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* BottomlessMagazines: Downplayed; the antagonist does stop to reload, but fires about twice as many shots as the weapon he carries would be able to hold.
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* ContinuitySnarl: The episode's original airing ended with Sam leaping into Samantha Stormer from "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]]", the fourth episode of the second season, rather than into the season 2 opener "[[Recap/QuantumLeapS2E01HoneymoonExpress Honeymoon Express]]" or another leap.
Changed line(s) 32,33 (click to see context) from:
* FridgeHorror: Lionel killed Phil (and Nick in the original timeline), which means the mysterious hitman Klapper was a red herring. Assuming Klapper is not just a rumor, that means there is still an incredibly dangerous hitman (or hitwoman?) prowling the streets of 1950s New York City.
* GenderBender: At the end of this episode, Sam leaps into secretary Samantha Stormer. This was an error, as this was the lead-in for "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]]", which wouldn't happen for another four episodes.
* GenderBender: At the end of this episode, Sam leaps into secretary Samantha Stormer. This was an error, as this was the lead-in for "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]]", which wouldn't happen for another four episodes.
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Deleted line(s) 24,25 (click to see context) :
Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in 1961 Detroit. This represents a continuity error, as Sam's adventures as Samantha would not be aired until "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]]", the fourth episode of the second season. As this episode was the season finale, the next episode would have been season 2's opener "[[Recap/QuantumLeapS2E01HoneymoonExpress Honeymoon Express]]", which began sometime prior to leaping into the episode's main plot, implying that Sam had likely leapt multiple times between seasons.
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Changed line(s) 24 (click to see context) from:
Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in October 16, 1961. This represents a continuity error, as Sam's adventures as Samantha would not be aired until "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]]", the fourth episode of the second season. As this episode was the season finale, the next episode would have been season 2's opener "[[Recap/QuantumLeapS2E01HoneymoonExpress Honeymoon Express]]", which began sometime prior to leaping into the episode's main plot, implying that Sam had likely leapt multiple times between seasons.
to:
Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in October 16, 1961.1961 Detroit. This represents a continuity error, as Sam's adventures as Samantha would not be aired until "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]]", the fourth episode of the second season. As this episode was the season finale, the next episode would have been season 2's opener "[[Recap/QuantumLeapS2E01HoneymoonExpress Honeymoon Express]]", which began sometime prior to leaping into the episode's main plot, implying that Sam had likely leapt multiple times between seasons.
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Changed line(s) 24 (click to see context) from:
Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in October 16, 1961. This represents a continuity error, as Sam's adventures as Samantha would not be aired until [[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], the fourth episode of the second season. As this episode was the season finale, the next episode would have been season 2's opener "[[Recap/QuantumLeapS2E01HoneymoonExpress Honeymoon Express]]", which began sometime prior to leaping into the episode's main plot, implying that Sam had likely leapt multiple times between seasons.
to:
Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in October 16, 1961. This represents a continuity error, as Sam's adventures as Samantha would not be aired until [[Recap/QuantumLeapS2E04WhatPriceGloria "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], Gloria?]]", the fourth episode of the second season. As this episode was the season finale, the next episode would have been season 2's opener "[[Recap/QuantumLeapS2E01HoneymoonExpress Honeymoon Express]]", which began sometime prior to leaping into the episode's main plot, implying that Sam had likely leapt multiple times between seasons.
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Changed line(s) 24 (click to see context) from:
Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in October 16, 1961. This represents a continuity error, as Sam's adventures as Samantha would not be aired until [[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], the fourth episode of the second season.
to:
Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in October 16, 1961. This represents a continuity error, as Sam's adventures as Samantha would not be aired until [[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], the fourth episode of the second season. As this episode was the season finale, the next episode would have been season 2's opener "[[Recap/QuantumLeapS2E01HoneymoonExpress Honeymoon Express]]", which began sometime prior to leaping into the episode's main plot, implying that Sam had likely leapt multiple times between seasons.
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Changed line(s) 35 (click to see context) from:
* GenderBender: At the end of this episode, Sam leaps into secretary Samantha Stormer. This was an error, as this was the lead-in for [[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], which wouldn't happen for another four episodes.
to:
* GenderBender: At the end of this episode, Sam leaps into secretary Samantha Stormer. This was an error, as this was the lead-in for [[Recap/QuantumLeapS2E04WhatPriceGloria "[[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], Gloria?]]", which wouldn't happen for another four episodes.
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* GenderBender: At the end of this episode, Sam leaps into secretary Samantha Stormer. This was an error, as this was the lead-in for [[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], which wouldn't happen for another four episodes.
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Note: The final episode of the first season, this episode ended with Sam leaping into newly promoted executive secretary Samantha Stormer in October 16, 1961. This represents a continuity error, as Sam's adventures as Samantha would not be aired until [[Recap/QuantumLeapS2E04WhatPriceGloria What Price Gloria?]], the fourth episode of the second season.
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* AcceptableBreaksFromReality: The believability of two men having a shootout at La Guardia airport in the 1950s without attracting police attention lessens the further from the action the viewer is pulled. ''Maybe'' in the 1950s before electronic surveillance and all night businesses. ''Very'' unlikely in the late 80s when the episode was aired. Laughably unbelievable to the modern viewer.
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* NecessaryWeasel: The shootout at the airport. The believability of two men having a shootout at La Guardia airport in the 1950s without attracting police attention lessens the further from the action the viewer is pulled. ''Maybe'' in the 1950s before electronic surveillance and all night businesses. ''Very'' unlikely in the late 80s when the episode was aired. Laughably unbelievable to the modern viewer.
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Changed line(s) 40 (click to see context) from:
* ResemblanceReveal: A look in the mirror reveals that Nick looks so much like Creator/HumphreyBogart that Scott thinks that he may have leaped into the actor's body. However, Al sets him straight and tells him that Bogart is in Long Island shooting ''Film/{{Sabrina|1954}}'' with Creator/AudreyHepburn.
to:
* ResemblanceReveal: A look in the mirror reveals that Nick looks so much like Creator/HumphreyBogart that Scott Sam thinks that he may have leaped into the actor's body. However, Al sets him straight and tells him that Bogart is in Long Island shooting ''Film/{{Sabrina|1954}}'' with Creator/AudreyHepburn.
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Changed line(s) 40 (click to see context) from:
* ResemblanceReveal: A look in the mirror reveals that Nick looks so much like Creator/HumphreyBogart that Scott thinks that he may have leaped into the actor's body. However, Al sets him straight and tells him that Bogart is in Long Island shooting ''Film/{{Sabrina}}'' with Creator/AudreyHepburn.
to:
* ResemblanceReveal: A look in the mirror reveals that Nick looks so much like Creator/HumphreyBogart that Scott thinks that he may have leaped into the actor's body. However, Al sets him straight and tells him that Bogart is in Long Island shooting ''Film/{{Sabrina}}'' ''Film/{{Sabrina|1954}}'' with Creator/AudreyHepburn.
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Deleted line(s) 27 (click to see context) :
* {{Conceit}}: The shootout at the airport. The believability of two men having a shootout at La Guardia airport in the 1950s without attracting police attention lessens the further from the action the viewer is pulled. ''Maybe'' in the 1950s before electronic surveillance and all night businesses. ''Very'' unlikely in the late 80s when the episode was aired. Laughably unbelievable to the modern viewer.
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* NecessaryWeasel: The shootout at the airport. The believability of two men having a shootout at La Guardia airport in the 1950s without attracting police attention lessens the further from the action the viewer is pulled. ''Maybe'' in the 1950s before electronic surveillance and all night businesses. ''Very'' unlikely in the late 80s when the episode was aired. Laughably unbelievable to the modern viewer.
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Changed line(s) 39 (click to see context) from:
* NoirEpisode
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* NoirEpisodeNoirEpisode: Surprisingly enough, this is the only example of this in the show's run.
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Changed line(s) 44 (click to see context) from:
* StalkerWithACrush: Lionel towards Allison. He is willing to kill all the other men in her life to have her and it's implied that without Sam's intervention, he was successful, as in the pre-leap outcome, she disappears and is never heard from again.
to:
* StalkerWithACrush: Lionel towards Allison. He is willing to kill all the other men in her life to have her and it's implied that without Sam's intervention, he was successful, as in the pre-leap outcome, she disappears and is never heard from again.again.
* YoungFutureFamousPeople: The teenager who mistakes Sam as Nick for Humphrey Bogart and then begins ranting about being a neurotic is a young Creator/WoodyAllen.
* YoungFutureFamousPeople: The teenager who mistakes Sam as Nick for Humphrey Bogart and then begins ranting about being a neurotic is a young Creator/WoodyAllen.
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** Sam tells detective fanboy Seymour that he will never be like [[Literature/TheMalteseFalcon Sam Spade]], Literature/PhilipMarlowe or [[Series/MagnumPI Thomas Magnum]][[note]]qualifies as an additional ShoutOut as ''Quantum Leap'' creator Donald P. Bellisario also created ''Magnum, P.I.''[[/note]].
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Changed line(s) 32 (click to see context) from:
* GotMeDoingIt: The longer Sam is Nick the more he finds himself speaking entire sentences of euphemistic 50s Detective slang.
to:
* FridgeHorror: Lionel killed Phil (and Nick in the original timeline), which means the mysterious hitman Klapper was a red herring. Assuming Klapper is not just a rumor, that means there is still an incredibly dangerous hitman (or hitwoman?) prowling the streets of 1950s New York City.
* TheGhost: The hitman Klapper is mentioned several times as a suspect for Phil's murder. Sam even follows this lead for much of the episode. Klapper is so mysterious in New York underworld circles that no one knows what he looks like and some rumors persist that Klapper is actually a woman (which could explain why the cops are having such a hard time finding Klapper; not many would suspect a women to be a hitman in 1953).
* GotMeDoingIt: The longer Sam is Nick the more he finds himself speaking entire sentences of euphemistic 50sDetective pulp detective slang.
* TheGhost: The hitman Klapper is mentioned several times as a suspect for Phil's murder. Sam even follows this lead for much of the episode. Klapper is so mysterious in New York underworld circles that no one knows what he looks like and some rumors persist that Klapper is actually a woman (which could explain why the cops are having such a hard time finding Klapper; not many would suspect a women to be a hitman in 1953).
* GotMeDoingIt: The longer Sam is Nick the more he finds himself speaking entire sentences of euphemistic 50s
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* RetroactiveRecognition: The teenager who mistakes Sam as Nick for Humphrey Bogart and then begins ranting about being a neurotic is a young Creator/WoodyAllen
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* RetroactiveRecognition: The teenager who mistakes Sam as Nick for Humphrey Bogart and then begins ranting about being a neurotic is a young Creator/WoodyAllen
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* TheBigDamnKiss: Allison and Sam as Nick after Sam saves her life.
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* FemalesAreMoreInnocent: Played with throughout the story. Sam doesn't want to be that Allison could have possibly killed Phil or is trying to kill Nick. Al repeatedly reminds him that females are capable of murder and that it's possible that the murder was never solved because the 1950s cops fail for this trope.
to:
* FemalesAreMoreInnocent: Played with throughout the story. Sam doesn't want to be that Allison could have possibly killed Phil or is trying to kill Nick. Al repeatedly reminds him that females are capable of murder and that it's possible that the murder was never solved because the 1950s cops fail for this trope. Played straight in that Allison does turnout to be innocent.
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* {{Sexophone}}: Every scene with Allison and Sam as Nick together starts with a sultry saxophone riff. The saxophone swells every time they kiss as well.
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* {{Conceit}}: The shootout at the airport. The believability of two men having a shootout at La Guardia airport in the 1950s without attracting police attention lessens the further from the action the viewer is pulled. ''Maybe'' in the 1950s before electronic surveillance and all night businesses. ''Very'' unlikely in the late 80s when the episode was aired. Laughably unbelievable to the modern viewer.
* DarkenedBuildingShootout: The final act includes Lionel kidnapping Seymour, shooting at Sam as Nick as they duck and dodge between parked planes.
* DarkenedBuildingShootout: The final act includes Lionel kidnapping Seymour, shooting at Sam as Nick as they duck and dodge between parked planes.
* HeadTurningBeauty: Allison. Every man we meet in the storyline who has met Allison wants Allison.
* MotiveRant: Lionel claims that he killed Phil to free Allison so they could be together. Now he needs to kill Nick so he and Allison can escape to be together forever. However, the camera pans over to show Allison crying, bound and gagged in the plane.
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* ShoutOut: The cops who arrest Sam as Nick tell him he's going to miss the Dodgers' opening day. The camera then pans over to a picture of UsefulNotes/JackieRobinson and several of his teammates on the front page of the newspaper.
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* ShoutOut: The cops who arrest Sam as Nick tell him he's going to miss the Dodgers' opening day. The camera then pans over to a picture of UsefulNotes/JackieRobinson and several of his teammates on the front page of the newspaper.newspaper.
* StalkerWithACrush: Lionel towards Allison. He is willing to kill all the other men in her life to have her and it's implied that without Sam's intervention, he was successful, as in the pre-leap outcome, she disappears and is never heard from again.
* StalkerWithACrush: Lionel towards Allison. He is willing to kill all the other men in her life to have her and it's implied that without Sam's intervention, he was successful, as in the pre-leap outcome, she disappears and is never heard from again.
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* ElevatorFailure: Walking backwards to get away from Seymour, Sam as Nick almost falls to his death when the elevator doors open but the elevator car is several floors down. This is not supposed to be possible but the safety latch that prevents the doors from opening if the car is not present has been broken, possibly intentionally.
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* DejaVu: For the first third of the story, Sam keeps saying he feels like he's experiencing Deja Vu. Finally, he realizes that he read the novelization of the events that are currently happening to Nick. Unfortunately, the novel was written as one of the then-popular Guess The Ending stories, so it's no help.
* FemalesAreMoreInnocent: Played with throughout the story. Sam doesn't want to be that Allison could have possibly killed Phil or is trying to kill Nick. Al repeatedly reminds him that females are capable of murder and that it's possible that the murder was never solved because the 1950s cops fail for this trope.
* GotMeDoingIt: The longer Sam is Nick the more he finds himself speaking entire sentences of euphemistic 50s Detective slang.
* HardboiledDetective: Sam as Nick is a detective who is working to solve the murder of his partner and prevent his own murder.
* FemalesAreMoreInnocent: Played with throughout the story. Sam doesn't want to be that Allison could have possibly killed Phil or is trying to kill Nick. Al repeatedly reminds him that females are capable of murder and that it's possible that the murder was never solved because the 1950s cops fail for this trope.
* GotMeDoingIt: The longer Sam is Nick the more he finds himself speaking entire sentences of euphemistic 50s Detective slang.
* HardboiledDetective: Sam as Nick is a detective who is working to solve the murder of his partner and prevent his own murder.
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* NoirEpisode
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Changed line(s) 26 (click to see context) from:
* ImplausibleDeniability: Post leap Sam realizes he's holding a gun, standing over a dead body riddled with bullets, just as the police burst in to arrest him for murder.
to:
* ImplausibleDeniability: Post leap Sam realizes he's holding a gun, standing over a dead body riddled with bullets, just as the police burst in to arrest him for murder.murder.
* ResemblanceReveal: A look in the mirror reveals that Nick looks so much like Creator/HumphreyBogart that Scott thinks that he may have leaped into the actor's body. However, Al sets him straight and tells him that Bogart is in Long Island shooting ''Film/{{Sabrina}}'' with Creator/AudreyHepburn.
* ShoutOut: The cops who arrest Sam as Nick tell him he's going to miss the Dodgers' opening day. The camera then pans over to a picture of UsefulNotes/JackieRobinson and several of his teammates on the front page of the newspaper.
* ResemblanceReveal: A look in the mirror reveals that Nick looks so much like Creator/HumphreyBogart that Scott thinks that he may have leaped into the actor's body. However, Al sets him straight and tells him that Bogart is in Long Island shooting ''Film/{{Sabrina}}'' with Creator/AudreyHepburn.
* ShoutOut: The cops who arrest Sam as Nick tell him he's going to miss the Dodgers' opening day. The camera then pans over to a picture of UsefulNotes/JackieRobinson and several of his teammates on the front page of the newspaper.
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->'''Sam''': Oh my god, I'm a dork. A dork whose teeth can pick up radio transmisssions...
to:
->'''Sam''': Oh my god, Sometimes when I'm a dork. A dork whose teeth can pick up radio transmisssions...
quantum leaping, I have really good days. Days when I win the race, stop the bad guy, and kiss the girl. And then there are the bad days...
Changed line(s) 24 (click to see context) from:
!Tropes:
to:
*{{Catchphrase}}: Sam mutters his oft-used phrase "Oh, boy..." as he realizes he has no idea how to explain the situation to the cops.
*ImplausibleDeniability: Post leap Sam realizes he's holding a gun, standing over a dead body riddled with bullets, just as the police burst in to arrest him for murder.
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[floatboxright:
Previous: Recap/QuantumLeapS1E08CamikaziKid\\
Next: Recap/QuantumLeapS2E01HoneymoonExpress]
'''''Series/QuantumLeap'''''\\
'''Season 1, Episode 9:'''
!Play it again, Seymour
->'''Sam''': Oh my god, I'm a dork. A dork whose teeth can pick up radio transmisssions...
Written by Donald P Bellisario, Tom Blomquist, Scott Shepherd
Directed by Aaron Lipstadt
Airdate: May 17, 1989
------------
April 14, 1953
Sam leaps into a New York City area private detective with an uncanny resemblance to the Hollywood screen legend, Humphrey Bogart. He must not only find the killer of his detective partner but also avoid becoming the killer's next victim.
!Tropes:
Previous: Recap/QuantumLeapS1E08CamikaziKid\\
Next: Recap/QuantumLeapS2E01HoneymoonExpress]
'''''Series/QuantumLeap'''''\\
'''Season 1, Episode 9:'''
!Play it again, Seymour
->'''Sam''': Oh my god, I'm a dork. A dork whose teeth can pick up radio transmisssions...
Written by Donald P Bellisario, Tom Blomquist, Scott Shepherd
Directed by Aaron Lipstadt
Airdate: May 17, 1989
------------
April 14, 1953
Sam leaps into a New York City area private detective with an uncanny resemblance to the Hollywood screen legend, Humphrey Bogart. He must not only find the killer of his detective partner but also avoid becoming the killer's next victim.
!Tropes:
