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* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dying act. Her face and mouth makes her look almost hypnotically bestial for the remainder of the film. She particularly resembles Literature/{{Carrie}} at the prom. See the page image above for the [[SarcasmMode lovely]] result.
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* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dying act. Her face and mouth makes her look almost hypnotically bestial for the remainder of the film. She particularly resembles Literature/{{Carrie}} at the prom. See the page image above for the [[SarcasmMode lovely]] ''[[SarcasmMode lovely]]'' result.
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Changed line(s) 5 (click to see context) from:
* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dying act. Her face and mouth makes her look almost hypnotically bestial for the remainder of the film. She particularly resembles Literature/{{Carrie}} at the prom.
to:
* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dying act. Her face and mouth makes her look almost hypnotically bestial for the remainder of the film. She particularly resembles Literature/{{Carrie}} at the prom. See the page image above for the [[SarcasmMode lovely]] result.
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* Warren's long, detailed account of how he forced Chester Smithers to walk through the cold before having him suck his dick in exchange for a blanket, which he never received.
* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dying act, her face and mouth makes her look almost hypnotically bestial for the remainder of the film. She particularly resembled Literature/{{Carrie}} at the prom in all versions
-->'''Daisy:''' "When you get to hell, John, tell them Daisy sent you."
* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dying act, her face and mouth makes her look almost hypnotically bestial for the remainder of the film. She particularly resembled Literature/{{Carrie}} at the prom in all versions
-->'''Daisy:''' "When you get to hell, John, tell them Daisy sent you."
to:
* Warren's long, detailed account of how he forced Chester Smithers to walk through the cold before having him suck his dick in exchange for a blanket, which he never even received.
* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dyingact, her act. Her face and mouth makes her look almost hypnotically bestial for the remainder of the film. She particularly resembled resembles Literature/{{Carrie}} at the prom in all versions
prom.
-->'''Daisy:'''"When When you get to hell, John, tell them Daisy sent you."
* John Ruth's attack on Daisy when he shatters her teeth and vomits blood all over her as his dying
-->'''Daisy:'''
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* Creator/SamuelLJackson draws on the same tortured wailing screams that he did for the part of Stephen the head slave in ''Film/DjangoUnchained'' when [[GroinAttack his testicles are blown apart]]. They are truly haunting and the camera lingers on him for several long moments. After this point, while he's still prone to sometimes sadistic laughter, it hurts him to laugh.
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* Creator/SamuelLJackson draws on the same tortured wailing screams that he did for the part of Stephen the head slave in ''Film/DjangoUnchained'' when [[GroinAttack his testicles are blown apart]]. They are truly haunting haunting, and the camera lingers on him for several long moments. After this point, while he's still prone to sometimes sadistic laughter, it hurts him to laugh.
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* Daisy’s hanging is a pretty gruesome and disturbing image that will stick around in your head a while after the film has ended.
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* Daisy’s hanging is a pretty gruesome and disturbing image that will stick around in your head a while after the film has ended. [[AssholeVictim Sucks to suck, Daisy.]]
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* Morricone's score is definitely unnerving, and Tarantino included unused themes from ''[[Film/TheThing1982 The Thing]]'' for good measure.
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* Morricone's Music/EnnioMorricone's score is definitely unnerving, and Tarantino Creator/QuentinTarantino included unused themes from ''[[Film/TheThing1982 The Thing]]'' for good measure.
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* Samuel Jackson draws on the same tortured wailing screams that he did for the part of Stephen the head slave in [[Film/DjangoUnchained Django Unchained]] when [[GroinAttack his testicles are blown apart]]. They are truly haunting and the camera lingers on him for several long moments. After this point, while he's still prone to sometimes sadistic laughter, it hurts him to laugh.
to:
* Samuel Jackson Creator/SamuelLJackson draws on the same tortured wailing screams that he did for the part of Stephen the head slave in [[Film/DjangoUnchained Django Unchained]] ''Film/DjangoUnchained'' when [[GroinAttack his testicles are blown apart]]. They are truly haunting and the camera lingers on him for several long moments. After this point, while he's still prone to sometimes sadistic laughter, it hurts him to laugh.
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* The idea that four strangers could walk into your workplace/place of residence and murder you and all your friends for reasons you are ultimately uninvolved in. The way Oswaldo murders Gemma like it's no big deal, and [[SoftSpokenSadist how Joe Gage seems to enjoy Judy and the horse groom's terror before murdering them with a completely neutral expression on his face]] will likely keep you up at night.
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* The idea that four strangers could walk into your workplace/place of residence and murder you and all your friends for reasons you are ultimately uninvolved in. The way Oswaldo murders Gemma like it's no big deal, and [[SoftSpokenSadist how Joe Gage seems to enjoy Judy and the horse groom's terror before murdering them with a completely neutral expression on his face]] will likely keep you up at night.night.
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Moments pages are Spoilers Off pages.
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* Warren's long, detailed account of how [[spoiler: he forced Chester Smithers to walk through the cold before having him suck his dick in exchange for a blanket, which he never received.]]
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'''As a Moments subpage, all spoilers are unmarked [[Administrivia/SpoilersOff as per policy.]] Administrivia/YouHaveBeenWarned.'''
* Warren's long, detailed account of how[[spoiler: he forced Chester Smithers to walk through the cold before having him suck his dick in exchange for a blanket, which he never received.]]
* Warren's long, detailed account of how
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-->'''Daisy''': "When you get to hell, John, tell them Daisy sent you."
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* Daisy’s [[spoiler: hanging]] is a pretty gruesome and disturbing image that will stick around in your head a while after the film has ended.
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* Daisy’s [[spoiler: hanging]] hanging is a pretty gruesome and disturbing image that will stick around in your head a while after the film has ended.
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* The idea that [[spoiler: four strangers could walk into your workplace/place of residence and murder you and all your friends for reasons you are ultimately uninvolved in. The way Oswaldo murders Gemma like it's no big deal, and [[SoftSpokenSadist how Joe Gage seems to enjoy Judy and the horse groom's terror before murdering them with a completely neutral expression on his face]] will likely keep you up at night.]]
to:
* The idea that [[spoiler: four strangers could walk into your workplace/place of residence and murder you and all your friends for reasons you are ultimately uninvolved in. The way Oswaldo murders Gemma like it's no big deal, and [[SoftSpokenSadist how Joe Gage seems to enjoy Judy and the horse groom's terror before murdering them with a completely neutral expression on his face]] will likely keep you up at night.]]
