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* AmmunitionConservation: Malloy tries to teach Reed to spare his ammunition, and shoot only when told to, or when he has a clear shot, especially since taking time to reload would put one in a vulnerable position, as shown when Malloy takes on a group of burglars.

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** K or King - Investigative unit, generally from HQ.

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** K or King - Investigative unit, generally from HQ.Police Headquarters.



*** Code 6-Adam: Unit's occupants are leaving the car, have other units in the vicinity standby to assist in case situation deteriorates.




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* YouAreInCommandNow: In "Light Duty", Malloy and Reed are working the front desk at the station after Malloy injured his wrist chasing a robbery suspect. When a potential riot starts brewing, Mac pulls every able-bodied officer (including Reed) out of the station to respond and tells Malloy that he's the acting Watch Commander since everyone senior to him is at the riot scene.

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** Zebra - Used by units working at Los Angeles International Airport (LAX)



** "Somebody Stole My Lawn": Some guys dressed as pool cleaners stripped a freshly-seeded lawn from someone's property. Malloy points out that municipal rights of way mean the lawn actually belongs to the city, making it a felony: Grand Theft Real Estate. Reed puts the report out on the radio, which the dispatcher relays, causing some confused reactions:

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** "Somebody "Someone Stole My Lawn": Some guys dressed as pool cleaners stripped a freshly-seeded lawn from someone's property. Malloy points out that municipal rights of way mean the lawn actually belongs to the city, making it a felony: Grand Theft Real Estate. Reed puts the report out on the radio, which the dispatcher relays, causing some confused reactions:



* EatTheEvidence: In "Gang War", Reed and Malloy lose track of a robber who had knocked over a gas station and a market. A few hours later, they get a call for a family dispute in the same area. The robber had gotten into a fight with his common-law wife, who called the cops. Reed and Malloy find the guy moaning in the bedroom - he'd also stolen some blintzes from the market, and the combination of unrefrigerated sour cream and a warm L.A. day gave him one nasty case of food poisoning.



** "Somebody Stole My Lawn" has a scene where Reed and Malloy have stopped a couple teens suspected of holding stolen credit cards. Reed takes one suspect and Malloy takes the other. It's very routine and casual until the suspect with Reed drops his wallet and starts to reach for it. In a flash, Malloy has his pistol out and with deadly seriousness tells the guy to stop moving. He goes over, searches the suspect's boots, and finds a switchblade that the guy was reaching for.

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** "Somebody "Someone Stole My Lawn" has a scene where Reed and Malloy have stopped a couple teens suspected of holding stolen credit cards. Reed takes one suspect and Malloy takes the other. It's very routine and casual until the suspect with Reed drops his wallet and starts to reach for it. In a flash, Malloy has his pistol out and with deadly seriousness tells the guy to stop moving. He goes over, searches the suspect's boots, and finds a switchblade that the guy was reaching for.
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* CallSign: For radio brevity, every unit is assigned a call sign which details the division, unit type and patrol area.

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* CallSign: For radio brevity, every unit is in the show was assigned a call sign which details detailed the division, unit type and patrol area.
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* CallSign: For radio brevity, every unit is assigned a call sign which details the division, unit type and patrol area.
** Air - Helicopter unit
** A or Adam - two-man patrol car.
** K or King - Investigative unit, generally from HQ.
** L or Lincoln - one-man patrol car. L cars that had call signs that ended in 0 (Ex. "1-L-20") were assigned to the watch commander or supervising sergeants.
** M or Mary - Motorcycle ("Motor") unit.
** W or William - Division detective unit.
** X-Ray - Extra patrol unit.


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*** Code 4-Adam: Do not respond to reported incident; assistance no longer needed, but suspect still in vicinity.

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** An episode involving the LA County Sheriffs' Department also notes the different "10-code" system used by the sheriffs.

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** An episode involving the LA County Sheriffs' Department also notes the different "10-code" system used by the sheriffs. Jokes are made by both sides about not being able to understand the other's system.



** "Someone Stole My Lawn" has a scene where Reed and Malloy have stopped a couple teens suspected of holding stolen credit cards. Reed takes one suspect and Malloy takes the other. It's very routine and casual until the suspect with Reed drops his wallet and starts to reach for it. In a flash, Malloy has his pistol out and with deadly seriousness tells the guy to stop moving. He goes over, searches the suspect's boots, and finds a switchblade that the guy was reaching for.

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** "Someone "Somebody Stole My Lawn" has a scene where Reed and Malloy have stopped a couple teens suspected of holding stolen credit cards. Reed takes one suspect and Malloy takes the other. It's very routine and casual until the suspect with Reed drops his wallet and starts to reach for it. In a flash, Malloy has his pistol out and with deadly seriousness tells the guy to stop moving. He goes over, searches the suspect's boots, and finds a switchblade that the guy was reaching for.


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** Within the show, Mac and Lt. Moore fill this role for the officers - they will enforce discipline and lecture their men when necessary, but they also give them a lot of leeway to try unconventional ideas when they seem like they might work.
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** "Grand Theft Real Estate" has a scene where Reed and Malloy have stopped a couple teens suspected of holding stolen credit cards. Reed takes one suspect and Malloy takes the other. It's very routine and casual until the suspect with Reed drops his wallet and starts to reach for it. In a flash, Malloy has his pistol out and with deadly seriousness tells the guy to stop moving. He goes over, searches the suspect's boots, and finds a switchblade that the guy was reaching for.

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** "Grand Theft Real Estate" "Someone Stole My Lawn" has a scene where Reed and Malloy have stopped a couple teens suspected of holding stolen credit cards. Reed takes one suspect and Malloy takes the other. It's very routine and casual until the suspect with Reed drops his wallet and starts to reach for it. In a flash, Malloy has his pistol out and with deadly seriousness tells the guy to stop moving. He goes over, searches the suspect's boots, and finds a switchblade that the guy was reaching for.

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** A big no-no in Jack Webb land. In the episode "A Dead Cop Can't Help Anyone", recurring officer Ed Wells is characterized as a cop of the cowboy variety. He learns his lesson... via shotgun. He lives and is reeled in a bit, but he's still an almighty JerkAss.

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** A big no-no in Jack Webb land. In the episode "A Dead Cop Can't Help Anyone", recurring officer Ed Wells is characterized as a cop of the cowboy variety. He learns his lesson... via shotgun.At least until he charges into a situation before backup arrives and catches a fistful of buckshot in the shoulder. He lives and is reeled in a bit, but he's still an almighty JerkAss.



** Gus Corbin, a rookie Reed is saddled with in the episode of the same name, has some of these tendencies. He gets chewed out twice for taking reckless chances and "playing with the Academy's money" - once for going into a building without waiting for backup, and again for chasing an armed suspect without backup ''and'' without his gun.

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** Gus Corbin, a rookie Reed is saddled with in the episode of the same name, has some of these tendencies. He gets chewed out twice for taking reckless chances and "playing with the Academy's money" - once for going into exploring a building where a suspect was holed up without waiting for backup, and again for chasing an armed suspect without backup ''and'' without his gun.


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* EverythingsLouderWithBagpipes: The last Christmas episode had Reed and Malloy receive a noise complaint about a tenant at a retirement home playing Christmas tunes on a set.
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-->'''Malloy:''' Who do you think you are, Sergeant York?
-->'''Reed:''' Got in behind them. Nothing to it, really.
-->'''Malloy:''' Really. You could have been killed. [[TranquilFury When I give you orders, boy, you obey them. Understand?]]

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-->'''Malloy:''' --->'''Malloy:''' Who do you think you are, Sergeant York?
-->'''Reed:''' --->'''Reed:''' Got in behind them. Nothing to it, really.
-->'''Malloy:''' --->'''Malloy:''' Really. You could have been killed. [[TranquilFury When I give you orders, boy, you obey them. Understand?]]
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** Reed did this the first night he was in the field. They were approaching three armed suspects in the park, and Malloy told Reed to move to the next tree over and hold. Instead, Reed advanced out of Malloy's vision. After several moments, Reed appeared again with the suspects in custody.
-->'''Malloy:''' Who do you think you are, Sergeant York?
-->'''Reed:''' Got in behind them. Nothing to it, really.
-->'''Malloy:''' Really. You could have been killed. [[TranquilFury When I give you orders, boy, you obey them. Understand?]]


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** Suspect vehicles had license plates where the third letter in the three-letter sequence was I, O or Q. California did not issue license plates with those letters in that position because they could be confused with numbers, and reserved those combinations for Hollywood's use.


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* NotSoDifferent: In the first episode, Malloy lists the many shortcomings that Reed has and that about the only thing Reed does well is "wear the uniform right". The Lieutenant says that he said many of the same things to his watch commander about a rookie he got saddled with years ago - a brash hot-shot by the name of Pete Malloy.
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* ClearTheirName: A couple times.
** In "Back Up One-L-20", Reed and Malloy work to prove Mac didn't run over a pedestrian in a crosswalk while transporting a burglary suspect (who is obviously reluctant to cooperate).
** Reed is accused of being a trigger-happy cop who shot a guy without provocation in "Suspended", and it's up to Malloy and his temporary partner to find the real shooter.

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* WhatTheHellHero: In "X-Force", Malloy allows a SmugSnake child molester to get him riled enough to use excessive force. The long dénouement is about the consequences.

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* WhatTheHellHero: WhatTheHellHero:
** In "You Blew It", Malloy and Reed are waiting for the want on a vehicle they pulled over when they hear a "hotshot" come in over the radio. Malloy lets the driver go so they can respond, only for it to be a false alarm. They then get called back to the station, where the Lieutenant chews Malloy and Reed out for not waiting for dispatch - not only was the car stolen, but the guy driving it was wanted for armed robbery.
** In "A Jumper, Code 2" Mac is ''livid'' that Malloy climbed out onto a ledge without any sort of precautions to talk a suicidal man out of jumping, pointing out that his stunt was reckless and could have gotten him or an innocent onlooker killed.
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In "X-Force", Malloy allows a SmugSnake child molester to get him riled enough to use excessive force. The long dénouement is about the consequences.
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* AdultFear: Probably best exemplified in "Roll Call". A routine day watch is interrupted when dispatch can't get a unit who reported shots fired to respond with their ID or location, causing a division-wide roll call via radio. You can see the tension both Reed and Malloy feel as the dispatcher slowly goes unit by unit to locate the missing man.

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* AlwaysOnDuty: Webb did his best to avert this. It is made clear that our main characters are one team out of many working one shift out of many and that just as much happens off-camera as on.

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* AlwaysOnDuty: Webb did his best to avert this. It is made clear that our main characters are one team out of many working one shift out of many and that just as much happens off-camera as on. Early on, Malloy (and sometimes Mac) had to remind Reed that they were ''patrol'' officers and that more complicated cases were other people's responsibility.
-->'''Malloy:''' Reed, the dicks have their job and we have ours.


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* BoringInvincibleHero: Averted. Malloy is a veteran officer with good instincts, but even he makes mistakes and gets chewed out for breaking policy or protocol.

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* HiddenPurposeTest: Happened a few times in the early seasons, where Malloy would tell Reed to make a judgment call based on what he knows and has observed or ask Reed what his thought process was regarding a decision he made. Most of the time, it was not testing Reed's ability to recite the law or the rulebook but how Reed combines his intellect, observation and moral center under pressure to reach a decision in a hurry.



* MoodWhiplash: "Tell Him He Pushed Back a Little Too Hard" starts out as a fairly lighthearted episode, showing Reed and Malloy's frustration with repeatedly being called to intervene in a feud between two neighbors and their jointly owned boat. [[spoiler: Until one neighbor finally snaps and murders the other.]]

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* MoodWhiplash: MoodWhiplash:
**
"Tell Him He Pushed Back a Little Too Hard" starts out as a fairly lighthearted episode, showing Reed and Malloy's frustration with repeatedly being called to intervene in a feud between two neighbors and their jointly owned boat. [[spoiler: Until one neighbor finally snaps and murders the other.]]]]
** "Grand Theft Real Estate" has a scene where Reed and Malloy have stopped a couple teens suspected of holding stolen credit cards. Reed takes one suspect and Malloy takes the other. It's very routine and casual until the suspect with Reed drops his wallet and starts to reach for it. In a flash, Malloy has his pistol out and with deadly seriousness tells the guy to stop moving. He goes over, searches the suspect's boots, and finds a switchblade that the guy was reaching for.


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* OldCopYoungCop: Malloy's not ''old'', but he is a seasoned veteran with many years experience as a patrolman working with a fresh out of the Academy rookie who he has to put through his paces and see if Reed will measure up.
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PoliceProcedural, featuring Martin Milner as Officer Peter J. Malloy and Kent [=McCord=] as Officer James A. Reed, two Los Angeles cops partnered in a patrol car with the call sign "Adam-12". Produced by Creator/JackWebb of ''Franchise/{{Dragnet}}'' fame (and arguably a SpiritualSuccessor to that show), ''Adam-12'' was scrupulously accurate about police procedures of the period, to the point that several episodes were used in police academies as instructional films. The sense of realism was aided by casting actual LAPD dispatcher Shaaron Claridge as the unseen voice whose frequent calls of "One Adam Twelve! One Adam Twelve!" were virtually emblematic of the show.

The series ran 174 episodes on Creator/{{NBC}} between 1968 and 1975, accompanied by a comic book adaptation from [[Creator/GoldKeyComics Gold Key]]. There was a failed InNameOnly {{Revival}} in 1990-91 (not to be confused with the 1989 TV movie ''Nashville Beat'', a SpiritualSuccessor starring Milner and [=McCord=] as former partners now working in Tennessee).

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PoliceProcedural, featuring Martin Milner as Officer Peter J. Malloy and Kent [=McCord=] as Officer James A. Reed, two Los Angeles cops partnered in a patrol car with the call sign "Adam-12". Produced by Creator/JackWebb of ''Franchise/{{Dragnet}}'' fame (and arguably as a SpiritualSuccessor companion to that show), show: While ''Dragnet'' followed a pair of detectives in the course of investigating crimes, ''Adam-12'' was scrupulously followed a pair of rank-and-file patrolmen as they performed their duties. Scrupulously accurate about police procedures of the period, to the point that several episodes were used in police academies as instructional films. The sense of realism was aided by casting actual LAPD dispatcher Shaaron Claridge as the unseen voice whose frequent calls of "One Adam Twelve! One Adam Twelve!" were virtually emblematic of the show.

The series ran 174 episodes on Creator/{{NBC}} between 1968 and 1975, accompanied by a comic book adaptation from [[Creator/GoldKeyComics Gold Key]]. There was a failed InNameOnly {{Revival}} in 1990-91 (not that accompanied a similar InNameOnly version of ''Dragnet''. (This is not to be confused with the 1989 TV movie ''Nashville Beat'', a SpiritualSuccessor starring Milner and [=McCord=] as former partners now working in Tennessee).
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* VerySpecialEpisode: The season three episode "Log 105: Elegy for a Pig." It's made more as a documentary. The regular opening credits were replaced by Jack Webb reading them over a black screen. Martin Milner narrated the episode in character. The policeman the episode revolves around, Tom Porter, had not been seen on screen before despite being a friend of Malloy and Reed's, going through the police academy with the former. No lines are spoken by any character on screen. Also, the two-parter "Clear with a Citizen" which features a woman named Edna Dixon, later revealed to be a Police Commissioner. The character is actually representative (as noted in a Special Thanks in the end credits) of LAPD Commissioner Marguerite P. Justice: at the time the ''only'' female police commissioner in the United States.

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* VerySpecialEpisode: The season three episode "Log 105: Elegy for a Pig." It's made more as a documentary. The regular opening credits were replaced by Jack Webb reading them over a black screen. Martin Milner narrated the episode in character. The policeman the episode revolves around, Tom Porter, had not been seen on screen before despite being a friend of Malloy and Reed's, going through the police academy with the former. No lines are spoken by any character on screen. Also, the two-parter "Clear with a Citizen" Civilian" which features a woman named Edna Dixon, originally thought to be a civilian but later revealed to be a Police Commissioner. The character is actually representative (as noted in a Special Thanks in the end credits) of LAPD Commissioner Marguerite P. Justice: at the time the ''only'' female police commissioner in the United States.
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* VerySpecialEpisode: The season three episode "Log 105: Elegy for a Pig." It's made more as a documentary. The regular opening credits were replaced by Jack Webb reading them over a black screen. Martin Milner narrated the episode in character. The policeman the episode revolves around, Tom Porter, had not been seen on screen before despite being a friend of Malloy and Reed's, going through the police academy with the former. No lines are spoken by any character on screen.

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* VerySpecialEpisode: The season three episode "Log 105: Elegy for a Pig." It's made more as a documentary. The regular opening credits were replaced by Jack Webb reading them over a black screen. Martin Milner narrated the episode in character. The policeman the episode revolves around, Tom Porter, had not been seen on screen before despite being a friend of Malloy and Reed's, going through the police academy with the former. No lines are spoken by any character on screen. Also, the two-parter "Clear with a Citizen" which features a woman named Edna Dixon, later revealed to be a Police Commissioner. The character is actually representative (as noted in a Special Thanks in the end credits) of LAPD Commissioner Marguerite P. Justice: at the time the ''only'' female police commissioner in the United States.
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* TheBadGuysAreCops: Very much averted ... although that didn't mean there weren't episodes featuring one-off police officer characters abusing their powers, engaging in crime and attempting to pervert the legal system. In said episodes, Malloy and Reed realize quickly what's going on and put a stop to said activities.
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* HappilyMarried: Jim and Jean Reed. Frequently averted with couples encountered on calls, who are often enmeshed in the MasochismTango or perplexing relationships where there is just NoAccountingForTaste.

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* HappilyMarried: Jim and Jean Reed. Frequently averted with couples encountered on calls, who are often enmeshed in the MasochismTango or perplexing relationships where there is just NoAccountingForTaste. The Reeds' marriage is shown to be under significant strain during the final season, but by the series finale, it appears they've smoothed things over a bit.
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* LeaningOnTheFourthWall: Once in a while, someone mentions cop shows. For example, in "Log 26: LEMRAS":
--> ''(A woman hostage stomps on a robber with her high heels, allowing police to capture him.)''\\
'''Malloy''': Where did you learn to use your heel like that?\\
'''Woman''': I watched a lot of cop shows on TV.
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* {{Expy}}: Picture [[Franchise/{{Dragnet}} Joe Friday]] in his uniform days. That's Malloy. Also, the team dynamic of happily-married X/confirmed-bachelor-playboy X is a typical feature of many other Jack Webb shows, including ''Franchise/{{Emergency}}'' and ''Franchise/{{Dragnet}}''.

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* {{Expy}}: Picture [[Franchise/{{Dragnet}} Joe Friday]] in his uniform days. That's Malloy. Also, the team dynamic of happily-married X/confirmed-bachelor-playboy X is a typical feature of many other Jack Webb shows, including ''Franchise/{{Emergency}}'' ''Series/{{Emergency}}'' and ''Franchise/{{Dragnet}}''.
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* {{Crossover}}: with several other Jack Webb productions: ''Franchise/{{Dragnet}}'', ''Franchise/{{Emergency}}'', and the short-lived Robert Conrad vehicle, ''The D.A.''

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* {{Crossover}}: with several other Jack Webb productions: ''Franchise/{{Dragnet}}'', ''Franchise/{{Emergency}}'', ''Series/{{Emergency}}'', and the short-lived Robert Conrad vehicle, ''The D.A.''

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** Code 1: Please acknowledge. Tends to only be used if a unit doesn't acknowledge a dispatch message right away.



** Code 30 (seen late in the run): Respond to a silent alarm.



** In addition, sections of the Penal Code are used as code numbers for various criminal incidents. Frequently-cited sections include 211 (robbery), 415 (disturbing the peace), 459 (burglary), and 502 (driving under the influence).

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** In addition, sections of the Penal Code are used as code numbers for various criminal incidents. Frequently-cited sections include 211 (robbery), 415 (disturbing the peace), 459 (burglary), 484 (petty theft), and 502 (driving under the influence).
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* GettingMyOwnRoomPlot: a string of small item thefts in a neighborhood leads the officers to a kid who stole the stuff and set it up in a cave because his stepdad wouldn't give him his own room. The problem is, the cave collapses and the boy nearly dies.

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* GettingMyOwnRoomPlot: a A string of small item thefts in a neighborhood leads the officers to a kid who stole the stuff and set it up in a cave because his stepdad wouldn't give him his own room. The problem is, the cave collapses and the boy nearly dies.
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* GettingMyOwnRoomPlot: a string of small item thefts in a neighborhood leads the officers to a kid who stole the stuff and set it up in a cave because his stepdad wouldn't give him his own room. The problem is, the cave collapses and the boy nearly dies.

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--->'''Malloy''': Reds and Muscatel. [[TooDumbToLive Can't you find a faster way to kill yourself?]]



--->'''Malloy''': Reds and Muscatel. [[TooDumbToLive Can't you find a faster way to kill yourself?]]
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** "Anatomy of a 415": Another variant. A man ''realizes'' he's too drunk to drive...so he tries to get home on a ''stolen bicycle''. But he's so plastered, he loses control, crashes into a sign, and flips over into the grass. Probably nothing in the statutes about Bicycling Under the Influence, but Public Intoxication ''and'' Petty Theft are plenty enough for him to end up in jail.
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** "Easy Rap" centers around a teenager who keeps getting busted for [=GTA=], yet he keeps getting off thanks to his father's lawyer coming up with excuses such as "the keys were in it." He ultimately goes too far when he's chased by Adam-12 just after robbing a house and trying to get away in ''another'' stolen car. Only he refuses to be caught this time, and he gets clipped by a passing car and crashes, ultimately dying at the scene. Reed notes, "''That's all he knew: how to beat the rap. What a waste.''"
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* FowlMouthedParrot: In "Training Wheels," Reed and Malloy stop a driver for running a stop sign. They then hear a high-pitched "''Down with the pigs!''", so the driver opens the trunk to reveal a mynah bird belonging to his cop-hating girlfriend.

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