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* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone. Her -pardon me,- ''their'' cynical views, complete indifference to ''everything'' and possible schizophrenia do not help the situation.
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* Morla, the giant sneezing turtle, has robbed many a child of sleep on her terrifying appearance alone. Her -pardon me,- ''their'' cynical views, complete indifference to ''everything'' and possible schizophrenia do not help the situation.
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Changed line(s) 40 (click to see context) from:
* Right before we cut back to Bastian, we see ''solid ground'' getting blown by the Nothing.
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* Right before we cut back to Bastian, we see ''solid ground'' getting blown away by the Nothing.
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Changed line(s) 25 (click to see context) from:
** The build-up to the first and final confrontation between Atreyu and Gmork. As the entire world falls to pieces around him, Atreyu finds himself in a ruin where he sees murals of his entire journey going all the way back to the beginning of the film: taking up the challenge of stopping the Nothing, losing Artax in the Swamps of Sadness, Falkor...and then comes upon a mural showing an unfamiliar scene. A hole in a stone wall, with the terrifying face of a snarling, wolf-like creature emerging from it, and the scene becomes very quiet. Then, we hear a growl. Atreyu turns around, [[https://www.youtube.com/watch?v=70u6MH-e50c a terrifying chord plays, one that we've heard in the film before]], and both Atreyu and the audience realize that the scene in the mural is unfolding right this very second. Gmork is finally revealed in all his nightmarish glory. [[https://www.youtube.com/watch?v=kOPAW7Em8mE Really, words don't do it justice]].
to:
** The build-up to the first and final confrontation between Atreyu and Gmork. As the entire world falls to pieces around him, Atreyu finds himself in a ruin where he sees murals of his entire journey going all the way back to the beginning of the film: taking up the challenge of stopping the Nothing, losing Artax in the Swamps of Sadness, Falkor...and then comes upon a mural showing an unfamiliar scene. A hole in a stone wall, with the terrifying face of a snarling, wolf-like creature emerging from it, and the scene becomes very quiet. Then, we hear a growl. Atreyu turns around, [[https://www.youtube.com/watch?v=70u6MH-e50c a terrifying chord plays, one that we've heard in the film before]], and both Atreyu and the audience realize that the scene in the mural is unfolding right this very second. Gmork is finally revealed in all his nightmarish glory. [[https://www.youtube.com/watch?v=kOPAW7Em8mE com/watch?v=J3HYXinYgtY Really, words don't do it justice]].
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* Smerg, the european-style dragon created by Bastian for Hynreck to fight. Everything about this... [[AnimalisticAbomination thing]] just screams BodyHorror and BizarreAlienBiology at their worst. For starters, it has the head of a crocodile, a pair of bat-like wings, the body of a mouse, complete with short forelimbs and the legs of a grasshopper. If that's not enough, it has the heads of elderly humans (a woman and a man respectively) in place of eyes.
to:
* Smerg, the european-style European-style dragon created by Bastian for Hynreck to fight. Everything about this... [[AnimalisticAbomination thing]] just screams BodyHorror and BizarreAlienBiology at their worst. For starters, it has the head of a crocodile, a pair of bat-like wings, the body of a mouse, complete with short forelimbs and the legs of a grasshopper. If that's not enough, it has the heads of elderly humans (a woman and a man respectively) in place of eyes.
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** Just how unnatural Gmork looks and sounds, despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out whenever he lunges at Atreyu is terrifying.
to:
** [[UncannyValley Just how unnatural Gmork looks and sounds, sounds]], despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out whenever he lunges at Atreyu is terrifying.
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** Just how unnatural Gmork looks and sounds, despite being a wolf. He looks like a combination between a wolf and black cat, and his green eyes are almost human-like. And he doesn't howl or snarl like a wolf either, he ''roars''. The roar he lets out whenever he lunges at Atreyu is terrifying.
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** Xayide herself is one of the creepiest characters in the book as she is able to easily manipulate Bastian (he was already going mad with power, but she certainly pushed it) and the implications that she planned to make him Childlike Emperor so she could rule Fantastica from behind the scenes.
*** Xayide's armored soldiers. They are merely metal suits that move by themselves. When asked about it, she explains that because they are empty, they move by her will as she is able to control everything that is empty. It's implied that they might have been living creatures once.
*** Xayide's armored soldiers. They are merely metal suits that move by themselves. When asked about it, she explains that because they are empty, they move by her will as she is able to control everything that is empty. It's implied that they might have been living creatures once.
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Disturbing as that is, it’s not example from the series.
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** The fact that there is actual Rule34 of him only makes it worse.
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** The way it inexplicably draws in anyone who gets too close to it. There are no words to describe it, as demonstrated in the first chapter. Atreyu can't even ''look'' at it without his mind rebelling at the non-sight. It is, quite simply, something that can not ''exist'', because it ''[[CircularReasoning doesn't]]''.
to:
** The way it inexplicably draws in anyone who gets too close to it. There are no words to describe it, as demonstrated in the first chapter. Atreyu can't even ''look'' at it without his mind rebelling at the non-sight. It is, quite simply, something that can not cannot ''exist'', because it ''[[CircularReasoning doesn't]]''.
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-->'''G'mork:''' I am the servant of the power behind the Nothing.
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* Our hero Bastian's proggressive descent into becoming a tyrannical nutcase toward the end of the book.
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* Our hero Bastian's proggressive progressive descent into becoming a tyrannical nutcase toward the end of the book.
Changed line(s) 23 (click to see context) from:
** The build-up to the first and final confrontation between Atreyu and Gmork. As the entire world falls to pieces around him, Atreyu finds himself in a ruin where he sees murals of his entire journey going all the way back to the beginning of the film: taking up the challenge of stopping the Nothing, losing Artax in the Swamps of Sadness, Falkor...and then comes upon a mural showing an unfamiliar scene. A hole a stone wall, with the terrifying face of a snarling, wolf-like creature emerging from it, and the scene becomes very quiet. Then, we hear a growl. Atreyu turns around, [[https://www.youtube.com/watch?v=70u6MH-e50c a terrifying chord plays, one that we've heard in the film before]], and both Atreyu and the audience realize that the scene in the mural is unfolding right this very second. Gmork is finally revealed in all his nightmarish glory. [[https://www.youtube.com/watch?v=kOPAW7Em8mE Really, words don't do it justice]].
to:
** The build-up to the first and final confrontation between Atreyu and Gmork. As the entire world falls to pieces around him, Atreyu finds himself in a ruin where he sees murals of his entire journey going all the way back to the beginning of the film: taking up the challenge of stopping the Nothing, losing Artax in the Swamps of Sadness, Falkor...and then comes upon a mural showing an unfamiliar scene. A hole in a stone wall, with the terrifying face of a snarling, wolf-like creature emerging from it, and the scene becomes very quiet. Then, we hear a growl. Atreyu turns around, [[https://www.youtube.com/watch?v=70u6MH-e50c a terrifying chord plays, one that we've heard in the film before]], and both Atreyu and the audience realize that the scene in the mural is unfolding right this very second. Gmork is finally revealed in all his nightmarish glory. [[https://www.youtube.com/watch?v=kOPAW7Em8mE Really, words don't do it justice]].
Changed line(s) 34 (click to see context) from:
** This deserves a bit more detail. The whole scene leading up to this is very slow and tense, with the music building up in a gradual crescendo as Atreyu approaches the Sphinx Gate across the sands, alternately in a long shot that emphasizes his smallness in comparison and in a close-up where the viewer can see just how nervous and unsettled he is. When he finally reaches the gate, we're treated to a beautiful DutchAngle of him gazing up at each Sphinx in turn before he moves closer through a rising wind, passing the scattered bones of previous questors. Finally he approaches the fallen knight, only for the wind to blow his helmet open in quite the JumpScare as the camera lingers on TheReveal of his charred appearance. Atreyu begins to panic...backing up a bit at a time and constantly looking in terror from one Sphinx to the other, the music rising and the DutchAngle becoming increasingly acute...until finally the eyes begin to open, letting through the slits a blindingly bright light...
to:
** This actually deserves a bit more detail. The whole scene leading up to this is very slow and tense, with the music building up in a gradual crescendo as Atreyu approaches the Sphinx Gate across the sands, alternately in a long shot that emphasizes his smallness in comparison and in a close-up where the viewer can see just how nervous and unsettled he is. When he finally reaches the gate, we're treated to a beautiful DutchAngle of him gazing up at each Sphinx in turn before he moves closer through a rising wind, passing the scattered bones of previous questors. Finally he approaches the fallen knight, only for the wind to blow his helmet open in quite the JumpScare as the camera lingers on TheReveal of his charred appearance. Atreyu begins to panic...backing up a bit at a time and constantly looking in terror from one Sphinx to the other, the music rising and the DutchAngle becoming increasingly acute...until finally the eyes begin to open, letting through the slits a blindingly bright light...
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** This deserves a bit more detail. The whole scene leading up to this is very slow and tense, with the music building up in a gradual crescendo as Atreyu approaches the Sphinx Gate across the sands, alternately in a long shot that emphasizes his smallness in comparison and in a close-up where the viewer can see just how nervous and unsettled he is. When he finally reaches the gate, we're treated to a beautiful DutchAngle of him gazing up at each Sphinx in turn before he moves closer through a rising wind, passing the scattered bones of previous questors. Finally he approaches the fallen knight, only for the wind to blow his helmet open in quite the JumpScare as the camera lingers on TheReveal of his charred appearance. Atreyu begins to panic...backing up a bit at a time and constantly looking in terror from one Sphinx to the other, the music rising and the DutchAngle becoming increasingly acute...until finally the eyes begin to open, letting through the slits a blindingly bright light...
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** Some of the [[https://alfonsomassaro.tumblr.com/post/136108820492/gmork-the-nothing-commission-piccioninja illustrations]] [[https://morbidfantasy21.tumblr.com/post/187951894874/werewolf-concept of]] [[https://www.artstation.com/artwork/L2OwJA G'mork]] paint him as a out-and-out EldritchAbomination, harbinger of the Nothing, and generally give the movie version a major run for its money in being straight-up ''terrifying.''
to:
** Some of the [[https://alfonsomassaro.tumblr.com/post/136108820492/gmork-the-nothing-commission-piccioninja illustrations]] [[https://morbidfantasy21.tumblr.com/post/187951894874/werewolf-concept of]] [[https://www.artstation.com/artwork/L2OwJA G'mork]] paint him as a out-and-out EldritchAbomination, AnimalisticAbomination, harbinger of the Nothing, and generally give the movie version a major run for its money in being straight-up ''terrifying.''
Changed line(s) 40,41 (click to see context) from:
* The implication that all the terrible destruction in Fantasia is deliberate and planned by a malicious being who is never seen or described.
** Even more frightening is the implication that it isn't a being at all. G'mork never says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.
** Even more frightening is the implication that it isn't a being at all. G'mork never says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.
to:
* The implication that all the terrible destruction in Fantasia is deliberate and planned by a malicious being malicious, [[EldritchAbomination otherworldly beings]] called The Manipulators, [[NothingIsScarier who is are never seen or described.
described.]]
** Even more frightening is the implication thatit isn't a being they may not be actual beings at all. G'mork never says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.
** Even more frightening is the implication that
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* The Sphinx Gate. The movie version simply blasted you to charcoal. This one hits you with every riddle ever known to man. You simply sit there in an AndIMustScream state until you die of exposure or thrist. And it does this ''completely randomly.''
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* The Sphinx Gate. The movie version simply blasted you to charcoal. This one hits you with every riddle ever known to man. You simply sit there in an AndIMustScream state until you die of exposure or thrist.thirst. And it does this ''completely randomly.''
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** The build-up to the first and final confrontation between Atreyu and Gmork. As the entire world falls to pieces around him, Atreyu finds himself in a ruin where he sees murals of his entire journey going all the way back to the beginning of the film: taking up the challenge of stopping the Nothing, losing Artax in the Swamps of Sadness, Falkor...and then comes upon a mural showing an unfamiliar scene. A hole a stone wall, with the terrifying face of a snarling, wolf-like creature emerging from it, and the scene becomes very quiet. Then, we hear a growl. Atreyu turns around, [[https://www.youtube.com/watch?v=70u6MH-e50c a terrifying chord plays, one that we've heard in the film before]], and both Atreyu and the audience realize that the scene in the mural is unfolding right this very second. Gmork is finally revealed in all his nightmarish glory. [[https://www.youtube.com/watch?v=kOPAW7Em8mE Really, words don't do it justice]].
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** When he reveals his identity, G'mork looks extremely shocked for a moment... then it's replaced by a look of cold rage.
to:
** When he reveals his identity, G'mork looks extremely shocked for a moment... then it's replaced by a look of cold rage. Shit gets real in a ''hurry'' after that, and thanks to EnforcedMethodActing, the shocked look on Atreyu's face as G'mork lunges at him is quite real as well.
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Changed line(s) 8 (click to see context) from:
* The Sphinx Gate
to:
* The Sphinx GateGate. The movie version simply blasted you to charcoal. This one hits you with every riddle ever known to man. You simply sit there in an AndIMustScream state until you die of exposure or thrist. And it does this ''completely randomly.''
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Changed line(s) 10 (click to see context) from:
** Some of the [[https://alfonsomassaro.tumblr.com/post/136108820492/gmork-the-nothing-commission-piccioninja illustrations]] [[https://morbidfantasy21.tumblr.com/post/187951894874/werewolf-concept of]] [[https://www.artstation.com/artwork/L2OwJA G'mork]] paint him as a straight-up EldritchAbomination, harbinger of the Nothing, and generally give the movie version a major run for its money in being straight-up ''terrifying.''
to:
** Some of the [[https://alfonsomassaro.tumblr.com/post/136108820492/gmork-the-nothing-commission-piccioninja illustrations]] [[https://morbidfantasy21.tumblr.com/post/187951894874/werewolf-concept of]] [[https://www.artstation.com/artwork/L2OwJA G'mork]] paint him as a straight-up out-and-out EldritchAbomination, harbinger of the Nothing, and generally give the movie version a major run for its money in being straight-up ''terrifying.''
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** Some of the [[https://alfonsomassaro.tumblr.com/post/136108820492/gmork-the-nothing-commission-piccioninja illustrations]] [[https://morbidfantasy21.tumblr.com/post/187951894874/werewolf-concept of]] [[https://www.artstation.com/artwork/L2OwJA G'mork]] paint him as a straight-up EldritchAbomination, harbinger of the Nothing, and generally give the movie version a major run for its money in being straight-up ''terrifying.''
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Changed line(s) 32 (click to see context) from:
* Nimbly, the hideous anthropomorphic chicken thing from the second film. Granted, he eventually becomes a good guy but still.
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* Nimbly, the hideous [[BirdPeople anthropomorphic chicken thing thing]] from the second film. Granted, he eventually becomes a good guy but still.
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** Bastion screaming at her introduction didn't help.
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** Bastion Bastian screaming at her introduction didn't help.
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* That hideous anthropomorphic chicken thing from the second film.
** The fact that there is actual Rule34 of it only makes it worse.
** The fact that there is actual Rule34 of it only makes it worse.
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* That Nimbly, the hideous anthropomorphic chicken thing from the second film.
film. Granted, he eventually becomes a good guy but still.
** The fact that there is actual Rule34 ofit him only makes it worse.
** The fact that there is actual Rule34 of
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just putting this here for future editors
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'''As a Moments subpage, all spoilers are unmarked [[Administrivia/SpoilersOff as per policy.]] Administrivia/YouHaveBeenWarned.'''
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Adding explanation
Changed line(s) 37,38 (click to see context) from:
-->'''G'mork:''' I am a servant of the power behind the Nothing.
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** Even more frightening is the implication that it isn't a being at all. G'mork never says he serves another being, he says that he serves a POWER. It can be inferred that G'mork is the servant of the one powerful thing that destroys people's hopes and makes them forget their dreams: FEAR ITSELF.
-->'''G'mork:''' I ama the servant of the power behind the Nothing.
-->'''G'mork:''' I am
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Changed line(s) 10 (click to see context) from:
* The City of Old Emperors. While a city of nonsense may sound funny, it's '''not'''. Former humans are trapped in Fantasia with no memories of who they are, or what they are, engaging in endless, nonsensical tasks over and over ''forever''. Truly a WorldGoneMad.
to:
* [[AndIMustScream The City of of]] [[FateWorseThanDeath Old Emperors.Emperors]]. While a city of nonsense may sound funny, it's '''not'''. Former humans are trapped in Fantasia with no memories of who they are, or what they are, engaging in endless, nonsensical tasks over and over ''forever''. Truly a WorldGoneMad.
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Changed line(s) 8 (click to see context) from:
* Ygramul the Many, [[TheWormThatWalks a myriad of blue beetles acting as one]], most of the time forming a big spider but changing into multiple forms when hunting its prey, or into a huge skull with a single eye when talking to Atreyu.
to:
* Ygramul the Many, [[TheWormThatWalks a myriad of blue beetles predatory wasp-like insects acting as one]], one being]], most of the time forming a big spider but changing into multiple forms when hunting its prey, or into a huge skull with a single eye when talking to Atreyu.
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Changed line(s) 8,9 (click to see context) from:
* Ygramul the Many, [[TheWormThatWalks a myriad of blue beetles acting as one]], most of the time forming a big spider but changing into multiple forms when hunting with its prey, or into a huge skull with a single eye when talking to Atreyu.
* Our hero Bastian's descent into becoming a tyrannical nutcase toward the end of the book.
* Our hero Bastian's descent into becoming a tyrannical nutcase toward the end of the book.
to:
* Ygramul the Many, [[TheWormThatWalks a myriad of blue beetles acting as one]], most of the time forming a big spider but changing into multiple forms when hunting with its prey, or into a huge skull with a single eye when talking to Atreyu.
* Our hero Bastian's proggressive descent into becoming a tyrannical nutcase toward the end of the book.
* Our hero Bastian's proggressive descent into becoming a tyrannical nutcase toward the end of the book.
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Changed line(s) 24 (click to see context) from:
** The kid actor also apparently got scarred for life because he got hurt several times during filming - during his horse riding training, he fell off and got stepped on. Then evidently, his leg got caught in the elevator and he got pulled under.
to:
** The kid actor also apparently got scarred for life because he got hurt several times during filming - during his horse riding training, he fell off and got stepped on. Then evidently, his leg got caught in the elevator and he got pulled under.under during the Artax scene. He also nearly lost an eye when G'mork tackled him, since [[EnforcedMethodActing Atreyu didn't know the puppet was going to tackle him]].
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Changed line(s) 15,17 (click to see context) from:
* Smerg, the european-style dragon created by Bastian for Hynreck to fight. Everything about this... [[AnimalisticAbomination thing]] just screams BodyHorror and BizarreAlienBiology at their worst. For starters, it has the head of a crocodile, a pair of bat-like wings, the body of a mouse, complete with shore forelimbs and the legs of a grasshopper. If that's not enough, it has the respective heads of an elderly male and female human in place of eyes.
to:
* Smerg, the european-style dragon created by Bastian for Hynreck to fight. Everything about this... [[AnimalisticAbomination thing]] just screams BodyHorror and BizarreAlienBiology at their worst. For starters, it has the head of a crocodile, a pair of bat-like wings, the body of a mouse, complete with shore short forelimbs and the legs of a grasshopper. If that's not enough, it has the respective heads of an elderly male humans (a woman and female human a man respectively) in place of eyes.
eyes.
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Changed line(s) 3 (click to see context) from:
* The Nothing is the ultimate Nightmare Fuel. Paradoxic, isn't it?
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* [[EldritchAbomination The Nothing Nothing]] is the ultimate Nightmare Fuel. Paradoxic, isn't it?
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* Ygramul the Many, [[TheWormThatWalks a myriad of blue beetles acting as one]], most of the time forming a big spider but changing into multiple forms when fighting with its prey, or into a huge face with antennae instead of a tongue when talking to Atreyu.
to:
* Ygramul the Many, [[TheWormThatWalks a myriad of blue beetles acting as one]], most of the time forming a big spider but changing into multiple forms when fighting hunting with its prey, or into a huge face skull with antennae instead of a tongue single eye when talking to Atreyu.
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* The insane shlamoof creatures have quite the {{Monster Clown}} vibe going on. And towards the end it is revealed they have been pursuing Bastian for quite a while.
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* The insane shlamoof creatures have quite the {{Monster Clown}} vibe and BigCreepyCrawlies vibes going on. And towards the end it is revealed they have been pursuing Bastian for quite a while.
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to:
* Smerg, the european-style dragon created by Bastian for Hynreck to fight. Everything about this... [[AnimalisticAbomination thing]] just screams BodyHorror and BizarreAlienBiology at their worst. For starters, it has the head of a crocodile, a pair of bat-like wings, the body of a mouse, complete with shore forelimbs and the legs of a grasshopper. If that's not enough, it has the respective heads of an elderly male and female human in place of eyes.
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Changed line(s) 36 (click to see context) from:
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-->'''G'mork:''' I am a servant of the power behind the Nothing.
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Changed line(s) 14,15 (click to see context) from:
* Yor's Minroud is an in-universe example. It's a mine where dreams are found, isolated in a landscape of eternal winter (particularly cruel considering the previous chapter was set in an area of perpetual summer) and tended by a single blind miner. The thought of having to work there, in the dark, is enough to make Bastian, who still has all the gifts of Fantasia including fearlessness, shiver in dread.
to:
* Yor's Minroud is an in-universe example. It's a mine where dreams are found, isolated in a landscape of eternal winter (particularly cruel considering the previous chapter was set in an area of perpetual summer) and tended by a single blind miner. The thought of having to work there, in the dark, is enough to make Bastian, who still has all the gifts of Fantasia Fantastica including fearlessness, shiver in dread.
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* Forthat matter, the look on Atreyu's face when he challenges G'mork is a little chilling. As the outcome of their encounter shows, [[GoodIsNotSoft he's not called a warrior for nothing.]]
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* Forthat For that matter, the look on Atreyu's face when he challenges G'mork is a little chilling. As the outcome of their encounter shows, [[GoodIsNotSoft he's not called a warrior for nothing.]]