame'', and they harshly criticized the film itself as a vulgar commercialization of Victor Hugo's story.
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** ''WesternAnimation/TheLionKing'': Two; ''[[WesternAnimation/TimonAndPumbaa The Lion King's Timon & Pumbaa]]'', a spin-off which came in the '90s, focuses on the original film's supporting characters, and ''WesternAnimation/TheLionGuard'', which came in TheNewTens, is primarily set during the TimeSkip of the [[WesternAnimation/TheLionKingIISimbasPride first direct-to-video sequel]].

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** ''WesternAnimation/TheLionKing'': Two; ''[[WesternAnimation/TimonAndPumbaa The Lion King's Timon & Pumbaa]]'', a spin-off which came in the '90s, focuses on the original film's supporting characters, and characters. Like ''The Little Mermaid'' TV series above, some of the show's elements are retconned by the direct-to-video POVSequel ''WesternAnimation/TheLionKingOneAndAHalf''. ''WesternAnimation/TheLionGuard'', which came in TheNewTens, is primarily set during the TimeSkip of the [[WesternAnimation/TheLionKingIISimbasPride first direct-to-video sequel]].
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Added DiffLines:

* BannedEpisode: ''WesternAnimation/MakeMineMusic'' eventually became this because of "The Martins and the Coys".
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Some edits.


*** Some of these shows were developed for a proposed Disney Heritage project, in which shows based on the films would be promoted globally in hopes of increasingly the films' popularity. While execs for Disney Channel International was enthusiastic about it, [[ExecutiveMeddling Disney Channel USA was not]] as it would have to finance half of the project and wanted to focus more on tween programming as they believed that genre would be more successful domestically. ''WesternAnimation/TheEmperorsNewSchool'' was an exception, presumably partly because its premise fit what Disney Channel USA was aiming for.
*** ''WesternAnimation/BrotherBear: The Series'': Set after the first movie, Koda would've tried to add more orphaned animals to his and Kenai's family — a hyper husky puppy, two owlets, and Doohickey, the last surviving member of a elephant/platypus hybrid species. Koda, Rutt, and Tuke would've had their voice actors reprise their roles, though Kenki would've been [[TheOtherDaryl voiced]] by Creator/WillFriedle. The series got as far as an animatic pilot and was a hit with test audiences, though ''The Emperor's New School'' was greenlit over it due to the above reason as well as its mother film being a slightly bigger hit in the box office and buzz in the US over ''Brother Bear''.

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*** Some of these shows were developed for a proposed Disney Heritage project, in which shows based on the films would be promoted globally in hopes of increasingly increasing the films' popularity. While execs for Disney Channel International was enthusiastic about it, [[ExecutiveMeddling Disney Channel USA was not]] as it would have to finance half of the project and wanted to focus more on tween programming as they believed that genre would be more successful domestically. ''WesternAnimation/TheEmperorsNewSchool'' was an exception, presumably partly because its premise fit what Disney Channel USA was aiming for.
*** ''WesternAnimation/BrotherBear: The Series'': Set after the first movie, Koda would've tried to add more orphaned animals to his and Kenai's family — a hyper husky puppy, two owlets, and Doohickey, the last surviving member of a an elephant/platypus hybrid species. Koda, Rutt, and Tuke would've had their voice actors reprise their roles, though Kenki Kenai would've been [[TheOtherDaryl [[TheOtherDarrin voiced]] by Creator/WillFriedle. The series got as far as an animatic pilot and was a hit with test audiences, though ''The Emperor's New School'' was greenlit over it due to the above reason as well as its mother film being a slightly bigger hit in the box office and buzz in the US U.S. over ''Brother Bear''.
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** Most of the package films from ''WesternAnimation/SaludosAmigos'' to ''WesternAnimation/TheAdventuresOfIchabodAndMrToad'' didn't receive wide theatrical re-releases (though select segments from them did), and most of their home video releases didn't receive large advertising campaigns. Disney seems especially ashamed today of ''WesternAnimation/MakeMineMusic'' and ''WesternAnimation/MelodyTime'', the two usually regarded as "''WesternAnimation/{{Fantasia}}'' with pop music and/or more dialogue." Their Laserdiscs remained exclusive to Japan, and both movies took several years to reach VHS. ''Make Mine Music'' in particular became Walt's last Canon movie to make its VHS debut; until its 2000 induction into the Gold Classic Collection, Disney instead preferred to individually sell its best-remembered segments (such as "Music/PeterAndTheWolf", originally written for a cancelled ''Fantasia'' sequel).''Make Mine Music'' and ''Melody Time'' both marked the Canon's last hand-drawn movies to reach Blu-ray -- and by extension, Walt Disney's last Canon movies to reach Blu-ray -- remaining unavailable until November 2021.

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** Most of the package films from ''WesternAnimation/SaludosAmigos'' to ''WesternAnimation/TheAdventuresOfIchabodAndMrToad'' didn't receive wide theatrical re-releases (though select segments from them did), and most of their home video releases didn't receive large advertising campaigns. Disney seems especially ashamed today of ''WesternAnimation/MakeMineMusic'' and ''WesternAnimation/MelodyTime'', the two usually regarded as "''WesternAnimation/{{Fantasia}}'' with pop music and/or more dialogue." Their Laserdiscs remained exclusive to Japan, and both movies took several years to reach VHS. ''Make Mine Music'' in particular became Walt's last Canon movie to make its VHS debut; until its 2000 induction into the Gold Classic Collection, Disney instead preferred to individually sell its best-remembered segments (such as "Music/PeterAndTheWolf", originally written for a cancelled ''Fantasia'' sequel). Among all of the Canon movies through ''Raya and The Last Dragon'', ''Make Mine Music'' and ''Melody Time'' both marked the Canon's last hand-drawn movies ones to reach Blu-ray -- and by extension, Walt Disney's last Canon movies to reach Blu-ray -- remaining unavailable until November 2021.


** Most of the package films from ''WesternAnimation/SaludosAmigos'' to ''WesternAnimation/TheAdventuresOfIchabodAndMrToad'' didn't receive wide theatrical re-releases (though select segments from them did), and most of their home video releases didn't receive large advertising campaigns. Disney seems especially ashamed today of ''WesternAnimation/MakeMineMusic'' and ''WesternAnimation/MelodyTime'', the two usually regarded as "''WesternAnimation/{{Fantasia}}'' with pop music and/or more dialogue." Their Laserdiscs remained exclusive to Japan, and both movies took several years to reach VHS. ''Make Mine Music'' in particular became Walt's last Canon movie to make its VHS debut; until its 2000 induction into the Gold Classic Collection, Disney instead preferred to individually sell its best-remembered segments (such as "Music/PeterAndTheWolf", originally written for a cancelled ''Fantasia'' sequel). By the end of TheNewTens, ''Make Mine Music'' and ''Melody Time'' remained Walt's only Canon films unavailable on Blu-ray, and the only late-'40s package films Disney still censored on DVD[[note]]although the uncensored version of ''Melody Time'' came to Creator/DisneyPlus in 2019[[/note]].

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** Most of the package films from ''WesternAnimation/SaludosAmigos'' to ''WesternAnimation/TheAdventuresOfIchabodAndMrToad'' didn't receive wide theatrical re-releases (though select segments from them did), and most of their home video releases didn't receive large advertising campaigns. Disney seems especially ashamed today of ''WesternAnimation/MakeMineMusic'' and ''WesternAnimation/MelodyTime'', the two usually regarded as "''WesternAnimation/{{Fantasia}}'' with pop music and/or more dialogue." Their Laserdiscs remained exclusive to Japan, and both movies took several years to reach VHS. ''Make Mine Music'' in particular became Walt's last Canon movie to make its VHS debut; until its 2000 induction into the Gold Classic Collection, Disney instead preferred to individually sell its best-remembered segments (such as "Music/PeterAndTheWolf", originally written for a cancelled ''Fantasia'' sequel). By the end of TheNewTens, ''Make Mine Music'' and ''Melody Time'' remained Walt's only both marked the Canon's last hand-drawn movies to reach Blu-ray -- and by extension, Walt Disney's last Canon films movies to reach Blu-ray -- remaining unavailable on Blu-ray, and the only late-'40s package films Disney still censored on DVD[[note]]although the uncensored version of ''Melody Time'' came to Creator/DisneyPlus in 2019[[/note]].until November 2021.

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*** Some of these shows were developed for a proposed Disney Heritage project, in which shows based on the films would be promoted globally in hopes of increasingly the films' popularity. While execs for Disney Channel International was enthusiastic about it, [[ExecutiveMeddling Disney Channel USA was not]] as it would have to finance half of the project and wanted to focus more on tween programming as they believed that genre would be more successful domestically. ''WesternAnimation/TheEmperorsNewSchool'' was an exception, presumably because its mother film
*** ''WesternAnimation/BrotherBear: The Series'': Set after the first movie, Koda would've tried to add more orphaned animals to his and Kenai's family — a hyper husky puppy, two owlets, and Doohickey, the last surviving member of a elephant/platypus hybrid species. Koda, Rutt, and Tuke would've had their voice actors reprise their roles, though Kenki would've been [[TheOtherDaryl voiced]] by Creator/WillFriedle. The series got as far as an animatic pilot and was a hit with test audiences,

to:

*** Some of these shows were developed for a proposed Disney Heritage project, in which shows based on the films would be promoted globally in hopes of increasingly the films' popularity. While execs for Disney Channel International was enthusiastic about it, [[ExecutiveMeddling Disney Channel USA was not]] as it would have to finance half of the project and wanted to focus more on tween programming as they believed that genre would be more successful domestically. ''WesternAnimation/TheEmperorsNewSchool'' was an exception, presumably partly because its mother film
premise fit what Disney Channel USA was aiming for.
*** ''WesternAnimation/BrotherBear: The Series'': Set after the first movie, Koda would've tried to add more orphaned animals to his and Kenai's family — a hyper husky puppy, two owlets, and Doohickey, the last surviving member of a elephant/platypus hybrid species. Koda, Rutt, and Tuke would've had their voice actors reprise their roles, though Kenki would've been [[TheOtherDaryl voiced]] by Creator/WillFriedle. The series got as far as an animatic pilot and was a hit with test audiences, though ''The Emperor's New School'' was greenlit over it due to the above reason as well as its mother film being a slightly bigger hit in the box office and buzz in the US over ''Brother Bear''.
*** A ''Robin Hood'' animated series and a ''Mulan'' animated series called ''Mulan and the Treasures of Qin'' were also considered.

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** ''WesternAnimation/{{Tangled}}'': ''WesternAnimation/TangledTheSeries''/''Rapunzel's Tangled Adventure'', which is a 2D animated sequel series [[{{Interquel}} set between both]] the CGI original film and [[WesternAnimation/TangledEverAfter its sequel short film]].

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** ''WesternAnimation/{{Tangled}}'': ''WesternAnimation/TangledTheSeries''/''Rapunzel's ''WesternAnimation/TangledTheSeries'' (later rebranded as ''Rapunzel's Tangled Adventure'', which is Adventure''), a 2D animated sequel series [[{{Interquel}} set between both]] the CGI original film and [[WesternAnimation/TangledEverAfter its sequel short film]].



** ''WesternAnimation/{{Moana}}'': A new musical series based on ''Moana'' is also being produced by WDAS for Disney+.

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** ''WesternAnimation/{{Moana}}'': A new musical series based on ''Moana'' of the same name is also being produced by WDAS for Disney+.
** ''WesternAnimation/ThePrincessAndTheFrog'': ''WesternAnimation/{{Tiana}}''
is also being produced by WDAS for Disney+.



** One of the most intriguing potential films that we may never see is an adaptation of ''Terry Pratchet's [[Literature/{{Mort}} Mort]], [[https://twitter.com/ArtofLostandCan/status/1133389968125116416?s=19 and even got up to concept art!]]'' The story goes that after ''WesternAnimation/ThePrincessAndTheFrog'' Musker and Clemants wanted to adapt the book as a traditionally 2D animated film, but that there were a few main factors that meant they couldn't:

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** One of the most intriguing potential films that we may never see is an adaptation of ''Terry Pratchet's [[Literature/{{Mort}} Mort]], [[https://twitter.com/ArtofLostandCan/status/1133389968125116416?s=19 and even got up to concept art!]]'' The story goes that after ''WesternAnimation/ThePrincessAndTheFrog'' ''WesternAnimation/ThePrincessAndTheFrog'', Musker and Clemants wanted to adapt the book as a traditionally 2D animated film, but that there were a few main factors that meant they couldn't:



*** The Pratchet estate would only sell the rights to Discworld as a whole, meaning that Disney would have to basically option the entire [[LongRunner 34]] book series just to adapt one story.

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*** The Pratchet estate would only sell the rights to Discworld as a whole, meaning that Disney would have to basically option the entire [[LongRunner 34]] ''[[LongRunner 34]]'' book series just to adapt one story.story.
** A few RecycledTheSeries were considered, but never left the cutting room floor [[https://animatedviews.com/2013/o-brother-bear-where-art-thou-why-disney-channel-turned-down-brother-bear-the-series/]].
*** Some of these shows were developed for a proposed Disney Heritage project, in which shows based on the films would be promoted globally in hopes of increasingly the films' popularity. While execs for Disney Channel International was enthusiastic about it, [[ExecutiveMeddling Disney Channel USA was not]] as it would have to finance half of the project and wanted to focus more on tween programming as they believed that genre would be more successful domestically. ''WesternAnimation/TheEmperorsNewSchool'' was an exception, presumably because its mother film
*** ''WesternAnimation/BrotherBear: The Series'': Set after the first movie, Koda would've tried to add more orphaned animals to his and Kenai's family — a hyper husky puppy, two owlets, and Doohickey, the last surviving member of a elephant/platypus hybrid species. Koda, Rutt, and Tuke would've had their voice actors reprise their roles, though Kenki would've been [[TheOtherDaryl voiced]] by Creator/WillFriedle. The series got as far as an animatic pilot and was a hit with test audiences,
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** [[Characters/FrozenKristoff Kristoff]]
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** The fifth wasn't a single film but the large amount of commercial and/or critical disappointments that lasted for years after Jeffrey Katzenberg left Disney and started Creator/DreamWorks. [[http://www.nytimes.com/2014/03/05/business/media/at-disney-a-celebration-that-was-a-long-time-coming.html?hpw&rref=movies&_r=0 Once Pixar was officially integrated into Disney, there were once again talks of permanently shutting down the studios]]. Thankfully, [[Creator/{{ABC}} Bob Iger]], [[Creator/PixarRegulars John Lasseter, and Ed Catmull]] decided to work on reviving the studios with the Pixar charm instead of shutting it down [[ToughActToFollow out of being ]] [[OvershadowedByAwesome overshadowed by Pixar]]. Years later, ''WesternAnimation/{{Tangled}}'', ''WesternAnimation/WreckItRalph'', ''WesternAnimation/Frozen2013'', ''WesternAnimation/BigHero6'', and ''WesternAnimation/{{Zootopia}}'' were released, showing that the studios was once again at the top of their game.

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** The fifth wasn't a single film but the large amount of commercial and/or critical disappointments that lasted for years after Jeffrey Katzenberg left Disney and started Creator/DreamWorks. [[http://www.nytimes.com/2014/03/05/business/media/at-disney-a-celebration-that-was-a-long-time-coming.html?hpw&rref=movies&_r=0 Once Pixar was officially integrated into Disney, there were once again talks of permanently shutting down the studios]]. Thankfully, [[Creator/{{ABC}} Bob Iger]], [[Creator/PixarRegulars John Lasseter, Creator/JohnLasseter, and Ed Catmull]] Catmull decided to work on reviving the studios with the Pixar charm instead of shutting it down [[ToughActToFollow out of being ]] [[OvershadowedByAwesome overshadowed by Pixar]]. Years later, ''WesternAnimation/{{Tangled}}'', ''WesternAnimation/WreckItRalph'', ''WesternAnimation/Frozen2013'', ''WesternAnimation/BigHero6'', and ''WesternAnimation/{{Zootopia}}'' were released, showing that the studios was once again at the top of their game.

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Added trivia; etc.


* FandomLifeCycle: Ranges from 2 to 5, depending on the movie. Most of the Creator/WaltDisney-era films, [[UsefulNotes/TheRenaissanceAgeOfAnimation 1990s films]] and [[TheNewTens more recent films]] get to 4-5, but the lesser-known films of the canon have their fair share of defenders.
* FranchiseKiller: There have been at least five close calls where the Disney Animation Studios was nearly shut down.

to:

* FandomLifeCycle: Ranges from 2 to 5, depending on the movie.film. Most of the Creator/WaltDisney-era films, [[UsefulNotes/TheRenaissanceAgeOfAnimation 1990s films]] and [[TheNewTens more recent films]] get to 4-5, but the lesser-known films of the canon have their fair share of defenders.
* FanNickname: All the eras' names are this, even the widely-recognized Disney Renaissance. In fact, the names we use on the Recap page were partly taken from the Disney Wiki's articles before they later decided to delete all of them save for the aforementioned Disney Renaissance.
* FranchiseKiller: There have been at least five close calls where the Walt Disney Animation Studios was nearly shut down.



* TheWikiRule: Has a wiki [[http://disney.wikia.com/wiki/The_Disney_Wiki here.]]

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* TheWikiRule: Has a wiki [[http://disney.wikia.[[https://disney.fandom.com/wiki/The_Disney_Wiki here.The Disney Wiki.]]
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** One of the most intriguing potential films that we may never see is an adaptation of ''Terry Pratchet's [[Literature/{{Mort}} Mort]], [[https://twitter.com/ArtofLostandCan/status/1133389968125116416?s=19 and even got up to concept art]]!'' The story goes that after WesternAnimation/ThePrincessAndTheFrog Musker and Clemants wanted to adapt the book as a traditionally 2D animated film, but that there were a few main factors that meant they couldn't:

to:

** One of the most intriguing potential films that we may never see is an adaptation of ''Terry Pratchet's [[Literature/{{Mort}} Mort]], [[https://twitter.com/ArtofLostandCan/status/1133389968125116416?s=19 and even got up to concept art]]!'' art!]]'' The story goes that after WesternAnimation/ThePrincessAndTheFrog ''WesternAnimation/ThePrincessAndTheFrog'' Musker and Clemants wanted to adapt the book as a traditionally 2D animated film, but that there were a few main factors that meant they couldn't:
Is there an issue? Send a MessageReason:
None


** Animator Will Finn enjoyed working on WesternAnimation/TheLittleMermaid, but he stated on his Small Room blog that he was not happy with his animation of Grimbsy, saying there are only one or two scenes he did that don't make him cringe today.

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** Animator Will Finn enjoyed working on WesternAnimation/TheLittleMermaid, ''WesternAnimation/TheLittleMermaid'', but he stated on his Small Room blog that he was not wasn't happy with his animation of Grimbsy, saying there are only one or two scenes he did that don't make him cringe today.

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