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* The ending, where [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly, so she can live a better life]].
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* The ending, where [[spoiler: [[DistressedDamsel [[DamselInDistress Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly, so she can live a better life]].
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* The end of ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly, so she can live a better life]].
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For tearjerkers from the rest of the franchise, go [[TearJerker/LupinIII here]].
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* Theend of ''Anime/TheCastleOfCagliostro'', when ending, where [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly, so she can live a better life]].
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* The
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* It's been said that Creator/HayaoMiyazaki envisioned a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...questionable actions from the manga into account, suggesting he may have had a good long look at himself.
See also: {{TearJerker.LupinIII}}
See also: {{TearJerker.LupinIII}}
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* It's been said that Creator/HayaoMiyazaki envisioned a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...questionable actions from the manga into account, suggesting he may have had a good long look at himself.
See also: {{TearJerker.LupinIII}}himself.
See also: {{TearJerker.LupinIII}}
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Changed line(s) 4,5 (click to see context) from:
* It's been said that Creator/HayaoMiyazaki envisioned a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...[[BlackComedyRape questionable]] actions from the manga into account, suggesting he may have had a good long look at himself.
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* It's been said that Creator/HayaoMiyazaki envisioned a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...[[BlackComedyRape questionable]] questionable actions from the manga into account, suggesting he may have had a good long look at himself.
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Changed line(s) 4,5 (click to see context) from:
* It's been said that Creator/HayaoMiyazaki envisioned a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...questionable actions from the manga into account, suggesting he may have come to despise that part of his life.
to:
* It's been said that Creator/HayaoMiyazaki envisioned a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...questionable [[BlackComedyRape questionable]] actions from the manga into account, suggesting he may have come to despise that part of his life.
had a good long look at himself.
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Changed line(s) 4,5 (click to see context) from:
* It's been said that Creator/HayaoMiyazaki wanted to show a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...questionable actions from the manga into account, suggesting he may have come to despise that part of his life.
to:
* It's been said that Creator/HayaoMiyazaki wanted to show envisioned a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...questionable actions from the manga into account, suggesting he may have come to despise that part of his life.
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* It's been said that Creator/HayaoMiyazaki wanted to show a Lupin that had regret over his wild life. This isn't outright shown in the film, but it adds a whole other layer to his actions, especially if you put his more...questionable actions from the manga into account, suggesting he may have come to despise that part of his life.
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* The end of ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly, so she can live a better life]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
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* The end of ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly, so she can live a better life]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
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* When Zenigata gets back to Interpol HQ to convince [[ObstructiveBureaucrat his bosses]] to take down the Count's counterfeiting operation but instead gets buried [[ColdWar in the political bullshit of the times]], he has to tell his men that they will not deploy to Cagliostro, but will be taken off of the Lupin case pending approval. Unlike in many other cases where he's been relieved of duty or outright fired, he is gracious in defeat. Only his stern, bowed expression tells the audience how crushed he feels.
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* When Zenigata gets back to Interpol HQ to convince [[ObstructiveBureaucrat his bosses]] to take down the Count's counterfeiting operation but instead gets buried [[ColdWar [[UsefulNotes/ColdWar in the political bullshit of the times]], he has to tell his men that they will not deploy to Cagliostro, but will be taken off of the Lupin case pending approval. Unlike in many other cases where he's been relieved of duty or outright fired, he is gracious in defeat. Only his stern, bowed expression tells the audience how crushed he feels.
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Comma comma comma comma comma chameleon~
Changed line(s) 1 (click to see context) from:
* The end of ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly so she can live a better life]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
to:
* The end of ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly brotherly, so she can live a better life]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
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Removed a potentially divisive line. Rule of Cautious Editing Judgment, people.
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** Sadly, however, this only comes across in the original Japanese dialogue.
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** Sadly, however, this only comes across in the original Japanese dialogue.
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* The end of ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
to:
* The end of ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly]].brotherly so she can live a better life]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
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Changed line(s) 1 (click to see context) from:
* The end of ''TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
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* The end of ''TheCastleOfCagliostro'', ''Anime/TheCastleOfCagliostro'', when [[spoiler: [[DistressedDamsel Clarisse]] begs to go with Lupin and embraces him. He's about to hug her back, but forces himself not to, and lets her down gently, almost brotherly]]. That right there? Is the reason I'm an Arsène Lupin III fangirl. I don't care if it isn't technically canon, it's canon for me.
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Added DiffLines:
** It's one of the few moments where [[ChivalrousPervert Lupin]] is a genuine KnightInShiningArmor; he rides off into the sunset like one, too.
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* When Zenigata gets back to Interpol HQ to convince [[ObstructiveBureaucrat his bosses]] to take down the Count's counterfeiting operation but instead gets buried [[ColdWar in the political bullshit of the times]], he has to tell his men that they will not deploy to Cagliostro, but will be taken off of the Lupin case pending approval. Unlike in many other cases where he's been relieved of duty or outright fired, he is gracious in defeat. Only his stern, bowed expression tells the audience how crushed he feels.
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** ''Twilight Gemini.'' Quicksand. That is all.
** The second TV series had the episode "The Rose and the Pistol" ("Shot Through the Heart" in English) In it, Jigen, of all people falls for a Spanish dancer. Sadly, [[spoiler:she's just acting as part of the villain's plot to kill Jigen and Lupin. In the resulting car chase, Jigen is the one to fire the bullet that sends the bad guys' car into the ocean, killing one of the few women he ever loved.]]
** The second TV series had the episode "The Rose and the Pistol" ("Shot Through the Heart" in English) In it, Jigen, of all people falls for a Spanish dancer. Sadly, [[spoiler:she's just acting as part of the villain's plot to kill Jigen and Lupin. In the resulting car chase, Jigen is the one to fire the bullet that sends the bad guys' car into the ocean, killing one of the few women he ever loved.]]
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** The second TV series had the episode "The Rose and the Pistol" ("Shot Through the Heart" in English) In it, Jigen, of all people falls for a Spanish dancer. Sadly, [[spoiler:she's just acting as part of the villain's plot to kill Jigen and Lupin. In the resulting car chase, Jigen is the one to fire the bullet that sends the bad guys' car into the ocean, killing one of the few women he ever loved.]]
See also: {{TearJerker.LupinIII}}
