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** [[LastNoteNightmare OVER AND OVER]]
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** [[LastNoteNightmare OVER "OVER AND OVER]]OVER..."]]
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** [[Lastnotenightmare OVER AND OVER]]
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** [[Lastnotenightmare [[LastNoteNightmare OVER AND OVER]]
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** "'[[Lastnotenightmare]]'" OVER AND OVER
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** "'[[Lastnotenightmare]]'" [[Lastnotenightmare OVER AND OVER OVER]]
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** "'[[Lastnotenightmare]]'" OVER AND OVER
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'''Music/SurferGirl'''
* "In My Room" is about Brian hiding from abuse and the pressures of fame. Knowing what we know now about what Murry Wilson and Mike Love did to him, the pressure Capitol and the band members put on him, and his subsequent mental issues, it's a tragic piece of music. It remains beautiful, however.
* "In My Room" is about Brian hiding from abuse and the pressures of fame. Knowing what we know now about what Murry Wilson and Mike Love did to him, the pressure Capitol and the band members put on him, and his subsequent mental issues, it's a tragic piece of music. It remains beautiful, however.
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* "I Went To Sleep" is quite evidently the product of someone with mental issues, and as Brian's only new contribution to the album (his other contributions were old outtakes), it shows what state of mind he was in at the time.
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'''Music/Sunflower'''
* The inner gatefold to the album features a very creepy picture of Mike Love with some kids.
* The inner gatefold to the album features a very creepy picture of Mike Love with some kids.
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* The aborted ''[[Music/{{Smile}} SMiLE]]'' album had a few.
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You ''were'' my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on [[LastNoteNightmare a long descending note played on violins]], as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
** The instrumental outtake, "Look", opens with a stark and moody piano chord progression.
** The original ending to "Surf's Up". Wordless vocals continue to go on until the song gradually fades.
** A very notorious example would be the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
*** While on this subject, the second disc of the ''Good Vibrations'' box set features what is ostensibly a small snippet of "Heroes and Villains"... then wham! Out of nowhere, it's "Fire"! And what's worse, it remains unknown whether this was a printing mistake, or some sort of creepy mind game...
** The repetitive "Heroes and Villains" harpsichord motif. An massive EarWorm teetering uncomfortably on the edge between beauty and horror, it's been known to induce wildly different reactions to whomever is exposed to it. What's more, if you're listening to [=SMiLE=] for the first time, after hearing the first side you might [[ParanoiaFuel expect it to appear out of nowhere at any time]].
*** Around the time of its release in 2011, ''The [=SMiLE=] Sessions'' had an official sub-site as part of The Beach Boys' official website. The first thing you were greeted with when opening it? [[JumpScare The "Heroes and Villains" riff]] (in its even darker outtake form, even), juxtaposed with the otherwise happy and cheerful album art, modified with some UncannyValley animation.
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You ''were'' my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on [[LastNoteNightmare a long descending note played on violins]], as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
** The instrumental outtake, "Look", opens with a stark and moody piano chord progression.
** The original ending to "Surf's Up". Wordless vocals continue to go on until the song gradually fades.
** A very notorious example would be the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
*** While on this subject, the second disc of the ''Good Vibrations'' box set features what is ostensibly a small snippet of "Heroes and Villains"... then wham! Out of nowhere, it's "Fire"! And what's worse, it remains unknown whether this was a printing mistake, or some sort of creepy mind game...
** The repetitive "Heroes and Villains" harpsichord motif. An massive EarWorm teetering uncomfortably on the edge between beauty and horror, it's been known to induce wildly different reactions to whomever is exposed to it. What's more, if you're listening to [=SMiLE=] for the first time, after hearing the first side you might [[ParanoiaFuel expect it to appear out of nowhere at any time]].
*** Around the time of its release in 2011, ''The [=SMiLE=] Sessions'' had an official sub-site as part of The Beach Boys' official website. The first thing you were greeted with when opening it? [[JumpScare The "Heroes and Villains" riff]] (in its even darker outtake form, even), juxtaposed with the otherwise happy and cheerful album art, modified with some UncannyValley animation.
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'''Music/PetSounds'''
* The
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses
** The instrumental outtake, "Look", opens with
** The original ending to "Surf's Up". Wordless vocals continue to go on until the song gradually fades.
** A very notorious example would be the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
*** While on this subject, the second disc of the ''Good Vibrations'' box set features what is ostensibly a small snippet of "Heroes and Villains"... then wham! Out of nowhere, it's "Fire"! And what's worse, it remains unknown whether this was a printing mistake, or some sort of creepy mind game...
** The repetitive "Heroes and Villains" harpsichord motif. An massive EarWorm teetering uncomfortably on the edge between beauty and horror, it's been known to induce wildly different reactions to whomever is exposed to it. What's more, if you're listening to [=SMiLE=] for the first time, after hearing the first side you might [[ParanoiaFuel expect it to appear out of nowhere at any time]].
*** Around the time of its release in 2011, ''The [=SMiLE=] Sessions'' had an official sub-site as part of The Beach Boys' official website. The first thing you were greeted with when opening it? [[JumpScare The "Heroes and Villains" riff]] (in its even darker outtake form, even), juxtaposed with the otherwise happy and cheerful album art, modified with some UncannyValley animation.
'''Music/SmileySmile'''
'''[[Music/{{Smile}} SMiLE]]'''
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You ''were'' my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on [[LastNoteNightmare a long descending note played on violins]], as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
** The instrumental outtake, "Look", opens with a stark and moody piano chord progression.
** The original ending to "Surf's Up". Wordless vocals continue to go on until the song gradually fades.
** A very notorious example would be the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
*** While on this subject, the second disc of the ''Good Vibrations'' box set features what is ostensibly a small snippet of "Heroes and Villains"... then wham! Out of nowhere, it's "Fire"! And what's worse, it remains unknown whether this was a printing mistake, or some sort of creepy mind game...
** The repetitive "Heroes and Villains" harpsichord motif. An massive EarWorm teetering uncomfortably on the edge between beauty and horror, it's been known to induce wildly different reactions to whomever is exposed to it. What's more, if you're listening to [=SMiLE=] for the first time, after hearing the first side you might [[ParanoiaFuel expect it to appear out of nowhere at any time]].
*** Around the time of its release in 2011, ''The [=SMiLE=] Sessions'' had an official sub-site as part of The Beach Boys' official website. The first thing you were greeted with when opening it? [[JumpScare The "Heroes and Villains" riff]] (in its even darker outtake form, even), juxtaposed with the otherwise happy and cheerful album art, modified with some UncannyValley animation.
'''Music/TwentyTwenty'''
'''Music/SurfsUp'''
* The cover art of ''Surf's Up'', our page image. If you just glanced over it without seeing the title plaque, chances are your immediate assumption would be that this is some freakin' heavy metal right here. And without having heard the songs themselves, titles like "Don't Go Near the Water" and "'Til I Die" just sound creepy and ominous.
'''Summer In Paradise'''
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* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
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'''Other'''
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* The cover art of ''Surf's Up'', our page image. If you just glanced over it without seeing the title plaque, chances are your immediate assumption would be that this is some freakin' heavy metal right here. And without having heard the songs themselves, titles like "Don't Go Near the Water" and "'Til I Die" just sound creepy and ominous.
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Erm, you did not see that. There was no mistake. It did not happen. Anonymous hacked me and placed it there and that\'s it, okay?!? ...I Lied.
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Hey, surely The Beach Boys can have a nightmare fuel image if The Beatles can have that messed-up butcher cover image (which, coincidentally, I have a poster reproduction of hanging on my wall, because, As You Know, I believe in facing your fears head-on and stuff).
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* The aborted ''[[Music/{{SMile}} SMiLE]]'' album had a few.
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/surfsup_5310.png]]
[[caption-width-right:300:[[LessDisturbingInContext DON'T GO NEAR THE WATER.]]]]
* The aborted''[[Music/{{SMile}} ''[[Music/{{Smile}} SMiLE]]'' album had a few.
[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/surfsup_5310.png]]
[[caption-width-right:300:[[LessDisturbingInContext DON'T GO NEAR THE WATER.]]]]
* The aborted
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* The [[http://images.coveralia.com/audio/t/The_Beach_Boys-Surf_s_Up-Frontal.jpg?135 cover art]] of ''Surf's Up''. If you just glanced over it without seeing the title plaque, chances are your immediate assumption would be that this is some freakin' heavy metal right here. And without having heard the songs themselves, titles like "Don't Go Near the Water" and "'Til I Die" just sound creepy and ominous.
to:
* The [[http://images.coveralia.com/audio/t/The_Beach_Boys-Surf_s_Up-Frontal.jpg?135 cover art]] art of ''Surf's Up''.Up'', our page image. If you just glanced over it without seeing the title plaque, chances are your immediate assumption would be that this is some freakin' heavy metal right here. And without having heard the songs themselves, titles like "Don't Go Near the Water" and "'Til I Die" just sound creepy and ominous.
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Just trying to exorcize more stuff that\'s haunting me, man. And I re-organized/-wrote the Smiley section into something resembling its somewhat less disturbing cousin\'s section.
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* The aborted ''Smile'' album had a few.
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* The aborted ''Smile'' ''[[Music/{{SMile}} SMiLE]]'' album had a few.
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* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal turn by Carl Wilson (making what was a song about [[TheirFirstTime losing consensual innocence]] feel like a song about being an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the listener's fears]]. The whole song feels so somber and gloomy. Not something to [[JustForPun Smile]] about.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a [[LastNoteNightmare middle note nightmare]].
** Let's face it, there are so many things on ''Smiley Smile'' that are just... off, in one way or another. The creepy organ undercurrent in "With Me Tonight", the strange low vocals/demonic manifestation heard throughout "Fall Breaks and Back to Winter", the MadnessMantra of "Whistle In"... it's like being stuck in the company of some particularly imaginative, if harmless, manics. The stereo mix really puts you at the center of the madness.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a [[LastNoteNightmare middle note nightmare]].
** Let's face it, there are so many things on ''Smiley Smile'' that are just... off, in one way or another. The creepy organ undercurrent in "With Me Tonight", the strange low vocals/demonic manifestation heard throughout "Fall Breaks and Back to Winter", the MadnessMantra of "Whistle In"... it's like being stuck in the company of some particularly imaginative, if harmless, manics. The stereo mix really puts you at the center of the madness.
to:
*** Around the time of its release in 2011, ''The [=SMiLE=] Sessions'' had an official sub-site as part of The Beach Boys' official website. The first thing you were greeted with when opening it? [[JumpScare The "Heroes and Villains" riff]] (in its even darker outtake form, even), juxtaposed with the otherwise happy and cheerful album art, modified with some UncannyValley animation.
* ''Smiley
** "Fall Breaks and Back to Winter (W. Woodpecker Symphony)" is a strange, repetitive little soundscape that's quite gloomy and sinister on its own accord... and that's ''without'' knowing of its origins as the above-mentioned "Fire". Whatever those strange noises heard throughout the song are, they are surely not human...
** "With Me Tonight" has an unsettlingly creepy organ undercurrent running through the entire song. It doesn't help that the organ begins right after an unidentified dark voice says "GOOD" (some have theorized it to be an archival recording of [[AbusiveParents Murry Wilson]], which does ''not'' help things). And then there's the song itself, which, what with its repetitiveness of variations of "you're with me tonight," borders on creepy obsession.
** "Wind Chimes". It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant, unidentifiable noise that blares out of nowhere. Could count as a [[LastNoteNightmare middle note nightmare]]. And the next section alternates between a heavenly falsetto and a dark bass that keeps on getting darker in pitch for every line...
** "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal turn by Carl Wilson (making what was a song about [[TheirFirstTime losing consensual innocence]] feel like a song about being an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the listener's fears]]. The whole song feels so somber and gloomy. Not something to [[JustForPun
**
** Let's face it, there are so many things on ''Smiley Smile'' that are just... off, in one way or another. The creepy organ undercurrent in "With Me Tonight", the strange low vocals/demonic manifestation heard throughout "Fall Breaks and Back to Winter", the MadnessMantra of
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* [[http://internationalpopoverthrow.com/wp-content/uploads/2012/03/beach-boys.jpg This picture]]. Brian doesn't look right... no, scratch that, actually he's looking RIGHT INTO YOUR SOUL.
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Linked directly to the image instead. It\'s a little bit of Nightmare Retardant when right next to it you have Facebook avatars depicting Sponge Bob, ponies, and DAT ASS.
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* The [[http://images.coveralia.com/audio/t/The_Beach_Boys-Surf_s_Up-Frontal.jpg cover art]] of ''Surf's Up''. If you just glanced over it without seeing the title plaque, chances are your immediate assumption would be that this is some freakin' heavy metal right here. And without having heard the songs themselves, titles like "Don't Go Near the Water" and "'Til I Die" just sound creepy and ominous.
to:
* The [[http://images.coveralia.com/audio/t/The_Beach_Boys-Surf_s_Up-Frontal.jpg jpg?135 cover art]] of ''Surf's Up''. If you just glanced over it without seeing the title plaque, chances are your immediate assumption would be that this is some freakin' heavy metal right here. And without having heard the songs themselves, titles like "Don't Go Near the Water" and "'Til I Die" just sound creepy and ominous.
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no first person/This Troper material
Deleted line(s) 7 (click to see context) :
*** When this troper was younger, he was (and still is) a huge Beach Boys fan. I got the "Good Vibrations" box set for Christmas and was scared of the second half of the second disc for all the strange "Smile" tunes, but ESPECIALLY because of "Fire."
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Beach Boys, I love you, but you\'re beginning to make Revolution 9 feel like a sleeping aid here...
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* The [[http://images.coveralia.com/audio/t/The_Beach_Boys-Surf_s_Up-Frontal.jpg cover art]] of ''Surf's Up''. If you just glanced over it without seeing the title plaque, chances are your immediate assumption would be that this is some freakin' heavy metal right here. And without having heard the songs themselves, titles like "Don't Go Near the Water" and "'Til I Die" just sound creepy and ominous.
* The ''Good Vibrations'' box set includes the ''Adult/Child'' outtake "It's Over Now". Problem is, due to some sort of error, the speed and thus pitch has been lowered, rendering Carl's voice unfamiliar and difficult to place. So now, out of nowhere you have this voice you don't entirely recognize singing this hopeless, bleak song about what sounds like the worst break-up ever... shades of blue and purple aren't gonna be the only things haunting you!
* The ''Good Vibrations'' box set includes the ''Adult/Child'' outtake "It's Over Now". Problem is, due to some sort of error, the speed and thus pitch has been lowered, rendering Carl's voice unfamiliar and difficult to place. So now, out of nowhere you have this voice you don't entirely recognize singing this hopeless, bleak song about what sounds like the worst break-up ever... shades of blue and purple aren't gonna be the only things haunting you!
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None
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* "[[https://www.youtube.com/watch?v=tF1NeZlOWP4 My Solution]]", a ''Landlocked'' outtake. Nonsensical, drug-addled spoken word soliloquy about some kind of mad doctor(?) featuring dark, eerie synths equals some creepy shivers, for sure.[[note]]However, if you are now in need of some NightmareRetardant, Brian later reworked it as a joyful anthem of recovery for his 1998 album, ''Imagination''![[/note]]
to:
* "[[https://www.youtube.com/watch?v=tF1NeZlOWP4 My Solution]]", a ''Landlocked'' outtake. Nonsensical, drug-addled spoken word soliloquy about some kind of mad doctor(?) featuring dark, eerie synths equals some creepy shivers, for sure.[[note]]However, if you are now in need of some NightmareRetardant, Brian later reworked it as a joyful anthem of recovery for his 1998 album, ''Imagination''![[/note]]''Imagination''![[/note]]
----
----
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Changed line(s) 7 (click to see context) from:
*** When this troper was younger, he was a (and still is) a huge Beach Boys fan. I got the "Good Vibrations" box set for Christmas and was scared of the second half of the second disc for all the strange "Smile" tunes, but ESPECIALLY because of "Fire."
to:
*** When this troper was younger, he was a (and still is) a huge Beach Boys fan. I got the "Good Vibrations" box set for Christmas and was scared of the second half of the second disc for all the strange "Smile" tunes, but ESPECIALLY because of "Fire."
Is there an issue? Send a MessageReason:
None
Changed line(s) 7 (click to see context) from:
*** When this troper was younger, he was a huge (and still is) a huge Beach Boys fan. I got the "Good Vibrations" box set for Christmas and was scared of the second half of the first disc for all the strange "Smile" tunes, but ESPECIALLY because of "Fire."
to:
*** When this troper was younger, he was a huge (and still is) a huge Beach Boys fan. I got the "Good Vibrations" box set for Christmas and was scared of the second half of the first second disc for all the strange "Smile" tunes, but ESPECIALLY because of "Fire."
Is there an issue? Send a MessageReason:
None
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*** When this troper was younger, he was a huge (and still is) a huge Beach Boys fan. I got the "Good Vibrations" box set for Christmas and was scared of the second half of the first disc for all the strange "Smile" tunes, but ESPECIALLY because of "Fire."
Is there an issue? Send a MessageReason:
That box set thing is... not cool. It took me a while to sleep that night, let me tell ya. The thing is with \"Fire\", you can usually take it when you know it\'s coming, but if it comes out of nowhere... well, good luck hanging onto your ego.
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*** While on this subject, the second disc of the ''Good Vibrations'' box set features what is ostensibly a small snippet of "Heroes and Villains"... then wham! Out of nowhere, it's "Fire"! And what's worse, it remains unknown whether this was a printing mistake, or some sort of creepy mind game...
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** Let's face it, almost all songs on ''Smiley Smile''... off, in one way or another. The creepy organ undercurrent in "With Me Tonight", the strange low vocals(?) heard throughout "Fall Breaks and Back to Winter", the MadnessMantra of "Whistle In"... and the 2012 stereo mix hardly helps at all. The soundscape, with voices coming from different directions a lot, is a bit like being locked in a dimly lit room with some strange and deranged (if harmless) people.
to:
** Let's face it, almost all songs there are so many things on ''Smiley Smile''...Smile'' that are just... off, in one way or another. The creepy organ undercurrent in "With Me Tonight", the strange low vocals(?) vocals/demonic manifestation heard throughout "Fall Breaks and Back to Winter", the MadnessMantra of "Whistle In"... and it's like being stuck in the 2012 company of some particularly imaginative, if harmless, manics. The stereo mix hardly helps really puts you at all. The soundscape, with voices coming from different directions a lot, is a bit like being locked in a dimly lit room with some strange and deranged (if harmless) people.the center of the madness.
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* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
to:
* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.off.
* "[[https://www.youtube.com/watch?v=tF1NeZlOWP4 My Solution]]", a ''Landlocked'' outtake. Nonsensical, drug-addled spoken word soliloquy about some kind of mad doctor(?) featuring dark, eerie synths equals some creepy shivers, for sure.[[note]]However, if you are now in need of some NightmareRetardant, Brian later reworked it as a joyful anthem of recovery for his 1998 album, ''Imagination''![[/note]]
* "[[https://www.youtube.com/watch?v=tF1NeZlOWP4 My Solution]]", a ''Landlocked'' outtake. Nonsensical, drug-addled spoken word soliloquy about some kind of mad doctor(?) featuring dark, eerie synths equals some creepy shivers, for sure.[[note]]However, if you are now in need of some NightmareRetardant, Brian later reworked it as a joyful anthem of recovery for his 1998 album, ''Imagination''![[/note]]
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Hah, well, I\'ve a bit of trouble putting that Smiley Smile feeling into words, but people I\'ve talked to seem to get some reaction similar to this.
** Let's face it, almost all songs on ''Smiley Smile''... off, in one way or another. The creepy organ undercurrent in "With Me Tonight", the strange low vocals(?) heard throughout "Fall Breaks and Back to Winter", the MadnessMantra of "Whistle In"... and the 2012 stereo mix hardly helps at all. The soundscape, with voices coming from different directions a lot, is a bit like being locked in a dimly lit room with some strange and deranged (if harmless) people.
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* All of ''Summer In Paradise'' qualifies. It's hard to believe that Mike Love could fathom such an album...but he did.
* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
to:
* All of ''Summer In in Paradise'' qualifies. It's hard to believe that Mike Love could fathom such an album...but he did.
* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
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This fits for me; that intro is a bit disturbing to my ears.
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* All of ''Summer In Paradise'' qualifies. It's hard to believe that Mike Love could fathom such an album.. but he did.
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* All of ''Summer In Paradise'' qualifies. It's hard to believe that Mike Love could fathom such an album.. album...but he did.did.
* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
* The intro to "Wouldn't It Be Nice" can be this for some. The carnival-like melody being played sounds just a little...off.
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None
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* The fact that "Never Learn Not to Love" is a revised cover of a song written by [[CharlesManson a would-be murderer]] is already uncomfortable to start with.
to:
* The fact that "Never Learn Not to Love" is a revised cover of a song written by [[CharlesManson [[UsefulNotes/CharlesManson a would-be murderer]] is already uncomfortable to start with.
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* All of ''Summer In Paradise'' qualifies.. It's hard to believe that Mike Love could fathom such an album.. but he did.
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* All of ''Summer In Paradise'' qualifies..qualifies. It's hard to believe that Mike Love could fathom such an album.. but he did.
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* "'Til I Die" immediately begins with a droning synthesizer chord progression that plays throughout the whole song. The song's themes of despair, anguish, and (of course) death further brings chills down the listener's spine.
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* "'Til I Die" immediately begins with a droning synthesizer chord progression that plays throughout the whole song. The song's themes of despair, anguish, and (of course) death further brings chills down the listener's spine.spine.
* All of ''Summer In Paradise'' qualifies.. It's hard to believe that Mike Love could fathom such an album.. but he did.
* All of ''Summer In Paradise'' qualifies.. It's hard to believe that Mike Love could fathom such an album.. but he did.
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** The instrumental outtake, "Look", starts with a very stark and moody piano chord progression.
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** The instrumental outtake, "Look", starts opens with a very stark and moody piano chord progression.
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** The original ending to "Surf's Up". Wordless vocals continue to go on until the song gradually fades.
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** A very notorious example was the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal lead by Carl Wilson (making what was a song about [[TheirFirstTime losing consensual innocence]] feel like a song about being an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the listener's fears]]. The whole song feels so somber and gloomy. Not something to [[JustForPun Smile]] about.
* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal lead by Carl Wilson (making what was a song about [[TheirFirstTime losing consensual innocence]] feel like a song about being an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the listener's fears]]. The whole song feels so somber and gloomy. Not something to [[JustForPun Smile]] about.
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** The instrumental outtake, "Look", starts with a very stark and moody piano chord progression.
** A very notorious examplewas would be the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocallead turn by Carl Wilson (making what was a song about [[TheirFirstTime losing consensual innocence]] feel like a song about being an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the listener's fears]]. The whole song feels so somber and gloomy. Not something to [[JustForPun Smile]] about.
** A very notorious example
* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal
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** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on [[LastNoteNightmare a long descending note played on violins]], as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
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** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE ''were'' my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on [[LastNoteNightmare a long descending note played on violins]], as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
Changed line(s) 4,5 (click to see context) from:
* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal lead by Carl Wilson (making what was a song about [[TheirFirstTime losing consensual innocence]] feel like a song about being an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the listener's fears]]. The whole song feels so somber and gloomy. Not something to [[Pun Smile]] about.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a [[LastNoteNightmare Middle Note Nightmare]].
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a [[LastNoteNightmare Middle Note Nightmare]].
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* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal lead by Carl Wilson (making what was a song about [[TheirFirstTime losing consensual innocence]] feel like a song about being an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the listener's fears]]. The whole song feels so somber and gloomy. Not something to [[Pun [[JustForPun Smile]] about.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a [[LastNoteNightmareMiddle Note Nightmare]].middle note nightmare]].
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a [[LastNoteNightmare
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Changed line(s) 2 (click to see context) from:
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on ''LastNoteNightmare a long descending note played on violins'', as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
to:
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on ''LastNoteNightmare [[LastNoteNightmare a long descending note played on violins'', violins]], as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
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* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal lead by Carl Wilson (making what was a song about ''TheirFirstTime losing consensual innocence'' feel like a song about being a possible target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude heightens the ''FirdgeHorror listener's fear''. The whole song feels so somber and gloomy. Not something to ''Pun Smile'' about.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a ''MiddleNoteNightmare''.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a ''MiddleNoteNightmare''.
to:
* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal lead by Carl Wilson (making what was a song about ''TheirFirstTime [[TheirFirstTime losing consensual innocence'' innocence]] feel like a song about being a possible an unsuspecting target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude [[FridgeHorror heightens the ''FirdgeHorror listener's fear''.fears]]. The whole song feels so somber and gloomy. Not something to ''Pun Smile'' [[Pun Smile]] about.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a''MiddleNoteNightmare''.[[LastNoteNightmare Middle Note Nightmare]].
* The fact that "Never Learn Not to Love" is a revised cover of a song written by [[CharlesManson a would-be murderer]] is already uncomfortable to start with.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a
* The fact that "Never Learn Not to Love" is a revised cover of a song written by [[CharlesManson a would-be murderer]] is already uncomfortable to start with.
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Changed line(s) 2 (click to see context) from:
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on a long descending note played on violins, as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
to:
** "The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on ''LastNoteNightmare a long descending note played on violins, violins'', as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
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* The ''Smiley Smile'' version of "Wonderful", in its sparse arrangement of piano and sustained organ, benefits from a sinister vocal lead by Carl Wilson (making what was a song about ''TheirFirstTime losing consensual innocence'' feel like a song about being a possible target of prowling rapist, making it all the more creepy). The seemingly-jovial interlude heightens the ''FirdgeHorror listener's fear''. The whole song feels so somber and gloomy. Not something to ''Pun Smile'' about.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a ''MiddleNoteNightmare''.
** The album's version of "Wind Chimes" is this, as well. It's unsettling enough that the song has a calm yet dark vibe, then once the last verse is about to end, there is a dissonant noise that blares out of nowhere. Could count as a ''MiddleNoteNightmare''.
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None
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** A very notorious example was the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
to:
** A very notorious example was the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.Eerie.
* "'Til I Die" immediately begins with a droning synthesizer chord progression that plays throughout the whole song. The song's themes of despair, anguish, and (of course) death further brings chills down the listener's spine.
* "'Til I Die" immediately begins with a droning synthesizer chord progression that plays throughout the whole song. The song's themes of despair, anguish, and (of course) death further brings chills down the listener's spine.
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Added DiffLines:
*The aborted ''Smile'' album had a few.
**"The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on a long descending note played on violins, as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
**A very notorious example was the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.
**"The Old Master Painter" track begins with a brief string rendition of the aforementioned and then progresses to a haunting version of "You Are My Sunshine", which has its lyrics put to past tense (eg. "You WERE my sunshine...") and make it appear as a melancholic song about a person suffering from a heartbreak. It does not help that Dennis Wilson's vocals have been altered to have an echoey timbre. The song ends on a long descending note played on violins, as if it's meant to project the idea that the singer had either lost his mind or apparently committed suicide.
**A very notorious example was the Fire section of The Elements Suite. While the piece was supposed to convey the Great Chicago Fire of 1871, Brian Wilson based the composition on his second LSD trip, wherein he experienced ego death and saw himself burning within the fires of hell. Roughly three minutes of this is purely screeching violins and organ jabs amidst the array of chaotic sound effects. If that is disturbing enough, what is more disturbing is the story of the recording itself. Unbeknownst to Wilson, at the time he was working on the Fire section, parts of neighboring Santa Monica were put to flames. Once word got to him, he was so convinced that the ordeal unleashed "bad vibrations", that he immediately halted work on this song. Eerie.