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''Salomé'' is a Mexican telenovela produced by Televisa in 2001. It is a remake of the 1980 Mexican telenovela ''Colorina'', which in turn was a remake of the 1977 Chilean telenovela ''La Colorina''.
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''Salomé'' is a Mexican telenovela produced by Televisa in 2001. It is a remake of the 1980 Mexican telenovela ''Colorina'', ''Series/{{Colorina}}'', which in turn was a remake of the 1977 Chilean telenovela ''La Colorina''.
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* IllGirl: Poor Ángela with her fatal illness.
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Now requires at least two affairs with one treated as better than the other
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* GoodAdulteryBadAdultery: Interestingly, the series treats Julio sleeping with Salomé as about as awkward as having an affair while your wife has a terminal illness can get. Salomé is, to be fair, ''horrified'' when she realizes the scope of the situation, albeit after meeting her, Ángela find her very sympathetic.
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* ProtagonistTitle: The title is ''Salomé'', and Salome is the character whose actions drive the plot.
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* YouCanLeaveYourHatOn: The ''Salón D'Rubí'' being a cabaret, Salomé, Karicia and others tend to do this, although sometimes they already begin their performances with little clothes on.
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She runs away with the child out of Mexico City and along the way takes the two kids of the man who help her in her escape (with his permission, as he couldn't look after them). Salomé raises all three kids together in order to conceal her own son. When the boys grow up, they decide to go to college in Mexico City and she is forced to move back. It isn't long before she encounters Julio again, and along the way a whole slew of new problems.
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She runs away with the child out of Mexico City and along the way takes the two kids of the a man who help helps her in her escape (with his permission, as he couldn't look after them). Salomé raises all three kids together in order to conceal her own son. When the boys grow up, they decide to go to college in Mexico City and she is forced to move back. It isn't long before she encounters Julio again, and along the way a whole slew of new problems.
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In TheEighties, Salomé (Creator/EdithGonzalez) is a cabaret dancer who works at the cabaret ''Salón D'Rubí'' with her best friend, Karicia (Niurka Marcos), who also works as a dancer. Through her acquaintance, Diego Duval, she meets Diego brother-in-law, Julio Montesino (Guy Ecker), who is married to Ángela, who has a fatal illness and is unable to bear children. Salomé and Julio begin an affair and she gets pregnant. Lucrecia (María Rubio), Julio's overbearing mother, is obsessed with having a grandson, so she proposes to pay Salomé for giving them her child when he is born. Salomé at first reluctantly accepts and moves into the Montesino's mansion, but she later changes her mind and decides to keep the baby after he is born.
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In TheEighties, Salomé (Creator/EdithGonzalez) is a cabaret dancer who works at the cabaret ''Salón D'Rubí'' with her best friend, Karicia (Niurka Marcos), who also works as a dancer. Marcos). Through her an acquaintance, Diego Duval, she meets Diego Diego's brother-in-law, Julio Montesino (Guy Ecker), who is married to Ángela, who has a fatal illness and is unable to bear children. Salomé and Julio begin an affair and she gets pregnant. Lucrecia (María Rubio), Julio's overbearing mother, is obsessed with having a grandson, so she proposes to pay Salomé for giving them her child when he is born. Salomé at first reluctantly accepts and moves into the Montesino's mansion, but she later changes her mind and decides to keep the baby after he is born.
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* IKnowMaddenKombat: In the first episode, Salomé and Karicia end up crashing on the Montesino household after Diego promised to pay some money he owned to them there. After being discovered by Manola, the housekeeper, and being threatened into leaving, they both in turn threaten to break some expensive vases unless they are paid, and both Salomé and Karicia end up tossing around a vase like a football. Salomé even shouts "Dan Marino!" at one point while doing so.
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* MyGodWhatHaveIDone: Salomé has this reaction when she discovers that she's had an affair with a man married to a terminally ill woman.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/salome_5.jpg]]
''Salomé'' is a Mexican telenovela produced by Televisa in 2001. It is a remake of the 1980 Mexican telenovela ''Colorina'', which in turn was a remake of the 1977 Chilean telenovela ''La Colorina''.
In TheEighties, Salomé (Creator/EdithGonzalez) is a cabaret dancer who works at the cabaret ''Salón D'Rubí'' with her best friend, Karicia (Niurka Marcos), who also works as a dancer. Through her acquaintance, Diego Duval, she meets Diego brother-in-law, Julio Montesino (Guy Ecker), who is married to Ángela, who has a fatal illness and is unable to bear children. Salomé and Julio begin an affair and she gets pregnant. Lucrecia (María Rubio), Julio's overbearing mother, is obsessed with having a grandson, so she proposes to pay Salomé for giving them her child when he is born. Salomé at first reluctantly accepts and moves into the Montesino's mansion, but she later changes her mind and decides to keep the baby after he is born.
She runs away with the child out of Mexico City and along the way takes the two kids of the man who help her in her escape (with his permission, as he couldn't look after them). Salomé raises all three kids together in order to conceal her own son. When the boys grow up, they decide to go to college in Mexico City and she is forced to move back. It isn't long before she encounters Julio again, and along the way a whole slew of new problems.
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!!''Salomé ''features examples of:
* TheEighties: The first part of the series takes place in that era. Particularly in the scenes set at the Montesino household, it really captures the look of the era.
* TheAlcoholic: Karicia descends into alcoholism during the time skip to the present day, which Diego (who took ownership of the ''Salón D'Rubí'' in the meantime) exploits to keep her under his thumb. Fortunately, Fernanda manages to get her out of it.
* ActorAllusion: Lucrecia was basically a watered-down version of her actress María Rubio's most famous character, Catalina Creel from ''Series/CunaDeLobos'', minus the eyepatch and the murders. Otherwise, both characters shared many traits, right down to their desire to have a grandson so as to have a heir, no matter how unscrupulous the means.
* AdaptationalDyeJob: The reason for the previous versions of the story being named "Colorina" is because it's a nickname for redheaded women, which the main characters in said versions were. Salomé, for her part, retains her actress Edith González's own blonde hair.
* AlliterativeName: '''D'''iego '''D'''uval.
* BigBad: Diego Duval graduates into this after [[spoiler:framing Salomé for the murder of Arturo and pretty much trying to kill her and her loved ones]].
* BadGuyBar: When Diego takes ownership of the ''Salón D'Rubí'', he basically turns it into one of these; it is stated that the place went from offering risqué, but nothing beyond that, cabaret performances to a full-blown strip joint, plus it's implied that it also offers straight-up prostitution.
* {{Bowdlerise}}: In the original ''La Colorina'' Chilean telenovela, the title character was explicitly stated to be a prostitute. In the ''Colorina'' Mexican telenovela and in ''Salomé'', the main characters were only cabaret performers.
* BettyAndVeronica: Ángela (Betty) was beautiful and sweet yet demure, in contrast to the alluring and very sensual Salomé (Veronica).
* CoolestClubEver: ''Salón D'Rubí'' sure was the it place in the '80s.
* CoolOldGuy: Don Arturo was pretty chill with the protagonists' hijinks, and served as a great foil for her more bitter wife Lucrecia.
* DiesWideOpen: [[spoiler:Ángela dies with a frozen, open-wide expression on her face.]]
* GoodAdulteryBadAdultery: Interestingly, the series treats Julio sleeping with Salomé as about as awkward as having an affair while your wife has a terminal illness can get. Salomé is, to be fair, ''horrified'' when she realizes the scope of the situation, albeit after meeting her, Ángela find her very sympathetic.
* IllGirl: Poor Ángela with her fatal illness.
* MamasBabyPapasMaybe: The main source of drama in the second part is the search for which one of the three kids Salomé raised as her sons was Julio's son.
* MissingMom: Salomé was abandoned as a child by her mother. They eventually meet again when Salomé goes to prison (long story).
* MyBelovedSmother: Lucrecia really wants to control her son Julio's life.
* MyNaymeIs: Karicia's name is written like ''caricia'' ("caress") but with a K.
* SoapOperaDisease: Well, this ''is'' a soap opera, and Ángela lingered with her illness for quite some time. That being said, towards the end it notably avoided BeautyIsNeverTarnished, as poor Ángela genuinely looked like death warmed over in her final appearances.
* StageNames: Salomé is just her name as a cabaret perfomer, her real name is Fernanda Quiñones.
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''Salomé'' is a Mexican telenovela produced by Televisa in 2001. It is a remake of the 1980 Mexican telenovela ''Colorina'', which in turn was a remake of the 1977 Chilean telenovela ''La Colorina''.
In TheEighties, Salomé (Creator/EdithGonzalez) is a cabaret dancer who works at the cabaret ''Salón D'Rubí'' with her best friend, Karicia (Niurka Marcos), who also works as a dancer. Through her acquaintance, Diego Duval, she meets Diego brother-in-law, Julio Montesino (Guy Ecker), who is married to Ángela, who has a fatal illness and is unable to bear children. Salomé and Julio begin an affair and she gets pregnant. Lucrecia (María Rubio), Julio's overbearing mother, is obsessed with having a grandson, so she proposes to pay Salomé for giving them her child when he is born. Salomé at first reluctantly accepts and moves into the Montesino's mansion, but she later changes her mind and decides to keep the baby after he is born.
She runs away with the child out of Mexico City and along the way takes the two kids of the man who help her in her escape (with his permission, as he couldn't look after them). Salomé raises all three kids together in order to conceal her own son. When the boys grow up, they decide to go to college in Mexico City and she is forced to move back. It isn't long before she encounters Julio again, and along the way a whole slew of new problems.
----
!!''Salomé ''features examples of:
* TheEighties: The first part of the series takes place in that era. Particularly in the scenes set at the Montesino household, it really captures the look of the era.
* TheAlcoholic: Karicia descends into alcoholism during the time skip to the present day, which Diego (who took ownership of the ''Salón D'Rubí'' in the meantime) exploits to keep her under his thumb. Fortunately, Fernanda manages to get her out of it.
* ActorAllusion: Lucrecia was basically a watered-down version of her actress María Rubio's most famous character, Catalina Creel from ''Series/CunaDeLobos'', minus the eyepatch and the murders. Otherwise, both characters shared many traits, right down to their desire to have a grandson so as to have a heir, no matter how unscrupulous the means.
* AdaptationalDyeJob: The reason for the previous versions of the story being named "Colorina" is because it's a nickname for redheaded women, which the main characters in said versions were. Salomé, for her part, retains her actress Edith González's own blonde hair.
* AlliterativeName: '''D'''iego '''D'''uval.
* BigBad: Diego Duval graduates into this after [[spoiler:framing Salomé for the murder of Arturo and pretty much trying to kill her and her loved ones]].
* BadGuyBar: When Diego takes ownership of the ''Salón D'Rubí'', he basically turns it into one of these; it is stated that the place went from offering risqué, but nothing beyond that, cabaret performances to a full-blown strip joint, plus it's implied that it also offers straight-up prostitution.
* {{Bowdlerise}}: In the original ''La Colorina'' Chilean telenovela, the title character was explicitly stated to be a prostitute. In the ''Colorina'' Mexican telenovela and in ''Salomé'', the main characters were only cabaret performers.
* BettyAndVeronica: Ángela (Betty) was beautiful and sweet yet demure, in contrast to the alluring and very sensual Salomé (Veronica).
* CoolestClubEver: ''Salón D'Rubí'' sure was the it place in the '80s.
* CoolOldGuy: Don Arturo was pretty chill with the protagonists' hijinks, and served as a great foil for her more bitter wife Lucrecia.
* DiesWideOpen: [[spoiler:Ángela dies with a frozen, open-wide expression on her face.]]
* GoodAdulteryBadAdultery: Interestingly, the series treats Julio sleeping with Salomé as about as awkward as having an affair while your wife has a terminal illness can get. Salomé is, to be fair, ''horrified'' when she realizes the scope of the situation, albeit after meeting her, Ángela find her very sympathetic.
* IllGirl: Poor Ángela with her fatal illness.
* MamasBabyPapasMaybe: The main source of drama in the second part is the search for which one of the three kids Salomé raised as her sons was Julio's son.
* MissingMom: Salomé was abandoned as a child by her mother. They eventually meet again when Salomé goes to prison (long story).
* MyBelovedSmother: Lucrecia really wants to control her son Julio's life.
* MyNaymeIs: Karicia's name is written like ''caricia'' ("caress") but with a K.
* SoapOperaDisease: Well, this ''is'' a soap opera, and Ángela lingered with her illness for quite some time. That being said, towards the end it notably avoided BeautyIsNeverTarnished, as poor Ángela genuinely looked like death warmed over in her final appearances.
* StageNames: Salomé is just her name as a cabaret perfomer, her real name is Fernanda Quiñones.
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