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* DeadGuyJunior: The reason we have two Antipholuses and two Dromios. They're not exactly common names! (It's hard to tell, though, since most Shakespeare play characters are AerithAndBob to modern ears at best, and would be more so if people didn't to this day regularly name their children after characters in Shakespeare.)
* DoubleInLawMarriage: At the end, Antipholus of Syracuse gets together with Luciana, Antipholus of Ephesus' sister-in-law.
* ExactlyWhatItSaysOnTheTin: The 'comedy of errors' was a common, recognizable stock plot at the time of writing. It'd be a bit like baldly titling something ''ComingOfAgeStory'' today.
* DoubleInLawMarriage: At the end, Antipholus of Syracuse gets together with Luciana, Antipholus of Ephesus' sister-in-law.
* ExactlyWhatItSaysOnTheTin: The 'comedy of errors' was a common, recognizable stock plot at the time of writing. It'd be a bit like baldly titling something ''ComingOfAgeStory'' today.
Deleted line(s) 36,38 (click to see context) :
* DeadGuyJunior: The reason we have two Antipholuses and two Dromios. They're not exactly common names! (It's hard to tell, though, since most Shakespeare play characters are AerithAndBob to modern ears at best, and would be more so if people didn't to this day regularly name their children after characters in Shakespeare.)
* DoubleInLawMarriage: At the end, Antipholus of Syracuse gets together with Luciana, Antipholus of Ephesus' sister-in-law.
* ExactlyWhatItSaysOnTheTin: The 'comedy of errors' was a common, recognizable stock plot at the time of writing. It'd be a bit like baldly titling something ''ComingOfAgeStory'' today.
* DoubleInLawMarriage: At the end, Antipholus of Syracuse gets together with Luciana, Antipholus of Ephesus' sister-in-law.
* ExactlyWhatItSaysOnTheTin: The 'comedy of errors' was a common, recognizable stock plot at the time of writing. It'd be a bit like baldly titling something ''ComingOfAgeStory'' today.
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Changed line(s) 13,14 (click to see context) from:
While not as popular as Shakespeare's A-list, ''Comedy of Errors'' is still performed today. It was adapted into a Rodgers and Hart musical, ''The Boys from Syracuse'', and into a 1988 movie, ''Big Business'', starring Lily Tomlin and Bette Midler (as the gender-flipped pairs of twins). There is also a famous but (until Youtube) hard-to-find 1987 production by the juggling troupe The Flying Karamozov Brothers, which begins with the famous line... "In Syracuse, you dress in a tie. In Ephesus, you ''JUGGLE OR DIE!''"
to:
While not as popular as Shakespeare's A-list, ''Comedy of Errors'' is still performed today. It was adapted into a Rodgers and Hart musical, ''The Boys from Syracuse'', and into a 1988 movie, ''Big Business'', starring Lily Tomlin and Bette Midler Creator/BetteMidler (as the gender-flipped pairs of twins). There is also a famous but (until Youtube) hard-to-find 1987 production by the juggling troupe The Flying Karamozov Brothers, which begins with the famous line... "In Syracuse, you dress in a tie. In Ephesus, you ''JUGGLE OR DIE!''"
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Changed line(s) 48 (click to see context) from:
* ShoutOut: The scene with Nell, the spherical kitchen maid, on whose body the brothers point out countries, is similar to a scene in ''{{Lysistrata}}'', where a peace treaty is drawn on a woman's naked body.
to:
* ShoutOut: The scene with Nell, the spherical kitchen maid, on whose body the brothers point out countries, is similar to a scene in ''{{Lysistrata}}'', ''Theatre/{{Lysistrata}}'', where a peace treaty is drawn on a woman's naked body.
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Changed line(s) 18 (click to see context) from:
* AbhorrentAdmirer: Nell the kitchen wench, an unseen character, is enamoured of Dromio of Syracuse; he does not return the affection. In what might be an OlderThanSteam subversion, though, Dromio of Ephesus ''does''.
to:
* AbhorrentAdmirer: Nell AbhorrentAdmirer:
**Nell the kitchen wench, an unseen character, is enamoured of Dromio of Syracuse; he does not return the affection. In what might be an OlderThanSteam subversion, though, Dromio of Ephesus''does''.''does''.
**Antipholus of Syracuse towards Luciana--but only because she thinks he's her brother-in-law and she's not about to betray her sister. Once she learns he's a ''different'' Antipholus, she's more than happy to love him back.
**Nell the kitchen wench, an unseen character, is enamoured of Dromio of Syracuse; he does not return the affection. In what might be an OlderThanSteam subversion, though, Dromio of Ephesus
**Antipholus of Syracuse towards Luciana--but only because she thinks he's her brother-in-law and she's not about to betray her sister. Once she learns he's a ''different'' Antipholus, she's more than happy to love him back.
Changed line(s) 34,35 (click to see context) from:
* DeadGuyJunior: The reason we have two Antipholuses and two Dromios. They're not exactly common names!
** It's hard to tell, though, since most Shakespeare play characters are AerithAndBob to modern ears at best, and would be more so if people didn't to this day regularly name their children after characters in Shakespeare.
** It's hard to tell, though, since most Shakespeare play characters are AerithAndBob to modern ears at best, and would be more so if people didn't to this day regularly name their children after characters in Shakespeare.
to:
* DeadGuyJunior: The reason we have two Antipholuses and two Dromios. They're not exactly common names!
** It'snames! (It's hard to tell, though, since most Shakespeare play characters are AerithAndBob to modern ears at best, and would be more so if people didn't to this day regularly name their children after characters in Shakespeare.)
** It's
* ExactlyWhatItSaysOnTheTin: The 'comedy of errors' was a common, recognizable stock plot at the time of writing. It'd be a bit like baldly titling something ''ComingOfAgeStory'' today.
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* IdenticalStranger
* TheMasochismTango: Antipholus of Ephesus and his wife. He calls her a shrew and she's annoyed by his flippant ways, to say nothing of his deciding to beat her with a rope.
* NoodleIncident: Nell again, who is never seen, only described briefly. Shakespeare knew he couldn't top what the viewer was probably thinking.
* TheMasochismTango: Antipholus of Ephesus and his wife. He calls her a shrew and she's annoyed by his flippant ways, to say nothing of his deciding to beat her with a rope.
* NoodleIncident: Nell again, who is never seen, only described briefly. Shakespeare knew he couldn't top what the viewer was probably thinking.
to:
* IdenticalStranger
IdenticalStranger: With the justification that while they are strangers to each other, the two Antipholuses and Dromios are actually twins.
* LoveAtFirstSight: A. of Syracuse isn't at all interested in his "wife" Adriana when she calls him to bed after dinner. He's instantly smitten with Luciana instead.
* TheMasochismTango: Antipholus of Ephesus and his wife. He calls her a shrew and she's annoyed by his flippant ways, to say nothing of his deciding to beat her with arope.
rope. Part of this is from the mistaken identities, but from Antipholus' remarks to his friends when introduced and Adriana's complaints to her sister, they're already prone to arguing.
* NoodleIncident: Nell again, who is never seen, only described briefly. Shakespeare knew he couldn't top what the viewer was probably thinking. (The Karamozov Brothers do show her chasing Dromio around the set frequently--she's doublecast with the Duke.)
* LoveAtFirstSight: A. of Syracuse isn't at all interested in his "wife" Adriana when she calls him to bed after dinner. He's instantly smitten with Luciana instead.
* TheMasochismTango: Antipholus of Ephesus and his wife. He calls her a shrew and she's annoyed by his flippant ways, to say nothing of his deciding to beat her with a
* NoodleIncident: Nell again, who is never seen, only described briefly. Shakespeare knew he couldn't top what the viewer was probably thinking. (The Karamozov Brothers do show her chasing Dromio around the set frequently--she's doublecast with the Duke.)
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* ReasonableAuthorityFigure: The Duke. He sympathizes with Aegon's plight and actually gives him an opportunity to find help before the Duke is forced to carry out judgment. He shows up at the end to [[OnlySaneMan straighten out the confusion]], and when everything is resolved with Aegon's sons happily offering to pay the fine he refuses to take it.
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Changed line(s) 13,14 (click to see context) from:
While not as popular as Shakespeare's A-list, ''Comedy of Errors'' is still performed today. It was adapted into a Rodgers and Hart musical, ''The Boys from Syracuse'', and into a 1988 movie, ''Big Business'', starring Lily Tomlin and Bette Midler (as the gender-flipped pairs of twins).
to:
While not as popular as Shakespeare's A-list, ''Comedy of Errors'' is still performed today. It was adapted into a Rodgers and Hart musical, ''The Boys from Syracuse'', and into a 1988 movie, ''Big Business'', starring Lily Tomlin and Bette Midler (as the gender-flipped pairs of twins).
twins). There is also a famous but (until Youtube) hard-to-find 1987 production by the juggling troupe The Flying Karamozov Brothers, which begins with the famous line... "In Syracuse, you dress in a tie. In Ephesus, you ''JUGGLE OR DIE!''"
* AsYouKnow: Luciana reminds Adriana that she herself is unmarried when they first appear.
* DoubleInLawMarriage: At the end, Antipholus of Syracuse gets together with Luciana, Antipholus of Ephesus' sister-in-law.
* HurricaneOfPuns: Naturally, given the author. Examples include D. of Ephesus saying that he will have a hol(e)y head after being smacked around by Adriana and her sister and D. of Syracuse saying that he found Ireland on Nell's buttocks, "[[ToiletHumor by the bogs]]".
* HurricaneOfPuns: Naturally, given the author. Examples include D. of Ephesus saying that he will have a hol(e)y head after being smacked around by Adriana and her sister and D. of Syracuse saying that he found Ireland on Nell's buttocks, "[[ToiletHumor by the bogs]]".
* PairTheSpares: Adriana's sister Luciana, who declares at the beginning that she is unmarried, winds up with Antipholus of Syracuse.
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* [[HeWhoMustNotBeSeen She Who Must Not Be Seen]]: Nell from the kitchen again.
* TakingTheVeil: Emilia did this, believing her husband dead. No the ancient Greeks did not have convents. Ask Shakespeare if he cared.
* TakingTheVeil: Emilia did this, believing her husband dead. No the ancient Greeks did not have convents. Ask Shakespeare if he cared.
to:
* [[HeWhoMustNotBeSeen She Who Must Not Be Seen]]: Nell from the kitchen again.
again. (Not all productions adhere to this; in the Karamozov version she was given some lines of her own.)
* TakingTheVeil: Emilia did this, believing her husband dead.No No, the ancient Greeks did not have convents. Ask Shakespeare if he cared.
* TakingTheVeil: Emilia did this, believing her husband dead.
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* ContrivedCoincidence
to:
* ContrivedCoincidenceButtMonkey: Both Dromios. Each one is beaten whenever they run into the wrong Antipholus. Or when one Antipholus demands an update on a task he sent the other Dromio to do. Or when Adriana and her sister send him to fetch Antipholus and he gets the wrong one... or when Dromio of S meets Dromio of C's fiancee.
* ContrivedCoincidence: The Antipholuses and Dromios are in the same city, run into the same people, and even enter the same buildings... just never, ever at the same time. Also, the Abbess who runs the insane asylum is the twins' mother.
* CutHisHeartOutWithASpoon: After escaping the asylum, A. of Ephesus sends a messenger to tell Adriana he plans to scorch her face and disfigure her for her misdeeds.
* ContrivedCoincidence: The Antipholuses and Dromios are in the same city, run into the same people, and even enter the same buildings... just never, ever at the same time. Also, the Abbess who runs the insane asylum is the twins' mother.
* CutHisHeartOutWithASpoon: After escaping the asylum, A. of Ephesus sends a messenger to tell Adriana he plans to scorch her face and disfigure her for her misdeeds.
Changed line(s) 34 (click to see context) from:
* TheMasochismTango: Antipholus of Ephesus and his wife.
to:
* TheMasochismTango: Antipholus of Ephesus and his wife. He calls her a shrew and she's annoyed by his flippant ways, to say nothing of his deciding to beat her with a rope.
Changed line(s) 36,37 (click to see context) from:
* OneSteveLimit: Avoided, much to the chagrin of the characters (and the audience trying to figure out who's who)
* SeparatedAtBirth
* SeparatedAtBirth
to:
* OneSteveLimit: Avoided, much to the chagrin of the characters (and the audience trying to figure out who's who)
who).
*SeparatedAtBirthSeparatedAtBirth: The two sets of twins are parted during a storm at sea.
*
Changed line(s) 49 (click to see context) from:
* TwinSwitch
to:
* TwinSwitchTwinSwitch: Frequently. The twins themselves have no idea what's going on or what anyone is talking about.
* YourCheatingHeart: Antipholus of E. decides to spend some time with a courtesan and give her the gold chain he promised Adriana to get back at her for locking him out while unknowingly dining with his twin.
* YourCheatingHeart: Antipholus of E. decides to spend some time with a courtesan and give her the gold chain he promised Adriana to get back at her for locking him out while unknowingly dining with his twin.
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Changed line(s) 40 (click to see context) from:
* TakingTheVeil: Emilia did this, believing her husband dead.
to:
* TakingTheVeil: Emilia did this, believing her husband dead. No the ancient Greeks did not have convents. Ask Shakespeare if he cared.
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Changed line(s) 30 (click to see context) from:
*** The Flying Karamzov Brothers version of this follows this line with everyone in the cast cheering "Author! Author!" And Shakespear coming out and accepting a bouquet of flowers.
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*** The Flying Karamzov Brothers version of this follows this line with everyone in the cast cheering "Author! Author!" And Shakespear Shakespeare coming out and accepting a bouquet of flowers.flowers. [[https://youtu.be/dwYyrbX9LUY?t=56m Watch here]]
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*** The Flying Karamzov Brothers version of this follows this line with everyone in the cast cheering "Author! Author!" And Shakespear coming out and accepting a bouquet of flowers.
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* ShoutOut: The scene with Nell, the spherical kitchen maid, on whose body the brothers point out countries, is similar to a scene in ''{{Lysistrata}}'', where a peace treaty is drawn on a woman's naked body.
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Cities got switched around, just made a quick change.
Changed line(s) 18 (click to see context) from:
* AbhorrentAdmirer: Nell the kitchen wench, an unseen character, is enamoured of Dromio of Ephesus; he does not return the affection. In what might be an OlderThanSteam subversion, though, Dromio of Syracuse ''does''.
to:
* AbhorrentAdmirer: Nell the kitchen wench, an unseen character, is enamoured of Dromio of Ephesus; Syracuse; he does not return the affection. In what might be an OlderThanSteam subversion, though, Dromio of Syracuse Ephesus ''does''.
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Changed line(s) 13,14 (click to see context) from:
While not as popular as Shakespeare's A-list, ''Comedy of Errors'' is still performed today. It was adapted into a Rodgers and Hart musical, ''The Boys from Syracuse'', and into a 1988 movie, ''BigBusiness'', starring Lily Tomlin and Bette Midler (as the gender-flipped pairs of twins).
to:
While not as popular as Shakespeare's A-list, ''Comedy of Errors'' is still performed today. It was adapted into a Rodgers and Hart musical, ''The Boys from Syracuse'', and into a 1988 movie, ''BigBusiness'', ''Big Business'', starring Lily Tomlin and Bette Midler (as the gender-flipped pairs of twins).
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Changed line(s) 1,2 (click to see context) from:
->We came into the world like brother and brother;
->And now let's go hand in hand, not one before another.
->And now let's go hand in hand, not one before another.
to:
->And
And now let's go hand in hand, not one before another.''
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Changed line(s) 1,2 (click to see context) from:
-->We came into the world like brother and brother;
-->And now let's go hand in hand, not one before another.
-->And now let's go hand in hand, not one before another.
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Most Shakespeare play characters are Aerith And Bob to modern ears at best
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** It's hard to tell, though, since most Shakespeare play characters are AerithAndBob to modern ears at best, and would be more so if people didn't to this day regularly name their children after characters in Shakespeare.
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Changed line(s) 20 (click to see context) from:
** Some productions get around this by simply having the twins played by the same actor. Done right, this can create a whole new level of comedy, though it requires the use of FakeShemps for the twins in the resolution (for example, the 2013 New York Public Theater version).
to:
** Some productions get around this by simply having the twins played by the same actor. Done right, this can create a whole new level of comedy, though it requires the use of FakeShemps {{FakeShemp}}s for the twins in the resolution (for example, the 2013 New York Public Theater version).
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Changed line(s) 20,21 (click to see context) from:
** Some productions get around this by simply having the twins played by the same actor. Done right, this can create a whole new level of comedy.
*** This is impossible unless you cut the entire resolution. What productions are you watching?
*** This is impossible unless you cut the entire resolution. What productions are you watching?
to:
** Some productions get around this by simply having the twins played by the same actor. Done right, this can create a whole new level of comedy.
*** This is impossible unless you cutcomedy, though it requires the entire resolution. What productions are you watching?use of FakeShemps for the twins in the resolution (for example, the 2013 New York Public Theater version).
*** This is impossible unless you cut
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* TakingTheVeil: Emilia did this, believing her husband dead.
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**** At least one production used, essentially, character lookalike muppets for the final scene, along with prerecorded lines. It made the ending just that much more absurdly hilarious.
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Changed line(s) 5,6 (click to see context) from:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by Creator/WilliamShakespeare, based off an even older play by {{Plautus}}. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[note]] The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.[[/note]] It's also his shortest play.
to:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by Creator/WilliamShakespeare, based off an even older play by {{Plautus}}.Creator/{{Plautus}}. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[note]] The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.[[/note]] It's also his shortest play.
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Changed line(s) 5,6 (click to see context) from:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by WilliamShakespeare, based off an even older play by {{Plautus}}. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[hottip:*: The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.]] It's also his shortest play.
to:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by WilliamShakespeare, Creator/WilliamShakespeare, based off an even older play by {{Plautus}}. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[hottip:*: [[note]] The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.]] [[/note]] It's also his shortest play.
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Changed line(s) 5,6 (click to see context) from:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by WilliamShakespeare, based off an even older play by {{Plautus}}. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[hottip:*: The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.]]
to:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by WilliamShakespeare, based off an even older play by {{Plautus}}. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[hottip:*: The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.]]
]] It's also his shortest play.
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Changed line(s) 5,8 (click to see context) from:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by WilliamShakespeare. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[hottip:*: The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.]]
Aegon, a merchant from Syracuse, has just been arrested by the Duke of Ephesus and is set to be executed unless he pays the Duke a sizable fine. Hoping for mercy, Aegon tells the Duke about his life before his arrest: He was married to a woman named Aemelia, and together had twin boys. The new parents acquired a set of poor twins to serve as valets for when their children became adults, but soon after the family was separated by a shipwreck. Aegon survived, with his Antipholus and the valet Dromio. Years later, Antipholus and Dromio left Syracuse to find their long-lost brothers, and when they didn't return, Aegon set off to find them himself, only to get arrested in Ephesus. The Duke is touched by the story, and grants Aegon a one-day extension on the fine (and execution).
Aegon, a merchant from Syracuse, has just been arrested by the Duke of Ephesus and is set to be executed unless he pays the Duke a sizable fine. Hoping for mercy, Aegon tells the Duke about his life before his arrest: He was married to a woman named Aemelia, and together had twin boys. The new parents acquired a set of poor twins to serve as valets for when their children became adults, but soon after the family was separated by a shipwreck. Aegon survived, with his Antipholus and the valet Dromio. Years later, Antipholus and Dromio left Syracuse to find their long-lost brothers, and when they didn't return, Aegon set off to find them himself, only to get arrested in Ephesus. The Duke is touched by the story, and grants Aegon a one-day extension on the fine (and execution).
to:
A comedy ([[ExactlyWhatItSaysOnTheTin of errors]]) by WilliamShakespeare.WilliamShakespeare, based off an even older play by {{Plautus}}. It chronicles the misadventures of two sets of long-lost identical twins, with the same name, as they get mistaken for one another. It's also one of the only Shakespearean plays that follow the Classical Unities-- unity of time, unity of place, and unity of story. [[hottip:*: The Classical Unities were supposed "rules" for the theater that consisted of the following: Unity of Time meant the play must take place in no more than 24 hours. Unity of place meant that ideally the stage should represent one singular location, or at most the play should be limited to the same general location, such as the same city. Unity of story meant that everything in the play should follow one main action, with few or no subplots.]]
Aegon, a merchant from Syracuse, has just been arrested by the Duke of Ephesus and is set to be executed unless he pays the Duke a sizable fine. Hoping for mercy, Aegon tells the Duke about his life before his arrest: He was married to a woman named Aemelia, and together had twin boys. The new parents acquired a set of poor twins to serve as valets for when their children becameadults, adults (this was Shakespeare's own idea, not found in Plautus' ''Menaechmi''), but soon after the family was separated by a shipwreck. Aegon survived, with his Antipholus and the valet Dromio. Years later, Antipholus and Dromio left Syracuse to find their long-lost brothers, and when they didn't return, Aegon set off to find them himself, only to get arrested in Ephesus. The Duke is touched by the story, and grants Aegon a one-day extension on the fine (and execution).
Aegon, a merchant from Syracuse, has just been arrested by the Duke of Ephesus and is set to be executed unless he pays the Duke a sizable fine. Hoping for mercy, Aegon tells the Duke about his life before his arrest: He was married to a woman named Aemelia, and together had twin boys. The new parents acquired a set of poor twins to serve as valets for when their children became
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Aegon is a merchant from Syracuse, who has been arrested by the Duke of Ephesus. He is set to be executed unless he pays a sizable fine to the Duke. He tells the Duke about his life before his arrest: He was married to a woman named Aemelia. They were new parents of twin boys, and had acquired a set of poor twins to serve as valets for when their children became adults. Sadly, the family was separated by a shipwreck; Aegon survived, with Antipholus, his son, and Dromio, the servant. Years later, the two left Syracuse to find their long-lost brothers. When they don't return, Aegon sets off to find them himself, but gets arrested in Ephesus. The Duke is touched by the story, and grants a one-day extension on the fine.
Meanwhile, Antipholus and Dromio ''of Syracuse'' (this'll become important later) arrive in Ephesus. Antipholus sends his servant off to pay for a hotel, and then things become confusing. See, the other set of twins is alive and well and living in Ephesus, and, in fact, ''they have the same names as their brothers''. Aemelia, apparently, wanted to name them after their siblings. The obvious occurs: Dromio of Ephesus wanders on stage, and when Antipholus of Syracuse asks if he's secured the inn, he has no idea what he's talking about. Believing Dromio of Ephesus is teasing him, Antipholus of Syracuse beats him. The same happens with Antipholus of Ephesus and Dromio of Syracuse, and the Ephesians' various lovers. Repeat for two-to-three hours, adding bawdy jokes, accusations of infidelity, and money-transfers when appropriate. Everything ends happily, with the brothers, parents, and lovers all reunited.
Meanwhile, Antipholus and Dromio ''of Syracuse'' (this'll become important later) arrive in Ephesus. Antipholus sends his servant off to pay for a hotel, and then things become confusing. See, the other set of twins is alive and well and living in Ephesus, and, in fact, ''they have the same names as their brothers''. Aemelia, apparently, wanted to name them after their siblings. The obvious occurs: Dromio of Ephesus wanders on stage, and when Antipholus of Syracuse asks if he's secured the inn, he has no idea what he's talking about. Believing Dromio of Ephesus is teasing him, Antipholus of Syracuse beats him. The same happens with Antipholus of Ephesus and Dromio of Syracuse, and the Ephesians' various lovers. Repeat for two-to-three hours, adding bawdy jokes, accusations of infidelity, and money-transfers when appropriate. Everything ends happily, with the brothers, parents, and lovers all reunited.
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Meanwhile, Antipholus and Dromio ''of Syracuse'' (this'll become important later) finally arrive in Ephesus. Antipholus sends his servant off to pay for a hotel, and then things
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**** It may seem impossible, but a series of quick changes and a set made of doors can go a long way, making the final scene even more ridiculous and hilarious. See Sean Graney's production at The Court Theatre (2010)
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***This is impossible unless you cut the entire resolution. What productions are you watching?
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* TooDumbToLive: in at least one production, for the benefit of the audience keeping track, the Syracusans wear green and the Ephesians wear blue. No one in the cast notices.
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-->'''A. of Syracuse:''' (discussing where countries are on a woman's body) Where stood Belgia, the Netherlands?
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-->'''A. of Syracuse:''' (discussing where countries are on a woman's body) the aforementioned Nell) Where stood Belgia, the Netherlands?
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Changed line(s) 7,8 (click to see context) from:
Aegeon is a merchant from Syracuse, who has been arrested by the Duke of Ephesus. He is set to be executed unless he pays a sizable fine to the Duke. He tells the Duke about his life before his arrest: He was married to a woman named Aemelia. They were new parents of twin boys, and had acquired a set of poor twins to serve as valets for when their children became adults. Sadly, the family was separated by a shipwreck; Aegon survived, with Antipholus, his son, and Dromio, the servant. Years later, the two left Syracuse to find their long-long brothers. When they don't return, Aegon sets off to find them himself, but gets arrested in Ephesus. The Duke is touched by the story, and grants a one-day extension on the fine.
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