Is there an issue? Send a MessageReason:
None
Changed line(s) 17 (click to see context) from:
* Towards the end of Jack's first visit, he gets serious when it's clear David isn't buying what he's saying, and tells David that "the forces of darkness" and the supernatural are RealAfterAll and it's why Jack is stuck as the undead and David will become a werewolf. It's terrifying enough to have confirmation that there really are evil forces out there.
to:
* Towards the end of Jack's first visit, he gets serious when it's clear David isn't buying what he's saying, and tells David that "the forces of darkness" and the supernatural are RealAfterAll and it's why Jack is stuck as the undead and David will become a werewolf. It's terrifying enough to have confirmation that there really are evil forces out there.there.
** Just think of what other monstrosities are out there if werewolves and restless spirits are real. Vampires? Demons? Zombies? The possibilities are endless and terrifying.
** Just think of what other monstrosities are out there if werewolves and restless spirits are real. Vampires? Demons? Zombies? The possibilities are endless and terrifying.
Is there an issue? Send a MessageReason:
None
Changed line(s) 13 (click to see context) from:
* The massacre in Piccadilly Circus, where David bites the head off the intervening inspector in front of hundreds of terrified people. What follows next is a chaotic scene where dozens of terrified motorists try to avoid his monstrous form, crashing and mowing down several panicked pedestrians who are trying to escape.
to:
* The massacre climax in Piccadilly Circus, where David bites the head off the intervening inspector in front of hundreds of terrified people. What follows next is a chaotic scene sequence of undistilled madness where dozens of terrified motorists try to avoid his monstrous form, crashing and mowing down several panicked pedestrians who are trying to escape.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Another thing that makes this scene terrifying is just the very ''sound'' the werewolf makes, this genuinely unsettling howl echoing off in the distance. The fact that it's in the distance on some hostile moors at night somehow makes it even scarier than it would be close up.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Indeed, the very ''angle of the shot'' as the camera closes in on the cornered victim is frightening, because it's effectively a werewolf's-eye-view of the creature's approach. And the angle, together with the previous bird's-eye glimpse and how high the man's gaze was turned when he spotted his attacker at the start of the chase, confirms that it's ''fucking '''huge'''''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 10,11 (click to see context) from:
* The scene where one of David's victims is stalked through, and eventually killed on, the London Underground. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.
** There's actually one moment where we're given a very brief glimpse; a wide bird's eye POV of the man being carried up the escalator, and the werewolf emerges from the tunnels - the scene cuts to a different angle before we can fully register what we're looking at.
** There's actually one moment where we're given a very brief glimpse; a wide bird's eye POV of the man being carried up the escalator, and the werewolf emerges from the tunnels - the scene cuts to a different angle before we can fully register what we're looking at.
to:
* The scene where one of David's victims is stalked through, and eventually killed on, the London Underground. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.
** There's actuallysave for one moment where we're given a very brief glimpse; a wide bird's eye POV of the man being carried up the escalator, and the werewolf emerges from the tunnels - the scene cuts to a different angle before we can fully register what we're looking at.at. The guy's terrified reactions are more than enough.
** There's actually
Is there an issue? Send a MessageReason:
Changed line(s) 3 (click to see context) from:
* The {{signature scene}} of the movie is pure unadulterated nightmare fuel: a {{painful transformation}} that would give the one from ''{{The Howling}}'' a run for its money. [[https://www.youtube.com/watch?v=UFLQS12z8K4 Here's the scene.]]
to:
* The {{signature scene}} of the movie is pure unadulterated nightmare fuel: a {{painful transformation}} that would give the one from ''{{The Howling}}'' ''Film/TheHowling'' a run for its money. [[https://www.youtube.com/watch?v=UFLQS12z8K4 Here's the scene.]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 8 (click to see context) from:
* When the pub-goers are asked about the crucifix on the wall, they become very hostile and the boys decide to leave. However, they insist that the boys avoid the moors, stay on the road, and beware the moon.
to:
* When the pub-goers are asked about the crucifix pentagram on the wall, they become very hostile and the boys decide to leave. However, they insist that the boys avoid the moors, stay on the road, and beware the moon.
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* The NightmareFace that David makes in one of the dreams he has.(shown on the right)
to:
* The NightmareFace that David makes in one of the dreams he has.has (shown on the right)right).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** One unfortunate passenger gets thrown out of a bus and gets his head crushed under the wheels of a car.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
[[caption-width-right:350:''Sweet Dreams...'']]
to:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[caption-width-right:350:''Sweet Dreams...'']]
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
* If the TransformationSequence doesn't get you, the [[OurGhostsAreDifferent "Undead"]] will, which are more like living zombies than ghosts; Jack first appears to David with most of his skin still torn off from the Werewolf attack, and he just keeps decaying from there until his last appearance is... gah.
to:
* If The {{signature scene}} of the TransformationSequence doesn't get you, movie is pure unadulterated nightmare fuel: a {{painful transformation}} that would give the one from ''{{The Howling}}'' a run for its money. [[https://www.youtube.com/watch?v=UFLQS12z8K4 Here's the scene.]]
* The [[OurGhostsAreDifferent"Undead"]] will, "Undead"]], which are more like living zombies than ghosts; Jack first appears to David with most of his skin still torn off from the Werewolf attack, and he just keeps decaying from there until his last appearance is... gah.
* The [[OurGhostsAreDifferent
Is there an issue? Send a MessageReason:
None
Changed line(s) 11 (click to see context) from:
* The NightmareFace that David makes in one of the dreams he has.(shown on the right)
to:
* The NightmareFace that David makes in one of the dreams he has.(shown on the right)right)
* The theatrical poster works thanks to, again, fear of the unknown. It depicts Jack and David looking off into the distance uneasily, with the full moon overhead. The tagline reads, "From the director of Animal House... a different kind of animal." The poster really puts you in the moment as if you're the unfortunate soul looking off in the distance as ''you'' hear the howl of the approaching werewolf.
* Towards the end of Jack's first visit, he gets serious when it's clear David isn't buying what he's saying, and tells David that "the forces of darkness" and the supernatural are RealAfterAll and it's why Jack is stuck as the undead and David will become a werewolf. It's terrifying enough to have confirmation that there really are evil forces out there.
* The theatrical poster works thanks to, again, fear of the unknown. It depicts Jack and David looking off into the distance uneasily, with the full moon overhead. The tagline reads, "From the director of Animal House... a different kind of animal." The poster really puts you in the moment as if you're the unfortunate soul looking off in the distance as ''you'' hear the howl of the approaching werewolf.
* Towards the end of Jack's first visit, he gets serious when it's clear David isn't buying what he's saying, and tells David that "the forces of darkness" and the supernatural are RealAfterAll and it's why Jack is stuck as the undead and David will become a werewolf. It's terrifying enough to have confirmation that there really are evil forces out there.
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and [[OhCrap you]] ''[[OhCrap know]]'' [[OhCrap it's circling you]].
to:
* The first attack. Imagine you're walking with your friends in a pitch black and seemingly endless field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast from the darkness that surrounds you and [[OhCrap you]] ''[[OhCrap know]]'' [[OhCrap it's circling you]].you]].
* When the pub-goers are asked about the crucifix on the wall, they become very hostile and the boys decide to leave. However, they insist that the boys avoid the moors, stay on the road, and beware the moon.
** After the boys leave, we see that the pub-goers, apparently regulars, have barricaded the doors of the pub and drawn their weapons. The barkeep insists they shouldn't have let them leave, but is rebuffed. Then we hear the most hellish, demonic howl in the distance, and all the pub-goers look up at it. The howl continues. The barkeep begins losing her composure and begs the pub-goers to go after the boys. The others refuse, too afraid to leave. One says "it's in God's hands now." The pub doesn't get much screen-time, but damned if this scene didn't make you afraid of the unknown.
* When the pub-goers are asked about the crucifix on the wall, they become very hostile and the boys decide to leave. However, they insist that the boys avoid the moors, stay on the road, and beware the moon.
** After the boys leave, we see that the pub-goers, apparently regulars, have barricaded the doors of the pub and drawn their weapons. The barkeep insists they shouldn't have let them leave, but is rebuffed. Then we hear the most hellish, demonic howl in the distance, and all the pub-goers look up at it. The howl continues. The barkeep begins losing her composure and begs the pub-goers to go after the boys. The others refuse, too afraid to leave. One says "it's in God's hands now." The pub doesn't get much screen-time, but damned if this scene didn't make you afraid of the unknown.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* The massacre in Piccadilly Circus, where David bites the head off the intervening inspector in front of hundreds of terrified people. What follows next is a chaotic scene where dozens of terrified motorists try to avoid his monstrous form, crashing and mowing down several panicked pedestrians who are trying to escape.
Is there an issue? Send a MessageReason:
None
Changed line(s) 8 (click to see context) from:
* The NightmareFace that David makes in one of the dreams he has. [shown on the right]
to:
* The NightmareFace that David makes in one of the dreams he has. [shown (shown on the right]right)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** That little flap of skin that's just barely hanging on by a thread to Jack's neck during the scene in the hospital.
Is there an issue? Send a MessageReason:
None
Added line(s) 5 (click to see context) :
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/werewolf_london.jpg]]
Changed line(s) 5 (click to see context) from:
** There's actually one moment where we're given a very brief glimpse; a wide bird's eye POV of the man being carried up the escalator, and the werewolf emerges from the tunnels - the scene cuts to a different angle before we can fully register what we're looking at.
to:
** There's actually one moment where we're given a very brief glimpse; a wide bird's eye POV of the man being carried up the escalator, and the werewolf emerges from the tunnels - the scene cuts to a different angle before we can fully register what we're looking at.at.
* The NightmareFace that David makes in one of the dreams he has. [shown on the right]
* The NightmareFace that David makes in one of the dreams he has. [shown on the right]
Is there an issue? Send a MessageReason:
None
Changed line(s) 4 (click to see context) from:
* The scene where one of David's victims is stalked through, and eventually killed on, the London Underground. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.
to:
* The scene where one of David's victims is stalked through, and eventually killed on, the London Underground. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.enough.
**There's actually one moment where we're given a very brief glimpse; a wide bird's eye POV of the man being carried up the escalator, and the werewolf emerges from the tunnels - the scene cuts to a different angle before we can fully register what we're looking at.
**There's actually one moment where we're given a very brief glimpse; a wide bird's eye POV of the man being carried up the escalator, and the werewolf emerges from the tunnels - the scene cuts to a different angle before we can fully register what we're looking at.
Is there an issue? Send a MessageReason:
None
Changed line(s) 4 (click to see context) from:
* The scene where one of David's victims is stalked through, and eventually killed on, the tube. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.
to:
* The scene where one of David's victims is stalked through, and eventually killed on, the tube.London Underground. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and [[OhCrap you]] ''[[OhCrap know]]'' [[OhCrap it's circling you]].
to:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and [[OhCrap you]] ''[[OhCrap know]]'' [[OhCrap it's circling you]].you]].
* The scene where one of David's victims is stalked through, and eventually killed on, the tube. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.
* The scene where one of David's victims is stalked through, and eventually killed on, the tube. We never, ''ever'' see the werewolf, but the guy's terrified reactions are more than enough.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and [[OhCrap you '''know''' it's circling you.]]
to:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and [[OhCrap you '''know''' you]] ''[[OhCrap know]]'' [[OhCrap it's circling you.]]you]].
Is there an issue? Send a MessageReason:
This trope has been redefined to a In Universe definition \'\'only\'\'. P Lease see this TRS thread: http://tvtropes.org/pmwiki/posts.php?discussion=1361591789034108800
Changed line(s) 3 (click to see context) from:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the [[HellIsThatNoise growls of the beast]] and [[OhCrap you '''know''' it's circling you.]]
to:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the [[HellIsThatNoise growls of the beast]] beast and [[OhCrap you '''know''' it's circling you.]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* If the TransformationSequence doesn't get you, the [[OurGhostsAreDiffernt "Undead"]] will, which are more like living zombies than ghosts; Jack first appears to David with most of his skin still torn off from the Werewolf attack, and he just keeps decaying from there until his last appearance is... gah.
to:
* If the TransformationSequence doesn't get you, the [[OurGhostsAreDiffernt [[OurGhostsAreDifferent "Undead"]] will, which are more like living zombies than ghosts; Jack first appears to David with most of his skin still torn off from the Werewolf attack, and he just keeps decaying from there until his last appearance is... gah.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* If the TransformationSequence doesn't get you, the "Undead" will, which are more like living zombies than ghosts; Jack first appears to David with most of his skin still torn off from the Werewolf attack, and he just keeps decaying from there until his last appearance is... gah.
to:
* If the TransformationSequence doesn't get you, the "Undead" [[OurGhostsAreDiffernt "Undead"]] will, which are more like living zombies than ghosts; Jack first appears to David with most of his skin still torn off from the Werewolf attack, and he just keeps decaying from there until his last appearance is... gah.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and you '''know''' it's circling you.
to:
* The first attack. Imagine you're walking with your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the [[HellIsThatNoise growls of the beast beast]] and [[OhCrap you '''know''' it's circling you.]]
Is there an issue? Send a MessageReason:
Corrected error.
Changed line(s) 3 (click to see context) from:
* The first attack. Imagine you're walking with you're friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and you '''know''' it's circling you.
to:
* The first attack. Imagine you're walking with you're your friends in a pitch black field, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and you '''know''' it's circling you.
Is there an issue? Send a MessageReason:
None
Changed line(s) 2,3 (click to see context) from:
** How about the actual nightmare sequences? Some screenshots should not be on rental video cases available to six-year-olds.
* The first attack. Imagine you're walking with you're friends in a pitch black feild, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and you '''know''' it's circling you.
* The first attack. Imagine you're walking with you're friends in a pitch black feild, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and you '''know''' it's circling you.
to:
* The first attack. Imagine you're walking with you're friends in a pitch black
Is there an issue? Send a MessageReason:
None
Changed line(s) 2 (click to see context) from:
** How about the actual nightmare sequences? Some screenshots should not be on rental video cases available to six-year-olds.
to:
** How about the actual nightmare sequences? Some screenshots should not be on rental video cases available to six-year-olds.six-year-olds.
* The first attack. Imagine you're walking with you're friends in a pitch black feild, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and you '''know''' it's circling you.
* The first attack. Imagine you're walking with you're friends in a pitch black feild, you hear howls getting closer and closer. Shortly after that you hear the growls of the beast and you '''know''' it's circling you.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* If the TransformationSequence doesn't get you, the "Undead" will, which are more like living zombies than ghosts; Jack first appears to David with most of his skin still torn off from the Werewolf attack, and he just keeps decaying from there until his last appearance is... gah.
** How about the actual nightmare sequences? Some screenshots should not be on rental video cases available to six-year-olds.
** How about the actual nightmare sequences? Some screenshots should not be on rental video cases available to six-year-olds.