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** Does Mrs. Lovett really mean it when she says [[spoiler:she was only thinking of how Sweeney would feel finding out that Lucy ended up a deranged beggar when she decided to keep the truth from him? It goes without saying that that wasn't her ''only'' motive- she's been in love with Sweeney since he was still Benjamin Barker, and if he thought Lucy was dead, she believed she'd have a chance to have him to herself. Yet in some productions, there's still seemingly a note of truth to what she says, and a suggestion that she really did think it would be better for him not to know. Notably, her original line ("Would you have wanted to know that's how she ended up?") was eventually changed to "Would you have wanted to know that was all that was left of her?", implying that Mrs Lovett regards the Beggar Woman as an EmptyShell that used to be Lucy, or a kind of CameBackWrong version of her. This is especially notable in the 2023 Broadway revival, in which Annaleigh Ashford as Mrs Lovett seems much fonder of Lucy during "Poor Thing", and much sadder about what happened to her, than she is typically portrayed as being.]]


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** He also seems to have a soft spot for Anthony. After all, Anthony and his fellow sailors on the ''Bountiful'' saved Sweeney's life, and as such must stand out to him as the only good and kind people he's known since his life was shattered fifteen years ago (he even grimly points out that Anthony making sure he was rescued was a very rare type of kindness in the world as he's seen it). When Mrs Lovett suggests killing Anthony before he can elope with Johanna, Sweeney seems disgusted with the very idea. Later on, when Anthony accidentally spoils Sweeney's revenge on Judge Turpin, Sweeney furiously shouts at him to get out, but doesn't move to kill him (and in some productions even seems to be deliberately holding himself back against the instinctive urge to do so), even though he's quite literally spiraling into omnicidal madness at that very moment. In Act II, Sweeney is even quite calmly accepting of yet another interruption from Anthony and arranges his second chance at avenging himself on Judge Turpin in a way that will also allow Anthony and Johanna to run away together after all. All in all, for someone who "never forgot and [...] never forgave", he seems very willing to do exactly that where Anthony's concerned.


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**In the 2023 revival, [[spoiler:Mrs Lovett has this attitude toward Lucy/the Beggar Woman. Unlike in most versions, Mrs Lovett seems fond of Lucy when she describes her during "Poor Thing", and is sadder than in most versions as she recounts what happened to her. Contrast that with how she treats her in the present, and it puts her line about the Beggar Woman being "all that was left of her" in a different context- she's no longer her old friend Lucy, she's an EmptyShell.]]

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* StalkingIsLove: Anthony's infatuation with Johanna and Mrs. Lovett's obsession with Sweeney Todd can both come across like this. Judge Turpin appears this way at first, but this is horribly subverted when a few minutes later it's revealed that [[spoiler:he rapes Lucy]] after seemingly attempting to court her.

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* StalkingIsLove: Anthony's infatuation with Johanna and Mrs. Lovett's obsession with Sweeney Todd can both come across like this.this (though Johanna encourages it in Anthony's case). Judge Turpin appears this way at first, but this is horribly subverted when a few minutes later it's revealed that [[spoiler:he rapes Lucy]] after seemingly attempting to court her.


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* StrongFamilyResemblance: Johanna is implied to look very much like her mother Lucy did, in many cases extending to having the actress who plays Johanna also playing Lucy in the flashback during "Poor Thing".
** The 2023 Broadway revival also shows Johanna to resemble Sweeney himself, her biological father. They share many of the same nervous tics and anxious or despairing gestures, and the makeup used to suggest the toll Fogg’s Asylum takes on her beauty resembles the makeup used on the actor playing Sweeney [[spoiler:and notably not the makeup used on the actress playing her mother, Lucy, in her current state as the Beggar Woman]].
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* ActorMusoShow: The John Doyle production of the show that ran on the West and Broadway in the early 2000s used this approach.
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** How aware is Mrs Lovett that [[spoiler:Sweeney is seconds away from throwing her in her own oven after he learns she withheld the truth about Lucy's survival from him? As scripted, she seems to finally cave into her own delusions when he starts buttering her up with promises of living and forgiving, but it's not uncommon for actresses in the part to show her panicking and struggling as she ''immediately'' realizes his intentions.]]
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* AdaptationalProtagonist: The play turns Sweeney Todd into its VillainProtagonist thanks to a good helping of AdaptationalSympathy --which includes the loss of his daughter, the DamselInDistress Joanna. This is a far cry from the original ''Franchise/SweeneyTodd'' story, ''Literature/TheStringOfPearls,'' where Joanna is the protagonist trying to save her boyfriend from the villainous Todd, [[RelatedInTheAdaptation with whom she has no familial connection]].
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** [[https://www.youtube.com/watch?v=7dgdz-XifyU This commercial]], featuring George Hearn and Angela Lansbury, doesn't seem to showcase any of the dark material of the show (although you might catch a hint at the end). If you were to watch it without having any knowledge of Sweeney Todd, you might even think that it's a pretty normal, happy story.

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** [[https://www.youtube.com/watch?v=7dgdz-XifyU This commercial]], featuring George Hearn and Angela Lansbury, doesn't seem to showcase any of gives the dark material of impression that the show (although you might catch is foremost a hint at rollicking black comedy with a kitschy horror vibe rather than the end). If you were to watch grim revenge tragedy it without having any knowledge of Sweeney Todd, you might even think that it's a pretty normal, happy story.is.

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* DoorClosesEnding: Ends with Sweeney [[DoorSlamOfRage angrily slamming a door]] after he has walked through it.

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* DoorClosesEnding: Ends The original staging ends with Sweeney [[DoorSlamOfRage angrily slamming a door]] after he has walked through it.



* ImAHumanitarian: You are if you eat at Mrs. Lovett's pie shop.
* IncestSubtext:
** Possibly lightly hinted at in the reprise of "Johanna"; Sweeney talks about how beautiful he thinks Johanna probably is, and that she might "look too much" like Lucy, and that maybe it's better that they don't meet again. On the other hand, maybe he's just saying that having a living reminder of her would make him miss Lucy too much- he's never seen Johanna as a young woman, after all, so she's even more of a shadow to him than Lucy's memory is.
** Todd also later notes to Turpin that they have "similar taste in women". This is supposed to refer to Turpin's lusting after Lucy, but one must remember that the current target of Turpin's affections is Johanna.

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* ImAHumanitarian: You are if you eat at Mrs. Lovett's pie shop.
* IncestSubtext:
** Possibly lightly hinted at in the reprise of "Johanna"; Sweeney talks about how beautiful he thinks Johanna probably is, and that she might "look too much" like Lucy, and that maybe it's better that they don't meet again. On the other hand, maybe he's just saying that having a living reminder of her would make him miss Lucy too much- he's never seen Johanna as a young woman, after all, so she's even more of a shadow to him than Lucy's memory is.
** Todd also later notes to Turpin that they have "similar taste in women". This is supposed to refer to Turpin's lusting after Lucy, but one must remember that the current target of Turpin's affections is Johanna.
customers, albeit unknowingly.



* InsaneTrollLogic: "Epiphany" is all about this. Todd decides that "We all deserve to die"--if you're an evil person, murder is a sacred duty, and if you're ''not'' evil, you're being mistreated by evil people, so being murdered is actually the best option.



* MortonsFork: The logical conclusion Sweeney reaches during "Epiphany": "the lives of the wicked should be made brief/for the rest of us, death will be a relief/we ''all'' deserve to die!"



** [[spoiler:Finally, when Sweeney slits her throat, as she stares at him, wide-eyed and gagging, and then collapses, there's an absolutely ''aching'' instrumental reprise of a musical phrase from "Epiphany"- specifically, "And my Lucy lies in ashes". Now, the Beggar Woman, Lucy, is now lying there dead.]]

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** [[spoiler:Finally, when Sweeney slits her throat, as she stares at him, wide-eyed and gagging, and then collapses, there's an absolutely ''aching'' instrumental reprise of a musical phrase from "Epiphany"- specifically, "And my Lucy lies in ashes". Now, the Beggar Woman, Lucy, is now lying there dead.]]
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** The 2023 Seattle production adjusted for casting Johanna and Lucy with actresses of color by having Todd and Anthony serenade them as "beautiful and bronze".
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* HeWhoFightsMonsters: Sweeney becomes worse than the monsters after "Epiphany", deciding to just kill everyone.

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* HeWhoFightsMonsters: Sweeney becomes worse than the monsters after "Epiphany", deciding to just kill everyone. [[spoiler: In doing this, he unknowingly kills Lucy and nearly kills Johanna; the two people he was trying to avenge.]]

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* GainingTheWillToKill: The eponymous Sweeney Todd was originally a wronged man looking to get his daughter back from an evil judge, who abducted the girl after raping Sweeney's wife and sending Sweeney himself to [[SentencedToDownUnder Australia]] on a trumped-up charge. That all changes when a charlatan named Pirelli recognizes Sweeney as an escaped convict and threatens to turn him in, driving Sweeney to kill him. Sweeney has never killed before, but he shows no remorse for this act, having decided it was necessary to protect his cover. When his friend Mrs. Lovett proposes disposing of the body by baking it into meat pies, Sweeney finds he has no qualms about continuing to kill, and launches himself into a frenzied campaign of revenge against the world that wronged him by becoming a SerialKiller and handing the bodies over to Mrs. Lovett for, er, [[TheSecretOfLongPorkPies disposal]].

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* GainingTheWillToKill: GainingTheWillToKill:
**
The eponymous Sweeney Todd was originally a wronged man looking to get his daughter back from an evil judge, who abducted the girl after raping Sweeney's wife and sending Sweeney himself to [[SentencedToDownUnder Australia]] on a trumped-up charge. That all changes when a charlatan named Pirelli recognizes Sweeney as an escaped convict and threatens to turn him in, driving Sweeney to kill him. Sweeney has never killed before, but he shows no remorse for this act, having decided it was necessary to protect his cover. When his friend Mrs. Lovett proposes disposing of the body by baking it into meat pies, Sweeney finds he has no qualms about continuing to kill, and launches himself into a frenzied campaign of revenge against the world that wronged him by becoming a SerialKiller and handing the bodies over to Mrs. Lovett for, er, [[TheSecretOfLongPorkPies disposal]].



* HoistByHisOwnPetard: How did Judge Turpin succeed in raping Lucy? Tricking her into thinking he’s sorry for having her husband deported, and sending a third party (the Beadle) to tell her as much. [[spoiler:How does Sweeney succeed in killing Judge Turpin to avenge exactly that? Luring him with false promises that Johanna feels sorry for having refused him, and acting as the third party carrying news of this contrition.]]

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* HoistByHisOwnPetard: HoistByHisOwnPetard:
**
How did Judge Turpin succeed in raping Lucy? Tricking her into thinking he’s sorry for having her husband deported, and sending a third party (the Beadle) to tell her as much. [[spoiler:How does Sweeney succeed in killing Judge Turpin to avenge exactly that? Luring him with false promises that Johanna feels sorry for having refused him, and acting as the third party carrying news of this contrition.]]



* IWasQuiteALooker: Benjamin Barker was quite dashing, so his appearance as Sweeney is super unnerving compared to back in the day.

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* IWasQuiteALooker: IWasQuiteALooker:
**
Benjamin Barker was quite dashing, so his appearance as Sweeney is super unnerving compared to back in the day.
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A Broadway revival- the first full-scale version on Broadway since the original production[[note]]The now-defunct New York City Opera produced the original Harold Prince staging multiple times between the 1980s and the early 2010s, and there have been two very pared-down Broadway revivals as well as two major concert stagings with the New York Philharmonic, plus an even more scaled-down version performed off-Broadway in an actual pie shop- but this is the first to be on Broadway specifically, with a full-sized ensemble and orchestra and fully fleshed-out sets and costumes, since the original closed in 1980.[[/note]] opened on March 26, 2023 (after beginning previews on February 26) and features Music/JoshGroban as Sweeney, with ''Theatre/KinkyBoots'' and ''Series/MastersOfSex'' star Creator/AnnaleighAshford as Mrs. Lovett, Creator/JordanFisher as Anthony, and ''Series/StrangerThings'''s Creator/GatenMatarazzo as Toby.

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A Broadway revival- revival -- the first full-scale version on Broadway since the original production[[note]]The now-defunct New York City Opera produced the original Harold Prince staging multiple times between the 1980s and the early 2010s, and there have been two very pared-down Broadway revivals as well as two major concert stagings with the New York Philharmonic, plus an even more scaled-down version performed off-Broadway in an actual pie shop- shop -- but this is the first to be on Broadway specifically, with a full-sized ensemble and orchestra and fully fleshed-out sets and costumes, since the original closed in 1980.[[/note]] -- opened on March 26, 2023 (after beginning previews on February 26) and features Music/JoshGroban as Sweeney, with ''Theatre/KinkyBoots'' and ''Series/MastersOfSex'' star Creator/AnnaleighAshford as Mrs. Lovett, Creator/JordanFisher as Anthony, and ''Series/StrangerThings'''s Creator/GatenMatarazzo as Toby.
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** Sweeney frequently spends at least a good portion of the show in a dingy white shirt, dark pants, and suspenders, often with something best described as a curtain haircut (a look so associated with him it extends even to his {{Expy}} Dooley Flint in the second season of {{Schmigadoon}}).

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** Sweeney frequently spends at least a good portion of the show in a dingy white shirt, dark pants, and suspenders, often with something best described as a curtain haircut (a look so associated with him it extends even to his {{Expy}} Dooley Flint in the second season of {{Schmigadoon}}).{{Series/Schmigadoon}}).
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** Sweeney frequently spends at least a good portion of the show in a dingy white shirt, dark pants, and suspenders, often with something best described as a curtain haircut (a look so associated with him it extends even to his {{Expy}} Dooley Flint in the second season of Series/Schmigadoon).

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** Sweeney frequently spends at least a good portion of the show in a dingy white shirt, dark pants, and suspenders, often with something best described as a curtain haircut (a look so associated with him it extends even to his {{Expy}} Dooley Flint in the second season of Series/Schmigadoon).{{Schmigadoon}}).
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** Mrs. Lovett’s trademark [[Main/Odango twin bun hairstyle]], usually symbolically verging on DevilishHornedHair, which has persisted across a rather impressive number of very different-looking stagings. Broadly speaking, even if she doesn’t have that specific hairstyle, she can often be identified by having particularly crazy-looking hair in general, though still styled and put up in some way.

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** Mrs. Lovett’s trademark [[Main/Odango [[{{Odango}} twin bun hairstyle]], usually symbolically verging on DevilishHornedHair, DevilishHairHorns, which has persisted across a rather impressive number of very different-looking stagings. Broadly speaking, even if she doesn’t have that specific hairstyle, she can often be identified by having particularly crazy-looking hair in general, though still styled and put up in some way.
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A Broadway revival- the first full-scale version on Broadway since the original production[[note]]The now-defunct New York City Opera produced the original Harold Prince staging multiple times between the 1980s and the early 2010s, and there have been two very pared-down Broadway revivals as well as two major concert stagings with the New York Philharmonic, plus an even more scaled-down version performed off-Broadway in an actual pie shop- but this is the first to be on Broadway specifically, with a full-sized ensemble and orchestra and fully fleshed-out sets and costumes, since the original closed in 1980.[[/note]] is set to open on March 26, 2023 (after beginning previews on February 26) and will feature Music/JoshGroban as Sweeney, with ''Theatre/KinkyBoots'' and ''Series/MastersOfSex'' star Creator/AnnaleighAshford as Mrs. Lovett, Creator/JordanFisher as Anthony, and ''Series/StrangerThings'''s Creator/GatenMatarazzo as Toby.

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A Broadway revival- the first full-scale version on Broadway since the original production[[note]]The now-defunct New York City Opera produced the original Harold Prince staging multiple times between the 1980s and the early 2010s, and there have been two very pared-down Broadway revivals as well as two major concert stagings with the New York Philharmonic, plus an even more scaled-down version performed off-Broadway in an actual pie shop- but this is the first to be on Broadway specifically, with a full-sized ensemble and orchestra and fully fleshed-out sets and costumes, since the original closed in 1980.[[/note]] is set to open opened on March 26, 2023 (after beginning previews on February 26) and will feature features Music/JoshGroban as Sweeney, with ''Theatre/KinkyBoots'' and ''Series/MastersOfSex'' star Creator/AnnaleighAshford as Mrs. Lovett, Creator/JordanFisher as Anthony, and ''Series/StrangerThings'''s Creator/GatenMatarazzo as Toby.



** Mrs. Lovett is almost always cast a little on the plump side or blowsy, like Creator/AngelaLansbury as opposed to the equally likely possibility of her being thin and bony (though Lansbury was more plump in the face than the body).
** There also seems to have been a shift based on the Revival's take on her. Angela Lansbury made her rather grandmotherly, but Patti LuPone's version was younger (despite having been [[OlderThanTheyLook two years ''older'' than Lansbury was when she created the role]]) and more in the way of a PerkyGoth, a presentation which also applies to the film version (although most Creator/TimBurton characters have LooksLikeCesare going on anyway).

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** Mrs. Lovett is almost always cast a little Lovett’s trademark [[Main/Odango twin bun hairstyle]], usually symbolically verging on DevilishHornedHair, which has persisted across a rather impressive number of very different-looking stagings. Broadly speaking, even if she doesn’t have that specific hairstyle, she can often be identified by having particularly crazy-looking hair in general, though still styled and put up in some way.
** Sweeney frequently spends at least a good portion of
the plump side or blowsy, like Creator/AngelaLansbury as opposed to the equally likely possibility of her being thin show in a dingy white shirt, dark pants, and bony (though Lansbury was more plump suspenders, often with something best described as a curtain haircut (a look so associated with him it extends even to his {{Expy}} Dooley Flint in the face than the body).
** There also seems to have been a shift based on the Revival's take on her. Angela Lansbury made her rather grandmotherly, but Patti LuPone's version was younger (despite having been [[OlderThanTheyLook two years ''older'' than Lansbury was when she created the role]]) and more in the way
second season of a PerkyGoth, a presentation which also applies to the film version (although most Creator/TimBurton characters have LooksLikeCesare going on anyway). Series/Schmigadoon).
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** [[https://www.youtube.com/watch?v=7dgdz-XifyU This commercial]], featuring George Hearn and Angela Lansbury, doesn't seem to showcase any of the dark material of the show (although you might catch a hint at the end). In fact, if you were to watch it without having any knowledge of Sweeney Todd, you might even think that it's a pretty normal, happy story.
** [[https://www.youtube.com/watch?v=90vBH847AD4 THIS commercial]], on the other hand, sums up the darkness factor in 30 seconds.

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** [[https://www.youtube.com/watch?v=7dgdz-XifyU This commercial]], featuring George Hearn and Angela Lansbury, doesn't seem to showcase any of the dark material of the show (although you might catch a hint at the end). In fact, if If you were to watch it without having any knowledge of Sweeney Todd, you might even think that it's a pretty normal, happy story.
** Subverted with [[https://www.youtube.com/watch?v=90vBH847AD4 THIS this commercial]], on the other hand, which sums up the darkness factor in 30 seconds.
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* GenreRefugee: Anthony is a sweet, well-meaning and forthright young man who seems to have wandered in from a much more swashbuckling and romantic story. While his LoveInterest Johanna superficially comes off the same way, the emotional damage she's experienced growing up as Judge Turpin's ward has made her markedly more in line in terms of mental stability with the rest of the cast.
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*NervousWreck: Johanna, and can you blame her? The first bright spot and hope of escape the poor girl's had in her life still paralyzes her into anxious babbling about what to pack, things she feared happened to Anthony while she couldn't see him, and even forgetting that her house doesn't have a gate out of fear of her abusive guardian coming home.
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Death By Sex is no longer a trope per this TRS thread Zero Context Examples and examples that do not fit existing tropes will be deleted.


* DeathBySex: Played straight, subverted, and double subverted. Lucy swallows poison after being raped, and Sweeney wants to kill Turpin for raping her. However, [[spoiler:neither of them dies immediately.]] And when all's said and done and Everyone Has Died, it would seem that only the assumed virgins are left alive. Double points for Mrs. Lovett, easy to interpret as a lusty widow, for getting the most gruesome death in the play.
** Some productions do manage to subvert this outright by implying Johanna and Anthony sleep together during "Ladies in Their Sensitivities", meaning they, the only characters ''shown'' to have normal, healthy sex, are the only ones left alive in the end.
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* IdiotBall: Very quickly picked up by Johanna in the asylum, when she calls out Anthony’s name and immediately blows his cover. Fortunately, she metaphorically drops it just as quickly by [[spoiler:shooting Mr. Fogg herself]].
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->And though I’ll think of you, I guess,//
->Until the day I die,//
->I think I miss you less and less//
->As ev’ry day goes by,//
->Johanna…//

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->And though I’ll think of you, I guess,//
guess,
->Until the day I die,//
die,
->I think I miss you less and less//
less
->As ev’ry day goes by,//
->Johanna…//
by,
->Johanna…
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* MedleyOverture: The organ prelude (not always included in every production) sets the tone by mixing only three motifs: the melody that appears most prominently on the lines “and I’ll never/see Johanna/no I’ll never/hold my girl to me” and “and my Lucy/lies in ashes/and I’ll never/see my girl again” in “Epiphany”, a minor-key version of Johanna’s song “Green Finch and Linnet Bird”, and finally the Dies Irae for Sweeney himself. It is, essentially, a dirge for the shattered Barker family.
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—->And though I’ll think of you, I guess,//
—->Until the day I die,//
—->I think I miss you less and less//
—->As ev’ry day goes by,//
—->Johanna…//

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—->And ->And though I’ll think of you, I guess,//
—->Until ->Until the day I die,//
—->I ->I think I miss you less and less//
—->As ->As ev’ry day goes by,//
—->Johanna…//->Johanna…//
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And though I’ll think of you, I guess,//
Until the day I die,//
I think I miss you less and less//
As ev’ry day goes by,//
Johanna…//

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And —->And though I’ll think of you, I guess,//
Until —->Until the day I die,//
I —->I think I miss you less and less//
As —->As ev’ry day goes by,//
Johanna…//—->Johanna…//
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* NoPlaceForMeThere: An interpersonal example. By Act II, Sweeney knows that no matter how much he wonders what Johanna is like as a young woman, there is no longer any room for him in her life, even if she does get a happy ending. He’s a stranger, a former convict, an impediment to her elopement with Anthony, and a murderer to boot- and he’s also finally able to admit to himself that he’s essentially (parentally) LovingAShadow.
And though I’ll think of you, I guess,//
Until the day I die,//
I think I miss you less and less//
As ev’ry day goes by,//
Johanna…//
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* GilliganCut: A very dark version of the Contrary Cut version: Judge Turpin muses as he leaves court that Johanna having had a little more time to consider his marriage proposal has probably put her in a “more sensible” frame of mind. Lights up on Johanna frantically pacing her bedroom, planning to kill herself to get out of the marriage.
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A Broadway revival- the first full-scale version on Broadway since the original production[[note]]The now-defunct New York City Opera produced the original Harold Prince staging multiple times between the 1980s and the early 2010s, and there have been two very pared-down Broadway revivals as well as two major concert stagings with the New York Philharmonic as well as an even more scaled-down version performed off-Broadway in an actual pie shop- but this is the first to be on Broadway specifically, with a full-sized ensemble and orchestra and fully fleshed-out sets and costumes, since the original closed in 1980.[[/note]] is set to open on March 26, 2023 (after beginning previews on February 26) and will feature Music/JoshGroban as Sweeney, with ''Theatre/KinkyBoots'' and ''Series/MastersOfSex'' star Creator/AnnaleighAshford as Mrs. Lovett, Creator/JordanFisher as Anthony, and ''Series/StrangerThings'''s Creator/GatenMatarazzo as Toby.

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A Broadway revival- the first full-scale version on Broadway since the original production[[note]]The now-defunct New York City Opera produced the original Harold Prince staging multiple times between the 1980s and the early 2010s, and there have been two very pared-down Broadway revivals as well as two major concert stagings with the New York Philharmonic as well as Philharmonic, plus an even more scaled-down version performed off-Broadway in an actual pie shop- but this is the first to be on Broadway specifically, with a full-sized ensemble and orchestra and fully fleshed-out sets and costumes, since the original closed in 1980.[[/note]] is set to open on March 26, 2023 (after beginning previews on February 26) and will feature Music/JoshGroban as Sweeney, with ''Theatre/KinkyBoots'' and ''Series/MastersOfSex'' star Creator/AnnaleighAshford as Mrs. Lovett, Creator/JordanFisher as Anthony, and ''Series/StrangerThings'''s Creator/GatenMatarazzo as Toby.

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* HoistByHisOwnPetard: How did Judge Turpin succeed in raping Lucy? Tricking her into thinking he’s sorry for having her husband deported, and sending a third party (the Beadle) to tell her as much. [[spoiler:How does Sweeney succeed in killing Judge Turpin to avenge exactly that? Luring him with false promises that Johanna feels sorry for having refused him, and acting as the third party carrying news of this contrition.]]
** [[spoiler:Subverted with Sweeney’s own death. He may meet his end at the wrong end of one of his own razors, but by that point he’s consumed enough by despair to welcome it.]]



** The old woman [[spoiler:Lucy]] spouts these: "Beadle deedle deedle deedle deedle deedle deedle dumpling!" "Mischief! Mischief!"

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** The old beggar woman [[spoiler:Lucy]] spouts these: "Beadle deedle deedle deedle deedle deedle deedle dumpling!" "Mischief! Mischief!"



** Subverted with Johanna in Fogg’s Asylum. She sings incessantly to herself, but this is to ‘’avoid’’ going insane by giving herself something else to focus on.



* NiceGuy: Anthony, the only one in seemingly all of London who qualifies.



* ParentalLoveSong: “Johanna (Reprise)”. Sweeney fondly reminisces over his daughter and what she may look like as a young woman, but he ultimately feels as though he has no place in her life since he had been away from her for so long.

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* ParentalLoveSong: “Johanna (Reprise)”. Sweeney fondly reminisces over his daughter and what she may look like as a young woman, but he ultimately feels as though he has no place in her life since he had been away from her for so long.long (to say nothing of having put himself beyond the pale with all the murdering he’s been doing).


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* SuicideByCop: [[spoiler:Or suicide by Toby, but same idea.]]
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* CrapsackWorld: Just about every character is an extreme {{jerkass}} at best or complete sociopath at worse. Johanna, Toby, and to a lesser extent the Beggar Woman[[spoiler:/Lucy]] are [[ExtremeDoormat victims pushed into unhappy compliance]]. Only NiceGuy Anthony manages to be decent and entirely stable at the same time.

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* CrapsackWorld: Just about every character is an extreme Almost everyone in the cast {{jerkass}} at best or complete sociopath at worse. As for the good guys, Johanna, Toby, and to a lesser extent the Beggar Woman[[spoiler:/Lucy]] are [[ExtremeDoormat victims pushed into unhappy compliance]]. Only NiceGuy Anthony manages to be decent and entirely stable at the same time.

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