History SomethingCompletelyDifferent / Music

21st Feb '17 7:43:19 PM gewunomox
Is there an issue? Send a Message


* LedZeppelin set the gold standard for hard rock from the late 1960s onward, becoming famous for such legendary rockers as "Whole Lotta Love," "Black Dog," and most famously "Stairway To Heaven." In 1984, lead singer Robert Plant formed what could be considered Led Zeppelin's soft-rock alter ego: The Honeydrippers, which gave Plant his biggest hit ever as a vocalist: "Sea of Love," which hit No. 3 in early 1985.

to:

* LedZeppelin Music/LedZeppelin set the gold standard for hard rock from the late 1960s onward, becoming famous for such legendary rockers as "Whole Lotta Love," "Black Dog," and most famously "Stairway To Heaven." In 1984, lead singer Robert Plant formed what could be considered Led Zeppelin's soft-rock alter ego: The Honeydrippers, which gave Plant his biggest hit ever as a vocalist: "Sea of Love," which hit No. 3 in early 1985.
14th Feb '17 12:32:43 PM Briguy52748
Is there an issue? Send a Message

Added DiffLines:

* The Escape Club, a synth-dance band fronted by Trevor Steel, was known for such uptempo hits as "Wild, Wild West" (a No. 1 pop hit in 1988) and "Dancing for the Shiek." In 1991, the band released its only other major hit, a [[WhenImGoneSong When I'm Gone ballad]] "I'll Be There," said to be influenced by the passing of a close friend's wife; the song was of the "I'm dead, but don't miss me, because I'm always with you in spirit" type.
* LedZeppelin set the gold standard for hard rock from the late 1960s onward, becoming famous for such legendary rockers as "Whole Lotta Love," "Black Dog," and most famously "Stairway To Heaven." In 1984, lead singer Robert Plant formed what could be considered Led Zeppelin's soft-rock alter ego: The Honeydrippers, which gave Plant his biggest hit ever as a vocalist: "Sea of Love," which hit No. 3 in early 1985.
6th Jan '17 9:24:41 AM Morgenthaler
Is there an issue? Send a Message


* {{Outkast}} did this twice in a row. 2003's ''Speakerboxxx/The Love Below'' was a double album with each disc being a solo effort from one half of the duo: Big Boi's ''Speakerboxxx'' a conventional hip-hop album and Andre3000's ''The Love Below'' being more experimental. In 2006 they released ''Idlewild'', the soundtrack to their 20's-era musical, meaning most songs were more of a jazz style, plus there were only a couple songs that Big Boi and Andre performed together. To recap, Outkast has not released a standard album since 2000's ''Stankonia''.

to:

* {{Outkast}} Music/{{Outkast}} did this twice in a row. 2003's ''Speakerboxxx/The Love Below'' was a double album with each disc being a solo effort from one half of the duo: Big Boi's ''Speakerboxxx'' a conventional hip-hop album and Andre3000's ''The Love Below'' being more experimental. In 2006 they released ''Idlewild'', the soundtrack to their 20's-era musical, meaning most songs were more of a jazz style, plus there were only a couple songs that Big Boi and Andre performed together. To recap, Outkast has not released a standard album since 2000's ''Stankonia''.
1st Oct '16 3:28:52 PM Twentington
Is there an issue? Send a Message


* Music/FloridaGeorgiaLine is known for being the TropeMaker and TropeCodifier of "bro country" rap-influenced CountryMusic about partying in TheNewTens with their breakthrough smash "Cruise". But they've invoked this trope twice now with the release of more serious ballads: "Stay" (a breakup song and a {{Cover|EdUp}} of Black Stone Cherry) and "Dirt" (a reflective praise of small-town, salt-of-the-earth types). The latter, the lead single to their second album, was widely lauded by critics as their best single by far.

to:

* Music/FloridaGeorgiaLine is known for being the TropeMaker and TropeCodifier of "bro country" rap-influenced CountryMusic about partying in TheNewTens with their breakthrough smash "Cruise". But they've invoked this trope twice now with the release of more serious ballads: "Stay" (a breakup song and a {{Cover|EdUp}} of Black Stone Cherry) and "Dirt" (a reflective praise of small-town, salt-of-the-earth types). The latter, the lead single to their second album, was widely lauded by critics as their best single by far. The same is true to a lesser extent on their second album's final single, "Confession".
** As of third album ''Dig Your Roots'', the ballads seem to be their primary direction, as the first two singles ("H.O.L.Y." and "May We All") are more serious ballads as well.
1st Oct '16 3:24:32 PM Twentington
Is there an issue? Send a Message

Added DiffLines:

* CountryRap artist Colt Ford's 2016 single "4 Lane Gone" is a departure for him, as not only is he actually singing instead of rapping (which he has done on a few other songs, but usually only on the chorus), but it's also a completely neotraditionalist country ballad with no rapping at all.
12th Jul '16 10:08:16 AM Morgenthaler
Is there an issue? Send a Message


* EBM pioneers FrontLineAssembly pulled this at least twice, first with the IndustrialMetal album ''Millenium'', then the IDM/D&B album ''Flavour of the Weak'', and to a lesser extent the dubstep-influenced ''AirMech'' soundtrack.

to:

* EBM pioneers FrontLineAssembly pulled this at least twice, first with the IndustrialMetal album ''Millenium'', then the IDM/D&B album ''Flavour of the Weak'', and to a lesser extent the dubstep-influenced ''AirMech'' ''VideoGame/AirMech'' soundtrack.
10th Jan '16 9:16:11 PM JTRager
Is there an issue? Send a Message


* The Colors Album by Between The Buried and Me (Can't say anything about the other albums) has this in each song. For example, Ants of The Sky has polka, Music/PinkFloyd-esque guitar solo, thrashing a-la Metaliica and Megadeth, and intense speed-metal screaming, melodic sections that would make JoeSatriani and Music/DreamTheater proud, and thudding doom-metal sections. ''In a single song.'' The thing is that the styles switch nearly immediately, and doesn't sound bad.

to:

* The Colors Album "Colors by Between The Buried and Me (Can't say anything about the other albums) has this in each song. For example, Ants of The Sky has polka, a Music/PinkFloyd-esque guitar solo, thrashing a-la Metaliica Metallica and Megadeth, and intense speed-metal screaming, melodic shredding sections that would make JoeSatriani and Music/DreamTheater proud, and thudding doom-metal sections. a '''hoedown''' ''In a single song.'' The thing is that the styles switch nearly immediately, and doesn't sound bad. This comes up in their post-Colors albums too, such as in "Disease, Injury, Madness" when it turns bizarrely into a swingy blues jam following a horse's whinny, or "Extremophile Elite" where all the metal instruments drop out giving way to a small orchestra backing a xylophone solo.


Added DiffLines:

* In an album with 7 other crushing metal tracks with intense negative emotions, "Crossing Over" by [[{{Music/CultOfLuna}} Cult of Luna]] emphasizes atmospheric keyboards and even ends with a major key melody reminiscent of Sigur Ros.
2nd Jan '16 5:21:43 AM Morgenthaler
Is there an issue? Send a Message


* The first eleven songs on the [[RemedyDrive RemedyDrive]] album ''Magnify'' are all pretty standard rock (and the occasional bass solo). The last one, "Smile Upon Me", is acapella three-part harmony.
* By 1993, [[{{REM}} R.E.M.]] had 2 massively successful albums with ''Out of Time'' (Shiny Happy People, Losing My Religion), and ''Automatic for the People'' (Everybody Hurts, Man on the Moon). Both albums, especially the latter, were relatively slow, emotional albums, with string and acoustic instruments everywhere. In 1994, however, they released ''Monster'', with loud, grunge-y, distorted guitar on nearly every single track [[note]]The lone exception was "Tongue", a piano-based ballad, albeit one with a very brief distorted guitar solo... And even that song sounded pretty different due to Michael Stipe singing most of it in a nearly-unrecognizable falsetto[[/note]].

to:

* The first eleven songs on the [[RemedyDrive RemedyDrive]] Music/RemedyDrive album ''Magnify'' are all pretty standard rock (and the occasional bass solo). The last one, "Smile Upon Me", is acapella three-part harmony.
* By 1993, [[{{REM}} R.E.M.]] Music/{{REM}} had 2 massively successful albums with ''Out of Time'' (Shiny Happy People, Losing My Religion), and ''Automatic for the People'' (Everybody Hurts, Man on the Moon). Both albums, especially the latter, were relatively slow, emotional albums, with string and acoustic instruments everywhere. In 1994, however, they released ''Monster'', with loud, grunge-y, distorted guitar on nearly every single track [[note]]The lone exception was "Tongue", a piano-based ballad, albeit one with a very brief distorted guitar solo... And even that song sounded pretty different due to Michael Stipe singing most of it in a nearly-unrecognizable falsetto[[/note]].
29th Dec '15 7:37:31 AM Morgenthaler
Is there an issue? Send a Message


* {{JOJO}} did this in "The High Road" in this song Coming For You which is pop rock instead of loungy RAndB of the album.
* DaYoopers' 1992 album ''Yoopy Do Wah'', the last full album to feature original guitarist Joe Potila, was also the only album after their first not to include comedy skits between the songs. It also included "When One Love Dies", their first serious song since the EarlyInstallmentWeirdness of their debut.
* AlanJackson did this twice in 2006: first with a gospel album called ''Precious Memories'', then a few months later with ''Like Red on a Rose'', a smooth, ballad-heavy AC album that was a radical departure from his neotraditionalist country sound. The latter was also the only album of his career which Keith Stegall did not produce (bluegrass singer AlisonKrauss produced).
* The BeastieBoys' ''Aglio E Olio'' (a HardcorePunk EP) and ''The Mix-Up'' (an album of instrumental soul-jazz). Neither style was entirely new to the band[[note]] They actually started out as a hardcore punk band and occasionally made nods to those roots, and funk and jazz influenced instrumentals were prevalent on ''Check Your Head'' and ''Ill Communication''[[/note]], but they were still pretty unusual outings for a rap group.
* GeorgeStrait's 2009 album ''Twang'' is a double example: it had his first songwriting credits since his 1981 debut album, and it included a mariachi cover. 2011's ''Here for a Good Time'' includes more co-writer's credits, one being the ''very'' atypically dreary and downbeat "Drinkin' Man". The latter was his lowest peaking single to that point.

to:

* {{JOJO}} Music/{{JOJO}} did this in "The High Road" in this song Coming For You which is pop rock instead of loungy RAndB of the album.
* DaYoopers' Music/DaYoopers' 1992 album ''Yoopy Do Wah'', the last full album to feature original guitarist Joe Potila, was also the only album after their first not to include comedy skits between the songs. It also included "When One Love Dies", their first serious song since the EarlyInstallmentWeirdness of their debut.
* AlanJackson Music/AlanJackson did this twice in 2006: first with a gospel album called ''Precious Memories'', then a few months later with ''Like Red on a Rose'', a smooth, ballad-heavy AC album that was a radical departure from his neotraditionalist country sound. The latter was also the only album of his career which Keith Stegall did not produce (bluegrass singer AlisonKrauss Music/AlisonKrauss produced).
* The BeastieBoys' Music/BeastieBoys' ''Aglio E Olio'' (a HardcorePunk EP) and ''The Mix-Up'' (an album of instrumental soul-jazz). Neither style was entirely new to the band[[note]] They actually started out as a hardcore punk band and occasionally made nods to those roots, and funk and jazz influenced instrumentals were prevalent on ''Check Your Head'' and ''Ill Communication''[[/note]], but they were still pretty unusual outings for a rap group.
* GeorgeStrait's Music/GeorgeStrait's 2009 album ''Twang'' is a double example: it had his first songwriting credits since his 1981 debut album, and it included a mariachi cover. 2011's ''Here for a Good Time'' includes more co-writer's credits, one being the ''very'' atypically dreary and downbeat "Drinkin' Man". The latter was his lowest peaking single to that point.
26th Dec '15 1:05:31 PM Morgenthaler
Is there an issue? Send a Message


* [[{{Keane}} Keane's]] first 2 albums were straight piano rock, very similar to Coldplay or Ben Folds. Their third album, ''Perfect Symmetry'', had a very 80's inspired sound featuring heavy synths, prominent basslines, a wide array of instruments, and, for the first time since well before the release of ''Hopes and Fears'', guitars. Their next album, ''Strangeland'', was straight-up piano rock in a similar style to ''Hopes and Fears''.

to:

* [[{{Keane}} [[Music/{{Keane}} Keane's]] first 2 albums were straight piano rock, very similar to Coldplay or Ben Folds. Their third album, ''Perfect Symmetry'', had a very 80's inspired sound featuring heavy synths, prominent basslines, a wide array of instruments, and, for the first time since well before the release of ''Hopes and Fears'', guitars. Their next album, ''Strangeland'', was straight-up piano rock in a similar style to ''Hopes and Fears''.
This list shows the last 10 events of 81. Show all.
http://tvtropes.org/pmwiki/article_history.php?article=SomethingCompletelyDifferent.Music