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* BaseballEpisode: The plot point of "The Cricket Match" revolves around a cricket match. Martin does not want Paul to participate in it, but events conspire to put him in the match and he wins for the team.
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* ControlFreak: This is Martin's whole character, and a key source of his resentment of Paul, to whom control of everything comes effortlessly despite his barely even trying for it.
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* FreudianExcuse: As a schoolboy, Martin had a "gang" of friends that fragmented upon the arrival of a talented new boy; Paul's arrival awakens his memories of the experience, leading him to fear that the same thing will happen to his adult social circle.

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* FreudianExcuse: As a schoolboy, Martin had a "gang" of friends that fragmented upon the arrival of a talented new boy; boy, leaving him alone and excluded; Paul's arrival awakens his memories of the experience, leading him to fear that the same thing will happen to his adult social circle.
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Trivia.


* RealSongThemeTune: The opening and closing credits play over a recording of Music/DmitriShostakovich's Prelude in D-flat major, Op.34 No.15.
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* GamesOfTheElderly: Subverted in an episode where the hapless Martin tries to entertain a group of old ladies with a home made bingo machine, only to find they hate bingo (and then the machine goes wrong).
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Creator/{{BBC}}1 sitcom written by John Esmonde and Bob Larbey as a vehicle for Creator/RichardBriers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed UsefulNotes/{{London}} suburb.

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''Ever Decreasing Circles'' was a Creator/{{BBC}}1 sitcom written by John Esmonde and Bob Larbey as a vehicle for Creator/RichardBriers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed UsefulNotes/{{London}} suburb.






* CanisLatinicus: In "Manure" from Series 3, Paul manages to persuade the company that plunked a skip at the end of Martin's driveway (after Hilda thought it might be the best way to get rid of the manure that was dumped on it due to a miscommunication with the delivery tractor driver) and refused to move it until it had been there for two days that the terms in their contract outlining this were "''de profundis mundi'' and ''exctincto crapto''". Which, he cheerfully admits to Martin, is complete gibberish, but it gets the desired result and the skip is removed.

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* CanisLatinicus: In "Manure" from Series 3, Paul manages to persuade the company that plunked a skip at the end of Martin's driveway (after Hilda thought it might be the best way to get rid of the manure that was dumped on it due to a miscommunication with the delivery tractor driver) and refused to move it until it had been there for two days that the terms in their contract outlining this were "''de profundis mundi'' and ''exctincto ''extincto crapto''". Which, he cheerfully admits to Martin, is complete gibberish, but it gets the desired result and the skip is removed.
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* GenreSavvy: When Paul enters the snooker competition that Martin has arranged, Martin claims that he will inevitably have to go up against him in the first round. Sure enough, when the draw happens, they are paired up.
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The lives of Martin and his long-suffering wife Ann (Penelope Wilton) are turned upside-down when laid-back, charismatic hair salon owner Paul Ryman (Peter Egan) moves in next door to them. Martin soon feels his position as "leader" of the Close is under threat from the multi-talented Paul, for whom everything seems to come easy, often courtesy of one of his many casual friends. Other characters include fellow Close residents Howard and Hilda Hughes (Stanley Lebor and Geraldine Newman), an eccentric middle-aged couple always seen wearing matching jumpers.

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The lives of Martin and his long-suffering wife Ann (Penelope Wilton) (Creator/PenelopeWilton) are turned upside-down when laid-back, charismatic hair salon owner Paul Ryman (Peter Egan) moves in next door to them. Martin soon feels his position as "leader" of the Close is under threat from the multi-talented Paul, for whom everything seems to come easy, often courtesy of one of his many casual friends. Other characters include fellow Close residents Howard and Hilda Hughes (Stanley Lebor and Geraldine Newman), an eccentric middle-aged couple always seen wearing matching jumpers.
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Creator/{{BBC}}1 sitcom written by John Esmonde and Bob Larbey as a vehicle for Creator/RichardBriers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed London suburb.

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Creator/{{BBC}}1 sitcom written by John Esmonde and Bob Larbey as a vehicle for Creator/RichardBriers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed London UsefulNotes/{{London}} suburb.
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* CoordinatedClothes: Howard and Hilda Hughes, as part of their characterisation as an eccentric yet very happily married couple, are invariably seen wearing matching hideous homemade jumpers (Hilda is implied to knit them herself).
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Creator/{{BBC}}1 sitcom written by John Esmonde and Bob Larbey as a vehicle for Richard Briers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed London suburb.

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Creator/{{BBC}}1 sitcom written by John Esmonde and Bob Larbey as a vehicle for Richard Briers, Creator/RichardBriers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed London suburb.
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* StealthPun: In "Half an Office" from Series 4, we learn that Martin's secretary is named Mrs. Ripper. He runs into her and her husband [[JackTheRipper Jack]] in the pub halfway through the episode.

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* StealthPun: In "Half an Office" from Series 4, we learn that Martin's secretary is named Mrs. Ripper. He runs into her and her husband [[JackTheRipper [[UsefulNotes/JackTheRipper Jack]] in the pub halfway through the episode.
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* NamesTheSame: Acknowledged in-universe in the first episode; Howard Hughes shares his name with the [[Film/TheAviator eccentric tycoon]], and another Close resident, Tommy Cooper, shares his name with a popular stage magician and comedian. Paul finds the names much funnier than Martin finds them.

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* NamesTheSame: Acknowledged in-universe in the first episode; series; Howard Hughes shares his name with the [[Film/TheAviator eccentric tycoon]], and another Close resident, Tommy Cooper, shares his name with a popular stage magician and comedian. Paul finds the names much funnier than Martin finds them.

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* NamesTheSame: Acknowledged in-universe in the first episode; Howard Hughes shares his name with the [[Film/TheAviator eccentric tycoon]], and another Close resident, Tommy Cooper, shares his name with a popular stage magician and comedian. Paul finds the names much funnier than Martin finds them.



* SmallNameBigEgo: Martin becomes one of these in the Series 3 episode "Local Hero" after rescuing a drowning child from a canal and letting the resulting adulation go straight to his head.

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* SmallNameBigEgo: Martin becomes one of these in the Series 3 episode "Local Hero" after rescuing a drowning child from a canal and letting the resulting adulation go straight to his head. Hilda makes the mistake of inviting him to speak about his heroics at a Women's Institute meeting, and later tells Howard, Ann, and Paul that Martin just wouldn't stop talking.
* StealthPun: In "Half an Office" from Series 4, we learn that Martin's secretary is named Mrs. Ripper. He runs into her and her husband [[JackTheRipper Jack]] in the pub halfway through the episode.
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* CanisLatinicus: In "Manure" from Series 3, Paul manages to persuade the company that plunked a skip at the end of Martin's driveway (after Hilda thought it might be the best way to get rid of the manure that was dumped on it due to a miscommunication with the delivery tractor driver) and refused to move it until it had been there for two days that the terms in their contract outlining this were "''de profundis mundi'' and ''exctincto crapto''". Which, he cheerfully admits to Martin, is complete gibberish, but it gets the desired result and the skip is removed.
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* AnnoyingLaugh: Howard's high-pitched giggle.

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* AnnoyingLaugh: Howard's high-pitched giggle.giggle is clearly intended to be annoying, and often seems to prompt uncomfortable laughter in the live audiences.



* CoolCar: Paul's white vintage MG sports car.

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* CoolCar: Paul's white vintage MG sports car.car is admired on multiple occasions by the other characters.
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{{BBC1}} sitcom written by John Esmonde and Bob Larbey as a vehicle for Richard Briers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed London suburb.

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{{BBC1}} Creator/{{BBC}}1 sitcom written by John Esmonde and Bob Larbey as a vehicle for Richard Briers, the star of their previous hit ''Series/TheGoodLife'', which aired for four series between 1984 and 1989. Briers plays neurotic control freak Martin Bryce, a middle manager at a valve manufacturer who organises a wide variety of social and cultural activities for the Close, a housing development in an unnamed London suburb.
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Classical Music isn\'t a trope, it\'s a... well, a genre of music, but the page for it really belongs in Useful Notes, and those generally don\'t get entries on trope pages.


* ClassicalMusic: The theme music is a (very slightly edited version of a) piano piece by DmitriShostakovich -- Op. 34 Twenty-Four Preludes No. 15, to be precise.
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* ClassicalMusic: The theme music is a (very slightly edited version of a) piano piece by DmitriShostakovich -- Op. 34 Twenty-Four Preludes No. 15, to be precise.
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* ManChild: Despite his passion for organisation, Martin comes across as emotionally immature and ill-equipped for adult responsibility in many episodes. Richard Briers commented in an interview that this side of Martin makes the relationship between him and Ann almost more like that of a mother and son than a husband and wife, while Paul becomes a sort of father figure for this strange family.
** In the Series 1 episode "Taking Over", when Paul remarks that he thinks the pub dinner Martin has booked for the Close's motoring club is overpriced, and that he has a mate who has a pub where they can get a much nicer meal for less, Martin begins sulking and complaining about how hard he has worked, and this is the thanks he gets. (To Martin's horror, Paul promptly calls his bluff by suggesting that perhaps he does work too hard and that the other Close residents should take over some of the committees.)
** When Paul tries to help Martin learn to take things a bit easier in Series 4's "Relaxation", the scene where he and Ann help Martin burn several reams' worth of old paperwork for the various Close committees is played as though Martin is a child who is reluctantly letting go of a collection of old toys, and Paul and Ann play the role of the parents trying to re-assure the child that letting go of the past will help him face the future.
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* AddedAlliterativeAppeal: Howard and Hilda Hughes, as well as Dan and Diana Danby from the Series 3 episode "House to Let", and Pam and Peter, Martin and Ann's neighbours before Paul.

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* AddedAlliterativeAppeal: AlliterativeFamily: Howard and Hilda Hughes, as well as Dan and Diana Danby from the Series 3 episode "House to Let", and Pam and Peter, Martin and Ann's neighbours before Paul.

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* RealSongThemeTune: The opening and closing credits play over a recording of Dmitri Shostakovich's Prelude in D-flat major, Op.34 No.15.

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* RealSongThemeTune: The opening and closing credits play over a recording of Dmitri Shostakovich's Music/DmitriShostakovich's Prelude in D-flat major, Op.34 No.15.



* ScheduleFanatic: Martin, in spades. He is the organiser for dozens of social, sporting, and cultural clubs in the Close, and applies the same mania for scheduling to his home life, much to Ann's frustration.
* SeriousBusiness: Martin's many activities and committees.

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* ScheduleFanatic: Martin, in spades. He Martin is the organiser for dozens of social, sporting, and cultural clubs in the Close, and applies the same mania for scheduling to his home life, much to Ann's frustration.
* SeriousBusiness: Martin's Martin takes his many activities and committees.committees ''very'' seriously, and shoots {{Death Glare}}s at Paul when he tries to make light of them in a bid to get Martin to loosen up a bit.



* UnresolvedSexualTension: Between Paul and Ann. Although Paul often flirts with Ann, and she is sometimes tempted to reciprocate, their mutual respect for Martin and his marriage to Ann prevent them from seriously acting on their impulses.



* {{UST}}: Between Paul and Ann. Although Paul often flirts with Ann, and she is sometimes tempted to reciprocate, their mutual respect for Martin and his marriage to Ann prevent them from seriously acting on their impulses.

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* DisasterDominoes: In the Series 2 episode "Housework", Martin's ambitious attempt to give his house a thorough spring clean while Ann is in hospital quickly turns into this. Although he meticulously schedules both the cleaning and his usual contributions to the social lives of the Close residents, his lack of experience with cooking and cleaning means that the house is soon in complete chaos and his schedule quickly falls by the wayside.

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* DisasterDominoes: Two noteworthy examples.
**
In the Series 2 episode "Housework", Martin's ambitious attempt to give his house a thorough spring clean while Ann is in hospital quickly turns into this. Although he meticulously schedules both the cleaning and his usual contributions to the social lives of the Close residents, his lack of experience with cooking and cleaning means that the house is soon in complete chaos and his schedule quickly falls by the wayside.wayside.
** In the Series 4 opener "Relaxation", Martin and Ann have followed Paul's advice and had a long Saturday lie-in... forgetting they are supposed to be driving Howard and Hilda to Heathrow Airport until they hear them knocking at the door. After scrambling to get dressed and struggling to get the van out of the garage, they are delayed by engine trouble, which causes them to get stuck in heavy traffic on the way to Heathrow. By the time they arrive, Howard and Hilda have just minutes to catch their flight, so Martin leaves the van parked in a restricted zone and returns to find it towed away. Finally, a dirty and exhausted Martin and Ann return home to be told by Paul that the Council have shut off the Close's water supply for the afternoon.
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* BedmateReveal: Due to events he was unaware of, Martin is quite disturbed to wake up next to Paul in one episode. Howard then pokes his head out from the bedding, playing this twice in one scene.

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* BedmateReveal: Due to events of which he was unaware of, unaware, Martin is quite disturbed to wake up next to Paul in one episode.Series 2's [[ChristmasEpisode "The Party"]]. Howard then pokes his head out from the bedding, playing this twice in one scene.
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If someone can find a better fit for Ann than Only Sane Man, by all means replace it.



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[[caption-width-right:320:From left to right: [[ScheduleFanatic Martin]], [[TheAce Paul]], and [[OnlySaneMan Ann]].]]

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[[quoteright:320:http://static.tvtropes.org/pmwiki/pub/images/Ever_Decreasing_Circles_9059.jpeg]]



Although, as a "sofa sitcom" in the 1980s, it was somewhat at odds with a comedy landscape populated by such series as ''Series/TheYoungOnes'' and ''Series/{{Blackadder}}'', it drew audiences of over 12 million at its peak, and Creator/RickyGervais has named the series as a personal favourite.[[note]] When Richard Briers passed away in 2013, Gervais tweeted an offer to the BBC of letting them rerun ''Series/TheOffice'' for ''free'' if they also reran ''Ever Decreasing Circles''.[[/note]]

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Although, as a "sofa sitcom" in the 1980s, it was somewhat at odds with a comedy landscape populated by such series as ''Series/TheYoungOnes'' and ''Series/{{Blackadder}}'', it drew audiences of over 12 million at its peak, and Creator/RickyGervais has named the series as a personal favourite.[[note]] When Richard Briers passed away in 2013, Gervais tweeted an offer to the BBC of letting them rerun ''Series/TheOffice'' ''Series/TheOfficeUK'' for ''free'' if they also reran ''Ever Decreasing Circles''.[[/note]]



!!This series contains examples of:

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!!This series contains examples of:
!!Tropes:
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* BedmateReveal: Due to events he was unaware of, Martin is quite disturbed to wake up next to Paul in one episode. Howard then pokes his head out from the bedding, playing this twice in one scene.
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* SeriousBusiness: Martin's many activities and committees.
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Although, as a "sofa sitcom" in the 1980s, it was somewhat at odds with a comedy landscape populated by such series as ''Series/TheYoungOnes'' and ''Series/{{Blackadder}}'', it drew audiences of over 12 million at its peak, and Creator/RickyGervais has named the series as a personal favourite.[[note]] When Briers passed away in 2013, Gervais tweeted an offer to the BBC of letting them rerun ''Series/TheOffice'' for ''free'' if they also reran ''Ever Decreasing Circles''.[[/note]]

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Although, as a "sofa sitcom" in the 1980s, it was somewhat at odds with a comedy landscape populated by such series as ''Series/TheYoungOnes'' and ''Series/{{Blackadder}}'', it drew audiences of over 12 million at its peak, and Creator/RickyGervais has named the series as a personal favourite.[[note]] When Richard Briers passed away in 2013, Gervais tweeted an offer to the BBC of letting them rerun ''Series/TheOffice'' for ''free'' if they also reran ''Ever Decreasing Circles''.[[/note]]

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