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* ''Film/AmericanMary'': Mary shows either contempt or indifference towards Billy's advances, until she roughs up and nearly stabs one of the sex workers at his club for giving him head. Seeing as she hasn't shown any indication that she's interested in him so far and their "romance" is incredibly brief and pointless, the whole thing is rather jarring.
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* ''Franchise/TheMatrix'' films do this with Neo and Trinity. They know each other for a few days and barely interact. When they do interact, they talk about kung-fu and machines. Then at the very end of [[Film/TheMatrix the first movie]], she spontaneously declares her love for Neo despite no build-up, other than a DeusExMachina, earlier in the movie about the Oracle's prediction. Fortunately this gets fixed in the sequels.
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* The ''Film/HarryPotter'' films, mainly due to their being {{Compressed Adaptation}}s, definitely lean towards the asphyxiatory side of things in regards to Harry and Ginny. The two barely interact, sharing the screen for about seven minutes combined in the last ''three movies''. In the [[Literature/HarryPotterAndTheOrderOfThePhoenix fifth book]], Ginny [[ShrinkingViolet being able to speak to Harry]] was a big deal; in the [[Film/HarryPotterAndTheOrderOfThePhoenix fifth movie]], Creator/BonnieWright barely has any lines. Whenever they are on screen together, they barely talk, instead just sharing a kiss and an awkward look before Harry rushes off to do something and Ginny sits down to be irrelevant to the plot. Although they ''do'' give the two a couple of lovely moments together, even the ''shippers'' often complain about this regarding the films.

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* The ''Film/HarryPotter'' films, mainly due to their being {{Compressed Adaptation}}s, definitely lean towards the asphyxiatory side of things in regards to Harry and Ginny. The two barely interact, sharing the screen for about seven minutes combined in the last ''three movies''. In the [[Literature/HarryPotterAndTheOrderOfThePhoenix fifth book]], Ginny [[ShrinkingViolet being able to speak to Harry]] was a big deal; in the [[Film/HarryPotterAndTheOrderOfThePhoenix fifth movie]], Creator/BonnieWright barely has any lines. Whenever they are on screen together, they barely talk, instead just sharing a kiss and an awkward look before Harry rushes off to do something and Ginny sits down to be irrelevant to the plot. Although they ''do'' give the two a couple of lovely moments together, together -- notably, Ginny comforting Harry at [[spoiler:Dumbledore's funeral]] -- even the ''shippers'' often complain about this regarding the films.
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* ''Film/JosieAndThePussycats2001'': Alan M seems like a genuinely nice guy, and apparently he and Josie have a history full of chemistry and common interests, but most of their relationship shown in the movie is them staring deeply into each other's eyes as they realise they love each other, with none of the relationship actually ''visible''. Which ''might'' have been ''[[StealthParody intentional]]''.
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* ''Film/ZoomAcademyForSuperheroes'' has Dylan and Summer, who hook up after a couple days of knowing each other and have little to no obvious romantic chemistry. Essentially, he's a teenage boy, she's a teenage girl, and the movie needed a romance of some kind.
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* ''Film/HowILiveNow'': In the film Edmond and Daisy's relationship just happens, and all of a sudden Edmond is just the one, period.
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* ''Film/FTheProm'': Right near the end of the film, Felicity confronts Kane about how horrible he's been and how she wishes he were still the same sweet boy she used to date. Out of nowhere, she then reveals she still has feelings for him...and even though he's been nothing but a jackass to her the whole film, Kane reciprocates and they get back together. This is also overlooking the fact that Kane has not only been a jerk to Felicity the whole film, but he was a jerk to her friends too and had recently cheated on his last girlfriend.
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* ''Film/TheRunningMan'': Ben and Amber share little to no romantic chemistry for the duration of the movie, save for Amber developing sympathy for Ben when she realizes he's not the mass-murdering psycho the world has painted him as and a few vague flirty lines. Yet the two managed to produce TheBigDamnKiss during the film's climax.
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* ''Film/ForbiddenPlanet'': Altaira goes from hating the Captain to deep, unbreakable love for him for no reason whatsoever. Of course, when Captain Adams tells Morbius she's joined herself to him "body and soul," he's probably overstating it to bait a reaction from Morbius — and he certainly gets one.
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* ''Film/FlashGordon1980'': Flash and Dale hardly knew each other when they left Earth, yet the minute they landed on Mongo they shifted from boyfriend/girlfriend to marriage plans in the span of one movie!
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* ''Film/KillersOfTheFlowerMoon'': Mollie and Ernest really don't show much chemistry in the brief segment of the film before their marriage, so them getting together, though a necessary part of the plot/history, feels rather out of nowhere. While their interactions having little chemistry late in the movie is almost certainly intentional and a show of Mollie's distrust of her husband as her family dies around her, their initial interactions beg the question of ''why'' she decided to marry him in the first place, especially considering the scene ''directly prior'' to their engagement is her pointing out to her sisters that he's an obvious GoldDigger. Some have wondered if it might have made more sense for the film to make more of a point of why Mollie (and other Osage women) historically would have been compelled to marry white men.
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** Pre-release, this was feared with the teasing of the ComicBook/BlackWidow/[[ComicBook/TheIncredibleHulk Bruce Banner]] romance in ''Film/AvengersAgeOfUltron''. After release, given it's Widow's major story arc in the movie, both critics and fans were divided on how it was handled. A big factor in this is that at least an hour of footage was cut from the movie (which is ''still'' 2 1/2 hours long), which makes much of their romance (and the rest of the plot) seem to just lurch from event to event without any proper build-up. Additionally, the pre-amble to their RomanceArc in this film seems to have occurred entirely off-screen, between films.

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** Pre-release, this was feared with the teasing of the ComicBook/BlackWidow/[[ComicBook/TheIncredibleHulk Bruce Banner]] romance in ''Film/AvengersAgeOfUltron''. After release, given it's Widow's major story arc in the movie, both critics and fans were divided on how it was handled. A big factor in this is that at least an hour of footage was cut from the movie (which (the theatrical cut of which is ''still'' 2 1/2 hours long), which makes much of their romance (and the rest of the plot) seem to just lurch from event to event without any proper build-up. Additionally, the pre-amble to their RomanceArc in this film seems to have occurred entirely off-screen, between films.
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* ''Film/TrackOfTheMoonBeast'': Paul and Cathy have no chemistry together, but they've fallen in love after a few days. Johnny has more sexual tension with Paul than she does; the same goes for Johnny and Cathy. Johnny Longbone just oozes sexual chemistry, though.
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* ''Film/ConanTheBarbarian'': Pay close attention to all of Conan and Valeria's scenes together after they first meet. He doesn't say one line to her! She does talk much more to him, and he kind of emotes non-verbally when needed (which, given it is Arnold we talk about, is a feat), but their relationship is still a bit awkward due to Conan's perpetual sullenness.

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* ''Film/ConanTheBarbarian'': ''Film/ConanTheBarbarian1982'': Pay close attention to all of Conan and Valeria's scenes together after they first meet. He doesn't say one line to her! She does talk much more to him, and he kind of emotes non-verbally when needed (which, given it is Arnold we talk about, is a feat), but their relationship is still a bit awkward due to Conan's perpetual sullenness.
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* ''Film/ShanghaiNoon'': Even for a goofy action flick, Lin is clearly ''way'' out of Roy's league (both in terms of looks and ass-kicking), yet becomes smitten with him after just a few days and one conversation of knowing him, and still wants to date him even after Chon explains all of Roy's flaws in brutal detail ([[ReallyGetsAround including his philandering]]), for no other reason than [[DamnedByFaintPraise "he has a good heart."]] Girl, you can do so much better.
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* ''Film/SynecdocheNewYork'': After a single night of sex, the movie cuts straight to Caden and Claire getting married despite the former's feelings for Hazel.
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* ''Film/TwelveToTheMoon'': Sigrid and Selim's attraction pretty much comes out of nowhere.
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* ''Film/CarnivalMagic'': Ellen and David. While they have known each other a while, they end up kissing only a few minutes after they finally have some alone time and talk to each other, and then end up engaged shortly after that. And then there's the fact that she's underage and, while his age is a bit ambiguous, he's most likely an adult.
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* In ''Film/TheTerminator'', Reese claims to have been in love with Sarah ever since seeing her picture. Sarah is suspicious of him at first but comes to trust him. Then, thanks to the fast pacing of the movie, they suddenly have sex, followed by them being too busy fighting the Terminator to develop their relationship for the rest of the movie. In the end, Sarah says in a recording she's making for her son that she and Reese "loved a lifetime's worth".

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* In ''Film/TheTerminator'', Reese claims to have been in love with Sarah ever since seeing her picture. Sarah is suspicious of him at first but comes to trust him. Then, thanks to the fast pacing of the movie, movie([[ExtremelyShortTimespan with roughly 24 hours passing between their first meeting and the climax]]), they suddenly have sex, followed by them being too busy fighting the Terminator to develop their relationship for the rest of the movie. In the end, Sarah says in a recording she's making for her son that she and Reese "loved a lifetime's worth".
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Per TRS, this was renamed to Sex Starts Story Stops


* In ''Film/TheTerminator'', Reese claims to have been in love with Sarah ever since seeing her picture. Sarah is suspicious of him at first but comes to trust him. Then, thanks to the fast pacing of the movie, [[CoitusEnsues they suddenly have sex]], followed by them being too busy fighting the Terminator to develop their relationship for the rest of the movie. In the end, Sarah says in a recording she's making for her son that she and Reese "loved a lifetime's worth".

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* In ''Film/TheTerminator'', Reese claims to have been in love with Sarah ever since seeing her picture. Sarah is suspicious of him at first but comes to trust him. Then, thanks to the fast pacing of the movie, [[CoitusEnsues they suddenly have sex]], sex, followed by them being too busy fighting the Terminator to develop their relationship for the rest of the movie. In the end, Sarah says in a recording she's making for her son that she and Reese "loved a lifetime's worth".



* In ''Film/TheWholeNineYards'', protagonist Oz meets Cynthia for about five minutes, she later comes to his hotel room, and after spending the evening together sharing stories, CoitusEnsues. The next day Oz flies home, several days later Cynthia arrives, and later that night he's proclaiming he loves her, to her ex-husband no less. The relationship between the ex-husband and [[spoiler:Jill]] is a bit better -- those several days between Oz flying home and Cynthia arriving, the two of them also swap stories and he trains her, and she's a fan of his who idolizes him and has followed his work for years. By the end of the film, it's just attraction they share, though years later in the sequel they're married.

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* In ''Film/TheWholeNineYards'', protagonist Oz meets Cynthia for about five minutes, she later comes to his hotel room, and after spending the evening together sharing stories, CoitusEnsues.they have sex. The next day Oz flies home, several days later Cynthia arrives, and later that night he's proclaiming he loves her, to her ex-husband no less. The relationship between the ex-husband and [[spoiler:Jill]] is a bit better -- those several days between Oz flying home and Cynthia arriving, the two of them also swap stories and he trains her, and she's a fan of his who idolizes him and has followed his work for years. By the end of the film, it's just attraction they share, though years later in the sequel they're married.
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* ''Film/IWasATeenageWerewolf'': Why would any girl put up with an abusive passive-aggressive guy like Tony? Well, it's The '50s, but still.
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* ''Film/ClashOfTheTitans2010'': The alternate ending from the Blu-Ray is closer to the original in that Perseus and Andromeda fall in love... even though they barely share screentime together due to Andromeda being DemotedToExtra, Perseus is a DarkerAndEdgier hero than the "motivated by love" original, and the rest of the movie builds up a different love interest in Io. This is due to ExecutiveMeddling finding Io as a better love interest, cutting most of Andromeda's scenes and re-editing Io from a platonic figure to a romantic one.
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* ''Film/ChaosWalking2021'' [[PromotedToLoveInterest adds a romance]] between Todd and Viola[[note]]in the books their relationship is largely platonic until the last book, especially given they're only about 13 at the trilogy's start; here they're [[AgeLift aged up]] to their late teens[[/note]] but it isn't too convincing as a plot point. We're expected to believe that Todd is so enamoured with Viola he's willing to turn his back on everything he ever knew, put her before his parents and repeatedly risk his own life to help her...even though based on [[ExtremelyShortTimespan the timespan of the movie]], he's only known her for a few days, tops. Based on this, Viola's [[FlatCharacter scant characterization]] and the general focus of Todd's thoughts about her, his fixation on her appears to largely hinge around finding her "pretty" and the novelty of her being the first woman he's ever encountered, as opposed to anything deeper. Viola also doesn't seem to reciprocate his feelings; though she begins to warm up to Todd near the ending, she mostly appears to be sticking with him out of necessity and finds his attraction to her annoying more than anything. While this is a pretty realistic reaction considering Viola's circumstances and how little they know each other, it doesn't help to sell the romantic subplot as convincing.
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* ''Film/{{Speed}}'': Jack (Creator/KeanuReeves) and Annie (Creator/SandraBullock). After knowing each other for all of a few hours, they're making out and about to have sex in a wrecked subway car in the middle of a street with a [[ConcertKiss crowd of people watching]]. {{Justified|Trope}} and TruthInTelevision; people bond over traumatic experiences quickly. Amusingly enough, thanks to Keanu Reeves refusing to do the sequel it turns out they really didn't last long. They both {{lampshade|Hanging}} this.

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* ''Film/{{Speed}}'': Jack (Creator/KeanuReeves) and Annie (Creator/SandraBullock). After knowing each other for all of a few hours, they're making out and about to have sex GladToBeAliveSex in a wrecked subway car in the middle of a street with a [[ConcertKiss crowd of people watching]]. {{Justified|Trope}} and TruthInTelevision; people bond over traumatic experiences quickly. Amusingly enough, thanks to Keanu Reeves refusing to do the sequel it turns out they really didn't last long. They both {{lampshade|Hanging}} this.
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* In the [[TheFilmOfTheBook film adaptation]] of ''Film/IAmNumberFour'', it's explained that the alien race ''works like this'', with your first love being for life. Number Four falls in love with Sarah within two days and apparently ''permanently.'' There's a long scene of overly-flowery declarations of love delivered in a manner that would make ''[[Franchise/StarWars Padme and Anakin]]'' cringe. It's telling about this trope in general: apparently, the creators considered the way romance works in movies to be so nonsensical that it needed to be {{handwave}}d with BizarreAlienBiology... yet so obligatory that saying "no, they can have the first date at the end of this movie and be the love of each other's lives by movie three" wasn't an option.

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* In the [[TheFilmOfTheBook film adaptation]] of ''Film/IAmNumberFour'', it's explained that the alien race ''works like this'', with your first love being for life. Number Four falls in love with Sarah within two days and apparently ''permanently.'' There's a long scene of overly-flowery declarations of love delivered in a manner that would make ''[[Franchise/StarWars Padme Padmé and Anakin]]'' cringe. It's telling about this trope in general: apparently, the creators considered the way romance works in movies to be so nonsensical that it needed to be {{handwave}}d with BizarreAlienBiology... yet so obligatory that saying "no, they can have the first date at the end of this movie and be the love of each other's lives by movie three" wasn't an option.



** In the prequel trilogy [[ForegoneConclusion the audience already knows]] from [[Film/ANewHope the]] [[Film/TheEmpireStrikesBack original]] [[Film/ReturnOfTheJedi trilogy]] that Anakin and Padme are supposed to end up together to have Luke and Leia. Apparently, Creator/GeorgeLucas thought this was enough and that their relationship didn't actually need to be convincing. Without the original trilogy, they fall headfirst into this trope.

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** In the prequel trilogy [[ForegoneConclusion the audience already knows]] from [[Film/ANewHope the]] [[Film/TheEmpireStrikesBack original]] [[Film/ReturnOfTheJedi trilogy]] that Anakin and Padme Padmé are supposed to end up together to have Luke and Leia. Apparently, Creator/GeorgeLucas thought this was enough and that their relationship didn't actually need to be convincing. Without the original trilogy, they fall headfirst into this trope.



*** Immediately upon his introduction in ''Film/AttackOfTheClones'', despite having not seen or talked to Padme for the past ''ten years'', he's showing near stalker-esque levels of attraction to her, saying how he's dreamed about her every night for the past ten years and how "just being around her again is intoxicating". You can say that's just pure physical attraction speaking (Anakin is canonically a teenager at this point after all), but that wouldn't explain why he seems so singularly obsessed with her when as a Jedi he's surely seen and met ''many'' attractive women throughout his interstellar adventures or even just in the Temple (human or [[GreenSkinnedSpaceBabe no]]). Their romance [[RomanticPlotTumor dominates the movie]] and distracts from the more important war and political aspects due to the completely unnecessary decision for it to be a [[ForbiddenFruit Forbidden Love]] story (despite the original trilogy and Episode I making no mention of it being forbidden for Jedi to be in relationships, and this film not actually giving a reason other than "it's not the Jedi way" and "I'm a senator"). And Padme does a complete 180 from "We can't be together" to "Let's be together", with the only important conversation they had in the interim being Anakin confessing that he ''murdered children''.
*** In ''Film/RevengeOfTheSith'', their relationship is confined to the two declaring how much they love each other in the most cringe-worthy ways, and Anakin deciding that Padme is worth turning to TheDarkSide, killing Jedi Padawans (the guy just likes killing children), and bringing about the collapse of the Republic and replacing it with an oppressive dictatorship. As The Distressed Watcher put it:

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*** Immediately upon his introduction in ''Film/AttackOfTheClones'', despite having not seen or talked to Padme Padmé for the past ''ten years'', he's showing near stalker-esque levels of attraction to her, saying how he's dreamed about her every night for the past ten years and how "just being around her again is intoxicating". You can say that's just pure physical attraction speaking (Anakin is canonically a teenager at this point after all), but that wouldn't explain why he seems so singularly obsessed with her when as a Jedi he's surely seen and met ''many'' attractive women throughout his interstellar adventures or even just in the Temple (human or [[GreenSkinnedSpaceBabe no]]). Their romance [[RomanticPlotTumor dominates the movie]] and distracts from the more important war and political aspects due to the completely unnecessary decision for it to be a [[ForbiddenFruit Forbidden Love]] story (despite the original trilogy and Episode I making no mention of it being forbidden for Jedi to be in relationships, and this film not actually giving a reason other than "it's not the Jedi way" and "I'm a senator"). And Padme Padmé does a complete 180 from "We can't be together" to "Let's be together", with the only important conversation they had in the interim being Anakin confessing that he ''murdered children''.
*** In ''Film/RevengeOfTheSith'', their relationship is confined to the two declaring how much they love each other in the most cringe-worthy ways, and Anakin deciding that Padme Padmé is worth turning to TheDarkSide, killing Jedi Padawans (the guy just likes killing children), and bringing about the collapse of the Republic and replacing it with an oppressive dictatorship. As The Distressed Watcher put it:

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* In ''Film/TheWholeNineYards'', protagonist Oz meets Cynthia for about five minutes, she later comes to his hotel room, and after spending the evening together sharing stories, CoitusEnsues. The next day Oz flies home, several days later Cynthia arrives, and later that night he's proclaiming he loves her, to her ex-husband no less. The relationship between the ex-husband and [[spoiler:Jill]] is a bit better -- those several days between Oz flying home and Cynthia arriving, the two of them also swap stories and he trains her, and she's a fan of his who idolizes him and has followed his work for years. By the end of the film, it's just attraction they share, though years later in the sequel they're married.


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* In ''Film/TheWholeNineYards'', protagonist Oz meets Cynthia for about five minutes, she later comes to his hotel room, and after spending the evening together sharing stories, CoitusEnsues. The next day Oz flies home, several days later Cynthia arrives, and later that night he's proclaiming he loves her, to her ex-husband no less. The relationship between the ex-husband and [[spoiler:Jill]] is a bit better -- those several days between Oz flying home and Cynthia arriving, the two of them also swap stories and he trains her, and she's a fan of his who idolizes him and has followed his work for years. By the end of the film, it's just attraction they share, though years later in the sequel they're married.
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* ''Film/WarriorOfTheLostWorld'': The Paper Chase Guy and Nastasia inexplicably get together at the end of the film, even though The Paper Chase Guy was nothing but rude, selfish, and neglectful to her. In fact, the only reason she needed rescuing at the end of the film is because he refused to actually help her when it would have been rather simple to. Plus, she shot him. She had enough willpower to resist shooting her father and shoot Prossor instead, but not the Paper Chase guy. One could speculate she wanted to shoot him.
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* ''Film/SixteenCandles'':
** Their interest in each other is established early on, but Sam and Jake only ever talk to each other near the very end of the film before they have a romantic night almost entirely offscreen except for a brief moment coinciding with a kiss.
** Ted and Caroline wake up together too drunk to remember what happened the previous night, but quickly are all over each other.
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Updating Link


** Pre-release, this was feared with the teasing of the ComicBook/BlackWidow/[[ComicBook/IncredibleHulk Bruce Banner]] romance in ''Film/AvengersAgeOfUltron''. After release, given it's Widow's major story arc in the movie, both critics and fans were divided on how it was handled. A big factor in this is that at least an hour of footage was cut from the movie (which is ''still'' 2 1/2 hours long), which makes much of their romance (and the rest of the plot) seem to just lurch from event to event without any proper build-up. Additionally, the pre-amble to their RomanceArc in this film seems to have occurred entirely off-screen, between films.

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** Pre-release, this was feared with the teasing of the ComicBook/BlackWidow/[[ComicBook/IncredibleHulk ComicBook/BlackWidow/[[ComicBook/TheIncredibleHulk Bruce Banner]] romance in ''Film/AvengersAgeOfUltron''. After release, given it's Widow's major story arc in the movie, both critics and fans were divided on how it was handled. A big factor in this is that at least an hour of footage was cut from the movie (which is ''still'' 2 1/2 hours long), which makes much of their romance (and the rest of the plot) seem to just lurch from event to event without any proper build-up. Additionally, the pre-amble to their RomanceArc in this film seems to have occurred entirely off-screen, between films.

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