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Deleted line(s) 24 (click to see context) :
* FashionModel: Ren is one of the top male models in all of Japan, so Kyoko turns to him for advice on what else but modeling. Why? Because Kyoko needed to create a version of Natsu that looked and acted like a naturally charismatic leader - something she was having trouble with, especially when the director pointed out that her posture was too proper and her mannerisms were too stiff to fit in with the "average teenage girls" that made up Natsu's clique. Kyoko decides that she has to create a Natsu with an attitude and bearing other girls would naturally want to emulate, and the best way to do that is to model Natsu's mannerisms on fashion models.
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Edited Description, Added "Reaching Towards the Audience" to Tropes List
Changed line(s) 6,7 (click to see context) from:
As filming on ''Box "R"'' proceeds, Kyoko learns a bit about Chiori's past and pieces together a dark secret that Chiori would prefer stay in the past. But things come to a boil when Chiori learns that, in addition to being featured on ''Japonet Scope'' before Chiori, Kyoko has ''another'' regular role on a TV show (never mind that it's as a [[EmbarrassingAnimalSuit giant chicken]]). Kyoko is used to dealing with her own demons, but how will she fare against someone else's?
to:
As filming on ''Box "R"'' proceeds, Kyoko learns a bit about Chiori's past and pieces together a dark secret that Chiori would prefer stay in the past. But things buried. Things come to a boil when Chiori learns that, in addition to being featured on ''Japonet Scope'' before Chiori, Kyoko has ''another'' regular role on a TV show (never mind that it's as a [[EmbarrassingAnimalSuit giant chicken]]). Kyoko is used to dealing with her own demons, but how will she fare when she's up against someone else's?
Added DiffLines:
* ReachingTowardsTheAudience: The volume cover depicts Kyoko reaching towards the viewer, as if she's about to grasp the title.
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None
Changed line(s) 23 (click to see context) from:
* FairyTaleMotifs: The [[https://vignette3.wikia.nocookie.net/skip-beat/images/e/ea/Chapter_127.png/revision/latest?cb=20140920143044 title page for chapter 127]] shows Kyoko as [[Literature/SnowWhiteAndTheSevenDwarfs Snow White]], with Ren and Yashiro as two of the seven dwarfs.
to:
* FairyTaleMotifs: The [[https://vignette3.wikia.nocookie.net/skip-beat/images/e/ea/Chapter_127.png/revision/latest?cb=20140920143044 title page for chapter 127]] shows Kyoko as [[Literature/SnowWhiteAndTheSevenDwarfs Snow White]], Literature/SnowWhite, with Ren and Yashiro as two of the seven dwarfs.
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We don't trope our own words.
Changed line(s) 24,25 (click to see context) from:
* FashionModel: Ren is one of the top male models in all of Japan, so Kyoko turns to him for advice on what else but modeling. Why? Because Kyoko needed to create a version of Natsu that looked and acted like a naturally charismatic leader - something she was having trouble with, especially when the director pointed out that her posture was too proper and her mannerisms were too stiff to fit in with the "average teenage girls" that made up Natsu's clique. Kyoko decides that she has to create a Natsu with an attitude and bearing other girls would naturally want to emulate, and the best way to do that is to [[LamePun model]] Natsu's mannerisms on fashion models.
* FlowerMotifs: It's a [[ShoujoDemographic shoujo]] managa after all:
* FlowerMotifs: It's a [[ShoujoDemographic shoujo]] managa after all:
to:
* FashionModel: Ren is one of the top male models in all of Japan, so Kyoko turns to him for advice on what else but modeling. Why? Because Kyoko needed to create a version of Natsu that looked and acted like a naturally charismatic leader - something she was having trouble with, especially when the director pointed out that her posture was too proper and her mannerisms were too stiff to fit in with the "average teenage girls" that made up Natsu's clique. Kyoko decides that she has to create a Natsu with an attitude and bearing other girls would naturally want to emulate, and the best way to do that is to [[LamePun model]] model Natsu's mannerisms on fashion models.
* FlowerMotifs: It's a[[ShoujoDemographic shoujo]] {{shoujo|Demographic}} managa after all:
* FlowerMotifs: It's a
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Edited Spelling and Grammar
Changed line(s) 30 (click to see context) from:
* TheMakeover: Kyoko's makeover for the role of Natsu is subtle but effective: she parts her hair to the side and smooths it down a bit, accessorizes with Princess Rosa, and makes generous use of the nice cosmetics that Moko gave her as a birthday present. But the biggest change is in her personality and comportment. "Kyoko" is proper and unfailingly polite, to the point that her costart refer to her as "plain udon." But "Natsu" is naturally poised and elegant, with an affected personality as if nothing that happens can phase her nor pique her interest.
to:
* TheMakeover: Kyoko's makeover for the role of Natsu is subtle but effective: she parts her hair to the side and smooths it down a bit, accessorizes with Princess Rosa, and makes generous use of the nice cosmetics that Moko gave her as a birthday present. But the biggest change is in her personality and comportment. "Kyoko" is proper and unfailingly polite, to the point that her costart costars refer to her as "plain udon." But "Natsu" is naturally poised and elegant, with an affected personality -- as if nothing that happens can phase her nor pique her interest.
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Addition of "Girlish Pigtails" to Trope List
Added DiffLines:
* GirlishPigtails: Disappointed in how Chiori has changed her look to fit in with the more "mature" Natsu, the director calls for a stylist to put her hair up in pigtails to have Yumika be the "cute" one in the group again. Chiori refuses to go for full-on pigtails (because of the [[EveryScarHasAStory scar on her neck]]) so they compromise and give her [[https://vignette3.wikia.nocookie.net/skip-beat/images/a/ad/Amamiya_chiori.jpg/revision/latest?cb=20100914073013 half-pigtails]] with some hair left hanging down to cover her neck.
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Spelling Correction
Changed line(s) 29 (click to see context) from:
* TheMakeover: Kyoko's makeover for the role of Natsu is subtle but effective: she parts her hair to the side and smooths it down a bit, accessorizes with Princess Rosa, and makes generous use of the nice cosmetics that Moko gave her as a birthday present. But the biggest change is in her personality and comportment. "Kyoko" is proper and unfailingly polite, to the point that her costarts refer to her as "plain udon." But "Natsu" is naturally poised and elegant, with an affected personality as if nothing that happens can phase her nor pique her interest.
to:
* TheMakeover: Kyoko's makeover for the role of Natsu is subtle but effective: she parts her hair to the side and smooths it down a bit, accessorizes with Princess Rosa, and makes generous use of the nice cosmetics that Moko gave her as a birthday present. But the biggest change is in her personality and comportment. "Kyoko" is proper and unfailingly polite, to the point that her costarts costart refer to her as "plain udon." But "Natsu" is naturally poised and elegant, with an affected personality as if nothing that happens can phase her nor pique her interest.
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None
Changed line(s) 6,7 (click to see context) from:
As filming on ''Box "R"'' proceeds, Kyoko learns a bit about Chiori's past and pieces together a dark secret that Chiori would prefer stay in the past. But things come to a boil when Chiori learns that, in addition to being featured on ''Japonet Scope'' before Chiori, Kyoko has ''another'' regular role on a TV show (never mind that it's s a [[EmbarrassingAnimalSuit giant chicken]]). Kyoko is used to dealing with her own demons, but how will she fare against someone else's?
to:
As filming on ''Box "R"'' proceeds, Kyoko learns a bit about Chiori's past and pieces together a dark secret that Chiori would prefer stay in the past. But things come to a boil when Chiori learns that, in addition to being featured on ''Japonet Scope'' before Chiori, Kyoko has ''another'' regular role on a TV show (never mind that it's s as a [[EmbarrassingAnimalSuit giant chicken]]). Kyoko is used to dealing with her own demons, but how will she fare against someone else's?
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Expanded Summary
Changed line(s) 4,5 (click to see context) from:
Is there such a thing as being too good? With Ren's help, Kyoko finally gets into her new character. But when she shows up on set and wows the crew with her new spin on the old bully role, it sends some of her costars over the edge! Kyoko's used to dealing with her own demons, but can she stand up to someone else's?
to:
Is there such a thing as being too good? With Ren's help, help and some last-minute modelling lessons, Kyoko finally gets into a grip on the Natsu that she wants to portray. She arrives on the set of ''Box "R"'' the next day already in character, and despite her costars' attempts at sabotage "Natsu" blows everyone away. The director loves her new character. But when she shows up on set and wows the crew with her new spin take on the old bully role, it sends some of her costars over but there's one person who isn't feeling the edge! love. Kyoko's costar Chiori can't stand the fact that her plan to get Kyoko in hot water with the director has gone to pot, but beneath all that there's a simmering resentment over Kyoko's seemingly effortless rise to fame. Even Chiori's attempts to bully Kyoko are having no effect!
As filming on ''Box "R"'' proceeds, Kyoko learns a bit about Chiori's past and pieces together a dark secret that Chiori would prefer stay in the past. But things come to a boil when Chiori learns that, in addition to being featured on ''Japonet Scope'' before Chiori, Kyoko has ''another'' regular role on a TV show (never mind that it's s a [[EmbarrassingAnimalSuit giant chicken]]). Kyoko is used to dealing with her own demons, butcan how will she stand up to fare against someone else's?
As filming on ''Box "R"'' proceeds, Kyoko learns a bit about Chiori's past and pieces together a dark secret that Chiori would prefer stay in the past. But things come to a boil when Chiori learns that, in addition to being featured on ''Japonet Scope'' before Chiori, Kyoko has ''another'' regular role on a TV show (never mind that it's s a [[EmbarrassingAnimalSuit giant chicken]]). Kyoko is used to dealing with her own demons, but
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* Act 132. "Cross Eyes" [[note]]Kyoko and Chiori both learn more about each other through scuttlebutt at the TV station. How they handle what they learned begins with a climactic moment at their next encounter.[[/note]]
to:
* Act 132. "Cross Eyes" [[note]]Kyoko and Chiori both learn learns more about each other through scuttlebutt Chiori's past as a child actress. Scribbling in a notebook full of hateful thoughts, Chiori's resentment towards Kyoko's success builds and builds. Chiori sees Kyoko at the TV station. How they handle what they learned begins with station where they're both scheduled to appear in separate shows and in a climactic moment at their next encounter.fit of anger, she shoves Kyoko down a staircase. Even as she's falling, Kyoko signals to Chiori that she's been found out.[[/note]]
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* FairyTaleMotiff: The [[https://vignette3.wikia.nocookie.net/skip-beat/images/e/ea/Chapter_127.png/revision/latest?cb=20140920143044 title page for chapter 127]] shows Kyoko as [[Literature/SnowWhiteAndTheSevenDwarfs Snow White]], with Ren and Yashiro as two of the seven dwarfs.
to:
* FairyTaleMotiff: FairyTaleMotifs: The [[https://vignette3.wikia.nocookie.net/skip-beat/images/e/ea/Chapter_127.png/revision/latest?cb=20140920143044 title page for chapter 127]] shows Kyoko as [[Literature/SnowWhiteAndTheSevenDwarfs Snow White]], with Ren and Yashiro as two of the seven dwarfs.
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** The title page for chapter 132 shows an extreme closeup of Kyoko surrounded by hibiscus flowers and cherry blooms. Hibiscuses symbolize the fleeting nature of beauty, fame, or personal glory.
to:
** The title page for chapter 132 shows an extreme closeup of Kyoko surrounded by hibiscus flowers and cherry blooms. Hibiscuses symbolize the fleeting nature of beauty, fame, or personal glory. Cherry blossom represent the fleeting nature of youth, but also the coming of spring.
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* ShowWithinAShow: ''Box "R"'', ''Dark Moon'', ''Yappa Kimagure Rock'', and ''The Scarlet Dice'' are type 1 examples, with "characters involved in the production of the show(s)."
to:
* ShowWithinAShow: ''Box "R"'', ''Dark Moon'', ''Yappa Kimagure Rock'', ''Japonet Scope'', and ''The Scarlet Dice'' are type 1 examples, with "characters involved in the production of the show(s)."
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to:
* TypeCast: After child actress Chiori's success in her role as a dark and violent LittleMissBadass in ''The Scarlet Dice'', she was only able to get job offers for roles that were similarly dark and scary. Eventually, the job offers stopped coming in. Having grown up a little, Chiori is trying to make it in show business after discarding her stage name, but she's seen little progress in the four years since she's returned to acting. Chiori becomes extremely resentful that Kyoko, a newcomer who hasn't been acting for even a full year, seems able to escape the role of Mio so easily.
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Created Recap Page
Added DiffLines:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/skip_beat_volume_22.jpg]]
[[caption-width-right:350:She's reaching for the stars!]]
Is there such a thing as being too good? With Ren's help, Kyoko finally gets into her new character. But when she shows up on set and wows the crew with her new spin on the old bully role, it sends some of her costars over the edge! Kyoko's used to dealing with her own demons, but can she stand up to someone else's?
!! This volume contains the chapters:
* Act 127. "Private Exit" [[note]]Kyoko is having trouble inhabiting the role of Natsu for ''Box "R"''. She visits Ren to ask for some modeling advice. Fired up by Kyoko's complete faith in his abilities, Ren teaches her some modeling skills. Yashiro arrives the next morning and finds out that Kyoko has spent the night.[[/note]]
* Act 128. "Switchover" [[note]]Chiori is caught up anticipating the result of her sabotage on Kyoko, but she's also hiding a secret. Honami, who is fed up with Kyoko's inability to get in character, impulsively sabotages Kyoko's costume. Kyoko makes her backstage debut as Natsu, startling costars Honami and Yuka.[[/note]]
* Act 129. "Slow Burning War" [[note]]Kyoko's in full "Natsu" mode now. Chiori delights in the prospect of Kyoko getting chewed out by the director. "Natsu" apologizes for her tardiness, as she was missing part of her uniform. Meanwhile, Ren and Yashiro discuss how quickly Kyoko was able to catch on to Ren's modeling lessons and apply them to her character.[[/note]]
* Act 130. "Reversal" [[note]]"Natsu" suggests that if she can't find her uniform's ribbon then Honami, Yuka, and Chiori ought to go without to match her. The director loves this new interpretation of Natsu and agrees. Kyoko has won over everyone on set except for Chiori, who is livid that Kyoko has triumphed.[[/note]]
* Act 131. "The Image that Emerged" [[note]]Chiori attempts to bully Kyoko by secretly ripping up the nametag on her dressing room, but Kyoko is unimpressed. Kyoko invites Honami and Yuka to go out and get food with her, and to their surprise they find themselves enjoying the experience. Chiori has been ordered by the director to change her "look" to fit in with Natsu's clique, but the director is unhappy with the results and production on ''Box "R"'' lags even further behind. During some down time on the set of ''Yappa Kimagure Rock'', Kyoko begins to piece together a dark secret about Chiori's past.[[/note]]
* Act 132. "Cross Eyes" [[note]]Kyoko and Chiori both learn more about each other through scuttlebutt at the TV station. How they handle what they learned begins with a climactic moment at their next encounter.[[/note]]
----
!!Chapters in this volume provide examples of:
* BitchInSheepsClothing: Chiori acts polite and humble around her manager, her coworkers, and the director, but in reality she's seething with barely contained rage. She writes all of her true feelings in her "Poisonous Notebook," but Kyoko's appearance is causing some of that poison to seep out into the real world.
* EmbarrassingAnimalSuit: Kyoko's job as Bo the Chicken on ''Yappa Kimagure Rock'' requires her to wear a large chicken suit.
* EveryScarHasAStory: Chiori has a minor outburst when the director asks the stylist on the set of ''Box "R"'' put her hair up. Kyoko learns from Honami and Yuka that Chiori has a bad burn scar on the back of her neck. Later on Kyoko overhears from the members of Bridge Rock that a decade ago, child actress on the set of a movie called ''The Scarlet Dice'' also got a burn scar on the back of her neck...
* FairyTaleMotiff: The [[https://vignette3.wikia.nocookie.net/skip-beat/images/e/ea/Chapter_127.png/revision/latest?cb=20140920143044 title page for chapter 127]] shows Kyoko as [[Literature/SnowWhiteAndTheSevenDwarfs Snow White]], with Ren and Yashiro as two of the seven dwarfs.
* FashionModel: Ren is one of the top male models in all of Japan, so Kyoko turns to him for advice on what else but modeling. Why? Because Kyoko needed to create a version of Natsu that looked and acted like a naturally charismatic leader - something she was having trouble with, especially when the director pointed out that her posture was too proper and her mannerisms were too stiff to fit in with the "average teenage girls" that made up Natsu's clique. Kyoko decides that she has to create a Natsu with an attitude and bearing other girls would naturally want to emulate, and the best way to do that is to [[LamePun model]] Natsu's mannerisms on fashion models.
* FlowerMotifs: It's a [[ShoujoDemographic shoujo]] managa after all:
** The title page for chapter 127 depicts Kyoko as Snow White on a bier overgrown with roses.
** The title page for chapter 132 shows an extreme closeup of Kyoko surrounded by hibiscus flowers and cherry blooms. Hibiscuses symbolize the fleeting nature of beauty, fame, or personal glory.
** Most chapters have a few instances of panel backgrounds filling with unexplained flowers.
* TheMakeover: Kyoko's makeover for the role of Natsu is subtle but effective: she parts her hair to the side and smooths it down a bit, accessorizes with Princess Rosa, and makes generous use of the nice cosmetics that Moko gave her as a birthday present. But the biggest change is in her personality and comportment. "Kyoko" is proper and unfailingly polite, to the point that her costarts refer to her as "plain udon." But "Natsu" is naturally poised and elegant, with an affected personality as if nothing that happens can phase her nor pique her interest.
* ShipperOnDeck: Yashiro is very interested to learn that Kyoko spent the night at Ren's apartment, even if she only visited to ask for advice.
* ShowWithinAShow: ''Box "R"'', ''Dark Moon'', ''Yappa Kimagure Rock'', and ''The Scarlet Dice'' are type 1 examples, with "characters involved in the production of the show(s)."
* StockShoujoBullyingTactics: Honami and Yuka continue their campaign of bullying Kyoko when they decide to mess with her costume for ''Box "R"'' by stealing the ribbon off her school uniform. Later, a furious Chiori rips up the nametag on Kyoko's dressing room door. Kyoko is unimpressed, even leaving Chiori a note to "try harder" on her next attempt.
* ThoseTwoGirls: Honami Makino and Yuka Sudo, two of Kyoko's costars in ''Box "R"''. They're almost always seen together and seem to know each other outside of work. They're also united in their efforts to bully Kyoko, at least before her total reinvention of Natsu's character.
----
[[caption-width-right:350:She's reaching for the stars!]]
Is there such a thing as being too good? With Ren's help, Kyoko finally gets into her new character. But when she shows up on set and wows the crew with her new spin on the old bully role, it sends some of her costars over the edge! Kyoko's used to dealing with her own demons, but can she stand up to someone else's?
!! This volume contains the chapters:
* Act 127. "Private Exit" [[note]]Kyoko is having trouble inhabiting the role of Natsu for ''Box "R"''. She visits Ren to ask for some modeling advice. Fired up by Kyoko's complete faith in his abilities, Ren teaches her some modeling skills. Yashiro arrives the next morning and finds out that Kyoko has spent the night.[[/note]]
* Act 128. "Switchover" [[note]]Chiori is caught up anticipating the result of her sabotage on Kyoko, but she's also hiding a secret. Honami, who is fed up with Kyoko's inability to get in character, impulsively sabotages Kyoko's costume. Kyoko makes her backstage debut as Natsu, startling costars Honami and Yuka.[[/note]]
* Act 129. "Slow Burning War" [[note]]Kyoko's in full "Natsu" mode now. Chiori delights in the prospect of Kyoko getting chewed out by the director. "Natsu" apologizes for her tardiness, as she was missing part of her uniform. Meanwhile, Ren and Yashiro discuss how quickly Kyoko was able to catch on to Ren's modeling lessons and apply them to her character.[[/note]]
* Act 130. "Reversal" [[note]]"Natsu" suggests that if she can't find her uniform's ribbon then Honami, Yuka, and Chiori ought to go without to match her. The director loves this new interpretation of Natsu and agrees. Kyoko has won over everyone on set except for Chiori, who is livid that Kyoko has triumphed.[[/note]]
* Act 131. "The Image that Emerged" [[note]]Chiori attempts to bully Kyoko by secretly ripping up the nametag on her dressing room, but Kyoko is unimpressed. Kyoko invites Honami and Yuka to go out and get food with her, and to their surprise they find themselves enjoying the experience. Chiori has been ordered by the director to change her "look" to fit in with Natsu's clique, but the director is unhappy with the results and production on ''Box "R"'' lags even further behind. During some down time on the set of ''Yappa Kimagure Rock'', Kyoko begins to piece together a dark secret about Chiori's past.[[/note]]
* Act 132. "Cross Eyes" [[note]]Kyoko and Chiori both learn more about each other through scuttlebutt at the TV station. How they handle what they learned begins with a climactic moment at their next encounter.[[/note]]
----
!!Chapters in this volume provide examples of:
* BitchInSheepsClothing: Chiori acts polite and humble around her manager, her coworkers, and the director, but in reality she's seething with barely contained rage. She writes all of her true feelings in her "Poisonous Notebook," but Kyoko's appearance is causing some of that poison to seep out into the real world.
* EmbarrassingAnimalSuit: Kyoko's job as Bo the Chicken on ''Yappa Kimagure Rock'' requires her to wear a large chicken suit.
* EveryScarHasAStory: Chiori has a minor outburst when the director asks the stylist on the set of ''Box "R"'' put her hair up. Kyoko learns from Honami and Yuka that Chiori has a bad burn scar on the back of her neck. Later on Kyoko overhears from the members of Bridge Rock that a decade ago, child actress on the set of a movie called ''The Scarlet Dice'' also got a burn scar on the back of her neck...
* FairyTaleMotiff: The [[https://vignette3.wikia.nocookie.net/skip-beat/images/e/ea/Chapter_127.png/revision/latest?cb=20140920143044 title page for chapter 127]] shows Kyoko as [[Literature/SnowWhiteAndTheSevenDwarfs Snow White]], with Ren and Yashiro as two of the seven dwarfs.
* FashionModel: Ren is one of the top male models in all of Japan, so Kyoko turns to him for advice on what else but modeling. Why? Because Kyoko needed to create a version of Natsu that looked and acted like a naturally charismatic leader - something she was having trouble with, especially when the director pointed out that her posture was too proper and her mannerisms were too stiff to fit in with the "average teenage girls" that made up Natsu's clique. Kyoko decides that she has to create a Natsu with an attitude and bearing other girls would naturally want to emulate, and the best way to do that is to [[LamePun model]] Natsu's mannerisms on fashion models.
* FlowerMotifs: It's a [[ShoujoDemographic shoujo]] managa after all:
** The title page for chapter 127 depicts Kyoko as Snow White on a bier overgrown with roses.
** The title page for chapter 132 shows an extreme closeup of Kyoko surrounded by hibiscus flowers and cherry blooms. Hibiscuses symbolize the fleeting nature of beauty, fame, or personal glory.
** Most chapters have a few instances of panel backgrounds filling with unexplained flowers.
* TheMakeover: Kyoko's makeover for the role of Natsu is subtle but effective: she parts her hair to the side and smooths it down a bit, accessorizes with Princess Rosa, and makes generous use of the nice cosmetics that Moko gave her as a birthday present. But the biggest change is in her personality and comportment. "Kyoko" is proper and unfailingly polite, to the point that her costarts refer to her as "plain udon." But "Natsu" is naturally poised and elegant, with an affected personality as if nothing that happens can phase her nor pique her interest.
* ShipperOnDeck: Yashiro is very interested to learn that Kyoko spent the night at Ren's apartment, even if she only visited to ask for advice.
* ShowWithinAShow: ''Box "R"'', ''Dark Moon'', ''Yappa Kimagure Rock'', and ''The Scarlet Dice'' are type 1 examples, with "characters involved in the production of the show(s)."
* StockShoujoBullyingTactics: Honami and Yuka continue their campaign of bullying Kyoko when they decide to mess with her costume for ''Box "R"'' by stealing the ribbon off her school uniform. Later, a furious Chiori rips up the nametag on Kyoko's dressing room door. Kyoko is unimpressed, even leaving Chiori a note to "try harder" on her next attempt.
* ThoseTwoGirls: Honami Makino and Yuka Sudo, two of Kyoko's costars in ''Box "R"''. They're almost always seen together and seem to know each other outside of work. They're also united in their efforts to bully Kyoko, at least before her total reinvention of Natsu's character.
----
