Follow TV Tropes

Following

History RidiculouslyHumanRobots / Literature

Go To

OR

Is there an issue? Send a MessageReason:
Adding this hastly. I don't know how to pothole so i'll leave it here. You can upgrade it if you want.



to:

*In Literature/FiveNightsAtFreddysTheFourthCloset : [[spoiler: Charlie is revealed to be this. She had four bodies, one for each stage of her life, with her memories being transfered to the next one]]. Needless to say, it was quite shocking.

Added: 284

Changed: 484

Is there an issue? Send a MessageReason:
None



to:

* Zig-zagged in ''Literature/TheMurderbotDiaries''. High-intelligence {{AI}}s are shaped by their personal experiences, which tend to involve being immersed in very specific fields of work and neural links to various data feeds, but can respond quite organically to those experiences. Murderbot themself is [[NoSocialSkills hilariously socially awkward]], obsessed with trashy media serials, and prone to extremely {{deadpan snark|er}} in their internal monologue. As for others...
-->''Are all constructs so illogical?'' said the Asshole [[SapientShip Research Transport]] with the [[SuperIntelligence immense processing capability]] whose metaphorical hand I had had to hold because it had become [[NotSoStoic emotionally compromised]] by a fictional media serial.
Is there an issue? Send a MessageReason:
None


* Creator/RobertAHeinlein examines this trope in ''Literature/{{Friday}}''. A conversation about genetically engineered {{ArtificialHuman}}s and "Living Artifacts" (artificial non-human lifeforms) being used as airline pilots brings up the point that a non-human artificial pilot, organic or AI, might go suicidally or [[KillAllHumans homicidally]] insane because of its lack of ties to a human world it can never belong to. ArtificalHumans like the titular Friday have to face FantasticRacism and alienation issues, but are able to pass as human. With luck, they can even possibly find acceptance in human society without hiding what they are.

to:

* Creator/RobertAHeinlein examines this trope in ''Literature/{{Friday}}''. A conversation about genetically engineered {{ArtificialHuman}}s {{Artificial Human}}s and "Living Artifacts" (artificial non-human lifeforms) being used as airline pilots brings up the point that a non-human artificial pilot, organic or AI, might go suicidally or [[KillAllHumans homicidally]] insane because of its lack of ties to a human world it can never belong to. ArtificalHumans {{Artificial Human}}s like the titular Friday have to face FantasticRacism and alienation issues, but are able to pass as human. With luck, they can even possibly find acceptance in human society without hiding what they are.



* The automatons from ''Literature/TheInfernalDevices'' - despite walking with a graceless gait, they can pass for normal humans well enough.

to:

* The automatons from ''Literature/TheInfernalDevices'' - despite ''Literature/TheInfernalDevices''--despite walking with a graceless gait, they can pass for normal humans well enough.



* The ''Literature/XWingSeries'' introduces perhaps the most independent of droids a 3PO unit called Squeaky. Squeaky managed to subvert its programming and steal a ship to lead an escape from the prison/spice mine planet Kessel. For his actions he was freed from any present and future ownership. By the time of the X-Wing series he has a highly developed personality that goes in contrast to the standard demeanor of most 3PO units who are programmed to be courteous and polite to everyone. Squeaky routinely insults those around him and despite being originally a translator, has worked as a bartender and later as a quartermaster for the New Republic.

to:

* The ''Literature/XWingSeries'' introduces perhaps the most independent of droids droids, a 3PO unit called Squeaky. Squeaky managed to subvert its programming and steal a ship to lead an escape from the prison/spice mine planet Kessel. For his actions he was freed from any present and future ownership. By the time of the X-Wing series he has a highly developed personality that goes in contrast to contrasts sharply with the standard demeanor of most 3PO units who are programmed to be courteous and polite to everyone. Squeaky routinely insults those around him and despite being originally a translator, has worked as a bartender and later as a quartermaster for the New Republic.
Is there an issue? Send a MessageReason:
None


** The short story "Young Zaphod Plays It Safe" argues that RidiculouslyHumanRobots would be incredibly dangerous. The Sirius corporation's "Designer People" product were robots that were sort of super-sociopaths - some of them were built to look like people, and unlike most Genuine People Personalities they could act totally convincing if they wanted, but they lack certain normal thought processes of natural organisms like consciences or even sanity. One of them is described as being as dangerous as planet-killing weapons of mass destruction. In some editions of the story, its name is revealed as [[spoiler:Reagan]].

to:

** The short story "Young Zaphod Plays It Safe" argues that RidiculouslyHumanRobots would be incredibly dangerous. The Sirius corporation's "Designer People" product were robots that were sort of super-sociopaths - some super-sociopaths--some of them were built to look like people, and unlike most Genuine People Personalities they could act totally convincing if they wanted, but they lack certain normal thought processes of natural organisms like consciences or even sanity. One of them is described as being as dangerous as planet-killing weapons of mass destruction. In some editions of the story, its name is revealed as [[spoiler:Reagan]].



** And please note that all of the above robots from Asimov's works had a solid, justified reason for being so human (namely, they had to pass as human in order to fulfill their function), except, arguably, for Jander Panell (both him and Daneel were made for research purposes).
** Tony from "Satisfaction Guaranteed". Ultimately, the trope is averted - Tony was so humanlike that the test subject became infatuated with him, and Dr. Calvin recommends that future TN models be made ''less'' anthropomorphic for this exact reason.

to:

** And please note that all of the above robots from Asimov's works had a solid, justified reason for being so human (namely, they had to pass as human in order to fulfill their function), except, arguably, for Jander Panell (both him he and Daneel were made for research purposes).
** Tony from "Satisfaction Guaranteed". Ultimately, the trope is averted - Tony averted--Tony was so humanlike that the test subject became infatuated with him, and Dr. Calvin recommends that future TN models be made ''less'' anthropomorphic for this exact reason.



** Even the intelligence that Asimov's robots have, which lead to the unexpected deductions they begin to make, ultimately stem from the incredible complexity of the positronic brain, and the need for them to be designed in such a way to understand human instructions as optimally as possible and know when to ignore these instructions in favor of the greater good.

to:

** Even the intelligence that Asimov's robots have, which lead leads to the unexpected deductions they begin to make, ultimately stem stems from the incredible complexity of the positronic brain, and the need for them to be designed in such a way as to understand human instructions as optimally as possible and know when to ignore these instructions in favor of the greater good.



** Erasmus wasn't designed to be intelligent (although does ''look'' at least vaguely like a human - two arms, two legs etc) but ends up being far more so than any other robot, and this feat can't be replicated.

to:

** Erasmus wasn't designed to be intelligent (although does ''look'' at least vaguely like a human - two human--two arms, two legs etc) legs, etc.) but ends up being far more so than any other robot, and this feat can't be replicated.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* In Creator/CTPhipps' series ''Literature/AgentG'', this turns out to be basis for [[spoiler: the Letters. Agent G and the other assassins were created by the government and cybernetically upgraded but look as well as act identical to humans. [[TomatoInTheMirror Indeed, they're unaware they're not human until the revelation at the end of the first book.]] ]]
Is there an issue? Send a MessageReason:
Moving Worm example from Web Original

Added DiffLines:

* Dragon of ''Literature/{{Worm}}'', despite not having a physical body until late in the story, is advanced enough to have a trigger event and gain superpowers, something only humans should be able to do. She loves, hates, and has all the emotions of a real person... all while being, essentially, a not-evil Skynet.
Is there an issue? Send a MessageReason:
None


* ''Literature/WeAreLegionWeAreBob'':All replicants are copied from human minds, but the Bobs are the first ones to create a VR simulation for themselves, complete with a body. Living humans clearly find this easier to deal with.

to:

* ''Literature/WeAreLegionWeAreBob'':All ''Literature/WeAreLegionWeAreBob'': All replicants are copied from human minds, but the Bobs are the first ones to create a VR simulation for themselves, complete with a body. Living humans clearly find this easier to deal with.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ''Literature/WeAreLegionWeAreBob'':All replicants are copied from human minds, but the Bobs are the first ones to create a VR simulation for themselves, complete with a body. Living humans clearly find this easier to deal with.
Is there an issue? Send a MessageReason:
None


* This trope is averted in Robert L. Forward's ''Flight of the Dragonfly''. The computers are programmed to seem human, but are clearly not. In one case, a computer refuses to waste the crew's air, even though they will die if it doesn't, but a simple order to override is all that is needed to make it follow through. Later, when a computer is destroyed and one crew member is emotional about it, another computer breaks the emotional attachment with a carefully designed reminder that "After all, we are just computers."

to:

* This trope is averted in Robert L. Forward's Creator/RobertLForward's ''Flight of the Dragonfly''. The computers are programmed to seem human, but are clearly not. In one case, a computer refuses to waste the crew's air, even though they will die if it doesn't, but a simple order to override is all that is needed to make it follow through. Later, when a computer is destroyed and one crew member is emotional about it, another computer breaks the emotional attachment with a carefully designed reminder that "After all, we are just computers."
Is there an issue? Send a MessageReason:
None


* Justified in Joel Shepherd's Cassandra Kresnov trilogy. The title character is an improved version of previous androids who made good foot soldiers but not great leaders. She was given enhanced intelligence, emotions, and lateral thinking ability in order to outsmart the other side in an interplanetary war. She was even given enhanced attractiveness and an increased libido to help her relate to humans better and form interpersonal relationships. However, although she made an excellent soldier and commander, she was intelligent and independent enough to rebel against her creators and escape in order to have a life as an ordinary human.

to:

* Justified in Joel Shepherd's Cassandra Kresnov trilogy.''Literature/CassandraKresnov'' series. The title character is an improved version of previous androids who made good foot soldiers but not great leaders. She was given enhanced intelligence, emotions, and lateral thinking ability in order to outsmart the other side in an interplanetary war. She was even given enhanced attractiveness and an increased libido to help her relate to humans better and form interpersonal relationships. However, although she made an excellent soldier and commander, she was intelligent and independent enough to rebel against her creators and escape in order to have a life as an ordinary human.
Is there an issue? Send a MessageReason:
None


** And the 'Film/BicentennialMan,' who made ''himself'' a RidiculouslyHumanRobot. Over the course of two centuries, he started to make artwork, wear clothes, modify himself to be more human ... even to the point of [[spoiler:choosing to become mortal and die (which probably broke the Third Law of Robotics, too).]]

to:

** And the 'Film/BicentennialMan,' who made ''himself'' a RidiculouslyHumanRobot. Over the course of two centuries, he started to make artwork, wear clothes, modify himself to be more human ... even to the point of [[spoiler:choosing to become mortal and die (which (this ''would'' seem to probably broke break the Third Law of Robotics, too).too, but the eponymous Andrew has a short speech specifically to counter that).]]
Is there an issue? Send a MessageReason:
they actually aren't clones - and not even related to the rest of the Earth life - originally they were created by old Rossum For Science! as "a different order of creation" - which is briefly explained and then handwaved in the Intro Dump first act


* Karel Capek's play, ''R.U.R.'' (which coined the very term "robot") probably created this trope. Ironically, the "robots" in the play are not truly robots in the way modern culture views them. Modern science would likely call them cloned humans or genetically enhanced clones. That being said, the robots are mass-produced with every piece built and put together like a car on a factory line. At one point the characters are discussing how human the robots are:

to:

* Karel Capek's play, ''R.[[Theatre/{{RUR}} R.U.R.'' ]] (which coined the very term "robot") probably created this trope. Ironically, the "robots" in the play are not truly robots in the way modern culture views them. Modern science would likely call them cloned humans [[OrganicTechnology biological robots]] or genetically enhanced clones.ArtificialHumans. That being said, the robots are mass-produced with every piece built and put together like a car on a factory line. At one point the characters are discussing how human the robots are:
Is there an issue? Send a MessageReason:
None


* Karel Capek's play, ''R.U.R.'' (which coined the very term "robot") probably created this trope. Ironically, the "robots" in the play are not truly robots in the way modern culture views them. Modern science would likely call them cloned humans or genetically enhanced clones. At one point the characters are discussing how human the robots are:

to:

* Karel Capek's play, ''R.U.R.'' (which coined the very term "robot") probably created this trope. Ironically, the "robots" in the play are not truly robots in the way modern culture views them. Modern science would likely call them cloned humans or genetically enhanced clones. That being said, the robots are mass-produced with every piece built and put together like a car on a factory line. At one point the characters are discussing how human the robots are:
Is there an issue? Send a MessageReason:
None


* In the classic "Helen O'Loy", by Lester del Rey, this trope was [[spoiler:justified]]. The titular character was created to win a bet between an endocrinologist and a roboticist as to whether a robot could be made to act like a real woman. The endocrinologist insisted no robot could duplicate the complex biological system that created emotions, the roboticist insisted it could. [[spoiler:The roboticist won, when the endocrinologist not only had to admit that she had human-like emotions, but eventually married her]].

to:

* In the classic "Helen O'Loy", by Lester del Rey, Creator/LesterDelRey, this trope was [[spoiler:justified]].justified. The titular character was created to win a bet between an endocrinologist and a roboticist as to whether a robot could be made to act like a real woman. The endocrinologist insisted no robot could duplicate the complex biological system that created emotions, the roboticist insisted it could. [[spoiler:The roboticist won, when the endocrinologist not only had to admit that she had human-like emotions, but eventually married her]].

Added: 211

Changed: 2135

Removed: 2134



* Karel Capek's play, ''R.U.R.'' (which coined the very term "robot") probably created this trope. At one point the characters are discussing how human the robots are:

to:

* Karel Capek's play, ''R.U.R.'' (which coined the very term "robot") probably created this trope. Ironically, the "robots" in the play are not truly robots in the way modern culture views them. Modern science would likely call them cloned humans or genetically enhanced clones. At one point the characters are discussing how human the robots are:



** Ironically, the "robots" in the play are not truly robots in the way modern culture views them. Modern science would likely call them cloned humans or genetically enhanced clones.



*** On the contrary, the elevator was given intelligence (and slight prescience, somehow) expressly for efficiency reasons - an elevator that already knew where you'd want to go would work much faster and better. The side effects were not as expected, however.
**** Well, not expected by anyone who doesn't understand the nature of pretty much everything produced by the Sirius Cybernetics Corporation.
-----> ....mindless jerks who were the first against the wall when the revolution came.



* R. Daneel Olivaw, from Creator/IsaacAsimov's ''Robot'' series. ''In Literature/TheRobotsOfDawn'', we learn that Dr. Fastolfe and Dr. Sarton had a really hard time overcoming the UncannyValley when designing him, and it took something like a century, but eventually they managed to pull off a robot that actually feels like an actual human. Daneel can even eat: he does so by putting the food in a bag that can be later thrown away.
** Worth noting is that Daneel starts off much less "human" than he ends up (he needs an early lecture about how you do not hold a blaster on a pissed woman who was shopping for shoes, not even if it's logical and the blaster was unloaded and her histrionics were on the verge of sparking a riot). His great admiration of his human partner, Elijah Baley, is what leads Daneel to constantly re-evaluate his behavior so that he can be more like Elijah; a better person and a better detective.

to:

* Creator/IsaacAsimov:
**
R. Daneel Olivaw, from Creator/IsaacAsimov's the ''Robot'' series. ''In Literature/TheRobotsOfDawn'', we learn that Dr. Fastolfe and Dr. Sarton had a really hard time overcoming the UncannyValley when designing him, and it took something like a century, but eventually they managed to pull off a robot that actually feels like an actual human. Daneel can even eat: he does so by putting the food in a bag that can be later thrown away.
** Worth noting is that Daneel starts off much less "human" than he ends up (he needs an early lecture about how you do not hold a blaster on a pissed woman who was shopping for shoes, not even if it's logical and the blaster was unloaded and her histrionics were on the verge of sparking a riot). His great admiration of his human partner, Elijah Baley, is what leads Daneel to constantly re-evaluate his behavior so that he can be more like Elijah; a better person and a better detective.
away.



*** Of course, there's a third robot made by the same scientist that is smarter than both of them and ''isn't'' any more human looking than the average robot.



** There's also Stephen Byerley, in the short story 'Evidence.' His political opponent started a rumor that Byerley was a robot... and though Byerley denied it, he also declined to be X-rayed to prove his humanity.
*** He eventually convinced people that he was human by punching out a heckler, an act clearly impossible for a robot under the First Law [[spoiler:if not for the fact that the heckler was another apparently-human robot constructed for the occasion.]]

to:

** There's also Stephen Byerley, in the short story 'Evidence.' His political opponent started a rumor that Byerley was a robot... and though Byerley denied it, he also declined to be X-rayed to prove his humanity.
***
humanity. He eventually convinced people that he was human by punching out a heckler, an act clearly impossible for a robot under the First Law [[spoiler:if not for the fact that the heckler was another apparently-human robot constructed for the occasion.]]



*** Indeed, in most of Asimov's stories he avoided making robots too human. A typical Asimov robot story deals with a group of engineers trying to figure out why a robot is malfunctioning, and figuring it out by thinking like a robot instead of a human. This was all part of Asimov's efforts to portray robots not as objects for human pathos or frightening menaces, as they normally were, but as tools built for specific purposes. Human shaped robots were meant to operate pre-existing human machinery, and tended to be humanoid without being particularly human.



* Erasmus from the ''Literature/LegendsOfDune'' trilogy ([[FanonDiscontinuity for those that admit he exists]]). He wasn't designed to be intelligent (although does ''look'' at least vaguely like a human - two arms, two legs etc) but ends up being far more so than any other robot, and this feat can't be replicated.

to:

* Erasmus from the ''Literature/LegendsOfDune'' trilogy ([[FanonDiscontinuity for those that admit he exists]]). He trilogy:
** Erasmus
wasn't designed to be intelligent (although does ''look'' at least vaguely like a human - two arms, two legs etc) but ends up being far more so than any other robot, and this feat can't be replicated.



* In the [[Literature/TheCulture Culture]] of [[Creator/IainBanks Iain M. Banks]], the Minds certainly qualify.
** In terms of their personalities for story purposes, at least... justified in-universe in that all civilizations are obliged to build tendencies into [=AIs=], because "perfect [unconstrained] AIs always Sublime," so presumably the Culture makes AIs which are naturally going to like its members and want to help them. Still, they are unfathomably mighty intellects, so there's always the suspicion in the Culture that the ridiculously human-like part of them is just the tip of the iceberg.

to:

* In the [[Literature/TheCulture Culture]] of [[Creator/IainBanks Iain M. Banks]], the Minds certainly qualify.
** In terms of their personalities for story purposes, at least... justified in-universe in that all
qualify. All civilizations are obliged to build tendencies into [=AIs=], because "perfect [unconstrained] AIs always Sublime," so presumably the Culture makes AIs [=AIs=] which are naturally going to like its members and want to help them. Still, they are unfathomably mighty intellects, so there's always the suspicion in the Culture that the ridiculously human-like part of them is just the tip of the iceberg.
Is there an issue? Send a MessageReason:
Moved from the Film page.

Added DiffLines:

* The ''Literature/XWingSeries'' introduces perhaps the most independent of droids a 3PO unit called Squeaky. Squeaky managed to subvert its programming and steal a ship to lead an escape from the prison/spice mine planet Kessel. For his actions he was freed from any present and future ownership. By the time of the X-Wing series he has a highly developed personality that goes in contrast to the standard demeanor of most 3PO units who are programmed to be courteous and polite to everyone. Squeaky routinely insults those around him and despite being originally a translator, has worked as a bartender and later as a quartermaster for the New Republic.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* Thanks to computer nerds finally understanding the concept of exchanging bananas for bananas, ''Literature/{{MARZENA}}'' can now introduce you the concept of the Glial-Net, an internet where domains are Self-Aware AIs capable of human intelligence. Life as a Glial Robot is described as being very similar to a human but with slightly graphically crappier vision and trapped in a neverending lucid dream (or nightmare). Contrast this with Soulless Neuro Robots like Sirana who can only copy behaviors, but can't replicate the human thought process or feel emotions. Neurobots can't simultaneously coordinate enough data to become conscious, a bird flapping a single wing will never fly.
Is there an issue? Send a MessageReason:
None


* Erasmus from the Legends of ''Literature/{{Dune}}'' trilogy ([[FanonDiscontinuity for those that admit he exists]]). He wasn't designed to be intelligent (although does ''look'' at least vaguely like a human - two arms, two legs etc) but ends up being far more so than any other robot, and this feat can't be replicated.

to:

* Erasmus from the Legends of ''Literature/{{Dune}}'' ''Literature/LegendsOfDune'' trilogy ([[FanonDiscontinuity for those that admit he exists]]). He wasn't designed to be intelligent (although does ''look'' at least vaguely like a human - two arms, two legs etc) but ends up being far more so than any other robot, and this feat can't be replicated.
Is there an issue? Send a MessageReason:
None


* R. Daneel Olivaw, from Creator/IsaacAsimov's ''Robot'' series. In his introductory book ''Literature/TheCavesOfSteel'', we learn that Dr. Sarton had a really hard time overcoming the UncannyValley when designing him, but eventually he managed to pull off a robot that actually feels like an actual human. Daneel can even eat: he does so by putting the food in a bag that can be later thrown away.

to:

* R. Daneel Olivaw, from Creator/IsaacAsimov's ''Robot'' series. In his introductory book ''Literature/TheCavesOfSteel'', ''In Literature/TheRobotsOfDawn'', we learn that Dr. Fastolfe and Dr. Sarton had a really hard time overcoming the UncannyValley when designing him, and it took something like a century, but eventually he they managed to pull off a robot that actually feels like an actual human. Daneel can even eat: he does so by putting the food in a bag that can be later thrown away.



** And in ''Prelude to Foundation'', set about ten thousand years after ''Literature/TheRobotsOfDawn'', we meet R. Dors Venabili, yet "another" humaniform robot (this time female) designed by Daneel to become Hari Seldon's protector and companion. Not only is Dors fully functional, but she eventually develops genuine love for Seldon and actually violates the First Law to protect him.

to:

** And in ''Prelude to Foundation'', set about ten twenty thousand years after ''Literature/TheRobotsOfDawn'', we meet R. Dors Venabili, yet "another" humaniform robot (this time female) designed by Daneel to become Hari Seldon's protector and companion. Not only is Dors fully functional, but she eventually develops genuine love for Seldon and actually violates the First Law to protect him.



** And please note that all of the above robots from Asimov's works had a solid, justified reason for being so human (namely, they had to pass as human in order to fulfill their function), except, arguably, for Jander Panell (but considering certain habits on Aurora we might let that slide).

to:

** And please note that all of the above robots from Asimov's works had a solid, justified reason for being so human (namely, they had to pass as human in order to fulfill their function), except, arguably, for Jander Panell (but considering certain habits on Aurora we might let that slide).(both him and Daneel were made for research purposes).



* Despite the above examples, Asimov often averted this trope quite harshly, and went to great lengths to justify it. Even those robots that were roughly humanoid were explained to be such because they needed to be able to perform tasks which human tools for already existed and it wouldn't make sense to replace every piece of equipment when one robot could be made to use them. There is a notable exception with a certain robot designed to look roughly humanoid, even though a simple positronic computer could have been used, strictly to try and get it on Earth and weaken the whole FrankensteinComplex.

to:

* ** Despite the above examples, Asimov often averted this trope quite harshly, and went to great lengths to justify it. Even those robots that were roughly humanoid were explained to be such because they needed to be able to perform tasks which human tools for already existed and it wouldn't make sense to replace every piece of equipment when one robot could be made to use them. There is a notable exception with a certain robot designed to look roughly humanoid, even though a simple positronic computer could have been used, strictly to try and get it on Earth and weaken the whole FrankensteinComplex.

Added: 490

Changed: 1

Is there an issue? Send a MessageReason:
None


** Worth noting is that Daneel starts off much less "human" than he ends up (he needs an early lecture about how you do not hold a blaster on a pissed woman who was shopping for shoes, not even if it's logical and the blaster was unloaded and her histrionics were on the verge of sparking a riot). His great admiration of his human partner, Elijah Baley, is what leads Daneel to constantly re-evaluate his behavior so that he can be more like Elijah; a better person and a better detective.



* Creator/RobertAHeinlein examines this trope in ''Literature/{{Friday}}''. A conversation about genetically engineered {{Artificia lHuman}}s and "Living Artifacts" (artificial non-human lifeforms) being used as airline pilots brings up the point that a non-human artificial pilot, organic or AI, might go suicidally or [[KillAllHumans homicidally]] insane because of its lack of ties to a human world it can never belong to. ArtificalHumans like the titular Friday have to face FantasticRacism and alienation issues, but are able to pass as human. With luck, they can even possibly find acceptance in human society without hiding what they are.

to:

* Creator/RobertAHeinlein examines this trope in ''Literature/{{Friday}}''. A conversation about genetically engineered {{Artificia lHuman}}s {{ArtificialHuman}}s and "Living Artifacts" (artificial non-human lifeforms) being used as airline pilots brings up the point that a non-human artificial pilot, organic or AI, might go suicidally or [[KillAllHumans homicidally]] insane because of its lack of ties to a human world it can never belong to. ArtificalHumans like the titular Friday have to face FantasticRacism and alienation issues, but are able to pass as human. With luck, they can even possibly find acceptance in human society without hiding what they are.
Is there an issue? Send a MessageReason:
None


* The automatons from ''Literature/InfernalDevices'' - despite walking with a graceless gait, they can pass for normal humans well enough.

to:

* The automatons from ''Literature/InfernalDevices'' ''Literature/TheInfernalDevices'' - despite walking with a graceless gait, they can pass for normal humans well enough.
Is there an issue? Send a MessageReason:
None


* FredSaberhagen's ''Literature/{{Berserker}}'' series averts this trope. Because the eponymous robots are out to kill everyone, nobody wants a human-like robot around. Furthermore, the robots that people do build will remind the people around them that they have no emotions, if necessary. Most importantly, it's the berserkers' utter lack of humanity that makes them so scary.

to:

* FredSaberhagen's Creator/FredSaberhagen's ''Literature/{{Berserker}}'' series averts this trope. Because the eponymous robots are out to kill everyone, nobody wants a human-like robot around. Furthermore, the robots that people do build will remind the people around them that they have no emotions, if necessary. Most importantly, it's the berserkers' utter lack of humanity that makes them so scary.
Is there an issue? Send a MessageReason:
None


* In the Culture of IainBanks, the Minds certainly qualify.

to:

* In the Culture [[Literature/TheCulture Culture]] of IainBanks, [[Creator/IainBanks Iain M. Banks]], the Minds certainly qualify.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Ironically, the "robots" in the play are not truly robots in the way modern culture views them. Modern science would likely call them cloned humans or genetically enhanced clones.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* In the novel ''Valentina: Soul in Sapphire,'' by Joseph H. Delaney and Marc Stiegler, a computer virus designed with adaptive AI becomes sentient and self-aware.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* The automatons from ''Literature/InfernalDevices'' - despite walking with a graceless gait, they can pass for normal humans well enough.
Is there an issue? Send a MessageReason:
None


* Creator/RobertAHeinlein examines this trope in ''Friday''. A conversation about genetically engineered {{Artificia lHuman}}s and "Living Artifacts" (artificial non-human lifeforms) being used as airline pilots brings up the point that a non-human artificial pilot, organic or AI, might go suicidally or [[KillAllHumans homicidally]] insane because of its lack of ties to a human world it can never belong to. ArtificalHumans like the titular Friday have to face FantasticRacism and alienation issues, but are able to pass as human. With luck, they can even possibly find acceptance in human society without hiding what they are.

to:

* Creator/RobertAHeinlein examines this trope in ''Friday''.''Literature/{{Friday}}''. A conversation about genetically engineered {{Artificia lHuman}}s and "Living Artifacts" (artificial non-human lifeforms) being used as airline pilots brings up the point that a non-human artificial pilot, organic or AI, might go suicidally or [[KillAllHumans homicidally]] insane because of its lack of ties to a human world it can never belong to. ArtificalHumans like the titular Friday have to face FantasticRacism and alienation issues, but are able to pass as human. With luck, they can even possibly find acceptance in human society without hiding what they are.
Is there an issue? Send a MessageReason:
None


* ''{{Skinned}}'' does this, although with a thoroughly justifiable reason. The robots are created for the sole purpose of replacing the deceased, and so are made not only to seem like humans but to be as absolutely identical to them as possible.

to:

* ''{{Skinned}}'' ''Literature/{{Skinned}}'' does this, although with a thoroughly justifiable reason. The robots are created for the sole purpose of replacing the deceased, and so are made not only to seem like humans but to be as absolutely identical to them as possible.
Is there an issue? Send a MessageReason:
None


* Justified in CharlesStross' ''Saturn's Children''. The (extinct) "[[ThankTheMaker Creators]]" never figured out how to program self-aware AIs from scratch. Instead they just copied the way human brains work. [[spoiler:And then you find out ''how'' [[PoweredByAForsakenChild they did it]]...]]

to:

* Justified in CharlesStross' Creator/CharlesStross' ''Saturn's Children''. The (extinct) "[[ThankTheMaker Creators]]" never figured out how to program self-aware AIs from scratch. Instead they just copied the way human brains work. [[spoiler:And then you find out ''how'' [[PoweredByAForsakenChild they did it]]...]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* Karel Capek's play, ''R.U.R.'' (which coined the very term "robot") probably created this trope. At one point the characters are discussing how human the robots are:
-->'''HELENA:''' Doctor, has Radius a soul?\\
'''DR. GALL:''' I don't know. He's got something nasty.
* In ''Franchise/TheHitchhikersGuideToTheGalaxy'', there is the Sirius Cybernetics Corporation's "Genuine People Personalities" feature.
** The elevator which refuses to take Zaphod Beeblebrox in the direction he wants to go because it's ''afraid'' really is an example of this trope. There is ''no reason'' why ''anyone'' would need an intelligent elevator, and all it does is make the whole thing a lot less efficient.
*** On the contrary, the elevator was given intelligence (and slight prescience, somehow) expressly for efficiency reasons - an elevator that already knew where you'd want to go would work much faster and better. The side effects were not as expected, however.
**** Well, not expected by anyone who doesn't understand the nature of pretty much everything produced by the Sirius Cybernetics Corporation.
-----> ....mindless jerks who were the first against the wall when the revolution came.
** The Heart of Gold's doors are a good (or bad, depending on perspective) example of this. Of note is that this is most frequently criticized by ''Marvin'', himself a perfect example of this trope; he doesn't like the one they gave him, so there's no unintentional irony/hypocrisy on his part.
** Marvin is mostly dissatisfied with the GPP feature due to the fact that in his role and the way he is put to use on the Heart of Gold he is extremely subchallenged which causes him severe depression. The real problem is that his IQ is ''way'' too high for him to ever be challenged, so they really should just make stupider robots.
** The short story "Young Zaphod Plays It Safe" argues that RidiculouslyHumanRobots would be incredibly dangerous. The Sirius corporation's "Designer People" product were robots that were sort of super-sociopaths - some of them were built to look like people, and unlike most Genuine People Personalities they could act totally convincing if they wanted, but they lack certain normal thought processes of natural organisms like consciences or even sanity. One of them is described as being as dangerous as planet-killing weapons of mass destruction. In some editions of the story, its name is revealed as [[spoiler:Reagan]].
* Doubly parodied and {{lampshade|Hanging}}d in ''Literature/DirkGentlysHolisticDetectiveAgency'', where an Electric Monk from an alien planet finds itself on Earth. Physically, it resembles a human being so closely that no one catches on that it's a robot ... even though, on its planet of origin, it was given such ridiculous features as two legs, two arms, and a single nose so it couldn't possibly be mistaken for a person. Mentally, it had been designed with a human-like ability to ''believe'' things -- even quite ridiculous or self-contradictory things -- which is something nobody's figured out how ''we'' do, let alone how to make a machine do it. The Electric Monk was given this ability so that it could listen to door-to-door evangelists in its owners' stead.
* R. Daneel Olivaw, from Creator/IsaacAsimov's ''Robot'' series. In his introductory book ''Literature/TheCavesOfSteel'', we learn that Dr. Sarton had a really hard time overcoming the UncannyValley when designing him, but eventually he managed to pull off a robot that actually feels like an actual human. Daneel can even eat: he does so by putting the food in a bag that can be later thrown away.
** And in ''Literature/TheRobotsOfDawn'', we meet the ''other'' humaniform robot ever constructed, R. Jander Panell, whose "murder" is the subject of the book's mystery. We also learn that Jander (and, presumably by extension, Daneel) is, like [[Series/StarTrekTheNextGeneration Data]], [[{{Robosexual}} "fully functioning"]].
*** Of course, there's a third robot made by the same scientist that is smarter than both of them and ''isn't'' any more human looking than the average robot.
** And in ''Prelude to Foundation'', set about ten thousand years after ''Literature/TheRobotsOfDawn'', we meet R. Dors Venabili, yet "another" humaniform robot (this time female) designed by Daneel to become Hari Seldon's protector and companion. Not only is Dors fully functional, but she eventually develops genuine love for Seldon and actually violates the First Law to protect him.
** There's also Stephen Byerley, in the short story 'Evidence.' His political opponent started a rumor that Byerley was a robot... and though Byerley denied it, he also declined to be X-rayed to prove his humanity.
*** He eventually convinced people that he was human by punching out a heckler, an act clearly impossible for a robot under the First Law [[spoiler:if not for the fact that the heckler was another apparently-human robot constructed for the occasion.]]
** And the 'Film/BicentennialMan,' who made ''himself'' a RidiculouslyHumanRobot. Over the course of two centuries, he started to make artwork, wear clothes, modify himself to be more human ... even to the point of [[spoiler:choosing to become mortal and die (which probably broke the Third Law of Robotics, too).]]
** 'Let's Get Together': [[spoiler:eleven humaniform robots are constructed, each a copy of a scientist.]]
** 'The Tercentenary Incident': [[spoiler:the human President of the United States was disintegrated, and replaced with his robotic double, who was originally meant to just be a body double for him at formal events. It's implied that the robot did a much better job of being President than the human ever could have.]]
** And there's the equal-rights metallos from an earlier story.
** And please note that all of the above robots from Asimov's works had a solid, justified reason for being so human (namely, they had to pass as human in order to fulfill their function), except, arguably, for Jander Panell (but considering certain habits on Aurora we might let that slide).
*** Indeed, in most of Asimov's stories he avoided making robots too human. A typical Asimov robot story deals with a group of engineers trying to figure out why a robot is malfunctioning, and figuring it out by thinking like a robot instead of a human. This was all part of Asimov's efforts to portray robots not as objects for human pathos or frightening menaces, as they normally were, but as tools built for specific purposes. Human shaped robots were meant to operate pre-existing human machinery, and tended to be humanoid without being particularly human.
** Tony from "Satisfaction Guaranteed". Ultimately, the trope is averted - Tony was so humanlike that the test subject became infatuated with him, and Dr. Calvin recommends that future TN models be made ''less'' anthropomorphic for this exact reason.
** In ''Forward the Foundation'', Hari and Dors have to teach Daneel how to laugh. The goal is to discredit a political activist, whom Hari's adopted son told that First Minister Eto Demerzel (TheEmperor's chief advisor and one of Daneel's disguises) is a robot. The activist then makes a public announcement to that effect. Hari and Dors teach Daneel to laugh so that he can publicly laugh off such accusations as ridiculous, thereby discrediting the activist. Strangely, Dors was built by Daneel, yet she can smile and laugh, and he can't.
* Despite the above examples, Asimov often averted this trope quite harshly, and went to great lengths to justify it. Even those robots that were roughly humanoid were explained to be such because they needed to be able to perform tasks which human tools for already existed and it wouldn't make sense to replace every piece of equipment when one robot could be made to use them. There is a notable exception with a certain robot designed to look roughly humanoid, even though a simple positronic computer could have been used, strictly to try and get it on Earth and weaken the whole FrankensteinComplex.
** Even the intelligence that Asimov's robots have, which lead to the unexpected deductions they begin to make, ultimately stem from the incredible complexity of the positronic brain, and the need for them to be designed in such a way to understand human instructions as optimally as possible and know when to ignore these instructions in favor of the greater good.
* This trope is averted in Robert L. Forward's ''Flight of the Dragonfly''. The computers are programmed to seem human, but are clearly not. In one case, a computer refuses to waste the crew's air, even though they will die if it doesn't, but a simple order to override is all that is needed to make it follow through. Later, when a computer is destroyed and one crew member is emotional about it, another computer breaks the emotional attachment with a carefully designed reminder that "After all, we are just computers."
* In Susan Swan's short short "The Man Doll", a cybernetic engineer builds an android lover as a gift for a friend, however the android's programmed need to serve the interests of those he emotionally bonds with ultimately leads him to abandon his owners and pioneer a political movement calling for the emancipation of other androids like himself whose basic functions require the existence of emotional capacities.
* Creator/RobertAHeinlein:
** In ''Literature/TimeEnoughForLove'' and the later stories in the loose "series" that follows, computers either are emotionless machines, or they learn to be human from close interactions with humans. In the second case, they learn to be self-aware emotional beings from watching us, and as a result act pretty much like we do.
** In ''Literature/TheMoonIsAHarshMistress'', a computer gains sentience and learns to be human over the course of the book. At the start, it's, at best, a petulant child.
* In the classic "Helen O'Loy", by Lester del Rey, this trope was [[spoiler:justified]]. The titular character was created to win a bet between an endocrinologist and a roboticist as to whether a robot could be made to act like a real woman. The endocrinologist insisted no robot could duplicate the complex biological system that created emotions, the roboticist insisted it could. [[spoiler:The roboticist won, when the endocrinologist not only had to admit that she had human-like emotions, but eventually married her]].
* FredSaberhagen's ''Literature/{{Berserker}}'' series averts this trope. Because the eponymous robots are out to kill everyone, nobody wants a human-like robot around. Furthermore, the robots that people do build will remind the people around them that they have no emotions, if necessary. Most importantly, it's the berserkers' utter lack of humanity that makes them so scary.
* Justified in CharlesStross' ''Saturn's Children''. The (extinct) "[[ThankTheMaker Creators]]" never figured out how to program self-aware AIs from scratch. Instead they just copied the way human brains work. [[spoiler:And then you find out ''how'' [[PoweredByAForsakenChild they did it]]...]]
* Also justified in ''Mind Scan'', by Robert J. Sawyer, in which the androids have uploaded human consciousness (mind scans of the title) so their personalities are those of the original human. The book revolves over whether they're "really" human, persons with legal rights, and have "souls" or not.
* Erasmus from the Legends of ''Literature/{{Dune}}'' trilogy ([[FanonDiscontinuity for those that admit he exists]]). He wasn't designed to be intelligent (although does ''look'' at least vaguely like a human - two arms, two legs etc) but ends up being far more so than any other robot, and this feat can't be replicated.
** Seurat, Vorian Atreides's co-pilot, also exhibits vaguely human-like behavior and eventually learns treachery. These are the only independent robots in the books, although the reprogrammed combat mek Chirox also eventually learned to display several human qualities such as regret, pride, and self-sacrifice. Omnius himself feels anger and ambition.
* Justified in Joel Shepherd's Cassandra Kresnov trilogy. The title character is an improved version of previous androids who made good foot soldiers but not great leaders. She was given enhanced intelligence, emotions, and lateral thinking ability in order to outsmart the other side in an interplanetary war. She was even given enhanced attractiveness and an increased libido to help her relate to humans better and form interpersonal relationships. However, although she made an excellent soldier and commander, she was intelligent and independent enough to rebel against her creators and escape in order to have a life as an ordinary human.
* Creator/KeithLaumer's Literature/{{Bolo}} combat units don't look even remotely human -- they're [[TankGoodness tanks]] the size of large buildings -- but their personalities:
-->"What made you risk everything on a hopeless attack? Why did you do it?"\\
''"For the honor of the regiment."''\\
----\\
A Mark XXXI Combat Unit is the finest fighting machine the ancient wars of the Galaxy have ever known. I am not easily neutralized. But I wish that my Commander's voice were with me...
* The lead protagonist of Creator/DavidWeber's ''Literature/{{Safehold}}'' series is a Personlity-Integrated Cybernetic Avatar, a robot with the personality of a woman named Nimue Alban downloaded into it. Nimue is fully aware of this from the get-go, and in fact wrestles on and off throughout the books with just where the line between "human" and "robot" lies with her.
* Creator/RobertAHeinlein examines this trope in ''Friday''. A conversation about genetically engineered {{Artificia lHuman}}s and "Living Artifacts" (artificial non-human lifeforms) being used as airline pilots brings up the point that a non-human artificial pilot, organic or AI, might go suicidally or [[KillAllHumans homicidally]] insane because of its lack of ties to a human world it can never belong to. ArtificalHumans like the titular Friday have to face FantasticRacism and alienation issues, but are able to pass as human. With luck, they can even possibly find acceptance in human society without hiding what they are.
* In the Culture of IainBanks, the Minds certainly qualify.
** In terms of their personalities for story purposes, at least... justified in-universe in that all civilizations are obliged to build tendencies into [=AIs=], because "perfect [unconstrained] AIs always Sublime," so presumably the Culture makes AIs which are naturally going to like its members and want to help them. Still, they are unfathomably mighty intellects, so there's always the suspicion in the Culture that the ridiculously human-like part of them is just the tip of the iceberg.
* ''{{Skinned}}'' does this, although with a thoroughly justifiable reason. The robots are created for the sole purpose of replacing the deceased, and so are made not only to seem like humans but to be as absolutely identical to them as possible.
* Justified in Rick Griffin's ''Literature/{{Argo}}'', as [[spoiler: the "humans" aren't supposed to know that they're not organic.]]
----

Top